Dan Flavin (1933-1996)
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B A R B A R A G R O S S G A L E R I E LOUISE BOURGEOIS 1911 Geboren in Paris, Frankreich (25. Dezember 1911) Born in Paris, France (December 25th, 1911) 2010 Gestorben in New York, USA (31. Mai 2010) Died in New York, USA (May 31, 2010) 1932 Sorbonne, University of Paris (Baccalauréate in Philosophy) 1934 Paul Colin 1936-1937 Atelier Roger Bissière dell'Académie Ranson Académie of D'Espagnat École du Louvre 1936-1938 École Nationale Supérieure des Beaux-Arts (studying with André Devambez) Académie de la Grande-Chaumière, as an assistant or massière to Yves Brayer 1937-1938 École Municipale de Dessin & d'Art Académie de la Grande-Chaumière, studying painting with Othon Friesz and sculpture with Robert Wlérick Docent at the Musée du Louvre 1938 Moved to New York, USA Académie Scandinavie with Charles Despiau Studied with Fernand Léger Marcel Gromaire and André Lhote 1938-1939 L'Académie Ranson 1939-1940 Vaclav Vytlacil 1946 Art Student's League of New York 1955 On October 5th, Louise Bourgeois becomes an American citizen Preise und Auszeichnungen / Awards and Distinctions 2009 Inducted into National Women’s Hall of Fame, Seneca Falls, New York NY 2008 Aragon-Goya Award, Goya Foundation, Aragon Government, Zaragoza, Spain French Legion of Honor medal presented by President Sarkozy to Louise Bourgeois, Artist’s Chelsea home, France 2007 The "Woman Award", The United Nations and Women Together, New York NY Österreichisches Ehrenzeichen für Wissenschaft und Kunst (Austrian Honour Medal for Science and Arts) 2002 Wolf Foundation Prize in the -
New York Citytm
The Internationalist ® The Top 10 Guide to New York The Top 10 Guide to New York CityTM The Internationalist 96 Walter Street/Suite 200 Boston, MA 02131 USA The Internationalist • www.internationalist.com • 617-354-7755 1 The Internationalist ® The Top 10 Guide to New York The Internationalist® International Business, Investment and Travel Published by: The Internationalist Publishing Company 96 Walter Street/Suite 200 Boston, MA 02131, USA Tel: 617-354-7722 [email protected] Author: Patrick W. Nee Copyright © 2001 by PWN The Internationalist is a Registered Trademark. The Top 10 Guide to New York City, The Top 10 Travel Guides, The Top 10 Guides are Trademarks of the Internationalist Publishing Company. All right are reserved under International, Pan-American and Pan-Asian Conventions. No part of this book, no lists, no maps or illustration may be reproduced in any form without the written permission of the publisher. All rights vigorously enforced. ISBN: 1-891382-21-7 Special Sales: Books of the Internationalist Publishing Company are available for bulk purchases at special discounts for sales promotions, corporate identity programs or premiums. The Internationalist Publishing Company publishes books on international business, investment and travel. For further information contact the Special Sales department at: Special Sales, The Internationalist, 96 Walter Street/Suite 200, Boston, MA 02131. The Internationalist Publishing Company 96 Walter Street/Suite 200 Boston, MA 02131 USA Tel: 617-354-7722 [email protected] e-mail: [email protected] web site: http://www.internationalist.com The Internationalist • www.internationalist.com • 617-354-7755 2 The Internationalist ® The Top 10 Guide to New York Welcome to New York City. -
JANINE ANTONI Born 1964, Freeport, Bahamas Lives and Works in New York, NY
