NEFA Annual Report 2011
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-~.:. Association of Performing Arts Presenters .. .. : . ". VIA ELECTRONIC FILING January 13, 2010 Ms. Marlene H. Dortch Secretary Federal Communications Commission 445 12th Street SW Washington, DC 20554 Re: Ex Parte Communication, Revisions to Rules Authorizing the Operation ofLow Power Auxiliary Stations in the 698-806 MHz Band, WT Docket No. 08-166; Public Interest Spectrum Coalition, Petition for Rulemaking Regarding Low Power Auxiliary Stations, Including Wireless Microphones, and the Digital Television Transition. WT Docket No. 08-167 Dear Ms. Dortch: The Association ofPerforming Arts Presenters ("Arts Presenters") requests that the Commission recognize the legitimate use ofwireless microphones used in the performing arts by expanding eligibility for licensing ofwireless microphones to include performing arts organizations, by permitting incumbent wireless microphone operations to relocate to spectrum in the TV Core (on or below UHF Channel 51), by adopting appropriate technical and service rules for such operations and by affording interference protection for wireless microphone operations from co-channel and adjacent channel unlicensed fixed and mobile white space operations. Arts Presenters includes nearly 2,000 members representing the nation's leading performing arts centers, including civic and university performance facilities, as well as artist agencies, managers, touring companies, national consulting practices that service the field, and a growing roster ofself-presenting artists. Arts Presenters members operate in all 50 states and range from large performing arts centers in major urban cities, outdoor festivals and rural community-focused organizations to academic institutions, artists and artist managers. For the Commission's information, attached is a copy ofthe participants listings from the January 2010 Arts Presenters conference. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Oral History Interview of James Hennigan, Jr
Oral History Interview of James Hennigan, Jr. (OH-066) Moakley Archive and Institute www.suffolk.edu/moakley [email protected] Oral History Interview of James Hennigan, Jr. (OH-066) Interview Date: January 19, 2007 Interviewed by: Robert Allison, Suffolk University History Professor, and Joseph McEttrick, Suffolk University Law School Professor. Citation: Hennigan, Jr., James W. Interviewed by Robert Allison and Joseph McEttrick. John Joseph Moakley Oral History Project OH-066. 19 January 2007. Transcript and audio available. John Joseph Moakley Archive and Institute, Suffolk University, Boston, MA. Copyright Information: Copyright ©2007 Suffolk University. Interview Summary In this interview, James W. Hennigan, Jr., a Suffolk University Law School alumnus (JD 1958), Massachusetts state representative (1953-1954), state senator (1955-1964), and Boston School Committee member (1970-1974), discusses the impact of the 1974 Garrity decision, which required some students to be bused between Boston neighborhoods with the intention of creating racial balance in the public schools. Mr. Hennigan reflects on the issue of busing in the Boston Public School system, recalling the Boston School Committee’s work in the years prior to the Garrity decision and the roles which various politicians and city leaders played in the debate. He reminisces about Boston’s great politicians. Additionally, he recalls his memories of Joe Moakley’s successful run as an Independent candidate for the U.S. House of Representatives in 1972. Mr. Hennigan also shares a bit of his political career and that of his family. Page 1 of 33 Oral History Interview of James Hennigan, Jr. (OH-066) Moakley Archive and Institute www.suffolk.edu/moakley [email protected] Subject Headings Boston (Mass.). -
Avenues of Exchange
