Guide to the Mack Gordon Papers
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MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945. -
Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)
R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Sabbath Chimes (Reverie) F
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Sabbath Chimes (Reverie) F. Henri Klickmann Harold Rossiter Music Co. 1913 Sack Waltz, The John A. Metcalf Starmer Eclipse Pub. Co. [1924] Sadie O'Brady Billy Lindemann Billy Lindemann Broadway Music Corp. 1924 Sadie, The Princess of Tenement Row Frederick V. Bowers Chas. Horwitz J.B. Eddy Jos. W. Stern & Co. 1903 Sail Along, Silv'ry Moon Percy Wenrich Harry Tobias Joy Music Inc 1942 Sail on to Ceylon Herman Paley Edward Madden Starmer Jerome R. Remick & Co. 1916 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailing Down the Chesapeake Bay George Botsford Jean C. Havez Starmer Jerome H. Remick & Co. 1913 Sailing Home Walter G. Samuels Walter G. Samuels IM Merman Words and Music Inc. 1937 Saint Louis Blues W.C. Handy W.C. Handy NA Tivick Handy Bros. Music Co. Inc. 1914 Includes ukulele arrangement Saint Louis Blues W.C. Handy W.C. Handy Barbelle Handy Bros. Music Co. Inc. 1942 Sakes Alive (March and Two-Step) Stephen Howard G.L. Lansing M. Witmark & Sons 1903 Banjo solo Sally in our Alley Henry Carey Henry Carey Starmer Armstronf Music Publishing Co. 1902 Sally Lou Hugo Frey Hugo Frey Robbins-Engel Inc. 1924 De Sylva Brown and Henderson Sally of My Dreams William Kernell William Kernell Joseph M. Weiss Inc. 1928 Sally Won't You Come Back? Dave Stamper Gene Buck Harms Inc. -
Quintet/String Orchestra Repertoire
Millington Strings Quintet Repertoire 2019 Title Composer A Chloris Reynaldo Hahn A Summer Place Percy Faith/Max Steiner A Thousand Years Hodges/Perri Adagietto fr Symphony # 5 Gustav Mahler Adagio Tomaso Albinoni Adagio Cantabile Ludwig van Beethoven Agnus Dei Johann Sebastian Bach Air (fr 2nd French Suite) Johann Sebastian Bach Air (fr Water Music) Georg Friedrich Handel Air (On The G String) Johann Sebastian Bach All Hail to Thee Ingemar Braennstroem All I Ask Of You Andrew Lloyd-Webber All I Want Is You Bono All You Need Is Love John Lennon/Paul McCartney Amazing Grace English/American Traditional Americana Suite, Mvt 1: 400 HP, Heavy Foot Stephen H Millington Americana Suite, Mvt 2: Foxy Stephen H Millington Americana Suite, Mvt 3: Starry Night, Starry Eyes Stephen H Millington Americana Suite, Mvt 4: Aretha Stephen H Millington And I Love Her John Lennon/Paul McCartney And So It Goes Billy Joel Andante (fr Water Music) Georg Friedrich Handel Andante Festivo Jean Sibelius Ang Tangi Kong Pag-Ibig Constancio de Guzman Anitra's Dance Edvard Grieg Aniversary Waltz Dave Franklin/Al Dubin April In Portugal Raul Ferrao Aria sopra la Bergamasca Marco Uccellini Tuesday, August 6, 2019 Page 1 of 14 Title Composer Arioso Johann Sebastian Bach Asher Bara Israeli Traditional Asher Boro Israeli Traditional Ashokan Farewell Jay Ungar At Last Mack Gordon/Harry Warren Ave Maria Johann Sebastian Bach/Charles Gounod Ave Maria Franz Schubert Bachianas # 5 Heitor Villa-Lobos Badinerie Johann Sebastian Bach Ballade Ciprian Porumbescu Be Thou My Vision -
12.4 Radio Days Song List
BIG BAND SONG LIST Laughter to raise a nation’s spirits. Music to stir a nation’s soul. Lorie Carpenter-Niska • Sheridan Zuther Kurt Niska • Michael Swedberg • Terrence Niska A Five By Design Production I’ve Got A Gal In Kalamazoo ..........................Mack Gordon & Harry Warren Big Noise From Winnetka .Bob Haggart, Ray Bauduc, Gil Rodin & Bob Crosby I’ll Never Smile Again ..............................................................Ruth Lowe Three Little Fishies .............................................................. Saxie Dowell Mairzy Doats .............................Milton Drake, Al Hoffman & Jerry Livingston Personality ........................................... Jimmy Van Heusen & Johnny Burke Managua Nicaragua ....................................... Albert Gamse & Irving Fields Opus One...................................................................................Sy Oliver Moonlight In Vermont............................... John Blackburn & Karl Seussdorf Juke Box Saturday Night ..................................Al Stillman & Paul McGrane Boogie Woogie Bugle Boy .................................. Don Raye & Hughie Prince INTERMISSION A-Tisket, A-Tasket ...................................... Van Alexander & Ella Fitzgerald Roodle Dee Doo ......................................Jimmy McHugh & Harold Adamson Halo Shampoo .......................................................................... Joe Rines The Trolley Song............................................... Ralph Blane & Hugh Martin Let’s Remember Pearl Harbor -