JANINE ANTONI Born 1964, Freeport, Bahamas Lives and works in New York, NY EDUCATION 1989, MFA Sculpture (Honors), Rhode Island School of Design, Providence, RI 1986, BA, Sarah Lawrence College, Bronxville, NY AWARDS 2014, Anonymous Was a Woman Award, New York, NY 2014, Project Grant (in collaboration with the Fabric Workshop and Museum), Pew Center for Arts and Heritage, Philadelphia, PA 2012, Creative Capital Grant 2011, John Simon Guggenheim Memorial Foundation Award 2004, Artes Mundi, Wales International Visual Art Prize (nominee) 1999, New Media Award, Institute for Contemporary Art/Boston, Boston, MA 1999, Larry Aldrich Foundation Award 1998, MacArthur Fellowship 1998, Painting and Sculpture Grant, Joan Mitchell Foundation, Inc. 1996, Glen Dimplex Artists Award, Irish Museum of Modern Art, Dublin, Ireland SELECTED SOLO EXHIBITIONS 2020-2021 Janine Antoni and Stephen Petronio: Honey Baby, Locust Projects, Miami, FL 2019 Janine Antoni and Anna Halprin: Paper Dance, The Contemporary, Austin, TX Janine Antoni: I am fertile ground, Green-Wood Cemetery Catacombs, Brooklyn, NY [temporary installation] 2018 Janine Antoni: Moor and Touch, Accelerator, Stockholm University, Stockholm, Sweden 2017 Janine Antoni and Stephen Petronio: Entangle, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY 2016 Ally, The Fabric Workshop and Museum, Philadelphia, PA* Janine Antoni and Stephen Petronio: Honey Baby, Sheppard Contemporary Art Gallery, University of Nevada, Reno, Nevada 2015 Incubator: Janine Antoni -
JANINE ANTONI Biography 1964 Born In
JANINE ANTONI Biography 1964 Born in Freeport, Bahamas Lives and works in New York, NY Education 1989 Master of Fine Arts; Sculpture, Honors, Rhode Island School of Design, Providence, RI 1986 Bachelor of Arts, Sarah Lawrence College, Bronxville, New York, NY Awards 2014 Anonymous Was A Woman, New York, NY Project Grant (in collaboration with the Fabric Workshop and Museum), The Pew Center of Arts & Heritage, Philadelphia, PA 2012 Creative Capital Grant 2011 John Simon Guggenheim Memorial Foundation Award 2004 Artes Mundi, Wales International Visual Art Prize (nominee) 1999 New Media Award, ICA Boston, MA Larry Aldrich Foundation Award 1998 MacArthur Fellowship The Joan Mitchell Foundation, Inc. Painting and Sculpture Grant 1996 IMMA Glen Dimplex Artists Award Solo Exhibitions 2019 I am fertile ground, Green-Wood Cemetery Catacombs, New York, NY 2018 Accelerator, Stockholm University, Stockholm, Sweden 2017 Janine Antoni and Stephen Petronio: Entangle, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY 2016 Ally, The Fabric Workshop and Museum, Philadelphia, PA Janine Antoni and Stephen Petronio: Honey Baby, Sheppard Contemporary Art Gallery, University of Nevada, Reno, NV 2015 Incubator: Janine Antoni & Stephen Petronio, testsite, The Contemporary Austin, a project of Fluent- Collaborative, Austin, TX Janine Antoni: From the Vow Made, Luhring Augustine, New York, NY Janine Antoni: Turn, Anthony Meier Fine Arts, San Francisco, CA 2014 Touch, Magazsin 3 Handelshögskolan, Stockholm, Sweden 2013 -
Freeport, Bahamas Lives and Works in Brooklyn, NY EDUCATION 1989
JANINE ANTONI BORN January 19, 1964 - Freeport, Bahamas Lives and works in Brooklyn, NY EDUCATION 1989 Rhode Island School of Design, MFA, Sculpture, Honors, Providence, RI 1986 Sarah Lawrence College, BA, Bronxville, New York, NY AWARDS 2014 Anonymous Was A Woman Award 2012 Creative Capital Grant 2011 John Simon Guggenheim Memorial Foundation Fellowship 2004 Artes Mundi, Wales International Visual Art Prize (nominee) 1999 New Media Award, ICA Boston, MA Larry Aldrich Foundation Award 1998 MacArthur Fellowship. The Joan Mitchell Foundation, Inc. Painting and Sculpture