4th annual ACSA/AIA Housing and Community Development Workshop Avenues of Exchange: Image by Studio for Spatial Practice Professionals, Researchers, and Communities Building the Equitable City WEDNESDAY, MARCH 27 6:00–7:30 PM Welcome Lecture: A Tale of Two Cities Westin Pittsburgh, 1000 Penn Avenue 7:30–9:00 PM Welcome Reception AIA Pittsburgh, 925 Liberty Ave, Suite 700 THURSDAY, MARCH 28 Meet in the Westin Pittsburgh lobby at 8:30am 8:30–11:30 AM Insider’s Tour: Local Housing and Community Development Projects 11:30 AM-1:30 PM Lunch and Panel Discussion: Teaching Community Engagement A program of ACSA and the AIA Housing and Community Development Knowledge Community, presented in partnership with AIA Pittsburgh, ULI Pittsburgh, and Pittsburgh History & Landmarks Foundation About the Workshop Today Pittsburgh, like many cities across America, is attracting new investment while confronting growing concerns about equitable development, especially in historically disadvantaged and rapidly changing neighborhoods. As students demonstrate renewed interest in political engagement and social impact design, how can housing and community development education and practice best contribute to collective dialogue and action? This event includes an evening lecture and reception and a half- day workshop including a local project tour and panel discussion that will consider models of best practices in housing and community development. Participants will get out and see what is happening in Pittsburgh neighborhoods and meet with people who are involved in key design and development initiatives. Schedule WEDNESDAY, MARCH 27 6:00-7:30 PM WELCOME LECTURE Westin Pittsburgh, 1000 Penn Avenue A Tale of Two Cities Moderated by AIA National President William Bates, this conversation will explore the opportunities and challenges of working at the intersection of education and practice in changing cities like Pittsburgh and Boston. -
For Immediate Release
FOR IMMEDIATE RELEASE MEDIA CONTACT: Lisa Mezzacappa Lisa Mezzacappa Projects: Arts Programming and Communications 510-708-2530 // [email protected] PHOTOS: http://oaklandballet.org/wp/photos/ OAKLAND BALLET COMPANY ANNOUNCES SPRING 2014 SEASON Oakland-esque features world premieres by Sonya Delwaide, Molissa Fenley, Robert Moses and Artistic Director Graham Lustig, with guest dancers from AXIS Dance Company and street dance crew Turffeinz May 16-17, 2014 Malonga Casquelourd Center for the Arts, Oakland Oakland, CA, March 10, 2014 – Oakland Ballet Company presents its spring season program Oakland-esque, a portrait in dance of the cultural and natural wonders of Oakland featuring new works by esteemed local choreographers, in collaboration with area composers, musicians, dance companies, visual artists and street dancers. Four world-premiere dance works by choreographers Sonya Delwaide, Molissa Fenley, Robert Moses and Artistic Director Graham Lustig feature Company dancers with special guest performers from Oakland’s groundbreaking AXIS Dance Company and the turf dancers from the popular Oakland street dance crew the Turffeinz, with music ranging from grass- roots Oakland hip-hop, to classic Oakland funk, to a new percussion score by area cellist/composer Joan Jeanrenaud, performed live by Mills College alumnae. As a company grounded in the cultural life of Oakland for nearly 50 years, Oakland Ballet continues its longstanding support of artistic work of, about, and for the city, asking each choreographer to present their personal artistic vision of Oakland, from fast-moving urban pop culture to historical roots to the meditative splendor of the regional parks. Oakland painter Sam Renaissance brings his bold and vibrant vision of city life to the production’s costumes and scenery. -
Transforming Boston's Future
