Storytelling: Global Perspectives on Narrative

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Storytelling: Global Perspectives on Narrative Hayes, Tracy, Edlmann, T. and Brown, L. (2019) Storytelling: global perspectives on narrative. In: Storytelling: Global Perspectives on Narrativ. At the Interface / Probing the Boundaries series, 122 . Brill, Leiden, The Netherlands. Downloaded from: http://insight.cumbria.ac.uk/id/eprint/5473/ Usage of any items from the University of Cumbria’s institutional repository ‘Insight’ must conform to the following fair usage guidelines. Any item and its associated metadata held in the University of Cumbria’s institutional repository Insight (unless stated otherwise on the metadata record) may be copied, displayed or performed, and stored in line with the JISC fair dealing guidelines (available here) for educational and not-for-profit activities provided that • the authors, title and full bibliographic details of the item are cited clearly when any part of the work is referred to verbally or in the written form • a hyperlink/URL to the original Insight record of that item is included in any citations of the work • the content is not changed in any way • all files required for usage of the item are kept together with the main item file. You may not • sell any part of an item • refer to any part of an item without citation • amend any item or contextualise it in a way that will impugn the creator’s reputation • remove or alter the copyright statement on an item. The full policy can be found here. Alternatively contact the University of Cumbria Repository Editor by emailing [email protected]. Storytelling: Global Reflections on Narrative FM.indd 1 <UN> 2/8/2019 7:17:50 PM At the Interface/Probing the Boundaries Series Editor Rob Fisher (Oxford, United Kingdom) Advisory Board Peter Bray (University of Auckland, Auckland, New Zealand) Robert Butler (Elmhurst College, usa) Ioana Cartarescu (Bucharest, Romania) Seán Moran (Waterford Institute of Technology) Stephen Morris (New York, usa) John Parry (Lewis & Clark Law School, Portland, Oregon, usa) Natalia Kaloh Vid (University of Maribor, Slovenia) volume 122 The titles published in this series are listed at brill.com/aipb FM.indd 2 <UN> 2/8/2019 7:17:51 PM Storytelling: Global Reflections on Narrative Edited by Tracy Ann Hayes Theresa Edlmann Laurinda Brown leiden | boston FM.indd 3 <UN> 2/8/2019 7:17:52 PM Cover illustration by Lauren Larmour, original artwork painted specifically for this book. Global Profile. Lauren Larmour © 2019. Retrieved from: Private Collection. Used with permission. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/ Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. ISSN: 1570-7113 ISBN (hardback): 978-90-04-39641-8 ISBN (e-book): 978-90-04-39640-1 Copyright 2019 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi, Brill Sense, Hotei Publishing, mentis Verlag, Verlag Ferdinand Schöningh and Wilhelm Fink Verlag. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. This book is printed on acid-free paper and produced in a sustainable manner. FM.indd 4 <UN> 2/8/2019 7:17:52 PM Contents Acknowledgements ix List of Illustrations x Notes on Contributors xi Introduction 1 Theresa Edlmann, Tracy Ann Hayes and Laurinda Brown Part 1 Pedagogical Perspectives Introduction to Part 1 7 Laurinda Brown 1 Telling True Stories: Creative Approaches to Bringing Nonfiction to Life 9 Dean Jobb 2 “I Like to Give Things a Story”: One Teacher’s View of Teaching Mathematics 18 Laurinda Brown and Maria Dolores Lozano (Lolis) 3 Learning to Play: Stories of Learning Mathematics, Language and Music 28 Sarah Eagle 4 “Where Are You Going? Where Have You Been?”: Foundations and Methods for Revitalising Story Reading for Children 33 Phyllis Hastings 5 Oral History and Storytelling: Reflection on an Alternative Approach of Teaching History 44 Wai-ling Wong 6 Storytelling as a Research Tool in a User-centred Design Process 53 Denise Dantas FM.indd 5 <UN> 2/8/2019 7:17:52 PM vi Contents Part 2 Media Perspectives Introduction to Part 2 63 Laurinda Brown 7 Digital Storytelling on Life-Cycle Websites 65 Rasa Račiūnaitė-Paužuolienė 8 Digital Storytelling: Possible Applications in an Open Distance E-Learning Environment 74 Leona Ungerer 9 A New Horizon of Non-Fiction Storytelling: the Use of Virtual Reality and Gaming Techniques 88 Nina Dvorko 10 Visual Storytelling of Japaneseness in Manga, Anime and Japanese Film 97 Shunichi Ueno Part 3 Healing Perspectives Introduction to Part 3 109 Theresa Edlmann 11 Stories from Different Sides: Reflections on Narrative-Based Dialogues in Addressing the Legacies of Apartheid Wars 111 Theresa Edlmann 12 Invisible Stories: Loss, Recovery and the Rhetoric of War 121 Welby Ings 13 The Place of Story and Storytelling in Clinical Contexts 134 Elizabeth Mary Cummings 14 Singing the World: Narrative Medicine and Storied Existence 143 Sarah Garvey and Rachel Chung FM.indd 6 <UN> 2/8/2019 7:17:52 PM Contents vii 15 Can TV and Film Help Us to Understand Suicide Better? 