DOCSLIB.ORG

Petrichor– the Smell of Earth After Rain World​​​​Premier October 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Petrichor– the Smell of Earth After Rain World​​​​Premier October 2019 Petrichor– the smell of earth after rain World Premier October 2019 ​ ​​ Choreographer: Jennifer Archibald ​ Rehearsal Director: Sonsherée Giles ​ Dancers: Bradford Chin, Sonsherée Giles, ​ AJ Guevara, Yuko Monden Juma, DeMarco Sleeper, and JanpiStar Music: The Shaman's Heart II by Byron Metcalf, Steve Roach ​ ​ ​ In My Room by Fennesz Lighting Design: Walter Holden ​ Costume Design: Julie Bell ​ Summary If gratitude unlocks the fullness of life - to always be grateful should be simple. Archibald offers snapshots of intimate connections and pushes the dancers of AXIS to face how gratitude makes sense of our past, brings peace for today, and creates a vision for tomorrow. "It's important to me that the dancers I work with can personalize the work. Being truthful on stage is empowering and seeing the artists come to terms with their individual connections to gratefulness is a journey that can be shared by everyone involved in the rehearsal process.” —Jennifer Archibald Collaborators Jennifer Archibald, Choreographer for Petirchor is the founder and Artistic Director ​ ​ of the Arch Dance Co and Program Director of ArchCore40 dance intensives, and is an Alvin Ailey School and Maggie Flanigan Acting Conservatory graduate. She has choreographed for the Atlanta Ballet, Ailey II, Cincinnati Ballet, Ballet Memphis, Kansas City Ballet, Tulsa Ballet, Ballet Nashville and Grand Rapids Ballet. Next season she will create new works for Ballet West and Sacramento Ballet. She is a recipient of the Joffrey Ballet’s Academy of Dance Choreographic Winning Works award, and Choreographic Fellows for Alvin Ailey’s New Directions Choreography Lab. She has worked commercially for Tommy Hilfiger, NIKE and MAC Cosmetics as well as chart-listed singers and actors. Ms. Archibald was the Movement Director for Michael Kahn’s ORESTEIA for DC’s Shakespeare Theatre Company. She was recently ​ ​ appointed as the first female Resident Choreographer in Cincinnati Ballet’s 40-year history. She is on faculty at Columbia University’s Barnard College and the Yale School of Drama. To learn more about Jennifer visit www.jenniferarchibald.com Walter Holden, Lighting Designer for Petrichor graduated from California Institute of ​ ​ the Arts with a M.F.A. in Theatre (emphasis in lighting design) in 1994. His love of theater was born at Southeastern Oklahoma State University while earning his B.A. in theater. His passion for dance was discovered at CalArts. Since that time he has worked in all areas of lighting design. He has toured with Earth, Wind & Fire, Pantera, Kenny G, John Tesh and numerous other bands. Along the way he has managed to design theatre at Hope Summer Repertory Theatre for 3 summers and countless corporate events. These days, when not designing corporate events, he focuses on lighting dance and theatre locally and has been fortunate enough to work with local choreographers Christy Funsch, Randee Paufve, Megan Nicely, Nina Haft, Sonya Delwaide, Catherine Davalos, Dana Lawton, Kate Mitchell, and directors Mary Armentrout, James Dunn, and Allen Taylor. Walter also toured as Production Manager and Lighting Director for Capacitor and AXIS Dance Company. Currently, Walter runs his own company, Lumenography, and teaches Lighting for Dance at St. Mary’s College. Walter is blessed with the support of his wife, Alisa Rasera, and their amazing daughters, Iris and Viola. Julie Bell, Costume Designer for Flutter, has been sewing since the age of eight. By ​ ​ trade she is a Nurse Midwife. She started sewing costumes when her daughter was a young dancer and found she really enjoyed the creative outlet and has been costuming ever since. AXIS Dance Company exists to redefine dance & disability. Founded in 1987, AXIS is ​ the nation’s most acclaimed ensemble of performers with and without disabilities. Based in Oakland, CA, AXIS’ list of collaborators includes Bill T. Jones, Stephen Petronio, Yvonne Rainer, Ann Carlson, David Dorfman, Marc Brew, Meredith Monk, Joan Jeanrenaud and Fred Frith. AXIS has toured to over 100 cities in the US, Europe and Russia. The Company has received seven Isadora Duncan Dance Awards and has appeared twice on FOX TV's So You Think You Can Dance, exposing their important and relevant work of physically integrated dance to millions. Through education and outreach programs thousands of children and adults of all ages and abilities are inspired to dance each year. www.axisdance.org .