UNCONVENTIONAL CONVENTIONS Transforming Boston’s future A collection of essays on the challenges Boston faces in the 21st century and ways to make the city more livable, equitable, resilient and beautiful. 1 TABLE OF CONTENTS Social Resiliency RESILIENCY Social Resiliency AFFORDABILITY Compact Living ZONING Land Use Regulation LEADERSHIP Urban Excellence MOBILITY Multi-Modal Transportation INDUSTRY Industrial Integration REGIONALISM Gateway Cities EQUITY Social Justice HEALTH Public Health ARTS Arts & Culture ECONOMY Economic inequality CONTRIBUTORS Dan Adams is Director and Associate Professor of the School of Architecture at Northeastern University and founding partner, with Marie Law Adams, of Landing Studio Marie Law Adams is a Lecturer in Urban Design in the Department of Urban Studies and Planning at the Massachusetts Institute of Technology and is partner in Landing Studio Alice Brown is Director of Water Transportation at Boston Harbor Now Douglas Brugge is Professor and Chair of the Department of Public Health Sciences at UConn Health Michelle Danila, P.E., PTOE is a licensed civil engineer that strives to improve safety for all roadway users, especially people walking and biking, and has worked on roadway and intersection design projects throughout the United States David Gamble is a Lecturer at Harvard’s Graduate School of Design and Principal of Gamble Associates Kate Gilbert is an artist and Executive Director at Now and There, a Boston-based public art non-profi t Rebecca Herst is the Sustainable Solutions Lab Director at the University of Massachusetts Boston Imari K. Paris Jeffries is the Executive Director of King Boston, a Trustee of the UMass System and is currently pursuing his Ph.D. -
Avenues to the Arts a New Creative District for Boston
AVENUES TO THE ARTS A NEW CREATIVE DISTRICT FOR BOSTON PREPARED BY: 1 WE WOULD LIKE TO THANK THE FOLLOWING WORKING SESSION PARTICIPANTS AND ORGANIZATIONS: VIKTORIJA ABOLINA, SENIOR PLANNER, BOSTON PLANNING & DEVELOPMENT AUTHORITY; JOSEPH AOUN, PRESI- DENT, NORTHEASTERN UNIVERSITY; SAM AQUILLANO, EXECUTIVE DIRECTOR, DESIGN MUSEUM FOUNDATION; MATT ARNOLD, ASSOCIATE, HACIN + ASSOCIATES; F. PHILIP BARASH, CREATIVE DIRECTOR, SASAKI ASSOCIATES; ROBERT BARNES, DIRECTOR OF FACILITIES, BOSTON SYMPHONY ORCHESTRA; JOHN BARROS, CHIEF OF ECONOMIC DEVEL- OPMENT, CITY OF BOSTON; DESIREE BARRY, COMMUNICATIONS MANAGER, HUNTINGTON THEATRE COMPANY; JOHN BECK, DEPUTY DIRECTOR, ARTSBOSTON; LAURA BRELSFORD, ASSISTANT GENERAL MANAGER OF SYSTEM-WIDE ACCESSIBILITY, MASSACHUSETTS BAY TRANSPORTATION AUTHORITY; JACOB BRENNAN, COUNCIL MEMBER, MAS- SACHUSETTS CULTURAL COUNCIL; KELLY BRILLIANT, EXECUTIVE DIRECTOR, THE FENWAY ALLIANCE; ROGER BROWN, PRESIDENT, BERKLEE COLLEGE OF MUSIC; PEGGY BURCHENAL, CURATOR OF EDUCATION AND PUBLIC PROGRAMS, ISABELLA STEWART GARDNER MUSEUM; JULIE BURROS, CHIEF OF ARTS AND CULTURE, CITY OF BOS- TON; ERIN CALLANAN, PRINCIPAL, CALLANAN & KLEIN COMMUNICATIONS; ELLEN CARR, DIRECTOR OF MARKETING & COMMUNICATIONS, MASSACHUSETTS COLLEGE OF ART AND DESIGN; DR. GERALD CHAN, PRESIDENT, MORNING- SIDE GROUP; JANELLE CHAN, CHIEF OF REAL ESTATE, MASSACHUSETTS BAY TRANSPORTATION AUTHORITY; LINDA CHIN, EXECUTIVE DIRECTOR, WHEELOCK FAMILY THEATRE; ANNE R. CLARK, HEADMASTER, BOSTON ARTS ACAD- EMY; JACKIE DEWOLFE, DIRECTOR OF SUSTAINABLE MOBILITY, MASSDOT; -
Flutter AXIS Premier October 2019 Summary
Flutter AXIS Premier October 2019 Choreographer: Robert Dekkers Rehearsal Director: Sonsherée Giles Dancers: Cast One | Yuko, AJ Guevara, and JanpiStar Cast Two | Bradford Chin, Yuko Monden Juma, DeMarco Sleeper Music: Clapping Music by Steve Reich, Partita for Solo Violin No. 2 in D Minor, BWV 1004: III. Sarabande by Johann Sebastian Bach Lighting Design: Walter Holden Costume Design: Christian Squires Wardrobe Assistant: Marge Funabiki Summary Robert Dekkers’ Flutter—which has been noted for its music being something dancers dance against rather than with, was originally staged for Post:Ballet with an all-female cast, an all-male