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The Songs of the Beggar's Opera
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1966 The onS gs of The Beggar's Opera Carolyn Anfinson Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Anfinson, Carolyn, "The onS gs of The Beggar's Opera" (1966). Masters Theses. 4265. https://thekeep.eiu.edu/theses/4265 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institutionts library or research holdings. Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author THE SONGS OF THE BEGGAR'S OPERA (TITLE) BY Carolyn Anfinson THESIS SUBMIITTD IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF M.S. -
Jesus Christ Liberator Then and Now
Jesus Christ Liberator Then And Now Facing The Legacy Of Injustice The 10th International SabeelConference March 7-13, 2017 120 Years marking the First Zionist Conference 100 Years marking the Balfour Declaration 70 Years marking the Partition Plan 50 Years of occupation 30 Years marking the first Intifada 10 Years of PalestinianDivisions 2017, A Year of Jubilee PB 1 Bethlehem Monday March 6th Recommended day of arrivals 2:00 pm Check-in & Registration 6:00 – 9:00 pm Dinner at hotel (3rd floor dining room) Bethlehem Bethlehem Hotel Tuesday, March 7th– Bethlehem 6:00 am Checkpoint experience visit with EAPPI 5:30-9:00 am Breakfast (3rd floor dining room) International Sabeel Conference Sabeel International th 8:00 am Optional sightseeing tours in Bethlehem (Political and Religious) 11:00 am OCHA briefing on the Humanitarian Situation in the West Bank and Gaza. Speaker: Catharine Cook (2nd floor conference room) The 10 12:15 pm Lunch at Bethlehem Hotel 1:30 pm Depart hotel to Church of St. Catherine’s for worship 2:00 pm Opening Worship at Church of St. Catherine’s Sermon: Rev. Naim Ateek 3:00 pm Depart for Bethlehem Hotel 3:15 pm Welcome – Vera Baboun, Mayor of Bethlehem 3:30 pm The Background and Resulting Impact of the Balfour Declaration 1) Mary Grey: The Theological Underpinnings of the Balfour Declaration 2) Peter Shambrook: The Historical and Political Context that Produced the Declaration 3) Leslie Orr: The Practical Steps Necessary to Address Balfour’s Legacy Today 4:30 pm Coffee break 5:00 pm Q&A 5:30 pm The Balfour Declaration -
Musical Style and Historical Culture: Handel's London | Goldsmiths, University of London
10/02/21 Musical Style and Historical Culture: Handel's London | Goldsmiths, University of London Musical Style and Historical Culture: View Online Handel's London Aspden, S. (1997). Ballads and Britons: Imagined Community and the Continuity of ‘English’ Opera. Journal of the Royal Musical Association, 122(1), 24–51. https://doi.org/10.1093/jrma/122.1.24 Ballad Operas Online. (n.d.). http://www.odl.ox.ac.uk/balladoperas/ Fiske, Roger. (1973). English theatre music in the eighteenth century. Oxford University Press. Gagey, Edmond McAdoo. (1965). Ballad opera: Vol. Columbia University studies in English and comparative literature. B. Blom. Gay, John, Miller, Jonathan, Daltrey, Roger, Hoskins, Bob, Johns, Stratford, Routledge, Patricia, Hall, Carol, Bayliss, Peter, Ashe, Rosemary, Crowden, Graham, Tibbs, Gary, Gardiner, John Eliot, Barlow, Jeremy, Pepusch, John Christopher, & English Baroque Soloists. (1983). The beggar’s opera. BBC in association with RM Arts. Handel, George Frideric, Ozmo, Zak, Bevan, Mary, Tassell, Greg, & L’Avventura. (2009). Handel in the Playhouse. Opella Nova. John, G. (n.d.). The music of John Gay’s The Beggars Opera: edited and arranged from eighteenth-century sources by Jeremy Barlow (J. Barlow (Ed.)). Oxford University Press. Joncus, B. (n.d.). TIMELINE FOR BALLAD OPERA: TOWARDS A HISTORY. https://learn.gold.ac.uk/mod/resource/view.php?id=193801 Joncus, B. (2006). Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), 179–226. https://doi.org/10.1093/jrma/fkl013 Joncus, B. (2012). "The Assemblage of every female Folly”: Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. -
Lewis Theobald