Grant 1996 IMMA Glen Dimplex Artists Award SOLO EXHIBITIONS 2017 “Entangle,” Janine Antoni and Stephen Petronio, Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY 2016 “Ally,” Janine Antoni in collaboration with Anna Halprin and Stephen Petronio, presented by The Fabric Workshop and Museum, Philadelphia, PA, with major support from The Pew Center for Arts & Heritage. “Honey Baby” Janine Antoni in collaboration with Stephen Petronio, University of Nevada, Reno, NV 2015 “Turn,” Anthony Meier Fine Arts, San Francisco, CA “From the Vow Made,” Luhring Augustine, New York, NY “Incubator,” testsite The Contemporary Austin, a project of Fluent-Collaborative, Austin, TX 2014 Touch, Magasin 3 Handelshögskolan, Stockholm, Sweden 2013-2014 “Within,” Mattress Factory, Pittsburgh, PA Short Notice: “Touch”, Brandts, Odense Denmark 2011 “Touch,” Museum Kunst dre Westkuste, Alkersum/Fohr, Germany 2010 “At Home in the Body,” University of Virginia Museum of Art, Charlottesville, -
ROBERT RYMAN Born 1930 in Nashville, Tennessee
This document was updated August 20, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. ROBERT RYMAN Born 1930 in Nashville, Tennessee. Died 2019 in New York. EDUCATION 1949–1950 Tennessee Polytechnic Institute, Cookeville, Tennessee SOLO EXHIBITIONS 2019 Robert Ryman: The First Twenty-five Years of Prints, Krakow Witkin Gallery, Boston 2018 Robert Ryman: Drawings, The Pace Gallery, New York [catalogue] 2015 Robert Ryman, Dia: Chelsea, New York [itinerary: Museo Jumex, Mexico City] [catalogue] Sylvia Plimack Mangold and Robert Ryman, Barbara Krakow Gallery, Boston [two-person exhibition] 2014 Sylvia Plimack Mangold and Robert Ryman, Barbara Krakow Gallery, Boston [two-person exhibition] White Magic: Robert Ryman / Rudolf Staffel, David Nolan, New York [two-person exhibition] 2013 Robert Ryman: Recent Paintings, The Pace Gallery, New York [catalogue] 2012 Robert Ryman: Untitled, A Painting in Four Parts, 1963–1964, Gagosian Gallery, New York 2010 Robert Ryman: Large-small, thick-thin, light reflecting, light absorbing, PaceWildenstein, New York Robert Ryman: Variations & Improvisations, Phillips Collection, Washington, DC [catalogue] 2009 Robert Ryman, Yvon Lambert, New York 2008 Advancing the Experience: Robert Ryman, Hallen für neue Kunst, Schaffhausen, Switzerland, [long-term installation 2008-2014] [catalogue] Robert Ryman, Metropol Kunstraum, Munich [catalogue] 2007 Contemporary Conversations: Robert Ryman, 1976, The Menil Collection, Houston [brochure] Robert Ryman: No -
Lynda Benglis
Lynda Benglis Lynda Benglis in her studio, - Art © Lynda Benglis/ VAGA, Courtesy Cheim&Read - [previous page] Lynda Benglis in her studio in 1969 Lynda Benglis in her studio in 1970, pouring latex on the floor Lynda Benglis — Thomas Brambilla gallery Lynda Benglis, “QUARTERED METEOR, 1969/1975”, Lead, 146.1 x 166.4 x 163.2 cm (Edition 1/3), - Art © Lynda Benglis/ VAGA, Courtesy Cheim&Read - Lynda Benglis — Thomas Brambilla gallery Lynda Benglis, “Hoofers I, 1971-72”, Aluminum screen, red cotton bunting, plaster, gesso, acrylic and glitter, 259.1 x 14 x 10.2 cm, and detail - Art © Lynda Benglis/ VAGA, Courtesy Cheim&Read - Lynda Benglis, “HOOFERS II, 1971-72”, Aluminum screen, red cotton bunting, plaster, gesso, acrylic and glitter, 259.1 x 11.4 x 7.6 cm, and detail - Art © Lynda Benglis/ VAGA, Courtesy Cheim&Read - Lynda Benglis — Thomas Brambilla gallery Lynda Benglis, “Embryo Ii, 1967”, purified pigmented beeswax and gesso on masonite, 91.4 x 12.7 x 12.7cm, - Art © Lynda Benglis/ VAGA, Courtesy Cheim&Read - Lynda Benglis — Thomas Brambilla gallery Lynda Benglis, “Contraband, 1969”, now installed at Whitney Musem of America Art, 7.6 x 295.3 x 1011.6 x 0.3 cm Lynda Benglis — Thomas Brambilla gallery Lynda Benglis, “Contraband, 1969”, dayglo pigment and poured latex, 985.5 x 281.9 cm, - Art © Lynda Benglis/ VAGA, Courtesy Cheim&Read - Lynda Benglis — Thomas Brambilla gallery Lynda Benglis, “Schema, 1977”, Chicken wire, plaster, oil-based gesso, gold leaf, 94 x 27.9 x 17.8 cm, - Art © Lynda Benglis/ VAGA, Courtesy Cheim&Read - Lynda Benglis -