Load more

Recommended publications
  • Scanned Document
    -~.:. Association of Performing Arts Presenters .. .. : . ". VIA ELECTRONIC FILING January 13, 2010 Ms. Marlene H. Dortch Secretary Federal Communications Commission 445 12th Street SW Washington, DC 20554 Re: Ex Parte Communication, Revisions to Rules Authorizing the Operation ofLow Power Auxiliary Stations in the 698-806 MHz Band, WT Docket No. 08-166; Public Interest Spectrum Coalition, Petition for Rulemaking Regarding Low Power Auxiliary Stations, Including Wireless Microphones, and the Digital Television Transition. WT Docket No. 08-167 Dear Ms. Dortch: The Association ofPerforming Arts Presenters ("Arts Presenters") requests that the Commission recognize the legitimate use ofwireless microphones used in the performing arts by expanding eligibility for licensing ofwireless microphones to include performing arts organizations, by permitting incumbent wireless microphone operations to relocate to spectrum in the TV Core (on or below UHF Channel 51), by adopting appropriate technical and service rules for such operations and by affording interference protection for wireless microphone operations from co-channel and adjacent channel unlicensed fixed and mobile white space operations. Arts Presenters includes nearly 2,000 members representing the nation's leading performing arts centers, including civic and university performance facilities, as well as artist agencies, managers, touring companies, national consulting practices that service the field, and a growing roster ofself-presenting artists. Arts Presenters members operate in all 50 states and range from large performing arts centers in major urban cities, outdoor festivals and rural community-focused organizations to academic institutions, artists and artist managers. For the Commission's information, attached is a copy ofthe participants listings from the January 2010 Arts Presenters conference.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • The Portland Ballet Dances a Fairytale Holiday
    Contact: Cynthia Kirk [email protected] 503-330-1886 The Portland Ballet Dances a Fairytale Holiday Double Bill Includes World Premiere of John Clifford’s Tales from Mother Goose and His Wildly Popular The Enchanted Toyshop Portland State University Orchestra Plays Ravel and Rossini/Respighi’s Music Live at All Six Performances 5-Dollar-First-Show Presents Generous Holiday Gift to Portlanders The Portland Ballet Presents the World Premiere of John Clifford’s Tales from Mother Goose (2014) with his The Enchanted Toyshop (2003) in partnership with Portland State University Orchestra Performances Open Rehearsal F/Sa/Su, Nov 28/29/30, 1 & 5 PM Led by Artistic Director Nancy Davis Lincoln Hall, 1620 SW Park at Market TPB Studio Runtime: 100 minutes w/intermission 6250 SW Capitol Highway Tickets: F/Nov 28, 1 PM $5 Sa, Nov 1, 3-4 PM All other performances: Free: Reservation/Ticket Not Required Tickets: $15, youth; $35, adults Information: theportlandballet.org $90, family pack (2 youth, 2 503.452.8448 adults); additional youth, $10 PSU Box Office, pdx.edu/boxoffice/tickets 503.725.3307 Limited Arts Card and Arts for All tickets Information: 503.452.8448 For 13 years, THE PORTLAND BALLET (Nancy Davis, artistic director)—the metro area’s premiere youth ballet company—has presented a holiday production to delight the entire family. Taking place over Thanksgiving weekend, the production offers a refreshing change from most holiday fare: it’s not the Nutcracker and it takes place before the December performance rush. In addition, it is danced by THE PORTLAND BALLET’s superbly trained young dancers with an immediate connection to a family audience.
