Heavy Metal + Imaginary Friends Studios ® Wps36587

Total Page:16

File Type:pdf, Size:1020Kb

Heavy Metal + Imaginary Friends Studios ® Wps36587 HEAVY METAL + IMAGINARY FRIENDS STUDIOS ® WPS36587 SEPTEMBER 2011 WORLD’S FOREMOST ADULT ILLUSTRATED MAGAZINE RETAILER: DISPLAY UNTIL SEPTEMBER 5, 2011 SEPTEMBER 2011 $6.95 HM0911_C001.indd 1 6/9/11 5:19 PM 2 0 1 2 C A L E N D A R S 9 5 EACH $ 13 Luis Royo Vampires Victoria Francés Art of Heavy Metal Zombies SEND TO: HEAVY METAL, 100 N. VILLAGE AVENUE, SUITE 12, ROCKVILLE CENTRE, NY 11570 2012 09/11 Name: _____________________________________________________________ PLEASE SEND ME THE FOLLOWING CALENDARS Address: ___________________________________________________________ K Art of Luis Royo K Zombies $ 95 K Art of Victoria Francés K Art of Heavy Metal 13 EACH + $4.00 FOR FIRST CALENDAR, City: _______________________________________ ST: ________________ ZIP: ______________ $2.00 EACH ADDITIONAL IN U.S. Payment: Credit Card: M.C. Visa Discover Am. Ex. or Check Money Order K Vampires $9.00 FOR FIRST CALENDAR, $7.00 EACH ADDITIONAL IN Credit Card #: _______________________ Security Code _____ Exp. Date __________ CANADA AND FOREIGN Signature: ________________________________________ Amount: __________2012 HM0911_C002_2012CalAd.indd 2 6/6/11 2:16 PM HM0911_P003_Veterans-Ad.indd 3 6/3/11 4:25 PM Heavy Metal September 2011 CONTENTS Volume XXXV No. 6 Cover by Stanley “artgerm” lau 7 new Dawn FaDeS Bagus Hutomo http://p0p5.deviantart.com, Script by W.H. Rauf 14 machina Barnaby Bagenda http://takrezz.deviantart.com Colors by Jessica Kholinn http://faysea.deviantart.com 21 KunKKa Pin uPS http://kunkka.deviantart.com 26 Bounty Journal Chris Ng http://chrisnfy85.deviantart.com 35 in your youth’S Summer Bebe Girafe http://irir.cghub.com 41 wraithDt Pin uPS http://wraithdt.deviantart.com 44 DeaD meat Kai Lim http://ukitakumuki.deviantart.com Marc Lee http://rub-a-duckie.deviantart.com 56 hell-o-Kitty Jei El http://ahbiasaaja.deviantart.com 66 yu ming Pin uPS http://arronyym.deviantart.com 69 rule my worlD Sami Basri http://sami-b.deviantart.com Colors by Sunny Gho http://hideki.deviantart.com 79 inFinite Mr. Bunny http://elaszer.deviantart.com 85 turn me on 2ngaw http://2ngaw.deviantart.com 91 eKo Puteh Pin uP http://ekoputeh.deviantart.com 92 oKita Pin uPS http://luches.deviantart.com 95 amPliFication Kaizo http://kaiz0.deviantart.com 112 the Queen’S Pet DCWJ http://dcwj.deviantart.com 119 artgerm Pin uPS http://artgerm.deviantart.com EDitoRS: DaVE ELLiott aND StaNLEy “aRtGERM” Lau KeVin eaStman publisher & editor-in-chief howarD JuroFSKy vice president/executive director DeBra yanoVer managing editor Fiona ruSSell customer service manager anDriJ BoryS aSSociateS designers Pam arVaneteS assistant to publisher Jerome eyQuem, miguel guerra, michael giorDani, & Jacinthe leclerc translators right angle, inc. web development STAFF John martin warehouse manager HM0911_P004-005_CONTENTS.indd 5 6/13/11 10:10 AM HEAVY METAL PRESENTS H .R . G I G E R New! FROM MORPHEUS FINE WATCHES & FINE ART PASSAGEN WATCHES Inspired by H.R. Giger’s remarkable series of works in his It’s a labor of love, and the attention to Passagen (Passages) series of paintings, based on the workings of detail on a singular vision is one of the industrial machinery. things I like most about Morpheus. The Passagen watch is a fully custom made 43mm timepiece —The Watch Report and took over three years to develop. The watch case in 316L stainless steel was made via a complex combination of molding, milling, pressure stamping and handmade work. Each of the twelve bolts on the case top were tapped in by hand, and the case is coated in black using state of the art PVD technology for lasting durability. The crystal is synthetic sapphire, precision cut into a unique keyhole shape. The 25 jewel watch movement is the reliable, sweep hand Swiss ETA 2824-2 automatic. This watch is powered by the movement of the wearer’s wrist. PASSAGEN BLACK DIAL Atelier Morpheus Passagen Limited edition of only 50 in this variation. Giger’s engraved watch is inspired by Mr. H.R. signature on the back. Black leather strap with additional rubber strap. $2,950 Giger’s works. And it shows: the watch looks like a scale PASSAGEN BEIGE DIAL 3D model of a fragment of his Limited edition of only 50 in this variation. Giger’s engraved Opus Magnum. signature on the back. Black leather strap with