My Fair Lady Adapted from George Bernard Shaw's Play and Gabriel Pascal's Motion Picture 'Pygmalion' Play: 673 Opening

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My Fair Lady Adapted from George Bernard Shaw’s play and Gabriel Pascal’s Motion picture ‘Pygmalion’ Play: 673 Opening: 20/10/13 Book and Lyrics by Alan Jay Lerner Music by Frederick Loewe Directed by Moshe Klepten Translated by Dan Almagor and Shraga Friedman Musical Director Yossi Ben-Nun Choreography: Avichai Hacham Set Design: Eran Atzmon Costume Design: Yelena Kelrich Lighting: Keren Granek Vocal Coach: Doki Atzmon Assistant Musical Director: Ohad Ben Avi Sampler: Lior Ronen Sound Design: Issac Fried Wig Design: Osnat Sagi Casting Director: Ruth Tonn The Cast Eliza Doolittle: Shani Cohen Henry Higgins: Natan Datner Colonel Pickering: Dov Reiser Mrs Pearce: Ruby Porat Shoval Mrs. Higgins: Miriam Gavrieli Freddy Eynsford-Hill: Adam Lahav Alfred P Doolittle: Pini Kidron Mrs. Eynsford-Hill: Gabbi Ohad David Harry/Lord Boxington: Roee Cackon Jamie: Nir Shiver Zoltan Karpathy/Bartender: Shlomi Bertonov Mrs. Hopkins: Yaffa Tusya Cohen Queen of Transylvania/Lady Boxington: Liron Yoeli Buskers: Tomer Dahan, Dor Harari, Dor Raybi London, 1912. Henry Higgins, Professor of Phonetics, intrigued by the aspirations of Eliza, a young Cockney flower-seller, makes a bet with his friend Colonel Pickering that by changing her pronunciation, he can make her pass for a fine lady. Eliza moves into Higgins house, and begins lessons. The first attempt in showing Eliza off in society, at the Ascot races, ends in embarrassing failure. But the final test, an Embassy Ball, is a success. After the ball, Eliza, furious with Higgins for her offhand dismissal of her share in the success of the experiment, leaves in the middle of the night and roams the city. The next day Higgins, searching for Eliza, finds her at last, visiting his mother. They argue once more and he storms out; on his way home, he realises that he misses her. She returns just as the curtain falls. .

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qwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasd fghjklzxcvbnmqwertyuiopasdfghjklzx cvbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxcBernard Shaw vbnmqwertyuiopasdfghjklzxcvbnmq(1856 – 1950) wertyuiopasdfgA hjklzxcvbnmqwertyuiBibliography opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmrtyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwert yuiopasdfghjklzxcvbnmqwertyuiopas dfghjklzxcvbnmqwertyuiopasdfghjklz xcvbnmqwertyuiopasdfghjklzxcvbnm qwertyuiopasdfghjklzxcvbnmqwerty Bernard Shaw (1856 –1950) George Bernard Shaw (26 July 1856 Ŕ 2 November 1950) was born in Dublin, the son of a civil servant. His education was irregular, due to his dislike of any organized training. After working in an estate agent's office for a while, he moved to London as a young man (1876), where he established himself as a leading music and theatre critic in the eighties and nineties and became a prominent member of the Fabian Society, for which he composed many pamphlets. He began his literary career as a novelist; as a fervent advocate of the new theatre of Ibsen (The Quintessence of Ibsenism, 1891) he decided to write plays in order to illustrate his criticism of the English stage. His earliest dramas were called appropriately Plays Pleasant and Unpleasant (1898). Among these, Widower's Houses and Mrs. Warren's Profession savagely
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Insert FCT Program Cover)
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