DOCSLIB.ORG

Report on Archaeological Investigations Conducted at the St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Report on Archaeological Investigations Conducted at the St REPORT ON ARCHAEOLOGICAL INVESTIGATIONS CONDUCTED AT THE ST. MARY’S SITE (18AP45), 107 DUKE OF GLOUCESTER STREET, ANNAPOLIS, MARYLAND, 1987— 1990 VOLUME I: SITE HISTORY, RESULTS AND RECOMMENDATIONS Produced by Matthew M. Palus and Elizabeth B. Kryder-Reid with Contributions by Janice Bailey-Goldschmidt Paul R. Mullins Mark Warner Robert L. Worden Project Directors Elizabeth B. Kryder-Reid (1989-1990) Barbara J. Little (1987-1988) Principal Investigator Mark P. Leone Report Prepared for Charles Carroll House of Annapolis, Inc. by Archaeology in Annapolis A Cooperative Project between Historic Annapolis Foundation and The University of Maryland at College Park 2002 Abstract and Executive Summary In celebration of the 250th anniversary of the birth of Charles Carroll of Carrollton, Archaeology in Annapolis was invited to excavate the Carroll House and garden on 107 Duke of Gloucester Street in Annapolis, Maryland. The site, named the St. Mary's Site (18AP45) for the Catholic church on the property, is currently owned by the Redemptorists, a Roman Catholic congregation of priests and brothers who have occupied the site since 1852. Prior to the Redemptorists' tenure, the site was owned by the Carroll family from 1701-1852 and is perhaps best known as the home of Charles Carroll of Carrollton (1737-1832), signer of the Declaration of Independence. Excavations at the site were conducted during four consecutive summer seasons from 1987- 1990. The investigation focused on three research questions. The first line of inquiry were questions surrounding the dating, architectural configuration, and artifact deposits of the "frame house," a structure adjoining the west wall of the brick Carroll House via a "passage" and later a three story addition. The frame house was partially demolished in the mid-nineteenth century but the construction was thought to pre-date the brick portion of the house. The second research question was spurred by documentary research which indicated that the property might have been the location of Proctor's Tavern, a late 17th-century tavern which served as the meeting place of the Maryland Provincial Assembly. Archaeological testing hoped to determine its location and, if found, investigate Annapolis' early Euro-American occupation. The third research question focused on the landscape of the site as it was shaped by its occupants over the past three hundred years. The research questions included investigating the stratigraphy, geometry, and architectural and planting features of Charles Carroll of Carrollton's terraced garden built during the 1770s, and investigating the changes to the landscape made by the Redemptorists in the nineteenth and twentieth centuries. While no structural evidence associated with Proctor’s Tavern was uncovered during limited excavations along Spa Creek, the historic shore of Spa Creek was identified, buried beneath deep fill deposits laid down during construction of the Carroll Garden. Features and deposits associated with this period likely remain intact in a waterlogged environment along the southeastern sea wall at the St. Mary’s Site. Evidence of extensive earth moving by Carroll is present in the garden and was identified during excavation and coring. This strongly suggests that the garden landscape visible at the St. Mary’s Site is the intact Carroll Garden, which survives beneath contemporary and late- nineteenth century strata. The extant surviving garden should be considered highly sensitive to ground-disturbing activities, and is also highly significant considering demonstrable associations with the Carroll family. Other garden-related features were also discovered, including planting holes, and a brick pavilion or parapet located along Spa Creek to the south of the site. The Duke of Gloucester Street wall was shown to be associated with the Carroll occupation of the site. Finally, intensive archaeological research was directed at the vicinity of a frame house constructed and occupied by the Carrolls to the east of the existing brick house, which was replaced by the Redemptorists in the nineteenth century with a greenhouse. These superimposed buildings were documented in detail and remain highly significant features at the St. Mary’s Site. i Acknowledgments This report is the result of many individuals’ contributions; acknowledgments are due, and the task of thanking those involved is complicated. As such, there are those to be thanked for their initial involvement both in the field and in the production of earlier material for this report, and there are those to be acknowledged for their help in seeing it completed. All are owed the same gratitude. Dr. Robert L. Worden never failed with his generosity regarding time, information, and encouragement. Dr. Worden maintained a constant dialogue with the project and did everything in his power to ensure that the historical research was complete and accurate, and the authors are solely responsible for any shortcomings. Also remembered are several seasons’ field crews whose dedication, good humor, and endurance, particularly during the long dry summers of drought and baked clay, made this work possible. Supervision of fieldwork was carried out by the staff of Archaeology in Annapolis, and this only begins to describe the contribution that each has made: Dr. Mark P. Leone, Director, Advisor and Teacher; Dr. Paul A. Shackel, Field Supervisor; Dr. Barbara J. Little (1987-1988) and Elizabeth Kryder-Reid (1989-1990), Site Supervisors; Steve Austin, Sam Brainard, Laura Galke, Mary Ellen D'Agastino, and Mark Warner were site supervisors; and Terry Churchill, Julie Ernstein, Carey