additional rubber —World Watch Review strap. $2,450 ALIEN III BLUEPRINT LITHOGRAPH Large format original lithograph measuring 33” x 45”. These striking lithographs are printed on thick vellum stock and were done in Switzerland under Giger’s personal supervision. The lithograph has the appearance of a technical design for an alien. It was one of the works created by Giger during his work on David Fincher’s Alien III. Edition of 150. $795 H.R. GIGER’S FILM DESIGN SIL TRIPTYCH LIMITED EDITION BOOK Very large 36”X51” Limited edition This exceptional volume includes each and every Of 290 hand signed and numbered film and video project H.R. Giger has worked by H.R. Giger. This large three-color on since his earliest efforts in 16mm through to silk screen in silver, white and black his remarkable designs for Alien 3 and Species! printed in Switzerland, features Includes over 200 striking reproductions! Giger’s original design drawings for This exceptional limited edition volume is bound Species cinematic creation in three in white leather with silver stamping and comes in panels, showing Sil from front, side, a grey cloth slipcase. and back. $495 Large format original lithograph measuring 33” x 45” folded into the book and removable for framing—same image as on Alien Litho, but on tradition paper stock. Edition of 150. $750 SEND TO: HEAVY METAL, 100 N. VILLAGE AVENuE, SuITE 12, ROCKVILLE CENTRE, NY 11570 Please send me... 9|11 Name: ________________________________________________________________________________________________________ Passagen Black Dial .........................................................................$2,950 Passagen Beige Dial ........................................................................$2,450 Address: _______________________________________________________________________________________________________ Film Book .........................................................................................$750 Alien III Litho .....................................................................................$795 City: ________________________________________________________ ST.: ___________________ ZIP: ______________________ Sil Triptych .........................................................................................$495 Payment: Check Money Order Credit Card — Master Card Visa Discover American Express FREE DOMESTIC SHIPPING ON Credit Card #: ______________________________________________________________________ Exp. Date ______________________ ALL ITEMS! $35 PER FOREIGN ORDER Signature: ________________________________________________ Sec. Code: _________________ Amount: ______________________ HM0911_P006_MorpheusAd.indd 6 6/7/11 11:17 AM HM0911_P007-012_NewDawn.indd 7 6/3/11 4:29 PM HEAVY METAL 9 HM0911_P007-012_NewDawn.indd 8 6/3/11 4:30 PM HM0911_P013_UncleJam-Ad.indd 13 6/3/11 4:33 PM 14 HEAVY METAL HEAVY METAL 15 HM0911_P014-019_Machina.indd 14 6/3/11 4:35 PM 14 HEAVY METAL HEAVY METAL 15 HM0911_P014-019_Machina.indd 15 6/3/11 4:35 PM 09/11 HM0911_P020_Dynamite-Ad.indd 20 6/6/11 11:19 AM HM0911_P021-025_Kunkka-Pinups.indd 21 6/3/11 4:37 PM HM0911_P021-025_Kunkka-Pinups.indd 22 6/3/11 4:38 PM 26 HEAVY METAL HEAVY METAL 27 HM0911_P026-033_BountyJournal.indd 26 6/3/11 4:40 PM 26 HEAVY METAL HEAVY METAL 27 HM0911_P026-033_BountyJournal.indd 27 6/3/11 4:40 PM SENDSEND TO:TO: HEAVYHEAVY METAL,METAL, 100 100 N. N. VILLAGE VILLAGE AVENUE, AVENUE, SUITE SUITE 12, 12, ROCKVILLE ROCKVILLE CENTRE, CENTRE, NY NY 11570 11570 Name: _____________________________________________________________ ❑ The Art of Neal Adams ................................$24.95 ❑ Excess: The Art of Michael Golden...............$24.95 ❑ Frezetta Complete Johnny Comet ...............$24.95 ❑ Alex Horley Sketch Book .............................$24.95 Address: ___________________________________________________________ ❑ Frazetta Defi nitive Illustrated Reference ......$29.95 ❑ Paintings of J. Allen St. John .......................$24.95 ❑ Frazetta Complete White Indian ...................$24.95 ❑ Mythos Fantasy Art Realms City: _______________________________________ ST: ________________ ZIP: ______________ ❑ Joe Kubert: How to Draw From Life .............$24.95 of Frank Brunner .........................................$24.95 Payment: Credit Card: M.C. Visa Discover Am. Ex. or Check Money Order ❑ Visions of Never: Best in Fantastic Art .........