English Studies ISSN: 0013-838X (Print) 1744-4217 (Online) Journal homepage: http://www.tandfonline.com/loi/nest20 Lewis Theobald Edward B. Koster To cite this article: Edward B. Koster (1922) Lewis Theobald, English Studies, 4:1-6, 20-60 To link to this article: http://dx.doi.org/10.1080/00138382208596434 Published online: 13 Aug 2008. Submit your article to this journal Article views: 1 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=nest20 Download by: [University of Cambridge] Date: 05 June 2016, At: 13:09 20 The question is naturally asked how it is that the nominative with infinitive is not used with verbs of wishing. The answer cannot be that the nominative with infinitive in English is only an apparent one, for the genuine construction has been shown to occur. But it seems to follow from the facts mentioned that the genuine nominative with infinitive is only used in the case of verbs that can take an apparent (i.e. analysable) accusative with infinitive. The construction, therefore, is one step behind the development of the corres- ponding active construction. It is natural to consider, in this connection, the similar constructions with the present participle. Such a sentence as / saw him looking at a dead flower may be turned into the passive: He was seen looking at a dead flower (Handbook, 695). But it is clear that the nominative with present par- ticiple occurs only in the case of verbs that have an apparent accusative with participle, i.e. -
University Microfilms. Inc., Ann Arbor, Michigan
7 0 -m -,1 1 9 WILLIS, Craig Dean, 1935- THE TUDORS AND THEIR TUTORS: A STUDY OF SIXTEENTH CENTURY ROYAL EDUCATION IN BRITAIN. The Ohio State University, Ph.D., 1969 Education, history University Microfilms. Inc., Ann Arbor, Michigan © Copyright by Craig Dean W illis 1970 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE TUDORS AND THEIR- TUTORS: A STUDY OF SIXTEENTH CENTURY ROYAL EDUCATION IN BRITAIN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University SY Craig Dean W illis, B.A., M.A. IHt- -tttt -H-H- The Ohio State U niversity 1969 Adviser t School of Education ACKNOWLEDGMENTS To Dr. Robert B. Sutton, my major adviser, I owe a major debt of gratitude for his guidance, encouragement, and scholarly qualifies* I also wish to thank the members of the reading committee for their contribution; and in particular, I want to express appreciation to Dr. Richard J. Frankie and the late Dr. Earl Anderson for their professional and meaningful assistance. It is appropriate to thank the administrative officers at Ohio Wesleyan University for their encouragement and willingness to let me arrange my work around my graduate studies. Persons of particular help were Dr, Allan C. Ingraham, Dr. Elden T. Smith, Dr. Emerson C. Shuck, and Dr. Robert P. Lisensky. My family has been of invaluable assistance to me, and it is to them that I dedicate the study of the education of the Tudor family. My parents, J. Russell and Glenna A. W illis, have helped in many ways, both overt and subtle. -
Key Officers List (UNCLASSIFIED)
United States Department of State Telephone Directory This customized report includes the following section(s): Key Officers List (UNCLASSIFIED) 9/13/2021 Provided by Global Information Services, A/GIS Cover UNCLASSIFIED Key Officers of Foreign Service Posts Afghanistan FMO Inna Rotenberg ICASS Chair CDR David Millner IMO Cem Asci KABUL (E) Great Massoud Road, (VoIP, US-based) 301-490-1042, Fax No working Fax, INMARSAT Tel 011-873-761-837-725, ISO Aaron Smith Workweek: Saturday - Thursday 0800-1630, Website: https://af.usembassy.gov/ Algeria Officer Name DCM OMS Melisa Woolfolk ALGIERS (E) 5, Chemin Cheikh Bachir Ibrahimi, +213 (770) 08- ALT DIR Tina Dooley-Jones 2000, Fax +213 (23) 47-1781, Workweek: Sun - Thurs 08:00-17:00, CM OMS Bonnie Anglov Website: https://dz.usembassy.gov/ Co-CLO Lilliana Gonzalez Officer Name FM Michael Itinger DCM OMS Allie Hutton HRO Geoff Nyhart FCS Michele Smith INL Patrick Tanimura FM David Treleaven LEGAT James Bolden HRO TDY Ellen Langston MGT Ben Dille MGT Kristin Rockwood POL/ECON Richard Reiter MLO/ODC Andrew Bergman SDO/DATT COL Erik Bauer POL/ECON Roselyn Ramos TREAS Julie Malec SDO/DATT Christopher D'Amico AMB Chargé Ross L Wilson AMB Chargé Gautam Rana CG Ben Ousley Naseman CON Jeffrey Gringer DCM Ian McCary DCM Acting DCM Eric Barbee PAO Daniel Mattern PAO Eric Barbee GSO GSO William Hunt GSO TDY Neil Richter RSO Fernando Matus RSO Gregg Geerdes CLO Christine Peterson AGR Justina Torry DEA Edward (Joe) Kipp CLO Ikram McRiffey FMO Maureen Danzot FMO Aamer Khan IMO Jaime Scarpatti ICASS Chair Jeffrey Gringer IMO Daniel Sweet Albania Angola TIRANA (E) Rruga Stavro Vinjau 14, +355-4-224-7285, Fax +355-4- 223-2222, Workweek: Monday-Friday, 8:00am-4:30 pm. -
The Purpose of This Thesis Is to Trace Lady Katherine Grey's Family from Princess Mary Tudor to Algernon Seymour a Threefold A