O'Reilley, and Paul Mullins directed the field laboratory, staffed over several years both by students and volunteers. Parker Potter helped to produce an effective public program during fieldwork at the St. Mary’s Site. All can be credited with continuing patience and encouragement. George Logan’s summary of the prehistoric and historic background of the St. Mary’s Site was useful and necessary, as was his permission to cite the results of his 1991 field season report, which details the results of archaeological investigations on the interior of the Carroll House. Carey O'Reilley carefully produced final versions of all field maps, plans and profiles, and these were digitized over several years by Debra Stoe, John Buckler, Dan Reyes, Andrew Budacki and others. Jessica Neuwirth provided assistance in gathering materials necessary to complete this report from several sources, and offered a number of possible handholds when the task seemed to be confounded. Julie Ernstein assisted with the details of final production after everyone involved had run out of time and energy to spare. Certainly many more participated in production of the report first-hand, including Lynn Jones, Laura Galke, Janice Bailey-Goldschmidt and others. Any omissions or inaccuracies that this work might contain remain the sole responsibilities of the authors. We would like to extend sincerest thanks to the Redemptorist Congregation at St. Mary’s Parish for the access to the site they afforded us, and for their generous hospitality, and also the guidance of Rev. Alfred Rush, C. Ss. R. at the Redemptorist Archives in Brooklyn, NY; we remember Dr. Ronald Hoffman, editor of the Carroll Papers; Sally Mason; Dr. Edward C. Papenfuse, Archivist of Maryland; the Historic Annapolis Foundation; and the Charles Carroll of Carrollton 250th Anniversary Committee for extending the initial invitation to conduct this research. This project has been funded by a grant from the Maryland Humanities Council to the Charles Carroll of Carrollton 250th Anniversary Committee, with matching grants from Anne Arundel County, C & P Telephone, the Carroll Foundation (London), Citibank, the First National Bank of Maryland, and the Maryland Commission on the Capital City. Additional support for the project was provided by St. Mary's Church, The University of Maryland at College Park, the Historic Annapolis Foundation, the Redemptorists, and the Charles Carroll of Carrollton 250th Anniversary Committee. ii Table of Contents VOLUME I Abstract and Executive Summary.................................................................................................... i Acknowledgments........................................................................................................................... ii Table of Contents........................................................................................................................... iii List of Tables ...................................................................................................................................v List of Figures............................................................................................................................... vii 1. Introduction............................................................................................................................1.1 Project Location and Description .....................................................................................1.1 Administrative History .....................................................................................................1.2 Environmental Setting ......................................................................................................1.3 Organization of this Report...............................................................................................1.6 2. Background Research............................................................................................................2.1
Load more

Recommended publications
  • Bma Presents 2019 Jazz in the Sculpture Garden Concerts
    BMA PRESENTS 2019 JAZZ IN THE SCULPTURE GARDEN CONCERTS Tickets on sale June 5 for Vijay Iyer, Matana Roberts, and Wendel Patrick Quartet BALTIMORE, MD (May 2, 2018)—The Baltimore Museum of Art’s (BMA) popular summer jazz series returns with three concerts featuring national and regional talent in the museum’s lush gardens. Featured performers are Vijay Iyer (June 29), Matana Roberts (July 13), and the Wendel Patrick Quartet (July 27). General admission tickets are $50 for a single concert or $135 for the three-concert series. BMA Member tickets are $35 for a single concert or $90 for the three-concert series. Tickets are on sale Wednesday, June 5, and will sell out quickly, so reservations are highly recommended. Tickets for BMA Members are available beginning Wednesday, May 29. Saturday, June 29 – Vijay Iyer, jazz piano Grammy-nominated composer-pianist Vijay Iyer sees jazz as “creating beauty and changing the world” (NPR) and is recognized as “one of the best in the world at what he does.” (Pitchfork). Saturday, July 13 – Matana Roberts, experimental jazz saxophonist As “the spokeswoman for a new, politically conscious and refractory music scene” (Jazzthetik), Matana Roberts’ music has been praised for its “originality and … historic and social power” (music critic Peter Margasak). Saturday, July 27 – Wendel Patrick Quartet Wendel Patrick is the “wildly talented” (Baltimore Sun) alter ego of acclaimed classical and jazz pianist Kevin Gift. The Baltimore-based musician creates a unique blend of jazz, electronica, and hip hop. The BMA’s beautiful Janet and Alan Wurtzburger Sculpture Garden presents 19 early modernist works by artists such as Alexander Calder, Isamu Noguchi, and Auguste Rodin amidst a flagstone terrace and fountain.