$24.95 ❑ Curt Swan: A Life in Comics ........................$19.95 ❑ Hal Foster: Prince of Illustrators ..................$24.95 ❑ Tex: The Art of Mark Texeira ........................$24.95 Credit Card #: _________________________ Exp.Date _______ Sec.Code _________ ❑ Famous Monster Movie Art of Basil Gogos ..$24.95 ❑ Loverboy: An Irwin Hasen Story ...................$19.95 ❑ Neal Adams: Monsters ................................$12.95 Signature: _________________________________________ Amount: _________ Shipping & Handling: Add $4.00 for first item in U.S., $2.50 for each additional. $12.00 for first item in Canada 09/11 and Foreign, $7.00 for each additional. HM0911_P034_Vanguard-Ad.indd 34 6/3/11 4:43 PM HEAVY METAL 35 HM0911_P035-039_InYourYouth.indd 35 6/3/11 4:49 PM 36 HEAVY METAL HEAVY METAL 37 HM0911_P035-039_InYourYouth.indd 36 6/3/11 4:50 PM 09/11
Recommended publications
  • Eerie Archives: Volume 16 Free
    FREE EERIE ARCHIVES: VOLUME 16 PDF Bill DuBay,Louise Jones,Faculty of Classics James Warren | 294 pages | 12 Jun 2014 | DARK HORSE COMICS | 9781616554002 | English | Milwaukee, United States Eerie (Volume) - Comic Vine Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. This vein-chilling second volume showcases work by Eerie Archives: Volume 16 of the best artists to ever work in the comics medium, including Alex Toth, Gray Morrow, Reed Crandall, John Severin, and others. Grab your bleeding glasses and crack open this fourth big volume, collecting Creepy issues Creepy Archives Volume 5 continues the critically acclaimed series that throws back the dusty curtain on a treasure trove of amazing comics art and brilliantly blood-chilling stories. Dark Horse Comics continues to showcase its dedication to publishing the greatest comics of all time with the release of the sixth spooky volume Eerie Archives: Volume 16 our Creepy magazine archives. Creepy Archives Volume 7 collects a Eerie Archives: Volume 16 array of stories from the second great generation of artists and writers in Eerie Archives: Volume 16 history of the world's best illustrated horror magazine. As the s ended and the '70s began, the original, classic creative lineup for Creepy was eventually infused with a slew of new talent, with phenomenal new contributors like Richard Corben, Ken Kelly, and Nicola Cuti joining the ranks of established greats like Reed Crandall, Frank Frazetta, and Al Williamson. This volume of the Creepy Archives series collects more than two hundred pages of distinctive short horror comics in a gorgeous hardcover format.
    [Show full text]
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • POE EN EL CÓMIC: ADAPTACIONES E INFLUENCIAS 151 9(Rnic Azd Dn Err)Pd09/07/2010,9:48 09 (Franciscosaezdeadanaherrero).Pmd
    POE EN EL CÓMIC: ADAPTACIONES E INFLUENCIAS Francisco Saez de Adana Herrero Universidad de Alcalá RESUMEN En este artículo se muestra la relación de E.A. Poe con el mundo del cómic. Esta es una relación que va más allá de la abundante, tanto cuantitativa como cualitativamente, traslación que de su obra se ha realizado al medio de la narrativa gráfica, y que también incluye la gran influencia que tuvo el autor en los primeros comic-books americanos y, particularmente, en un género de cómic de una gran difusión como es el cómic de horror y misterio cuya estructura está basada en las historias cortas. También se cubre en este artículo la presencia de Poe, en algunas historias, como un personaje más de cómic, mostrando que la trascendencia de la personalidad del autor es, en cierta medida, tan importante como la de su obra. PALABRAS CLAVE: Poe, cómic, horror y misterio, relatos cortos, adaptaciones gráficas. ABSTRACT «Poe in the comic book: adaptations and influences». The relationship between E.A. Poe and the comic’s world is shown in this paper. This is a relationship which not only goes beyond the abundant, both quantitatively and qualitatively, translation of his work to the graphic narrative medium, but also includes the big influence that the author had in the initial 151 American comic-books and, particularly, in a comic genre with a big audience as the horror and mystery comic-book whose structure is based on short stories. The presence of Poe, in some stories, as a simple comic character is also covered in this paper, showing that the transcendence of the author’s personality is, to a certain extent, as important as his work.