    [Show full text]
  • Professional Division Graduates, 1999-2014
    Professional Division Graduates, 1999-2014 Name Company/College/University Year Heather Aagard Ballet Arizona; Joffrey Ballet 2001 Chelsea Adomaitis Pacific Northwest Ballet 2009 Tristan Alberda Milwaukee Ballet 2000 Maggie Alden Columbia University 2009 Kirsten Allman Louisville Ballet 2009 Garrett Anderson Hubbard Street Dance; Royal Ballet of Flanders; San Francisco Ballet 2001 Jessika Anspach Pacific Northwest Ballet 2004 Isaac Aoki Grand Rapids Ballet 2013 Emma Appel University of California, Berkeley 2011 Robbie-Jean Arbaczewski Central Pennsylvania Youth Ballet 2009 Jacquelyn Arcati Cherylyn Lavagnino Dance; Nevada Ballet; Columbia Univ. School of Law 2005 Thomas Baltrushunas Pennsylvania Ballet; Temple University 2002 Edward Barnes Pennsylvania Ballet 2008 Eli Barnes Cincinnati Ballet; Alberta Ballet 2011 Andrew Bartee Ballet BC; Pacific Northwest Ballet; Princess Grace Award Recipient 2008 Reid Bartelme Alberta Ballet; BalletMet; Current: Freelance fashion/costume designer 2001 Taisha Barton-Rowledge Ballet du Capitole, Toulouse, France; Carolina Ballet 2009 Alison Basford Boston Ballet; Pacific Northwest Ballet; Suzanne Farrell Ballet 2002 Marlowe Bassett Napoles Ballet Theatre; LINES Ballet; Metamorphosis (San Francisco) 2002 Reilley Bell Alberta Ballet 2007 Ezra Benjamin Cornish College of the Arts 2003 Christiana Bennett Ballet West (Principal Dancer) 1999 Laurel Benson Ballet West II 2014 Ian Bethany Ballet Austin 2008 Kelsey Bevington Nevada Ballet Theatre; Cincinnati Ballet II 2013 Perry Bevington Nevada Ballet Theatre,
    [Show full text]
  • For Immediate Release
    FOR IMMEDIATE RELEASE MEDIA CONTACT: Lisa Mezzacappa Lisa Mezzacappa Projects: Arts Programming and Communications 510-708-2530 // [email protected] PHOTOS: http://oaklandballet.org/wp/photos/ OAKLAND BALLET COMPANY ANNOUNCES SPRING 2014 SEASON Oakland-esque features world premieres by Sonya Delwaide, Molissa Fenley, Robert Moses and Artistic Director Graham Lustig, with guest dancers from AXIS Dance Company and street dance crew Turffeinz May 16-17, 2014 Malonga Casquelourd Center for the Arts, Oakland Oakland, CA, March 10, 2014 – Oakland Ballet Company presents its spring season program Oakland-esque, a portrait in dance of the cultural and natural wonders of Oakland featuring new works by esteemed local choreographers, in collaboration with area composers, musicians, dance companies, visual artists and street dancers. Four world-premiere dance works by choreographers Sonya Delwaide, Molissa Fenley, Robert Moses and Artistic Director Graham Lustig feature Company dancers with special guest performers from Oakland’s groundbreaking AXIS Dance Company and the turf dancers from the popular Oakland street dance crew the Turffeinz, with music ranging from grass- roots Oakland hip-hop, to classic Oakland funk, to a new percussion score by area cellist/composer Joan Jeanrenaud, performed live by Mills College alumnae. As a company grounded in the cultural life of Oakland for nearly 50 years, Oakland Ballet continues its longstanding support of artistic work of, about, and for the city, asking each choreographer to present their personal artistic vision of Oakland, from fast-moving urban pop culture to historical roots to the meditative splendor of the regional parks. Oakland painter Sam Renaissance brings his bold and vibrant vision of city life to the production’s costumes and scenery.