ABSTRACT THE FAMILY OF LADY KATHERINE GREY 1509-1750 by Nancy Louise Ferrand The purpose of this thesis is to trace Lady Katherine Grey‘s family from Princess Mary Tudor to Algernon Seymour and to discuss aspects of their relationship toward the hereditary descent of the English crown. A threefold approach was employed: an examination of their personalities and careers, an investigation of their relationship to the succession problem. and an attempt to draw those elements together and to evaluate their importance in regard to the succession of the crown. The State Papers. chronicles. diaries, and the foreign correspondence of ambassadors constituted the most important sources drawn upon in this study. The study revealed that. according to English tradition, no woman from the royal family could marry a foreign prince and expect her descendants to claim the crown. Henry VIII realized this point when he excluded his sister Margaret from his will, as she had married James IV of Scotland and the Earl of Angus. At the same time he designated that the children of his younger sister Mary Nancy Louise Ferrand should inherit the crown if he left no heirs. Thus, legally had there been strong sentiment expressed for any of Katherine Grey's sons or descendants, they, instead of the Stuarts. could possibly have become Kings of England upon the basis of Henry VIII's and Edward VI's wills. That they were English rather than Scotch also enhanced their claims. THE FAMILY OF LADY KATHERINE GREY 1509-1750 BY Nancy Louise Ferrand A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of History 1964 ACKNOWLEDGMENTS I am indebted to Dr. -
Works the Greek and Romai Poets
W ORKS THE G REEK AN D R O MAI P O E T S, E THNSLATED I NTO ENGLISHV RSE. won} 9, 3 con'rAmsé ‘ C O ’ ‘ OK E S V E R S O F H S I D. kQ H; . E O O ’ MEEN S CQ RUJ'HUS AND B LI S’S HY M T HE CRE TO UPO N O T A R. r m un n B w e n s Y 0. a “ . L OND ON A ' A' n m m » to: str um , EV NCE, AND r o x, s r rlo m com SHARP! AND HAILES musm m mocw um ; , , A - g T r w n AND utssn r. us er ST REET ; AND a. !s mu 1813. W ORKS HE I O D S , TRANSLATED FROM THE REE G K, THOMAS COOKE. com m WITHTHE 3m EDITIONS THOMAS PARK E88. F. s . A . , V . OL I . L ON D ON printzuattbs Q tanbnpt pm}, BY W INT I ING HAM AND RO W LAND, Gam a- Str eet; unusnzD DY SU’IT ABY LVANCE AN s ' lo ' r , , D m x . r A r xs ns c ' L ' u s 'r S A ounr UD A rt. s r z H RP , G , !) AN D m uss, PICCA Il - DILLY ; AND TAY LO R AN D LSSEY, FLEET S TREET. 1811. ON E N C T TS . OATH” ! uurse on the Life of Hesiod W ritings of Hesiod ral Argument to the Work s and W ORKS AND DAYS . I tes on Book I II tea on Book II III . -
Spying in the Promised Land: Sacramental Sights Through Women's Eyes
CTSA Proceedings 67 / 2012 SPYING IN THE PROMISED LAND: SACRAMENTAL SIGHTS THROUGH WOMEN’S EYES TERESA BERGER INTRODUCTION∗ ith the title of this essay, I harken back to the biblical story of the spies sent to explore the Promised Land, a land reportedly of milk and honey.1 While two spies returned W with grapes, pomegranates, and figs, the others brought back tales of terror, leading the people of Israel to wonder about this land. The biblical narrative has rich resonances in liturgical history,2 yet as my guiding motif here, I focus on the spies’ divergent reports of the land they saw. I also imagine these spies to be women. What do women see when looking into the promised land of sacramental life? 3 What did they witness fifty years ago? What do they note today? What might they glimpse of the future? The task of sketching answers to these questions—especially with a view to the worldwide church—is overwhelming. To begin with, there are more than 600 million Roman Catholic women around the globe today. Often, they form the majority of the liturgical assembly in local parishes; yet as theologians in North America, we are able to hear these women’s voices only through multiple mediations.4 Furthermore, Roman Catholic women worldwide have as many different experiences and visions of sacramental life as there are individual women. The simple fact of having two X chromosomes does not suffice to establish globally shared “women’s experiences.” ∗ I dedicate this essay to the memory of my friend Kazuyo HiRose (d. -
A Critical Analysis of Mary Grey's View on Atonement