    [Show full text]
  • Includes Rarities from the STAN LEE ARCHIVES!
    THE UNIVERSE Interviews with and mementos from “THE MAN” who changed comics and pop culture Includes rarities from THE STAN LEE ARCHIVES! edited by Danny Fingeroth and Roy Thomas CONTENTS About the material that makes up THE STAN LEE UNIVERSE Some of this book’s contents originally appeared in TwoMorrows’ Write Now! #18 and Alter Ego #74, as well as various other sources. This material has been redesigned and much of it is accompanied by different illustrations than when it first appeared. Some material is from Roy Thomas’s personal archives. Some was created especially for this book. Approximately one-third of the material in the SLU was found by Danny Fingeroth in June 2010 at the Stan Lee Collection (aka “ The Stan Lee Archives ”) of the American Heritage Center at the University of Wyoming in Laramie, and is material that has rarely, if ever, been seen by the general public. The transcriptions—done especially for this book—of audiotapes of 1960s radio programs featuring Stan with other notable personalities, should be of special interest to fans and scholars alike. INTRODUCTION A COMEBACK FOR COMIC BOOKS by Danny Fingeroth and Roy Thomas, editors ..................................5 1966 MidWest Magazine article by Roger Ebert ............71 CUB SCOUTS STRIP RATES EAGLE AWARD LEGEND MEETS LEGEND 1957 interview with Stan Lee and Joe Maneely, Stan interviewed in 1969 by Jud Hurd of from Editor & Publisher magazine, by James L. Collings ................7 Cartoonist PROfiles magazine ............................................................77
    [Show full text]
  • Alter Ego #78 Trial Cover
    TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.
    [Show full text]
  • The Silver Age of DC Comics Ebook Free Download
    THE SILVER AGE OF DC COMICS PDF, EPUB, EBOOK Paul Levitz | 400 pages | 15 Jul 2013 | Taschen GmbH | 9783836535762 | English | Cologne, Germany The Silver Age of DC Comics PDF Book Unsourced material may be challenged and removed. Archived from the original on January 9, Retrieved May 7, The first appearance also introduces Carol Ferris , the love interest for Hal Jordan, but she rebuffs him, with her being his boss. Garguax and General Immortus have discovered Agamemno's plans as well as a cache of weapons belonging to Luthor that are designed to destroy the JLA. DC's " Page Super- Spectacular" titles and later page and "Giant" issues published from to featured a logo exclusive to these editions: the letters "DC" in a simple sans- serif typeface within a circle. It wasn't long before dealers were September 7, The November DC titles introduced an updated logo. Superman' Fallout: Warner Bros. Wheeler-Nicholson's next and final title, Detective Comics , advertised with a cover illustration dated December , eventually premiered three months late with a March cover date. The Avengers 1. Fawcett Warner v. Thanks for telling us about the problem. January 30, First appearance of Green Lantern Hal Jordan. The Comics Journal. This article is about the US publisher of comics. Chris Oliveria rated it really liked it Jan 20, Cover art by Carmine Infantino and Joe Kubert. There is an interesting interview with Neal Adams and snippets from other DC creators. Justice League International. The Silver Age of DC Comics Writer It is considered to be the first comic book to feature the new character archetype—soon known as "superheroes" and was a sales hit bringing to life a new age of comic books with the credit going to the first appearance of Superman both being featured on the cover and within the issue.
    [Show full text]
  • Dec. 2012 $10.95
    D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist .
    [Show full text]
  • 32-35 Greatidea.Indd
    TM With six broadcast networks and over 30-plus cable outlets comprising the landscape of the small screen, and with new outlets launching at a The rapid pace, countless hours of television programming are needed to fill schedules in the burgeoning niche world of broadcasting. Common terms used in the entertainment industry for this ever- increasing genre of content are “reality,” “informational,” “documentary” Television programming or “unscripted” programming; but content creators and producers Karen Kraft and Molly Hermann would disagree. Writing is definitely a part of crafting documentary/informational content—to such a degree that even the WGA is working to implement a division for the Docu/ writers of the so-called “nonfiction” genres. Karen Kraft graduated with a B.S. in communications from Ithaca College and an M.A. in film and writing from American University. Kraft joined Discovery in 1995 as a producer/writer for Discovery Networks Reality International. During her tenure Kraft was personally involved in pitch- ing, producing and writing numerous award-winning productions. In 1999, she was promoted to creative executive of the Discovery Production Group International. In her role, Kraft oversaw the editing of dozens of Special long and short-form originals as executive producer/creative executive, as andand thethe creationcreation andand well as handled reversions for Discovery networks in over 155 countries. Over the last four years, her creative team, the Production Services Unit making of International, has garnered over 100 awards from such prestigious festivals as PROMAX, Monitor, Worldfest, CINE and the New York Festivals. TRAVEL CHANNEL’S Her associate, co-producer and director of Marvel Super Heroes’™ Guide to New York City, Molly Hermann, graduated from Dickinson College with Marvel a B.A.
