International Journal of Religious Tourism and Pilgrimage Volume 6 Issue 2 What is Pilgrimage? Article 5 2018 Enacting the Glastonbury Pilgrimage through Communitas and Aural/Visual Culture Kathryn R. Barush Graduate Theological Union, Berkeley and the Jesuit School of Theology of Santa Clara University,
[email protected] Follow this and additional works at: https://arrow.tudublin.ie/ijrtp Part of the History of Religion Commons, Interdisciplinary Arts and Media Commons, Modern Art and Architecture Commons, Theory and Criticism Commons, and the Tourism and Travel Commons Recommended Citation Barush, Kathryn R. (2018) "Enacting the Glastonbury Pilgrimage through Communitas and Aural/Visual Culture," International Journal of Religious Tourism and Pilgrimage: Vol. 6: Iss. 2, Article 5. Available at: https://arrow.tudublin.ie/ijrtp/vol6/iss2/5 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Enacting the Glastonbury Pilgrimage through Communitas and Aural/Visual Culture Cover Page Footnote I am grateful to the British Pilgrimage Trust (especially Guy Hayward, Will Parsons, Kitty Rice, and India Windsor-Clive) for their permission to use images for this article, and especially for their time. A generous grant from the George Greenia Research Fellowship in Pilgrimage Studies allowed me to conduct interviews and field work owart ds this article in June 2017, the results of which I presented at the 2017 Institute for Pilgrimage Studies Annual Symposium at the College of William and Mary. Thank you to Aidan Hart for graciously allowing me to publish images of three of his icons. I am grateful to Tom Poyner, Paul Janowiak, SJ, Anh Tran, SJ, and Hung Pham, SJ for their judicious comments on earlier drafts and sections of this paper.