    [Show full text]
  • Flutter AXIS ​Premier October 2019 Summary
    Flutter AXIS Premier October 2019 ​ Choreographer: Robert Dekkers ​ Rehearsal Director: Sonsherée Giles ​ Dancers: Cast One | Yuko, AJ Guevara, and JanpiStar ​ Cast Two | Bradford Chin, Yuko Monden Juma, DeMarco Sleeper ​ ​ ​ Music: Clapping Music by Steve Reich, ​ Partita for Solo Violin No. 2 in D Minor, BWV 1004: III. Sarabande by Johann Sebastian Bach Lighting Design: Walter Holden ​ Costume Design: Christian Squires ​ Wardrobe Assistant: Marge Funabiki ​ Summary Robert Dekkers’ Flutter—which has been noted for its music being something dancers dance against rather than with, was originally staged for Post:Ballet with an all-female cast, an all-male cast, and then a mixed-gender cast; the work has been refocused by Dekkers through the lens of physically integrated dance as a way of highlighting the skills of the individual AXIS dancers as well as how they come together as a cohesive company. “Flutter is a meditation on the relationship between the individual and the collective. It explores the space between masculinity and femininity, form and freedom, effort and pleasure.” —Robert Dekkers Collaborators Robert Dekkers, Choreographer for Flutter is the founder and Artistic Director of ​ ​ Post:Ballet. Collaborating with eclectic artists to present performances that are “anything but risk averse” (SF Chronicle), Robert has created new works for Post:Ballet together with artists working in film, visual art, animation, architecture, sculpture, fash- ion design, and new music. Robert has received commissions from Kansas City Ballet, Atlanta Ballet, Grand Rapids Bal- let, Smuin Ballet, sjDANCEco, San Jose State University, Stanford University, Southern Methodist University, and Quixotic Cirque Noveau. He's the Artistic Director of Berkeley Ballet Theater, the official school of Post:Ballet, where he works to redefine what ballet is and who it is for.
    [Show full text]
  • Choreographies of Disablement
    CHOREOGRAPHIES OF DISABLEMENT A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Amanda DiLodovico December 2017 Examining Committee Members: Dr. Mark Franko, Advisory Chair, Dance Department Dr. Karen Bond, Dance Department Dr. Sherril Dodds, Dance Department Dr. Shannon Walters, English Department Dr. Jens Richard Giersdorf, External Member, Marymount Manhattan College © Copyright 2017 by Amanda DiLodovico All Rights Reserved ii ABSTRACT Choreographies of Disablement interrogates the historical relationship between dance and disability to recognize and define ‘disablement’ as a choreographic concept within contemporary dance practice. Working from choreographic analysis, interviews, and theories of sovereignty and crip time I argue ‘disablement’ grows out of the historical nexus in which Western concert dance, through the paradigm of ballet, was cultivated: the seventeenth century French political sphere and the prestige of a sovereign balletomane King. The performances of French kings in the burlesque ballet choreographies of 1624-1627 serve as the historical center of this research because disability has a political role to play at the dawn of concert dance in the West. This insight provides the historical perspective from which I locate the development of ‘disablement’ in the seventeenth century and identify its emergence in twenty-first century choreographies. This dissertation uses the historical and political significance of the burlesque ballets as a touchstone to then analyze three contemporary sites of choreography produced between 2004 and 2016. Chapter 3 considers the repertory of German choreographer Raimund Hoghe, a queer disabled artist. I focus attention on his piece Sacre – The Rite of Spring (2004), which draws upon dance’s historical, canonical past.
