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October 2008 Newsletter:January 2008 Newsletter

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October 2008 Newsletter:January 2008 Newsletter OCTOBER 2008 dance ireland NEWS Dance Ireland is the trading name of the Association of Professional Dancers in Ireland Ltd. Established in 1989, Dance Ireland is a membership-led organisation, operating on an all-Ireland basis, dedicated to the promotion of professional dance practice in Ireland. Incorporated in 1992 as a not-for-profit company with limited guarantee, the organisation has evolved into a national, umbrella resource whose core aims are the promotion of dance as a vibrant artform, the provision of support and practical resources for professional dance artists through our training and development programmes and advocacy on dance and choreography issues. Dance Ireland manages DanceHouse, a purpose-built, state-of-the-art dance rehearsal venue, located in the heart of Dublin’s north-east inner city. DanceHouse is at the heart of Dance Ireland activities, as well as being a home for professional dance artists and the wider dance community. Studios are available for hire. In addition to hosting our artistic programme of professional training and development, performances, exhibitions, special events and a fully equipped artists’ resource room, DanceHouse offers a range of evening classes to cater to the interests and needs of the general public. BOARD MEMBERS Adrienne Brown Chairperson, Cindy Cummings, Megan Kennedy secretary, Lisa McLoughlin, Anne Maher, Fearghus Ó Conchúir, John Scott vice Chairperson, Gaby Smith DANCE IRELAND PERSONNEL Paul Johnson, Chief Executive Siân Cunningham, General Manager Elisabetta Bisaro, Development Officer Inga Byrne, Administrator Kelly Chen, Bookkeeper Brenda Crea & Glenn Montgomery, Receptionists/Administrative Assistants Dance Ireland, DanceHouse, Liberty Corner, Foley Street, Dublin 1. Tel: 01 855 8800 Fax: 01 819 7529 Email: [email protected] Website: www.danceireland.ie Dance Ireland News is published 12 times a year Published by Dance Ireland, DanceHouse, Liberty Corner, Foley St, Dublin 1, Ireland. Printed by CRM Design + Print, Unit 6, Bridgecourt Office Park, Walkinstown Ave., Dublin 12, Ireland. ISSN 1649-9506 Disclaimer Dance Ireland reserves the right to edit or amend all articles or notices published in this magazine. The views expressed are those of contributors and do not necessarily represent the views of Dance Ireland members. Cover: Swan Lake, Ballet Ireland. Photo: Gunther Falusy Deadlines for next edition: November 2008 Copy & Photos: Friday 17 October Inserts: Friday 24 October All photos submitted must be accompanied by appropriate credits and acknowledgements 2 News INTRODUCTION Ireland is dancing in October. This month we bring you news of performances, workshops and special events happening here and abroad; something for all tastes and interests. Highlights are the eagerly-awaited premières of the co-production Parallel Horizons/Under the Roof by Dance Theatre of Ireland and NOW Dance Company (Korea) recently touring in Korea; Dodgems by CoisCéim (Ulster Bank Dublin Theatre Festival), and news of Ballet Ireland at the Gaiety Theatre and the new work from Fearghus O Conchúir at Project. Overseas, the Irish dance flag is flying strongly in Liverpool from 29 October to 1 November as part of Capital Nights Dance Festival (www.capitalnights.org.uk). Curated by Merseyside Dance Initiative, the festival explores European influences in contemporary dance, highlighting companies and artists from previous European capitals of culture, including the work of choreographers Ríonach Ní Néill, Fearghus O Conchúir, John Scott, Liz Roche and Nick Bryson/Damian Punch. At DanceHouse, we have a range of guest residencies and morning classes with among others, Chantal McCormick (aerial dance); Andrew Harwood (contact improvisation); and later in the month a special choreographic encounter (classes, workshop and lecture demonstration) by renowned French dance artist Jean-Christophe Boclé. As ever, we carry advance details of our members’ activities throughout the country. Not to mention news of a dancing opportunity or two in Belfast, Cork and Tralee. For those of you who missed the print deadline (which is always published in the previous month’s issue of Dance Ireland News – bottom p2) and for those who want the latest up to date news; please remember to check out our website: www.danceireland.ie and also fortnightly E-Bulletin, which you can sign up for on the website. WEBSITE REVIEW Speaking of which, it is now over a year since we re-launched our website. To date we have registered over 2,300,000 visits. Coupled with the growing numbers receiving our fortnightly E-Bulletin (over 1000 national/international contacts) and monthly Dance Ireland News (over 500 direct mail outs/200 distributed