Jean-Noel Archive.Qxp.Qxp
THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs. -
Bruce Nauman
BRUCE NAUMAN 1941 Born in Fort Wayne, Indiana Lives and works in New Mexico Education 1964 University of Wisconsin, Madison 1966 University of California, Davis Solo exhibitions 2021 Contrapposto Studies, Punta della Dogana, Venice 2020 Tate Modern, London touring to Stedelijk Museum, Amsterdam, and Pirelli HangarBicocca, Milan Models, Skulpturenhalle, Neuss, Germany 2019 Rooms, Bodies, Words, Museo Picasso Málaga, Spain Blue and Yellow Corridor, Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, California 2018 Disappearing Acts, Schaulager, Basel touring to The Museum of Modern Art, New York and MoMA PS1, New York No, No, New Museum, Memorial Art Gallery, Rochester, New York Parameters, Estancia Femsa – Casa Luis Barragán, Mexico City Time Tunnel: Bruce Nauman’s Corridor Installation with Mirror, Natalie and James Thompson Art Gallery, San Jose, California 2017 ARTIST ROOMS, Tate Modern, London 2016 Contrapposto Studies, I through VII, Philadelphia Museum of Art, Pennsylvania Language Body, Center for Contemporary Art & Culture, Portland, Oregon 2015 Prints 1970-2006, Sims Reed Gallery, London Selected Works from 1967-1990, Gagosian Gallery, Paris Fondation Cartier pour l’Art Contemporain, Paris; Friedrich Kiesler Stiftung, Vienna; Skulpturenpark Waldfrieden, Wuppertal, Germany 2014 Bruce Nauman’s Words on Paper, Art Gallery of Ontario, Toronto 2013 Some Illusions -- Drawings and Videos, Sperone Westwater, New York Göteburgs Konstmuseum, Gothenburg, Sweden Bruce Nauman: Mindfuck. Hauser & Wirth, London 2012 One Hundred Fish Fountain, -
Best Luxury Hotels in New York"
"Best Luxury Hotels in New York" Created by: Cityseeker 22 Locations Bookmarked Greenwich Hotel "DeNiro's Tribeca Hotel" No two rooms at The Greenwich Hotel are the same. Each is more spectacular than the last, decorated with international luxury items like Tibetan rugs, Siberian oak floors, and Moroccan tile. Every room at this ultra-sleek hotel also features organic bath products and soaking tubs to ensure guests stay pampered and refreshed. Those looking for ultimate by ninacoco relaxation can visit the exclusive Shibui Spa, which offers everything from poolside meditation to traditional Japanese shiatsu massages, while peckish guests can find superb Italian cuisine and an extensive wine list at the Locanda Verde Restaurant. More than just a luxury accommodation, The Greenwich Hotel guarantees a memorable stay with its unique vision and trendy Tribeca location. +1 212 941 8900 www.thegreenwichhotel.c [email protected] 377 Greenwich Street, New om/ m York NY The Mercer Hotel "European Style Hotel in the Big Apple" Built in 1890 as an office building for John Jacob Astor II, this landmark location was previously home to shabby lofts for Soho artists. Then The Mercer Hotel was totally renovated into this impressive luxury boutique hotel. High ceilings and large windows add to the grandeur of each room. It is across the street from the Guggenheim Museum Soho and is near all the galleries of SoHo. It is not far from Greenwich Village, Little Italy and Chinatown as well. The super chic restaurant, The Mercer Kitchen, is located in the basement of the hotel. +1 212 966 6060 www.mercerhotel.com reservations@mercerhotel. -