    [Show full text]
  • Graphic Novels in Your School Library
    GRAPHIC NOVELS IN YOUR SCHOOL LIBRARY Jesse Karp ILLUSTRATED BY Rush Kress AMERICAN LIBRARY ASSOCIATION CHICAGO 2012 For more than ten years, JESSE KARP has been a school librarian at LREI (Little Red School House and Elisabeth Irwin High School), one of Manhattan’s oldest independent schools and a long-standing leader in progressive education. He works with students across the cur- riculum, from beginning readers to high school students, with all kinds of material, includ- ing graphic novels. He regularly reviews graphic novels and picture books for Booklist and contributes to the magazine’s yearly graphic novel best list roundup; he has written articles for Book Links and American Libraries as well. He has delivered seminars on the sequen- tial art form at Pratt Institute and Queens College and teaches a graduate course about the history and analysis of the form at Pratt. He has served as a graphic novel panelist at Book Expo America for two years running and served on YALSA’s Great Graphic Novels for Teens committee from 2009 to 2012. He cocreated the education webcomic Dr. Lollipop and is the author of the young adult novel Those That Wake, which is set in Manhattan, where he lives with his wife and two daughters. Please visit his website at www.beyondwhereyoustand.com. RUSH KRESS graduated from the illustrious Joe Kubert School of Cartoon and Graphic Illustration in 1999. He has produced corporate comics for Derivatives Strategy magazine, cocreated the education webcomic Dr. Lollipop, and produced assorted covers for Early Music America magazine. He lives and works in New York City.
    [Show full text]
  • Mason 2015 02Thesis.Pdf (1.969Mb)
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
    [Show full text]
  • Click Above for a Preview, Or Download
    #19 Contents: THE $5.95 In The US SIDE A Cover painting by Alex Ross . .1 Inside cover painting by Jack Kirby (date unknown) . .2 Gil Kane on Kirby . .4 Joe Kubert Interview . .6 Issue #19, April 1998 Collector Kevin Eastman Interview . .10 A Home Fit For A King . .13 Hour Twenty-Five . .14 (with Kirby, Evanier, Miller, & Gerber) Gary Groth Interview . .18 The Stolen Art . .20 Collector Comments . .22 Classifieds . .24 Kirby Paintings . .27 Centerfold: Captain America . .28 (Inks by Dave Stevens, color by Homer Reyes and Dave Stevens) SIDE B Cover inked by Ernie Stiner (Color by Tom Ziuko) . .1 Inside cover inked by John Trumbull (Color by Tom Ziuko) . .2 Kirby Collector Bulletins . .3 The Kirby Squiggle . .4 A Monologue on Dialogue . .6 Kirby Forgeries . .7 The Art of Collecting Kirby . .10 A Provenance of Kirby’s Thor . .12 Art History Kirby-Style . .14 Silver Star Art . .15 The Kirby Flow . .16 Master of Storytelling Technique . .17 The Drawing Lesson . .17 A Total Taxonomy . .18 Jack Kirby’s Inkers . .20 Inking Contest Winners . .22 In Memorium: Roz Kirby . .24 Kirby Paintings . .27 Photocopies of Jack’s uninked pencils from published comics are reproduced here courtesy of the Kirby Estate, which has our thanks for their continued support. COPYRIGHTS: Balder, Black Bolt, Black Panther, Bucky, Captain America, Eternals, Falcon, Fandral, Fantastic Four, Hogun, Human Torch, Ikaris, Ka-Zar, Machine Man, Mangog, Mole Man, Mr. Fantastic, Pluto, Sersi, Sgt. Fury & His Howling Commandos, Sif, Silver Surfer, Our cover painting by Alex Ross is based on this Kirby pencil drawing, originally published in The Steranko History Thing, Thor, Ulik, X-Men, Zabu © Marvel Entertainment, Inc.
    [Show full text]