nationally to a range of arts centres and venues), we have better opportunities to promote our members’ work and the dance sector generally. As highlighted at our recent AGM, various ideas about how to further develop the website were discussed, including the development of a dedicated membership section, podcast facilities, and on-line dance directory. The website’s popularity is proof, if proof is needed of how valuable a resource it has become. However, never one to rest on our laurels – we are currently reviewing the website with the aim of making it even better and more relevant to your needs. Over the next few weeks we will be in contact with you to seek your opinion and listen to your ideas about how best to build on this fantastic resource. We welcome your input. In the meantime, if you have any ideas, please do not hesitate to contact us, directly by email: [email protected]. 3 DANCE IRELAND PROGRAMME INTERNATIONAL GUEST RESIDENCIES that stretches the boundaries between several art AND CHOREOGRAPHIC WORKSHOPS forms. Chantal will teach basic rope, silks/tissue Autumn brings you a bundle of exceptional and low flying harness work in the morning. In the practitioners, each with a vast wealth of afternoon, participants will work on combining knowledge and expertise in their respective field. dance with the aerial skills they have learned. Due Chantal McCormick leads a week-long workshop to popular demand this workshop is fully booked. in aerial dance; master improviser Andrew Harwood returns to share the practice of ANDREW L. HARWOOD improvisation with both professionals and non- Contact Improvisation International professionals; French choreographer Jean- Guest Residency Christophe Boclé teaches class and a 13 – 17 October – Morning class choreographic workshop, exploring the principles (intermediate/advanced level) of space in baroque dance and presents a unique 10am-12.30pm lecture demonstration entitled: EKTOS. Last but DI Members €12 per class; not least, Spanish dance artist Iñaki Azpillaga Non-Members €14 per class works the movement and rhythm of those taking part in his highly energetic morning classes. There 18-19 October – is something for everyone. Take your pick! Weekend workshop (open to all) 11am-4pm € CHANTAL McCORMICK DI Members 30; € 6-10 October Non-Members 50 Chantal McCormick is the co-founder and co- An outstanding international teacher, performer artistic director of Fidget Feet Aerial Dance and creator in the field of instantaneous Company, a pioneering performance company choreography and contact improvisation since Andrew HarwoodAndrew Source: Andrew Harwood 4 6 1975, Harwood is the artistic director of AH HA Productions, a project-oriented company based in Montreal, which is dedicated to the research, creation, education and production of improvisational dance as a performing art. Harwood studied, taught and performed with Steve Paxton and Nancy Stark Smith, the founding members of Contact Improvisation. Contact Improvisation is a system of movement based on the communication between two or more moving bodies and their combined relationship to the physical laws that govern their motion – gravity, momentum, energy, and inertia. It is a free play with balance, bringing forth a physical/emotional truth about a shared moment of movement that leaves participants informed, centered and enlivened. The body, in order to open to these sensations, must learn to abandon a certain quality of willfulness to experience the natural flow of movement. Practice includes rolling smoothly, falling safely, being upside down, supporting and giving weight effortlessly. Boclé Jean Christophe Alertness is developed in order to work in an energetic state of physical disorientation, trusting Source: in one’s basic survival instincts. ektos glissement JEAN CHRISTOPHE BOCLÉ at DANCE HOUSE (In association with IMDT and the Cultural Service Viola Farber. He studied baroque dance with of the French Embassy) Francine Lancelot. As a dancer, he performed with among others Ris et Danceries (Baroque and Open Contemporary Class – contemporary), Jean Pomarès, Odile Duboc, Thurs 23 – Sat 25 Oct, 10am to 11.30am François Raffinot, and M.G.Massé. He has Choreographic Workshop – choreographed for opera and film. He is a notator Sat 25 Oct, 12noon to 5pm in Kinetography Laban (Labanotation) and graded in Frederick Matthias Alexander Technique. DI Members €7 per class; The technique class will explore spatial relations, DI Members €15 for choreographic workshop; with particular emphasis on the concept of Non-Members €10 per class; verticality. Excerpts of Parcours élémentaires will be Non-Members €25 for choreographic workshop used as a working tool. The choreographic workshop will compare the two main systems of movement notation, the Feuillet system published EKTOS – by Raoul Auger Feuillet
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