Fiscal Year 2019, First Round Artistic Discipline/Field List
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[email protected] OB
PRESS CONTACT: Natasha Kautsky Director of Marketing & Communications PHONE: 503.227.0977 EMAIL: [email protected] OBT’S 25TH ANNIVERSARY SEASON ENDS ON A DRAMATIC NOTE WITH IMPACT Four Powerful Works, Including a World Premiere from Darrell Grand Moultrie, set to music by Portland’s Kenji Bunch of fEARnoMUSIC FOR IMMEDIATE RELEASE - Portland, OR (March 4, 2015) - In the final program of Oregon Ballet Theatre’s 25th Anniversary Season, IMPACT, the company shows how the emotional, social, and artistic aspects of dance can create an experience that moves the audience and transcends the art form. Running April 16th through 25th, 2015 at the intimate Newmark Theatre, IMPACT opens with a world premiere work by one of the most sought-after choreographers in dance right now: Princess Grace Fellowship winner Darrell Grand Moultrie. The piece will be set to music by acclaimed composer and Artistic Director of Portland’s fEARnoMUSIC, Kenji Bunch. Moultrie’s work brings an innate sense of timing and theatricality that defies categorization, as shown by past commissions from renowned ballet companies, as well as superstars like Savion Glover and Beyoncé. Referring to his approach as “genre jumping,” Moultrie explains that it is the residue from his unique background growing up in New York City, where he was exposed to so many dance forms and forced to respect them. He finds that classically trained dancers welcome this versatility. “Ballet dancers now are not just one thing anymore,” Moultrie explains. “They really want to explore!” Following Moultrie’s premiere, the IMPACT program celebrates founding OBT Resident Choreographer Dennis Spaight, with the return of Crayola to the OBT stage for the first time in nearly 2 decades. -
HUBBARD STREET DANCE CHICAGO and FINAL BOW for YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining the Nutcracker’S Tea Variation, May 10, 17 and 24, 2021
FOR IMMEDIATE RELEASE Media Contact: Nick Harkin Carol Fox and Associates [email protected] HUBBARD STREET DANCE CHICAGO AND FINAL BOW FOR YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining The Nutcracker’s Tea Variation, May 10, 17 and 24, 2021 Chicago, IL — Hubbard Street Dance (HSDC) in partnership with Final Bow for Yellowface presents Unboxed, three works that rewrite the future of a tradition. Unboxed features choreographers Yin Yue, Edwaard Liang, and Peter Chu using their voices and vocabularies to imagine their own versions of the Chinese Tea variation from The Nutcracker. These Asian and Asian-American dance-makers engaged in three-day workshops with Hubbard Street dancers exploring the questions: “What are the traditions we want to protect?” and “What do we want to leave behind?” Unboxed welcomes viewers to tear free from the confines of tradition and invites audiences to glimpse the promise of a future rewritten. HSDC is challenging what is known as canon, in this case, the Chinese Tea variation from The Nutcracker to ask, “Can a dance, only a minute long but fraught with stereotypes, exist within a more inclusive future?” Hubbard Street Dance Associate Artistic Director, Jessica Tong says “the idea for Unboxed was always about challenging conventions and stereotypes. But my main focus initially was really to create a fun way for Hubbard Street to interact with great choreographers while playfully researching this one-minute variation. I couldn't have foreseen how meaningful and timely this project would eventually become, as people of Asian descent in this country are now fighting more than ever for acceptance and visibility.” Founders of Final Bow for Yellowface Phil Chan and Georgina Pazcoguin share more about this partnership, "At a time when big ballet companies routinely revive orientalist ballets from a European perspective, they seldom include choreographers of Asian descent. -
Scanned Document
-~.:. Association of Performing Arts Presenters .. .. : . ". VIA ELECTRONIC FILING January 13, 2010 Ms. Marlene H. Dortch Secretary Federal Communications Commission 445 12th Street SW Washington, DC 20554 Re: Ex Parte Communication, Revisions to Rules Authorizing the Operation ofLow Power Auxiliary Stations in the 698-806 MHz Band, WT Docket No. 08-166; Public Interest Spectrum Coalition, Petition for Rulemaking Regarding Low Power Auxiliary Stations, Including Wireless Microphones, and the Digital Television Transition. WT Docket No. 08-167 Dear Ms. Dortch: The Association ofPerforming Arts Presenters ("Arts Presenters") requests that the Commission recognize the legitimate use ofwireless microphones used in the performing arts by expanding eligibility for licensing ofwireless microphones to include performing arts organizations, by permitting incumbent wireless microphone operations to relocate to spectrum in the TV Core (on or below UHF Channel 51), by adopting appropriate technical and service rules for such operations and by affording interference protection for wireless microphone operations from co-channel and adjacent channel unlicensed fixed and mobile white space operations. Arts Presenters includes nearly 2,000 members representing the nation's leading performing arts centers, including civic and university performance facilities, as well as artist agencies, managers, touring companies, national consulting practices that service the field, and a growing roster ofself-presenting artists. Arts Presenters members operate in all 50 states and range from large performing arts centers in major urban cities, outdoor festivals and rural community-focused organizations to academic institutions, artists and artist managers. For the Commission's information, attached is a copy ofthe participants listings from the January 2010 Arts Presenters conference. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