UNIVERSITY OF THE WESTERN CAPE MINI THESIS NAME: HEATHER FESTUS STUDENT NUMBER 2554528 DEGREE M TH (STRUCTURED) DEPARTMENT RELIGION & THEOLOGY TITLE OF THESIS: Bearing One’s Cross: A critical analysis of Mary Grey’s view on atonement SUPERVISOR Prof. ERNST CONRADIE - i - Declaration I, Heather Festus, declare that “Bearing ones cross: A critical analysis of Mary Grey’s view of atonement” is my own work, and that all the sources I have used or quoted have been indicated and acknowledged by means of complete references. Signed …………………………………. Date …………………… H. Festus - ii - Acknowledgements I hereby wish to express my sincere gratitude towards the Lord Jesus Christ, for faithfully carrying me through this challenging period of working on this thesis. Without His guidance, wisdom and strength, I would not have had the ability to complete this work. To my mother Sarah, and niece Yael, I wish to thank you for your understanding and willingness to allow me the necessary space and time. I especially wish to thank Karl Bock for your love, support and encouragement. I wish to thank my supervisors, Professor Ernst Conradie and Professor Hans Engdahl for their patient guidance and commitment in helping me to bring this thesis to completion. May God continue to fill them with His wisdom. Lastly, I would like to thank Pastor Louis and Bridget Jordaan for your willingness to allow me to take time to attend to my studies. Thank you for your patience, support and prayer. - iii - Abstract The aim of this research project was to seek a reinterpretation of the Christian motif of 'bearing one's cross'. -
Ballad Opera in England: Its Songs, Contributors, and Influence
BALLAD OPERA IN ENGLAND: ITS SONGS, CONTRIBUTORS, AND INFLUENCE Julie Bumpus A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 7, 2010 Committee: Vincent Corrigan, Advisor Mary Natvig ii ABSTRACT Vincent Corrigan, Advisor The ballad opera was a popular genre of stage entertainment in England that flourished roughly from 1728 (beginning with John Gay's The Beggar's Opera) to 1760. Gay's original intention for the genre was to satirize not only the upper crust of British society, but also to mock the “excesses” of Italian opera, which had slowly been infiltrating the concert life of Britain. The Beggar's Opera and its successors were to be the answer to foreign opera on British soil: a truly nationalistic genre that essentially was a play (building on a long-standing tradition of English drama) with popular music interspersed throughout. My thesis explores the ways in which ballad operas were constructed, what meanings the songs may have held for playwrights and audiences, and what influence the genre had in England and abroad. The thesis begins with a general survey of the origins of ballad opera, covering theater music during the Commonwealth, Restoration theatre, the influence of Italian Opera in England, and The Beggar’s Opera. Next is a section on the playwrights and composers of ballad opera. The playwrights discussed are John Gay, Henry Fielding, and Colley Cibber. Purcell and Handel are used as examples of composers of source material and Mr. Seedo and Pepusch as composers and arrangers of ballad opera music. -
Introduction
Notes Introduction 1. A Complete Collection of Genteel and Ingenious Conversation (1738), in Herbert Davis et al. (eds) The Prose Works of Jonathan Swift, 14 vols. (Oxford: Clarendon Press, 1939–68), 4: 102. 2. OED 2. 3. See Ricks’s essay on ‘Plagiarism’, originally published in Proceedings of the British Academy 97, reprinted in his Allusion to the Poets (Oxford University Press, 2002), pp. 219–40, 220. 4. See Chapter 1 for more detail on the lexicographical history. 5. Martial, Epigrams, I. 52. 6. See Stockdale’s An Inquiry into the Nature and Genuine Laws of Poetry (1778). Stockdale’s ideas about plagiarism are discussed in Chapter 8. 7. On modern ‘plagiarism studies’, see my ‘Plagiarism and Plagiarism Studies’, English Subject Centre Newsletter, 13 (October 2007): 6–8. The explosion of studies in this area can be deduced from two major studies published in 2007 alone: Tilar J. Mazzeo’s Plagiarism and Literary Property in the Romantic Period (Philadelphia: University of Pennsylvania Press, 2007) and Robert Macfarlane’s Original Copy: Plagiarism and Originality in Nineteenth-Century Literature (Oxford University Press, 2007). 8. My methodology is indebted to Quentin Skinner, ‘The Idea of a Cultural Lexicon’, Essays in Criticism, 29 (1979): 205–24. 9. It is worth stressing here that this book does not propose itself as a contri- bution to the debate about the development of copyright. My general view is that no necessary relation exists between issues of literary originality and those concerning the definition of literary property as enshrined in eighteenth-century copyright legislation. See Simon Stern’s lucid analysis of these issues in ‘Copyright, Originality, and the Public Domain in Eighteenth- Century England’, in Reginald McGinnis (ed.) Originality and Intellectual Property in the French and English Enlightenment (London: Routledge, 2008), pp.