    [Show full text]
  • 2003 Annual Report of the Walters Art Museum
    THE YEAR IN REVIEWTHE WALTERS ART MUSEUM ANNUAL REPORT 2003 France, France, Ms.M.638, folio 23 verso, 1244–1254, The Pierpont Morgan Library, New York Dear Friends: After more than three intense years renovating and reinstalling our Centre Street Building, which con- cluded in June 2002 with the opening of our transformed 19th-century galleries, we stepped back in fiscal year 2002–2003 to refocus attention on our Charles Street Building, with its Renaissance, baroque, and rococo collections, in preparation for its complete reinstallation for a fall 2005 opening. For the Walters, as for cultural institutions nationwide, this was more generally a time of reflection and retrenchment in the wake of lingering uncertainty after the terrorist attack of 9/11, the general economic downturn, and significant loss of public funds. Nevertheless, thanks to Mellon Foundation funding, we were able to make three new mid-level curatorial hires, in the departments of ancient, medieval, and Renaissance and baroque art. Those three endowed positions will have lasting impact on the museum, as will a major addition to our galleries: in September 2002, we opened a comprehensive display of the arts of the ancient Americas, thanks to a long-term loan from the Austen-Stokes Foundation. Now, for the first time, we are able to expand on a collecting area Henry Walters entered nearly a century ago, to match our renowned ancient and medieval holdings in quality and range with more than four millennia of works from the western hemisphere. The 2002–2003 season was marked by three major exhibitions organized by the Walters, and by the continued international tour of a fourth Walters show, Desire and Devotion.
    [Show full text]
  • Bma's Imagining Home Exhibition Explores
    MEDIA CONTACTS: Anne Brown Sarah Pedroni Jessica Novak 443-573-1870 BMA’S IMAGINING HOME EXHIBITION EXPLORES DIFFERENT ASPECTS OF HOME THROUGH ART FROM AROUND THE WORLD Visitor participation encouraged through interactive experiences woven into the exhibition BALTIMORE, MD (UPDATED September 25, 2015)—The Baltimore Museum of Art (BMA) presents an innovative thematic exhibition, Imagining Home, in conjunction with the opening of the Center for People & Art, a new education area of the museum. On view October 25, 2015 through August 1, 2018, this extraordinary exhibition presents more than 30 artworks from across the collection in a lively space that incorporates video, audio, and other experiences that encourage visitor participation. More than a third of the objects in the exhibition are light sensitive and will change every six months so there will always be something new to experience. The artworks in Imagining Home represent different ideas and aspects of the places in which we live—whether decorative or functional, real or ideal, celebratory or critical. Visitors can explore objects from many times and places as nearly every area of the BMA’s collection is included: paintings, sculptures, decorative arts, textiles, prints, and photographs, along with works from the Americas, Europe, Africa, and Asia, as well as four of the museum’s popular miniature rooms. Each object reveals something about the cultural values of its makers and users. Visitors have three thematic areas to explore in the exhibition: • Façades & Thresholds: Visitors will enter the exhibition through a designed threshold to see objects that reflect how we mediate public and private spaces such as Emile-Antoine Bourdelle’s sinister bronze Medusa Door Knocker (1925), Walter Henry Williams’ painting A Quick Nap (1952), and a colorful early 20th- century Suzani prayer rug from Central Asia.