151 Gavin Fairbairn Part 4 Cultural Perspectives Introduction to Part 4 163 Theresa Edlmann 16 “People Insult Me – Oh My!”: Reflections on Jola Women’s Story-Songs in Rural West Africa 165 Joanna Davidson 17 East African Stories of Love: Challenging Perspectives 175 Brendon Briggs 18 Cultural Appropriation and the Telling of Wisdom Stories 185 Keven Fletcher 19 Eventually All of the Citrus Trees Died: Stories of Love and Loss from a Village in Cyprus 195 Stephanie Elisabeth Jacobs 20 Interactive/Transmedia Storytelling as Cultural Narrative: Stories of Family, Place and Identity 205 Melissa Lee Price and Michael R. Ogden Part 5 Biographical Perspectives Introduction to Part 5 219 Tracy Ann Hayes 21 Sharing, Saving and Studying Life Stories: Diverse Perspectives 221 Cheryl Svensson, Paulette Stevens, Sarah White, Mary O’Brien Tyrrell and Valerie Perry 22 Telling It as It Is: Women as Protagonists in Autobiographies 231 Anthonia Makwemoisa Yakubu FM.indd 7 <UN> 2/8/2019 7:17:52 PM viii Contents 23 Mothering on Kibbutz: a Personal/Communal Story 242 Nancy Peled 24 Narrativisation of Identity in the Poetry as Life Writing of Lithuanian Women Émigrés 250 Irena Ragaišienė 25 Sharing Stories: an Interactive, Interdisciplinary Approach 260 Tracy Ann Hayes Part 6 Historical and Spatial Perspectives Introduction to Part 6 273 Tracy Ann Hayes 26 199 Years of Crossing the Atlantic: a Nineteenth-Century British Travel Writing Scholar Dialogues with Her Travellers 275 Caroline M. Kisiel 27 Representations of Time and Space in Advertising Stories 286 Mădălina Moraru 28 Narration as a Source for Studies in Ethic Systems: an Historical, Psychological Perspective 296 Szymon Czerkawski 29 Reinstating Narrative: the Role of Stories in Claudio Magris’s Post- postmodernist Historical Novels 306 Remko Smid 30 “I so Regret the Barograph…” As We Make and Use Objects, so They Form and Mould Us 315 Prue Bramwell-Davis Conclusion Looking towards the Future and Continuing the Conversations 326 Tracy Ann Hayes, Theresa Edlmann and Laurinda Brown Index 329 FM.indd 8 <UN> 2/8/2019 7:17:52 PM Acknowledgements This book has emerged from a gathering, of people from across the globe, for a conference in Oxford in the summer of 2016. We came together with the pur- pose of telling our stories and reflecting on the use of narrative. We would like to acknowledge the organisation Inter-Disciplinary.Net (1999–2016) and the fa- cilitators of the conference, Gavin and Susan Fairbairn, for bringing us togeth- er and for facilitating such an inspiring event. The memories and friendships made there will last a lifetime. We gratefully acknowledge the support of Brill publishers and the wonder- ful Bram Oudenampsen, without whom this book would not have been pos- sible. Most of all, we thank the people who have contributed to the stories in each chapter, the authors; their research participants; and research funders. Together the chapters form an eclectic collection of stories; research into sto- rytelling; and reflections on story as a research methodology from across the world, showcasing the variety of ways in which narratives are so fundamental to our lives. A special thank you goes to the young artist who designed the front cover: Lauren Larmour is an art school graduate and newly qualified teacher who has creatively interpreted the contents of this book in her unique style. As editor-in-chief for this book, Tracy Ann Hayes, I would like to offer a per- sonal and heartfelt thank you to my co-editors, Theresa Edlmann and Laurinda Brown, who so kindly agreed to join me on this venture. I thank you for your patience, commitment to the book and above all for your honesty. You have been a joy to work with. Tracy Hayes, Theresa Edlmann and Laurinda Brown FM.indd 9 <UN> 2/8/2019 7:17:53 PM Illustrations Figures 8.1 Storytelling model within the instructional environment (adapted from Craw- ford & Smith, 2014, p. 24) 80 12.1 A small winged boy, Welby Ings. Retrieved from: Sparrow © 2016. Used with permission 122 12.2 Gordon shot in the act of desertion. Writer/Director/Designer: Welby Ings. Retrieved from: Sparrow © 2016.
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