In Search of History and Tradition
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AKADEMIN FÖR UTBILDNING OCH EKONOMI Avdelningen för humaniora In search of History and Tradition A study on the historical potential and passage of tradition in the Romanian colind and descântec with comparisons to Eddic Poems case studies Robert-Cătălin Barbu 2020 Supervisor: Stefan Larsson 1 Abstract The present thesis aims at identifying the historical and traditional potential within two elements of Romanian folklore, namely colind and descântec. Analysis of the text and narrative of these phenomena shows their high potential in preserving cults, celebrations, myths and practices that pre-date the arrival of Christianity within Romanian lands. This analysis in turn relies extensively on parallels with three Eddic Poems: Völuspá, Hávamál and Skírnismál. By exploring notions of performance and orality the paper displays the unaltered character of the Romanian materials in question in contrast to Old Norse material. This in turn reinforces the analysis of cults, mythology and practices identified in colinde and descântece, contributing to the viability of the epistemological inquiries undertaken. Influences are explored-with preponderance Christian influence-in order to strengthen the analysis of their history and tradition. By exploring the ways in which Christianity could exert its influence on the Romanian material, the number of possible objections towards the authenticity of the history and tradition are reduced to a minimum. Comparisons with Eddic Poems will confirm the analysis of Christian influence in colind and descântec. Key words: colind, descântec, Romanian folklore, orality, performance, Poetic Edda, Roman celebrations, history, tradition, snake, Dionysus, horned animals, magic charms, winter solstice carols, Marija Gimbutas, Caraman Petru, Joseph Harris, Christian influence, magic and witchcraft, poetics. 2 Table of Contents Abstract ................................................................................................................................................... 2 Key words ................................................................................................................................................ 2 List of conventions .................................................................................................................................. 4 Designations and terminology ................................................................................................................ 5 Introduction ............................................................................................................................................. 6 Hypothesis .......................................................................................................................................... 7 Main questions .................................................................................................................................... 8 Methodology ....................................................................................................................................... 9 Limitations ........................................................................................................................................ 11 Structure ............................................................................................................................................ 12 Introduction to the material ................................................................................................................... 13 Hávamál, Völuspá, Skírnismál.......................................................................................................... 13 Colinde .............................................................................................................................................. 15 Descântece ........................................................................................................................................ 18 Chapter I ............................................................................................................................................... 21 Orality and performance in Old Norse case studies .......................................................................... 22 Parallel analysis of orality and performance in colinde and descântece ........................................... 25 Chapter II .............................................................................................................................................. 31 Archetypal myths .............................................................................................................................. 31 Celebrations and cults ....................................................................................................................... 35 Descântece. Old and New ................................................................................................................. 38 Two animals, one God. ..................................................................................................................... 43 The horned animal ........................................................................................................................ 43 The snake ...................................................................................................................................... 45 Chapter III ............................................................................................................................................. 55 Christianity in relation to the Romanian Colinde and Descântece ................................................... 55 Eddic poems and the influence of Christianity within their narratives ............................................. 65 Different Church attitudes meant different degrees of influence ...................................................... 73 Conclusions ........................................................................................................................................... 80 Summary of the main questions and identified answers ................................................................... 83 Present thesis and further studies ...................................................................................................... 84 Bibliography ......................................................................................................................................... 85 3 List of conventions • The Eddic Poems quoted in the present thesis come from the translation of the Poetic Edda by Carolyne Larrington (2014); • The Romanian terms colind and descântec may appear in the text in both singular and plural forms as colinde and descântece (letter “e” marks the plural form). • rom. represents the abbreviation for Romanian. • eng. represents the abbreviation for English. • Scandinavian and Romanian terminology appear in original form through the usage of diacritics and accents. • When a Romanian text is presented, a translation provided by the author of the present thesis is presented in parallel (on the right-hand side) with the original text. • All the translations belong to the author of the thesis unless mentioned otherwise in the text. 4 Designations and terminology Folklore- Folklore seems to have no unambiguous definition. It is generally perceived as a ‘complex, multi-layered and fascinating cultural phenomenon’ (Hasan-Rokem & Bendix 2012, p. 2). It is a vast subject, comprising a plenitude of notions and phenomena, from riddles and songs to practices and rituals (Hasan-Rokem & Bendix 2012, pp. 2). For the present paper I have chosen to avoid endless discussions on the specificity of what folklore means, therefore I took folklore, as explained in the Oxford English Dictionary) to be the amalgam of ‘traditional beliefs, legends, and customs, current among the common people’ (OED Online 2020) of a nation. Tradition- In order to avoid a dialogue on the relative interpretation of what tradition means in modern terms, for the present thesis I decided to stick with a simple way of envisaging tradition as a set of customs, beliefs and ways of doing something, specific to a culture, that has survived until modern times, being passed over from generation to generation. Furthermore, tradition should be understood best in the context of folklore where it plays a major role in its definition (Hasan-Rokem & Bendix 2012, p. 9). Common folk- This term is used to refer to the overall population of a nation or society. More specifically, in Romanian context the syntax ‘common folk’ will be used as denominator for ordinary people and at times, depending on the context, to the rural population of Romania. Archaic- The term ‘archaic’ will primarily be used in relation to the term ‘belief’. By using the syntax archaic belief throughout the text, I refer to general cults with their respective rites and practices that existed before Christian arrival and that have survived until modern times. Generally, the term ‘archaic’ is in alignment with its usual connotation of something that belongs to an antique period or something outdated but still existent in practice. Belief- The term used in syntaxes such as; Christian belief, non-Christian beliefs and so on is ought to be understood as synonymous to the terms ‘faith’ and ‘creed’. Although in general this paper sees faith and creed as synonymous, the specific paragraphs in which the term ‘belief’ appears will display more specifically which of the two words does this term replaces.