    [Show full text]
  • Charm of the Baltimore Region HOST COMMITTEE’S GUIDE
    DISCOVER THE Charm of the Baltimore Region HOST COMMITTEE’S GUIDE The Maryland City/County Management Association and ICMA’s 2018 Conference Host Committee are excited to welcome you to Baltimore for ICMA’s 104th Annual Conference. From the bustling Inner Harbor, where the Baltimore Convention Center is located, to the city’s many historical sites, renowned museums, inspiring architecture, and diverse neighborhoods, Baltimore has something for everyone. So get out and discover the many reasons why Baltimore is known as Charm City! wrote some of the early stories that would make him the father of the modern short story, creating and Historical Sites defining the modern genres of mystery, horror, and History abounds in Baltimore. A must-see stop while science fiction. you’re in town is Fort McHenry. During the War of 1812, Westminster Hall is a beautiful building troops at Fort McHenry stopped a British advance into located at the intersection of Fayette and the city, inspiring Francis Scott Key to pen our national Greene Streets in downtown Baltimore. anthem. Administered by the National Park Service since This restored historic church features 1933, Fort McHenry is the only area of the National Park stained glass windows, an 1882 pipe System to be designated as both a national monument organ, cathedral ceilings, and raised and a historic shrine. balconies. The Westminster Burying History enthusiasts may also want to visit the Star-Spangled Grounds, one of Baltimore’s Banner Flag House, Mary Pickersgill’s 1793 home where oldest cemeteries, features the she made the 30-by-42-foot flag that flew over Fort gravesite of Edgar Allan Poe.
    [Show full text]
  • Guns Or Plowshares: Significance and a Civil War Agricultural Landscape
    GUNS OR PLOWSHARES: SIGNIFICANCE AND A CIVIL WAR AGRICULTURAL LANDSCAPE Martha Temkin Introduction struction of the B&O rail line, the first in the United States, began in 1828. The first train arrived at Monocacy Junc- Archeologists, whether explicitly or not, deal with tion a few years later, in 1831 (Dilts 1993:146). The junc- the concept of significance in all aspects of their work. tion is located on what was historically a portion of the Those working in an academic setting must choose sites Best Farm. interesting to themselves, but also to funding organizations. Europeans explored the Frederick County area and Those working for federal agencies or private sector cul- traded with the local American Indians beginning in the tural resource management firms must determine signifi- first decades of the eighteenth century (Scharf 1968:58). cance according to Section 106 of the Historic Preserva- In order to encourage settlement in western Maryland, Lord tion Act of 1966. The managers of historic sites, whether Baltimore released land for purchase in 1732 (Reed private or public must take into consideration the protec- 1999:10). Initially, wealthy individuals from the Tidewater tion and monitoring of archeological resources when con- acquired vast tracts of land as speculative investments. sidering significance. Significance, then, is an important Daniel Dulaney, an important lawyer and merchant-planter and pervasive concept in archeology. from Baltimore, was one of these early landowners. In While conducting a cultural landscape inventory 1745, he laid out the town of Frederick on one of these for Monocacy National Battlefield in Frederick County, large land patents.
    [Show full text]
  • In Response to the Letter from Former Trustees, the Baltimore Museum of Art (BMA) Has Released the Following Statement
    In response to the letter from former trustees, The Baltimore Museum of Art (BMA) has released the following statement: We are confident that there are no legal issues relating to the BMA’s deaccession of works by Brice Marden, Clyfford Still, and Andy Warhol, or to the intended use of the proceeds of the sale. We have reached out to Secretary of State John C. Wobensmith and Maryland Attorney General Brian E. Frosh to provide them with information regarding our actions, and we look forward to working with them to answer any questions that they may have, and to sharing any necessary documents or additional details. Deaccessioning artworks from a museum’s collection is a standard practice, and these decisions are guided by curatorial vision and then ultimately validated by a museum’s Board of Trustees. That is the process that the BMA followed. The selection of works was determined through a rigorous collection review process led by the museum’s senior curators, who proposed the artworks for deaccession, in accordance with AAMD’s criteria. The selection was then reviewed and approved by the museum’s leadership team, accessions committee, executive committee, and full board. Furthermore, the history of deaccessions at the BMA is such that Andy Warhol’s The Last Supper was itself purchased through funds made possible by the deaccessioning of a painting by the Abstract Expressionist master Mark Rothko. That history, from a Rothko to a Warhol, demonstrates that collections management—which includes both accessioning and deaccessioning—is a critical aspect of curatorial practice and is not one that is purely additive.