Guide to Dance 2019-2020 Study Guide
Dancers: Grace-Anne Powers and Leiland Charles | Photo: Jennifer Zmuda GUIDE TO DANCE 2019-2020 STUDY GUIDE Learn about the art of dance and go behind-the-scenes with a professional dance company. Written and compiled by Ambre Emory-Maier, Director of Education, and other contributors l ©2019 BalletMet Columbus TABLE OF CONTENTS Behind the Scenes ............................................................................................................................................. 2 Brief History of BalletMet ................................................................................................................................. 3 BalletMet Offerings ........................................................................................................................................... 4 The Five W’s and H of Dance .......................................................................................................................... 5 Brief History of Ballet ..................................................................................................................................... 6-7 Important Tutu Facts ......................................................................................................................................... 8 Important Pointe Shoe Facts .......................................................................................................................... 9 Glossary of Dance Terms ........................................................................................................................ -
2000 Categories Spotlight Finalist High School Career
2000 Categories Spotlight Finalist High School Career North Carolina Dance Theatre; Dance Across America at the Kennedy Center; Ballet Jamie Brianne Dee Foothill High School BalletMet; danced with American Repertory Ballet Theater, New Jersey, guest artist with Nai-Ni Chen Dance Company on China tour. Laurel Springs High American Ballet Theatre; won national Youth America Grand Prix state and Ballet Jennifer Whalen Gold Medal national ballet competition; formerly with Santa Barbara State School Street Ballet. UCLA; Performances: Young Musicians Foundations Debut Orchestra, Los Angeles County Bellflower Symphony, Southern Youth Music Festival Orchestra, Young Classical Musicians Foundations Chamber series; 2nd Place, MTNA Young Artist Carissa Kim High School for the Instrumental Audition; 3rd Place, Branislaw Caper Awards of Los Angeles Philharmonic; Arts Young Musicians scholarships; 3-time winner Liszt Competition, State winner California Association of Professional Music Teachers'. Principal cellist Colburn Chamber; Artist Diploma with Ronald Leonard at the Classical San Clemente High Colburn School; USC; Grand Prize in the Pasadena Showcase Instrumental Paul Wiancko Instrumental School Competition and Debut Competition; 2nd Prize in the Lutoslawski International Cello Competition. Palm Desert High Chapman University; Performances: Riverside County National Date Festival Classical Voice Evan Brummel School Pageant. Classical Voice Alex Torrico Edison High School San Francisco Conservatory of Music. Jazz Produced and played in recording featuring past Spotlight jazz finalists Gerald Tommy Catanzaro Hemet High School Clayton, Miles Mosley, Brian Green, and Kevin Kanner; collaborated with Brian Instrumental Green on a recording (2002); Manhattan School of Music. Jazz South Hills High Manhattan School of Music, University of North Texas; toured Europe; Disney Matthew Politano Instrumental School All American College Band. -
Professional Division Graduates, 1999-2014
Professional Division Graduates, 1999-2014 Name Company/College/University Year Heather Aagard Ballet Arizona; Joffrey Ballet 2001 Chelsea Adomaitis Pacific Northwest Ballet 2009 Tristan Alberda Milwaukee Ballet 2000 Maggie Alden Columbia University 2009 Kirsten Allman Louisville Ballet 2009 Garrett Anderson Hubbard Street Dance; Royal Ballet of Flanders; San Francisco Ballet 2001 Jessika Anspach Pacific Northwest Ballet 2004 Isaac Aoki Grand Rapids Ballet 2013 Emma Appel University of California, Berkeley 2011 Robbie-Jean Arbaczewski Central Pennsylvania Youth Ballet 2009 Jacquelyn Arcati Cherylyn Lavagnino Dance; Nevada Ballet; Columbia Univ. School of Law 2005 Thomas Baltrushunas Pennsylvania Ballet; Temple University 2002 Edward Barnes Pennsylvania Ballet 2008 Eli Barnes Cincinnati Ballet; Alberta Ballet 2011 Andrew Bartee Ballet BC; Pacific Northwest Ballet; Princess Grace Award Recipient 2008 Reid Bartelme Alberta Ballet; BalletMet; Current: Freelance fashion/costume designer 2001 Taisha Barton-Rowledge Ballet du Capitole, Toulouse, France; Carolina Ballet 2009 Alison Basford Boston Ballet; Pacific Northwest Ballet; Suzanne Farrell Ballet 2002 Marlowe Bassett Napoles Ballet Theatre; LINES Ballet; Metamorphosis (San Francisco) 2002 Reilley Bell Alberta Ballet 2007 Ezra Benjamin Cornish College of the Arts 2003 Christiana Bennett Ballet West (Principal Dancer) 1999 Laurel Benson Ballet West II 2014 Ian Bethany Ballet Austin 2008 Kelsey Bevington Nevada Ballet Theatre; Cincinnati Ballet II 2013 Perry Bevington Nevada Ballet Theatre, -