    [Show full text]
  • The Joffrey Ballet
    Friday and Saturday, March 6–7, 2020, 8pm Sunday, March 8, 2020, 3pm Zellerbach Hall The Joffrey Ballet Ashley Wheater MBE The Mary B. Galvin Artistic Director Greg Cameron President & CEO Robert Joffrey Founder Gerald Arpino Founder Artists of the Company Derrick Agnoletti Yoshihisa Arai Amanda Assucena Edson Barbosa Miguel Angel Blanco Evan Boersma Anais Bueno Valeria Chaykina Nicole Ciapponi Lucia Connolly José Pable Castro Cuevas April Daly Jonathan Dole Derek Drilon Fernando Duarte Olivia Duryea Cara Marie Gary Anna Gerberich Stefan Goncalvez Dylan Gutierrez Dara Holmes Yuka Iwai Victoria Jaiani Hansol Jeong Gayeon Jung Yumi Kanazawa Hyuma Kiyosawa Brooke Linford Greig Matthews Graham Maverick Jeraldine Mendoza Xavier Núnez Princess Reid Aaron Renteria Christine Rocas Julia Rust Chloé Sherman Temur Suluashvili Miu Tanaka Olivia Tang-Mifsud Alonso Tepetzi Alberto Velazquez Joanna Wozniak Valentino Moneglia Zamora Scott Speck Ellie Cotey Music Director Costume Manager Bradley Renner Gregg Benkovich General Manager Shoe Manager Blair Baldwin Jim Walsh Company Manager Master Carpenter Nicolas Blanc, Adam Blyde, Suzanne Lopez Erin Tinsley Rehearsal Directors/Principal Coaches Master Electrician Grace Kim, Michael Moricz Gregg Moeller Company Pianists Property Master Cody Chen George Paulin Production Manager Soundperson Katherine Selig Matthew Carney Principal Stage Manager Electrician/Programmer Amanda Heuermann Matthew Black Stage Manager Flyperson These performances are made possible, in part, by Patron Sponsors Gail and Dan Rubinfeld,
    [Show full text]
  • The Hometown Advantage Seven Local Studios That Are Cultivating Top Talent by Ashley Rivers
    Your Training The Hometown Advantage Seven local studios that are cultivating top talent By Ashley Rivers It’s the American dream, ballet- style: A small-town girl works hard, turns heads in the big city and wins her way to the top of a world-class com- pany. Teresa Reichlen is one such story: Before joining New York City Ballet, she studied at The Russell School of Ballet in Chantilly, VA. “It’s nice to be a big fish in a small pond to start out,” she says. Instead of always dancing in the corps, “you get to perform the challenging parts.” Several small studios around the country are producing professional- caliber dancers. These schools may not receive the same publicity as their counterparts with companies or board- ing schools attached, but they prove that you don’t need high-profile training to make it as a dancer. In fact, the extra at- tention, performance opportunities and lower-stress environment might be what you need to grow—not just as a dancer, but as an artist. GREENWICH BALLET ACADEMY International Ballet Competition in Jackson, MS. Number of students: 200 (no audition required) Greenwich, CT, and Port Chester, NY Alexandra Ballet also keeps up a connection Performances per year: Up to 12 GBA has only been around since 2006, but its with Cincinnati Ballet, whose dancers often give Competitions: The school doesn’t emphasize strong Vaganova training (modeled after the master classes and perform with students. competitions, but supports students who compete. Vaganova and Bolshoi academies’ eight-year pro- Classes: Ballet, modern, character, pointe, pas de Alumni: Louise Nadeau (former PNB principal), gram) is unique in the region.
    [Show full text]
  • Program Booklet
    Amy Seiwert’s Imagery Presents: SKETCH 3: Expectations world premiere ballets by Marc Brew Val Caniparoli Amy Seiwert July 25–28, 2013 ODC Theater 3153 17th Street San Francisco, CA 94110 All logo and bubble photography by David DeSilva in collaboration with Bubble Master Sterling Johnson Dear Patron: Thank you so much for choosing to come to Amy Seiwert’s Imagery’s SKETCH 3. By doing so, you have supported Live Arts which, in and of itself, is important. But more than that, you have chosen to participate in a unique program. Each year, Amy identi"es a theme and invites stunning choreographers that she thinks have a pertinent message to create dances for Bay Area audiences — dances and choreographers that we wouldn’t, otherwise, be exposed to. Last year, she brought in female choreographers to present their individual message, commenting on the lack of female choreographers in the ballet "eld. This year, she has chosen to focus on process, shifting the focus from who makes the ballets, to how ballets are being made, as a theme. To accomplish this she invited a marvelous local choreographer familiar to Bay Area audiences through San Francisco Ballet, Val Caniparoli, as well as a renowned Australian choreographer, Marc Brew. And, we can thrill to a new o#ering by Amy herself. Michael Smuin once introduced Amy’s choreography by saying: “Amy has more originality in 25 seconds of work than most choreographers have in their entire work.” The SKETCH series is becoming a staple of mid-summer dance in San Francisco... but it won’t be able to continue without your generous support.