    [Show full text]
  • Bma Appoints Nine New Members to Board of Trustees
    Media Contacts: Anne Mannix-Brown Jessica Novak Sarah Pedroni 443-573-1870 FOR IMMEDIATE RELEASE BMA APPOINTS NINE NEW MEMBERS TO BOARD OF TRUSTEES BALTIMORE, MD (September 15, 2016)—The Baltimore Museum of Art (BMA) announced today nine new trustees: Ellen R. Dame, John A. Gilpin, Robyn Brenza Kress, Daniel Leraris, Rhonda Overby, William Taylor IV, Kenneth Ulman, David W. Wallace, and Leana S. Wen. These prominent Baltimore community leaders were elected to the board in June 2016, joining Board Chair Clair Zamoiski Segal and the recently appointed Dorothy Wagner Wallis Director Christopher Bedford in leading the BMA. The Board of Trustees is responsible for the governance and oversight of the Museum, fostering ongoing support for the BMA’s ambitious mission and vision. This group is comprised of a diverse group of regional and national leaders in art, philanthropy, and business who are deeply engaged and deeply committed to ensuring the long- term strength of the BMA. “We are delighted to welcome these new trustees to the BMA’s board and we are extremely grateful to have their professional expertise and passion for art with us,” said Board Chair Clair Zamoiski Segal. “This is a particularly exciting time to be involved with the BMA as we work with Christopher Bedford to envision the future of this great museum.” NEW TRUSTEES Ellen R. Dame Ellen Dame is a founder, partner, and vice president of the Dame Company, a restaurant and catering operation established in 1988. Prior to this, Ellen was a general assignment and state political reporter for WXEX-TV (now WRIC-TV) in Richmond, VA and reporter/morning anchor for WHSV-TV in Harrisonburg, VA.
    [Show full text]
  • Severna Park Voice. Call 410-647-9400
    in this section | Politics & Opinion | Business ECRWSS Severna Park Boys Sweep US POSTAGE F REE - Grab A Copy PAID Home Hoops Tournament PERMIT NO. 546 Millersville, MD VOICE HEALT H, BEAUTY & SEVERNAFITNESS PARK Health, �� Page B1 JANUARY 2020 Beauty & LOCAL Fitness Meet The POSTAL Guide Teacher Of CUSTOMER �� Inside TheY ear ITNESS Page 8 PARK F Working out doesn’t have to be a grueling chore. At Park Fitness, Danny O’Malley and Joe Bocek founders Voic have made fitness fun by creating a everna Park E community of like-minded members S striving to meet different goals. SERVING OUR COMMUNITY SINCE 1981 Semifinalists LES Page 7 Page 5 HAIRSTY WEIGHT LOSS Stylists are no longer just following E CARE Page 3 EY Follow these nutrition and directions but proactively �� Get answers to some of the exercise tips to create the lifestyle recommending styles and products. �� frequently asked questions you want in the new year. Page B6 about cataract surgery. Severna Park VoicE SERVING OUR COMMUNITY SINCE 1981 VOTED THE 2019 SMALL BUSINESS ADMINISTRATION MARYLAND FAMILY-OWNED BUSINESS Of THE YEAR SEVERNA PARK, MD JU AN ARY 15, 2020 A1 The Park Loses Two Community Icons AACPS Budget Proposal Focuses On New Nancy Brown Mary Carter Teachers, Pay Raises n his $1.36 billion operating budget Iproposal for Fiscal Year 2021, presented to the Board of Educa- tion on December 18, Superintendent George Arlotto in- cluded pay raises for employees and 195 classroom teaching positions to address enrollment in- creases and to reduce class sizes. More than 91% of AACPS Superintendent the new positions in George Arlotto Arlotto’s recommen- dation are for employees the social and emotional swim teacher who devoted nearly 70 years By Haley Weisgerber who will have daily contact needs of students.
    [Show full text]
  • Annual Report 2004
    Annual Planning Report 2004 FREDERICK COUNTY DIVISION OF PLANNING 12 E. CHURCH STREET WINCHESTER HALL FREDERICK, MARYLAND 21701 www.co.frederick.md.us/planning Table of Contents Page Number Executive Summary 1 Planning Commission Profile 2 Commission’s and Staff Directory 4 Demographic and Development Trends 7 Community Facilities 8 Zoning Administration 10 Comprehensive Planning 12 Land Preservation 20 Mapping and Data Services 22 Publications Available 23 Executive Summary The 2004 Planning Report for Frederick County, Maryland was prepared pursuant to the requirements of Article 66B of the Annotated Code of Maryland and provides a summary of the year’s planning activities and development trends. Project/Activity Highlights for 2004 • Completed update of the Urbana Region Plan, adopted in June 2004. • Continued review and update of New Market Region Plan and initiated work on the Walkersville Region Plan. • Completed County Commissioner Review of the Citizens Zoning Review Committee Final Report and staff began re-write of the Zoning Ordinance Update. • Processed seven farm applications to sell their development rights under the MALPF Program and received 40 applications for the Installment Purchase Program (IPP). • Received State designation of the Carrollton Manor area as an official Rural Legacy Area. • Processed 49 Board of Zoning Appeals cases up from 44 in 2003. • Conducted 684 new and follow-up zoning inspections with the number of zoning complaints down slightly from 2003 to 249 in 2004. • Continued implementation of the streamlined Land Development and Permitting Process. • Continued research on Pipeline Development and Industrial/Commercial Land Inventory. Development and Demographic Highlights • County population increased by 4,023 persons in 2004, the lowest annual increase since 2000.
