Compositing Reel 2017 - Breakdown

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Compositing Reel 2017 - Breakdown Game of Thrones: Season 7 | Pixomondo - Stuttgart, Germany Contribution: shore line repositioning / cg gate integration / matte painting integration / final compositing (NukeX) Game of Thrones: Season 7 | Pixomondo - Stuttgart, Germany Contribution: plate prep / greenscreen extraction / cg hand integration / fire element integration / final compositing (NukeX) Live by Night | Pixomondo - Stuttgart, Germany Contribution: cg building integration / final compositing (NukeX) Captain America: Civil War | RiseFX - Stuttgart, Germany Contribution: plate prep / cg shield integration / final compositing (NukeX) The Dark Tower | Pixomondo - Stuttgart, Germany Contribution: plate prep / cgfx glass integration / gunfire and smoke elements integration / final compositing (NukeX) The Dark Tower | Pixomondo - Stuttgart, Germany Contribution: plate prep / cgfx glass integration / smoke elements integration / final compositing (NukeX) Live by Night | Pixomondo - Stuttgart, Germany Contribution: foreground reconstruction / cg building integration / compositing (NukeX) Game of Thrones: Season 7 | Pixomondo - Stuttgart, Germany Contribution: plate retime / cg hand integration / final compositing (NukeX) Game of Thrones: Season 7 | Pixomondo - Stuttgart, Germany Contribution: cg hand integration / matte painting integration / final compositing (NukeX) Game of Thrones: Season 7 | Pixomondo - Stuttgart, Germany Contribution: sequence lead compositor / lookdev / cg rock integration / final compositing (NukeX) Compositing Reel 2017 - Breakdown Game of Thrones: Season 7 | Pixomondo - Stuttgart, Germany Contribution: sequence lead compositor / lookdev / cg rock integration / final compositing (NukeX) The Shannara Chronicles | Pixomondo - Stuttgart, Germany Contribution: plate prep / matte painting integration / final compositing (NukeX) Captain America: Civil War | RiseFX - Stuttgart, Germany Contribution: cg wings integration / cgfx elements integration / final compositing (deep, NukeX) Bridge of Spies | Pixomondo - Stuttgart, Germany Contribution: background stitching / bluescreen extraction / final compositing (NukeX) Captain America: Civil War | RiseFX - Stuttgart, Germany Contribution: cg shield integration / cgfx smoke integration / final compositing (deep, NukeX) Doktor Proktors Zeitbadewanne | Pixomondo - Stuttgart, Germany Contribution: plate prep / cg leg integration / final compositing (NukeX) The Shannara Chronicles | Pixomondo - Stuttgart, Germany Contribution: plate prep / cg and matte painting integration / bluescreen and greenscreen extraction / final compositing (NukeX) Cuddly Toy Giraffe - Personal Project Contribution: Everything Software: 3ds Max, Maya, Arnold, NukeX The Shannara Chronicles | Pixomondo - Stuttgart, Germany Contribution: plate extension / cg and matte painting integration / final compositing (NukeX) The Shannara Chronicles | Pixomondo - Stuttgart, Germany Contribution: cg creature integration / final compositing (NukeX) Doktor Proktors Zeitbadewanne | Pixomondo - Stuttgart, Germany Contribution: cg soldiers integration / fx elements integration / final compositing (NukeX).

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_ ____ Press release Emmy nomination for Mackevision’s visual effects in “Lost in Space” ° Netflix has the most nominations for the Emmy Awards ° Second Emmy nomination for Mackevision and second Emmy nomination for Prof. Juri Stanossek, VFX Supervisor Stuttgart, 13th July 2018 — The Emmy award nominations were announced on Thursday. Netflix leads the field with a total of 122 nominations, including the successful series “Lost in Space”. Prof. Jury Stanossek, VFX Supervisor at Mackevision, has been nominated for the Emmy in the category “Outstanding Visual Effects” together with other VFX supervisors. “I am overwhelmed and incredibly grateful for the nomination. Above all, I am proud of the team whose work laid the foundation for the nomination. I would like to express my deepest thanks to our VFX Producer, Marina Winter, who has done an incredible job” said Juri Stanossek. “35 artists worked on seven episodes over a period of six months and created 75 shots. We are especially proud of the Jupiter spaceship model because it has a strong presence in every episode of the series.” For Stanossek, this is the second Emmy nomination in the course of his career. In 2012, he received both an Emmy award and an award from the renowned American organization “Visual Effects Society” for his work on the second season of “Game of Thrones”. Led by the VFX supervisors Jabbar Raisani, Terron Pratt and Marion Spates, Mackevision was one of multiple VFX companies operating worldwide that transformed “Lost in Space” into a superlative fantasy experience. Mackevision provided digitally rendered scenes featuring the computer-generated spaceship Jupiter (including the start sequence, spatial explosion) along with digital creatures and digital environments.
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Final Copy 2020 06 23 Niu
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Niu, Muqun Title: Digital visual effects in contemporary Hollywood cinema aesthetics, networks and transnational practice General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Niu, Muqun Title: DIGITAL VISUAL EFFECTS IN CONTEMPORARY HOLLYWOOD CINEMA AESTHETICS, NETWORKS AND TRANSNATIONAL PRACTICE General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License.
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Adriano Calafiore
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Game of Thrones
2012 ISSN 1433-2620 > B 43362 >> 16. Jahrgang >>> www.digitalproduction.com Deutschland € 14,95 Published by Österreich € 17,– 5 Schweiz sfr 23,– MAGAZIN FÜR DIGITALE MEDIENPRODUKTION SEPTEMBER | OKTOBER 05|12 Pixomondo erobert Westeros Game of Thrones Cinema 4D R14 Element 3D Maya 2013 Seit wann kann C4D Animation für Adobes Workflow-Winner oder sculpten? After Effects Pflicht-Update? AKTUELL FILM & VFX 3D & ANIMATION INTERACTIVE INDUSTRIE DIGITAL ARTSCIENCE & EDUCATION SERVICE GGameame ooff TThroneshrones in München und Stuttgart Sommer, Sonne, Fantasy. Die Effekt- schmiede Pixomondo wurde zuletzt mit dem Effekte-Oscar für ihre Ar- beit mit Martin Scorsese an „Hugo Cabret“ ausgezeichnet. Ein weiteres Highlight ist aber die Arbeit an der US-amerikanischen Fantasy-Serie „Game of Thrones“, für die jede Menge Set-Extensions, Feuer spei- ende Drachen und ein fieses Schat- tenwesen erstellt wurden. DP traf die Pixomondo VFX-Supervisor Juri Stanossek und Sven Martin auf dem diesjährigen Animation Meeting. von Bela Beier er MedienCampus Bayern und filmtools Consult veranstalteten diesen Juli das D15. Animation Meeting im Rahmen des Filmfests München. Wie immer präsentierten Referenten aktuelle Projekte. Mit dabei waren diesmal unter anderem Jonathan Weber von rise|fx, der die Zuschauer hinter die Kulissen der aufwendig inszenierten TV-Serie „Bor- gia“ führte. Den Großteil der Veranstaltung bestritt Pixomondo, zum einen mit den Effek- ten zu „Hugo Cabret“ (siehe DP 2:12) – und zu der mittlerweile gefeierten und vielfach prä- mierten TV-Serie „Game of Thrones“. Die TV-Serie basiert auf dem Roman-Zy- klus „Das Lied von Eis und Feuer“ von George und Sven Martin über die zweite Staffel von also haben wir auch in der Film-Pipeline mit R.
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