cast, and then a mixed-gender cast; the work has been refocused by Dekkers through the lens of physically integrated dance as a way of highlighting the skills of the individual AXIS dancers as well as how they come together as a cohesive company. “Flutter is a meditation on the relationship between the individual and the collective. It explores the space between masculinity and femininity, form and freedom, effort and pleasure.” —Robert Dekkers Collaborators Robert Dekkers, Choreographer for Flutter is the founder and Artistic Director of Post:Ballet. Collaborating with eclectic artists to present performances that are “anything but risk averse” (SF Chronicle), Robert has created new works for Post:Ballet together with artists working in film, visual art, animation, architecture, sculpture, fash- ion design, and new music. Robert has received commissions from Kansas City Ballet, Atlanta Ballet, Grand Rapids Bal- let, Smuin Ballet, sjDANCEco, San Jose State University, Stanford University, Southern Methodist University, and Quixotic Cirque Noveau. He's the Artistic Director of Berkeley Ballet Theater, the official school of Post:Ballet, where he works to redefine what ballet is and who it is for. -
Architecture Program Report
MARCH 2013 REVISED JULY 2013 ARCHITECTURE PROGRAM REPORT NAAB VISIT FOR AccreDitation Patricia Seitz Master of Architecture Program Head / Program Coordinator Professor of Architecture Email: [email protected] Phone: 617.879.7677 Paul Hajian Chair - Architecture Department Professor of Architecture Email: [email protected] Phone: 617.879.7652 Jenny Gibbs Associate Dean of Graduate Programs Email: [email protected] Phone: 617.879.7181 Maureen Kelly Senior Vice President for Academic Affairs Email: [email protected] Phone: 617.879.7365 Dawn Barrett President Email: [email protected] Phone: 617.879.7100 MASSachuSETTS COLLege OF Art AND DESIGN ARCHITECTURE PROGRAM REPORT 2013 ARCHITECTURE PROGRAM Report 2013 MASSACHUSETTS COLLEGE OF ART AND DESIGN / ARCHITECTURE / MARCH 2013 TABLE OF CONTENTS Part ONE (I) - INSTITUTIONAL Support AND COMMITMENT to CONTINUOUS Improvement 4 Section 1: Identity and Self-Assessment 4 I.1.1 History and Mission 4 I.1.2 Learning Culture and Social Equity 18 I.1.3 Responses to the Five Perspectives 22 I.1.4 Long Range Planning 28 I.1.5 Self-Assessment Procedures 40 Section 2: Resources 48 I.2.1 Human Resources and Resource Development 48 I.2.2 Administrative Structure and Governance 69 I.2.3 Physical Resources 74 I.2.4 Financial Resources 92 I.2.5 Information Resources 95 Section 3: Institutional and Program Characteristics 101 I.3.1 Statistical Reports 101 I.3.2 Financial Reports 106 I.3.3 Faculty Credentials 107 Section 4: Policy Review 112 Part TWO (II) - EDucationaL OutcomeS -
Choreographies of Disablement
CHOREOGRAPHIES OF DISABLEMENT A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Amanda DiLodovico December 2017 Examining Committee Members: Dr. Mark Franko, Advisory Chair, Dance Department Dr. Karen Bond, Dance Department Dr. Sherril Dodds, Dance Department Dr. Shannon Walters, English Department Dr. Jens Richard Giersdorf, External Member, Marymount Manhattan College © Copyright 2017 by Amanda DiLodovico All Rights Reserved ii ABSTRACT Choreographies of Disablement interrogates the historical relationship between dance and disability to recognize and define ‘disablement’ as a choreographic concept within contemporary dance practice. Working from choreographic analysis, interviews, and theories of sovereignty and crip time I argue ‘disablement’ grows out of the historical nexus in which Western concert dance, through the paradigm of ballet, was cultivated: the seventeenth century French political sphere and the prestige of a sovereign balletomane King. The performances of French kings in the burlesque ballet choreographies of 1624-1627 serve as the historical center of this