    [Show full text]
  • National Endowment for the Arts Annual Report 1989
    National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216
    [Show full text]
  • Norman F. Strike 7333 New Hampshire Ave. Takoma Park, MD 20912
    Norman F. Strike 7333 New Hampshire Ave. Takoma Park, MD 20912 Education 1972 B.A. Sociology, Wartburg College, Waverly, IA, magna cum laude 1979-1980 Etching & Lithography Workshops, Washington Women’s Art Center, Washington, DC 1981 Etching Workshop, Zahn Studios, Bethesda, MD 1979-1981 Portrait Drawing Workshops, Washington Women’s Art Center, Washington, DC 1984 Political Cartooning Workshop, Institute for Policy Studies, Washington, DC 1990 Woodcut Workshop with Sydney Chafetz, Pyramid Atlantic, Washington, DC Selected Solo Exhibitions Sep 1985 George Meany Labor Center, Silver Spring, MD Jun 1987 “The Bite of the Print”, Washington Printmakers’ Gallery, Washington, DC Jun 1989 “The Bite of the Print II”, Washington Printmakers’ Gallery, Washington, DC Jan-Feb 1994 “At the Crossroads”, Newman Gallery, Washington, DC Aug-Sep 1999 “Crossroads”, Paint Branch Unitarian Church, Adelphi, MD Nov 2001 “Retrospective”, Savory Café, Takoma Park, MD Mar 2002 “Portraits in Pencil, Print & Water”, Municipal Center, Takoma Park, MD Oct 2002 Solo Exhibition, Global Fine Arts, Washington, DC Jul 2003 Solo Exhibition, Barnes & Noble Bookstore, Rockville, MD Feb-Mar 2004 Solo Exhibition, Montpelier Art Center, Laurel, MD Apr-Jun 2004 Solo Exhibition, National Institutes of Health, Bethesda, MD Selected Group Exhibitions Apr 1987 “Other Horizons” juried by Derek Guthrie, Strathmore Hall, Rockville, MD Sep 1987 “Grabados, U.S.A.” Instituto de Arte Moderno, Buenos Aires, Brazil Dec 1987 “Printmakers IX Show” juried by Tad Lapinski, New Art Center, Washington,
    [Show full text]
  • Tfc African American Brochure 2010 Web.Indd
    F r e d e r i c k c o u n t y African American Heritage in the City of Frederick and Frederick County, Maryland Welcome to the city of Frederick and Frederick City of Frederick county! this guide provides glimpses of more Wthan two centuries of African American heritage in our area and presents a new opportunity to experience the past. Feel the heat of smelters at catoctin Furnace, where expert African metalworkers helped build our nation by forging an array of ironworks, including cannonballs used A view looking east on All Saints Street (c. 1903). to win American independence. Marvel at the All SAintS Street neighborhood skill, dedication and compassion of those slaves, A thoroughfare at the edge of town in late 18th-century Frederick, All Saints Street took on a different flavor over free persons, and “contraband” who helped heal the next 100 years. By the early 1900s, its modest length had become a center of commerce and entertainment not the thousands of civil War wounded in Frederick only for Frederick City’s “colored” population, but also for those in the county. Far into the evenings on Fridays after the conflicts at South Mountain, Monocacy, and Saturdays in particular, the street assumed a vibrant and festive appearance. Those who could not easily be Antietam and Gettysburg. imagine the daily bustle accommodated elsewhere found virtually all that they needed right here. Services from banking and medical care to grocery of segregated businesses on All Saints Street. Hear stores and beauty parlors operated out of people’s homes, and restaurants featuring home cooking fanned out onto the the strains of jazz tunes and harmonies of gospel sidewalks.
    [Show full text]