    [Show full text]
  • Fiscal Year 2019, First Round Artistic Discipline/Field List
    Fiscal Year 2019, First Round Artistic Discipline/Field List The following includes the first round of NEA recommended grants to organizations, sorted by artistic discipline/field. All of the grants are for specific projects; no Arts Endowment funds may be used for general operating expenses. To find additional project details, please visit the National Endowment for the Arts’ Grant Search. Click the grant area or artistic field below to jump to that area of the document. Art Works Artist Communities Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Musical Theater Opera Presenting & Multidisciplinary Works Theater Visual Arts Challenge America Creative Writing (Poetry) Fellowships Artist Communities Number of Grants: 40 Total Dollar Amount: $740,000 3Arts, Inc $10,000 Chicago, IL To support residencies and related activities for artists with disabilities. Alliance of Artists Communities $25,000 Providence, RI To support an initiative to strengthen the artist communities field by identifying and expanding opportunities for performing artists. Anderson Ranch Arts Foundation $30,000 Snowmass Village, CO To support an Artists-in-Residence Program and Outreach Program. Art Omi, Inc. (aka Omi International Arts Center) $15,000 New York, NY To support American artists as part of an international artists residency program. Atlantic Center for the Arts, Inc. $25,000 New Smyrna Beach, FL To support the Artist-in-Residence Program and a teen music residency. Bemis Center for Contemporary Arts $40,000 Omaha, NE To support the Artist-in-Residence program. Brooklyn Arts Exchange, Inc. (aka BAX) $20,000 Brooklyn, NY To support the BAX Urban Dance and Theater Artists Residency Program.
    [Show full text]
  • Dance Subject: AXIS Dance Company Discipline: Dance
    EDUCATOR GUIDE Story Theme: The Frontiers of Dance Subject: AXIS Dance Company Discipline: Dance SECTION I – OVERVIEW .....................................................................................................................2 EPISODE THEME SUBJECT CURRICULUM CONNECTIONS OBJECTIVE STORY SYNOPSIS INSTRUCTIONAL OBJECTIVES INSTRUCTIONAL STRATEGIES EQUIPMENT NEEDED MATERIALS NEEDED INTELLIGENCES ADDRESSED SECTION II – CONTENT/CONTEXT ..................................................................................................3 CONTENT OVERVIEW THE BIG PICTURE RESOURCES – TEXTS & ARTICLES RESOURCES – WEB SITES VIDEO RESOURCES BAY AREA FIELD TRIPS SECTION III – VOCABULARY.............................................................................................................8 SECTION IV – ENGAGING WITH SPARK ...................................................................................... 10 AXIS Dance Company members rehearse a new production. Still image from SPARK story, January 2004. SECTION I – OVERVIEW EPISODE THEME INSTRUCTIONAL STRATEGIES The Frontiers of Dance Individual and group research Individual and group exercises SUBJECT Oral presentation of research results and findings AXIS Dance Company Group written research materials Group discussions GRADE RANGES K-12 & Post-secondary EQUIPMENT NEEDED CURRICULUM CONNECTIONS SPARK story about AXIS Dance Company on DVD Dance, Music & Science or VHS and related equipment Computer with Internet access, navigation software, speakers and a sounds card, and color printer
    [Show full text]