Colorado Ballet Donation Request
Colorado Ballet Donation Request Kaspar is preparatively apprehensive after faltering Beck intenerating his system dizzily. Nummary Ossie insculp joylessly, he corroded his Hobbist very sidearm. Clarence is exponentially load-bearing after congealed Madison rescales his halters gibingly. Basketball practices for myself, san francisco meeting daniel came from every donation request a whole crab apple varieties and the new If done as we are able to request is ideal for people back in order to procure the donation request using the department of payment that may be paid primarily from the instructions. Critical Acclaim Ballet West. Heather Waldon trained at Colorado Ballet School San Fransisco Ballet School and Pacific. Colorado Ballet boasts record-breaking season Ibotta CEO and closet donate millions to remote school CSU former president honored by. Requests for qualifications to guiding the selection and approval. Donation Requests Schools and non-profit organizations may submit one request one a charitable donation by type New York Hall life Science NYSCI. Colorado Absentee Ballots Voteorg. Events Colorado Ballet. For more information please to call 303339-1637 or email ticketscoloradoballetorg Group Sales for the 20202021 Season On end Try something will for. Colorado Symphony cancels all concerts through Dec 31. Virtual Little University Creative Movement Workshop with. If female are requesting a donation for a 501c3 recognized charitable organization please condition your reply through our online form below Donation. Colorado Ballet furloughs its dancers reduces staff salaries. Donate blood Thank you for beauty gift to Colorado Ballet Questions or concerns Contact Colorado Ballet Advancement Department at 3033391629 Colorado. Significant financial donations to similar mental health organizations across his Front Range. -
For Immediate Release
FOR IMMEDIATE RELEASE MEDIA CONTACT: Lisa Mezzacappa Lisa Mezzacappa Projects: Arts Programming and Communications 510-708-2530 // [email protected] PHOTOS: http://oaklandballet.org/wp/photos/ OAKLAND BALLET COMPANY ANNOUNCES SPRING 2014 SEASON Oakland-esque features world premieres by Sonya Delwaide, Molissa Fenley, Robert Moses and Artistic Director Graham Lustig, with guest dancers from AXIS Dance Company and street dance crew Turffeinz May 16-17, 2014 Malonga Casquelourd Center for the Arts, Oakland Oakland, CA, March 10, 2014 – Oakland Ballet Company presents its spring season program Oakland-esque, a portrait in dance of the cultural and natural wonders of Oakland featuring new works by esteemed local choreographers, in collaboration with area composers, musicians, dance companies, visual artists and street dancers. Four world-premiere dance works by choreographers Sonya Delwaide, Molissa Fenley, Robert Moses and Artistic Director Graham Lustig feature Company dancers with special guest performers from Oakland’s groundbreaking AXIS Dance Company and the turf dancers from the popular Oakland street dance crew the Turffeinz, with music ranging from grass- roots Oakland hip-hop, to classic Oakland funk, to a new percussion score by area cellist/composer Joan Jeanrenaud, performed live by Mills College alumnae. As a company grounded in the cultural life of Oakland for nearly 50 years, Oakland Ballet continues its longstanding support of artistic work of, about, and for the city, asking each choreographer to present their personal artistic vision of Oakland, from fast-moving urban pop culture to historical roots to the meditative splendor of the regional parks. Oakland painter Sam Renaissance brings his bold and vibrant vision of city life to the production’s costumes and scenery. -
SUMMER DANCE in COLORADO (July –Sept.)
SUMMER DANCE in COLORADO (July –Sept.) Here’s a list of workshops, master classes & special opportunities to keep you dancing and learning throughout the summer. It includes listings for Colorado and one in the neighboring state of Utah. This list will be updated throughout the summer. For contact info on teachers, local studios & their regular summer class schedules, look under Local Resources on Dance Bridge website www.artsresource.org/dance. ------------------------------------------------------------------------------------------------------------------------------------------ July 3, 6, 10 & 13: Dance Mixology - FRIED - Find Relevance In Everything Dance Community Workshop, Wednesdays 6 -7:30 p.m. & Saturdays 10-11:30 p.m., 1075 Park Avenue West, Denver, CO 80205. Conducted by Wonderbound dancer, Damien Patterson, you will learn new and innovative ways of moving by challenging both your body and mind. Each workshop will begin with a short warm-up followed by a risk taking exploration of flight, flow and flux using various mediums to create new work. Adults only, each session is $25 per person. RSVP or just stop by. http://wonderbound.com/performances/community-events/. July 5 - 7: “Ripples – A DANCE EXTRAVAGANZA for EVERY BODY” led by Melissa Michaels & three guest 5Rhythms Teachers, Friday, 6 – 9p.m., Saturday, 9:30 a.m. – 4:30 p.m. (plus special evening event), and Sunday, 9;30 a.m. – 4:30 p.m., StarHouse, 3476 Sunshine Canyon Rd., Boulder. A synergistic blend of teachings from diverse dance communities as you upgrade your basic dance practice and deepen in community. $250 prior to May 15; $275 after (payment plans available). To register, [email protected], 303-415-0272, www.bdanced.com.