Kiki Smith, 1954 —
Kiki Smith, 1954 — Kiki Smith’s practice addresses the philosophical, social and spiritual aspects of human nature. By manipulating everyday materials such as glass, ceramic, fabric and paper, Smith’s work examines the dichotomy between the psychological and physiological power of the body. As a young girl, one of Smith’s first experiences with art was helping her father – American sculptor Tony Smith – make cardboard models for his geometric sculptures. This training in formalist systems, combined with her upbringing in the Catholic Church, would later resurface in Smith’s evocative sculptures, drawings, and prints. The recurrent subject matter in Smith’s work has been the body as a receptacle for knowledge, belief, and storytelling. In the 1980s, Smith literally turned the figurative tradition in sculpture inside out, creating objects and drawings based on organs, cellular forms, and the human nervous system. This body of work evolved to incorporate animals, domestic objects, and narrative tropes from classical mythology and folk tales. Life, death, and resurrection are thematic signposts in many of Smith’s installations and sculptures. In 2003, The Museum of Modern Art, New York exhibited a survey of Smith’s printed art, Kiki Smith: Prints, Books & Things. In 2005, Smith’s retrospective A Gathering: 1980- 2005 was held at the Walker Art Center, Minneapolis, and toured to the San Francisco Museum of Modern Art; Contemporary Arts Museum, Houston; Whitney Museum of American Art, New York and La Colección Jumex, Mexico City. The same year, to coincide with the 2005 Venice Biennale, Smith exhibited Homespun Tales at the Fondazione Querini Stampalia, Venice. -
AGNES MARTIN SELECTED GROUP EXHIBITIONS 2019 from Gesture
AGNES MARTIN SELECTED GROUP EXHIBITIONS 2019 From Gesture to Form: Postwar European and American Art from the Schulhof Collection, Peggy Guggenheim Collection, Venice, Italy, January 26–March 18, 2019. Minimal Means: Concrete Inventions in the US, Brazil, and Spain, Zeit Contemporary Art, New York, January 17–March 30, 2019. 2018 Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert, Kunsthalle Krems, Krems an der Donau, Austria, July 1–November 2018; Kunsthaus Zürich, September 20, 2019–January 5, 2020. (Catalogue) Intimate Infinite: Imagine a Journey, Lévy Gorvy, New York, September 6–October 24, 2018. (Catalogue) Play and Rewind: Ode to Summer on Film, Katonah Museum of Art, New York, August 12–October 7, 2018. Between the Lines, Yumiko Chiba Associates, Tokyo, June 29–July 28, 2018. An Eccentric View, Mignoni Gallery, New York, May 1–June 19, 2018. (Catalogue) Taos: 1960’s–Present, Vivian Horan Fine Art, New York, April 27–June 22, 2018. Agnes Martin: Selected Group Exhibitions 2 American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue) Unpacking the Vault, The Suzanne Lemberg Usdan Gallery, Bennington College, Vermont, February 27– April 15, 2018. 2017 Agnes Martin, Richard Tuttle: Crossing Lines, Pace Gallery, 32 East 57th Street, New York, November 2, 2017–January 13 (extended through January 27), 2018. Seeking Stillness, Museum of Fine Ars, Boston, September 24, 2017–July 1, 2018. Minimalism & Beyond, Mnuchin Gallery, New York, September 13–October 18, 2017. (Catalogue) Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, April 15– August 13, 2017.