On the Atchison, Topeka and the Santa Fe (1944) Words by Johnny Mercer, Music by Harry Warren
On the Atchison, Topeka and the Santa Fe (1944) Words by Johnny Mercer, music by Harry Warren Do you hear that whistle down the line? I figure that it's engine number forty‐nine, She's the only one that'll sound that way On the Atchison, Topeka and the Santa Fe See the ol' smoke risin' round the bend, I reckon that she knows she's gonna meet a friend, Folks around these parts get the time o' day From the Atchison, Topeka and the Santa Fe Here she comes! Ooh, ooh, ooh, Hey, Jim! yuh better git the rig! Ooh, ooh, ooh, She's got a list o' passengers that's pretty big And they'll all want lifts to Brown's Hotel, 'Cause lots o' them been travelin' for quite a spell, All the way to Cal‐i‐forn‐i‐ay On the Atchison, Topeka On the Atchison, Topeka on the Atchison, Topeka and the Santa Fe. Ooh‐ee! Atchison, Topeka and the Santa Fe, Atchison, Topeka. Oh, the roads back east are mighty swell, The Chesapeake, Ohio and the ASL, But I make my run and I make my pay On the Atchison, Topeka and the Santa Fe. Goin' back and forth along these aisles, My land, you must've walked about a million miles. It's a treat to be on your feet all day On the Atchison, Topeka and the Santa Fe. Here we come! Raa‐a‐raa‐a‐raa‐a‐raa‐raa‐raa She's really rakin' down the line Looky, look, look, looky look, look, look Oh, boy, we're huffin' and a‐puffin' on the forty‐nine! In this day and age girls don't leave home But if you get a hankerin', you wanna roam Our advice to you is run away On the Atchison, Topeka and the Santa Fe. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
Sun Valley Serenade Orchestra Wives
Sun Valley Serenade Orchestra Wives t’s funny how music can define an entire come one of Miller’s biggest hits, “Chattanooga We also get some wonderful Harry Warren and era, and Glenn Miller’s unique sound did Choo Choo,” which, in the film, is a spectacu- Mack Gordon songs, including “At Last” (the Ijust that. It is not possible to think of World lar production number with Dandridge and The castoff from Sun Valley Serenade), “Serenade War II without thinking of the Miller sound. It Nicholas Brothers. Another great new song, “At in Blue,” “People Like You and Me,” and the was everywhere – pouring out of jukeboxes, Last,” was also recorded for the film, but wasn’t instant classic, “I’ve Got a Gal in Kalamazoo.” radios, record players. Miller had been strug- used, except as background music for several The latter was, like “Chattanooga Choo Choo,” gling in the mid-1930s and was dejected, but scenes. The song itself would end up in the nominated for an Oscar for Best Song. It knew he had to come up with a unique sound next Miller film. lost to a little Irving Berlin song called “White to separate him from all the others – and, of Christmas.” course, the sound he came up with was spec- “Chattanooga Choo Choo” hit number one on tacular and the people ate it up. His song the Billboard chart in December of 1941 and George Montgomery’s trumpet playing was “Tuxedo Junction” sold 115,000 copies in one stayed there for nine weeks. The song was dubbed by Miller band member, Johnny Best week when it was released. -
Inventory of American Sheet Music (1844-1949)
University of Dubuque / Charles C. Myers Library INVENTORY OF AMERICAN SHEET MUSIC (1844 – 1949) May 17, 2004 Introduction The Charles C. Myers Library at the University of Dubuque has a collection of 573 pieces of American sheet music (of which 17 are incomplete) housed in Special Collections and stored in acid free folders and boxes. The collection is organized in three categories: African American Music, Military Songs, and Popular Songs. There is also a bound volume of sheet music and a set of The Etude Music Magazine (32 items from 1932-1945). The African American music, consisting of 28 pieces, includes a number of selections from black minstrel shows such as “Richards and Pringle’s Famous Georgia Minstrels Songster and Musical Album” and “Lovin’ Sam (The Sheik of Alabami)”. There are also pieces of Dixieland and plantation music including “The Cotton Field Dance” and “Massa’s in the Cold Ground”. There are a few pieces of Jazz music and one Negro lullaby. The group of Military Songs contains 148 pieces of music, particularly songs from World War I and World War II. Different branches of the military are represented with such pieces as “The Army Air Corps”, “Bell Bottom Trousers”, and “G. I. Jive”. A few of the delightful titles in the Military Songs group include, “Belgium Dry Your Tears”, “Don’t Forget the Salvation Army (My Doughnut Girl)”, “General Pershing Will Cross the Rhine (Just Like Washington Crossed the Delaware)”, and “Hello Central! Give Me No Man’s Land”. There are also well known titles including “I’ll Be Home For Christmas (If Only In my Dreams)”. -