research because disability has a political role to play at the dawn of concert dance in the West. This insight provides the historical perspective from which I locate the development of ‘disablement’ in the seventeenth century and identify its emergence in twenty-first century choreographies. This dissertation uses the historical and political significance of the burlesque ballets as a touchstone to then analyze three contemporary sites of choreography produced between 2004 and 2016. Chapter 3 considers the repertory of German choreographer Raimund Hoghe, a queer disabled artist. I focus attention on his piece Sacre – The Rite of Spring (2004), which draws upon dance’s historical, canonical past. -
Program Booklet
Amy Seiwert’s Imagery Presents: SKETCH 3: Expectations world premiere ballets by Marc Brew Val Caniparoli Amy Seiwert July 25–28, 2013 ODC Theater 3153 17th Street San Francisco, CA 94110 All logo and bubble photography by David DeSilva in collaboration with Bubble Master Sterling Johnson Dear Patron: Thank you so much for choosing to come to Amy Seiwert’s Imagery’s SKETCH 3. By doing so, you have supported Live Arts which, in and of itself, is important. But more than that, you have chosen to participate in a unique program. Each year, Amy identi"es a theme and invites stunning choreographers that she thinks have a pertinent message to create dances for Bay Area audiences — dances and choreographers that we wouldn’t, otherwise, be exposed to. Last year, she brought in female choreographers to present their individual message, commenting on the lack of female choreographers in the ballet "eld. This year, she has chosen to focus on process, shifting the focus from who makes the ballets, to how ballets are being made, as a theme. To accomplish this she invited a marvelous local choreographer familiar to Bay Area audiences through San Francisco Ballet, Val Caniparoli, as well as a renowned Australian choreographer, Marc Brew. And, we can thrill to a new o#ering by Amy herself. Michael Smuin once introduced Amy’s choreography by saying: “Amy has more originality in 25 seconds of work than most choreographers have in their entire work.” The SKETCH series is becoming a staple of mid-summer dance in San Francisco... but it won’t be able to continue without your generous support. -
Higher Education in New England – Planning a Post-COVID-19 Recovery
GRI Whitepaper Series 2020-7 COVID-19 Special Investigation Report: Higher Education in New England – Planning a Post-COVID-19 Recovery Prepared August 2020 DISTRIBUTION STATEMENT A. Approved for public release. Distribution is unlimited. This material is based upon work supported under Air Force Contract No. FA8702-15-D-0001. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the U.S. Air Force. © 2020 Massachusetts Institute of Technology. Delivered to the U.S. Government with Unlimited Rights, as defined in DFARS Part 252.227-7013 or 7014 (Feb 2014). Notwithstanding any copyright notice, U.S. Govern- ment rights in this work are defined by DFARS 252.227-7013 or DFARS 252.227-7014 as detailed above. Use of this work other than as specifically authorized by the U.S. Government may violate any copyrights that exist in this work. About the Author Theodore C. Landsmark, M.Env.D., J.D., Ph.D. Distinguished Professor, Public Policy and Urban Affairs; Director, Kitty and Michael Dukakis Center for Urban and Regional Policy, Northeastern University Ted Landsmark is distinguished professor and director of the Kitty and Michael Dukakis This report is supported by Center for Urban and Regional Policy in the School of Public Policy and Urban Affairs in the College of Social Sciences and Humanities at Northeastern University. He holds a Ph.D. in American and New England studies from Boston University, and professional degrees in law, and environmental design from Yale University. As Mayor Martin J.