Iianrijfstfr Su? Tttng I? Ralji TBB WBATHUB
£ t » W dues grown by ths unemployed of Manchester last summer tn the gar AVERAOB DAH.T omcmJETION E DANCE STILL SEEK REPORT dens supplied by the charity depart tor the Month of Beptaaber. IBM TBB WBATHUB ment ami the American legion. Fetoeaot of D. 8. Wenthor lliiriaii. l^'FoIiah WooMo's Bodetjr. When the gardenera Were provid Hartford Z. P. W. A. ed with seeds and fertilizer last ta a BUI, North Bt. ON HOME GARDENS spring, each wap given a blank on 5 , 5 7 1 rCniDAT, OCTOBBR IB which to make a report to Mr. Msmhor of tho Audit Fair, sUghHy warmer toirigM! for OaotmnM. AdndMtoa S6c Bchrend. Only a few returns have Bnroaa of Olieiilatioiis Simd^r partly dondy. been mnd«i (to date. Mr. Behrend iianrijfstfr Su? tttng I? ralJi Bat Few Have Responded to requests that the remaining re- I>ortB bo returned to him Immediate I VOL.l v .. NO. 17. (ClaaatBed Advertlaing on Pago lU.) ABOUT TOWN ly. Additional blanks for the pur MANCHESTER, CONN., SATURDAY. OCTOBER 19, 1935. (TWELVE PAGES) PRICE THREE CENTg Hea for Information On pose are available tn his office. \4iooitxx*9 Junior Flfo md Drum UMsa U ffolngr to enlarge lU mem- Produce Raised. b «M lp by adding glrla to the roater. Smart New Styles for Saturday Shoppers HUNKS RETURN 700 ARE BUSY Roads and Water May Hold Italy’s Fate Any local glrla wishing to Join ATLANTIC e h ^ d leave their names at Con- Albert B. Bchrend, assistant su No. 2 FURNACE OIL mn'a restaurant, Phone 3808 or ace perintendent of charity, has been OF I^ROHIBrnON ilMEDITERRANEAN SHIPS Mhjor Danny Shea during the week. -
“Meaningful Lyrics, Close to Philosophical Activism!” Raymond
“CAUTION! Syl and Ric' songs provoke earworm! “Meaningful lyrics, Once you have heard them, they will get stuck in your head!” close to Philosophical Activism!” Laura André Raymond Gagnon “Their music stands out and is extremely 'Syl & Ric serve up a seventies-era sunflower of songs, imbued with all the likeable.” flowery charm of that long-vanished island of unsardonic art.' Tina Mary Britton Akademia Music Award - May 2015 1 Syl Chad (FR) Ric Meric (FR) plays the rhythm guitar and is the lead singer sings and plays the lead guitar. Ric writes most of the band. She has a colorful timbre of voice: of the band’s songs. His refreshing guitar solos with clear and ringing in its upper reaches, with are a blend of Carlos Santana and gravelly and profound low notes. Her unique Django Reinhardt styles, with a pinch of Indian way of singing is inspired by the greatest sitar. When he was a teen, he started his French singers, such as Edith Piaf, Nana musical career playing the bass in a Rock & Roll Mouskouri and Michel Jonasz. Among her band. When Syl & Ric recorded their first favorite female singer, Ella Fitzgerald albums, Ric played the bass too, for the comes in first place. occasion. Website: www.sylandric.com Youtube: www.youtube.com/sylandricmusic Facebook: www.facebook.com/SylAndRic ReverbNation: www.reverbnation.com/sylricfolkjazzband Email : [email protected] Tel : +34 669 113 486 :: A short introduction :: Audiences of all ages and styles find a quick connection to the lyric-driven songs, sound, and overall energy that Syl & Ric convey in the studio and during live performances. -
Ancient Skiers Book 2014
Second Edition - 2014 INTRODUCTION When I was asked if I would write the history of the Ancient Skiers, I was excited and willing. My husband, Jim, and I were a part of those early skiers during those memorable times. We had “been there and done that” and it was time to put it down on paper for future generations to enjoy. Yes, we were a part of The Ancient Skiers and it is a privilege to be able to tell you about them and the way things were. Life was different - and it was good! I met Jim on my first ski trip on the Milwaukee Ski Train to the Ski Bowl in 1938. He sat across the aisle and had the Sunday funnies - I had the cupcakes - we made a bond and he taught me to ski. We were married the next year. Jim became Certified as a ski instructor at the second certification exam put on by the Pacific Northwest Ski Association (PNSA) in 1940, at the Ski Bowl. I took the exam the next year at Paradise in 1941, to become the first woman in the United States to become a Certified Ski Instructor. Skiing has been my life, from teaching students, running a ski school, training instructors, and most of all being the Executive Secretary for the Pacific Northwest Ski Instructors Association (PNSIA) for over 16 years. I ran their Symposiums for 26 years, giving me the opportunity to work with many fine skiers from different regions as well as ski areas. Jim and I helped organize the PNSIA and served on their board for nearly 30 years.