DOCSLIB.ORG

Insert FCT Program Cover)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Insert FCT Program Cover) 16 (Insert GRC Direct Back) (insert FCT program cover) Added by Printing Company Added by Printing Company and provided by Christie Clark, EDO 2 15 Lerner And Loewe’s MEET THE PRODUCTION HEADS Lucia Hanover of Warrenton — Director Lucia is originally from Alexandria, VA with a long stint in New York My Fair Lady City, she has a done a bit o’ theatre over the years from time to time . The saying goes a director has done their job correctly at the time Books & Lyrics By that he or she casts the show. If that saying is correct, I not only did my job correctly with this show but I also earned extra credit by picking the most extraordinary production team imaginable. Thank you and bravo Alan Jay Lerner to Amanda, Beth, Amber, Brianna, Jenn, Laurie, Ivy, Sonja, Brandon, Music By James, Gregg, Micki, Jim, Howie, Jessica, Peter, Emily, David, Mark, Hilary, Dori, Cristian, Barbara, Bevin, Christie, Erin, Stub, Shane, Frederick Loewe Gracie, Bob, Tim, Alyssa, Jessica, Camden, Brighid, Helen, Leigh, Maddie, Aubrey, Eli, Owen, Charlotte, Darrell, Doug, Jessica and Mike. Directed by Take a bow “My Fair Lady” players!! Beautiful work from each and every one of you, see you center stage again some time. Quick shout Lucia Hanover out to Patrick too, bravo to you on your production as well, great job!! Enjoy the show everyone and blessings ♥️ Produced by Amanda Gibson of Bealeton — Producer Amanda Gibson Amanda is enjoying producing another show for FCT. She has loved Music Direction by Stage Managed by working on My Fair Lady with Lucia Hanover, Beth Plentovich, a fabulous production team, and amazing cast. Outside of the theatre, Brianna Williamson Beth Plentovich Amanda spends her time raising four incredible children alongside her husband Brandon (who she loves and thanks for being so supportive Place: London | Time: 1912 and awesome!). Beth Plentovich of Flint Hill — Stage Manager Adapted from George Bernard Shaw’s Play and Gabriel Pascal’s Motion Picture “PYGMALION” Beth is on loan from RAAC where she has served as the Stage Manager for a couple RAAC productions. Original Production Directed by Moss Hart Brianna Williamson of Manassas — Music Director Brianna is making her musical direction debut! As a performer, you may LERNER AND LOEWE’S MY FAIR LADY have seen her as Sally Applewhite/Mary Hatch in PWLT's It's a Is presented through special arrangement with Music Theatre Wonderful Life: A Live Radio Play, Chairy Barnum in PWLT's Barnum, International (MTI). All authorized performance materials are also Maria (B Cast) in BAHTC's Twelfth Night, and Rose Lennox in FCT's supplied by MTI. The Secret Garden. She has a BA in Music from GMU (2016). She is Www.MTIShows.com the owner of Enchanted Empowerment, a children's princess entertainment company focused on building self-esteem in young girls. VIDEOTAPING OR MAKING ELECTRONIC OR AUDIO AND/ OR VISUAL RECORDINGS OF THIS PRODUCTION IS HOW TO GET INVOLVED STRICTLY PROHIBITED. IT IS A VIOLATION OF UNITED STATES COPYRIGHT LAW AND AN ACTIONABLE FEDERAL VISIT US AT FCTSTAGE.ORG & CLICK ON GET INVOLVED! OFFENSE. We would love to have you join a production by volunteering with FCT is partially supported by a grant from the Virginia us or consider auditioning for a future show! Commission for the Arts. 14 3 participating in an FCT production and she is thankful for the Special Thanks opportunity to work with and learn from such an extraordinary group of individuals! Sonja enjoys spending time with her loved ones and Our Savior Lutheran Church, Progressions Dance School, Hope participating in numerous volunteer projects within her community. She Christian Fellowship, Reston Players, Arlington Costume Lab, RAAC, currently works as a Business Market Leader at a local financial institution and resides in the Town of Warrenton with her husband Kevin Christie Clark, Brooke Lyn Clark, Rob Tessier, Terri Church, Sharon and son Lucas. Sonja feels blessed to have helped share this classic Hammel, Scott Heine, Bevin Hester, Christie Dubansky, with the community. Erin Coulter, Doug Barylski, Erin Briner, Leading Edge Screen Printing, Amber Kiffney of Warrenton — Costume Designer This Fabulous Production Team And All those who contributed time and energy to make this show a This is Amber’s second time as Lead Costume Designer for a Fauquier Community Theater production and she also recently supported the success! FCT production of A Lion in Winter as Assistant Costume Designer. She is a graduate of Furman University in Greenville, SC with a BA in Noteworthy Personnel of FCT Theatre Arts. She worked for four years in the Furman University Costume Shop on productions including Our Town, The Boys Next who contributed to My Fair Lady Production Door, Waiting For Godot and Comedy of Errors. She has lived in FCT Photographer……………………………………………………...Stephen Rummel Warrenton for 16 years. In addition to her “day job” as a Social Media Reputation Manager, she enjoys hiking, sewing, gardening and FCT Graphic Designer…………...…………………………………………..Rodrigo Pool spending time with her husband and three kids, who she is delighted to FCT Technical Director………………………………………………...Brandon Gibson have shared the My Fair Lady experience with. FCT Set & Properties Inventory Manager….……………………..Doug Barylski Mickalei “Micki” Lindquist of Broad Run — Assistant Costumer FCT Costumes Inventory Manager………………………..…………..Teena Stevic Micki can be found both on stage and backstage at FCT. She has graced the FCT stage as the wacky Mattie Sue in Fruitcakes and Celia/ FCT Executive Director of Operations………..……………………..Christie Clark Aliena in As You Like It. Behind the scenes, she was lead costume FCT Executive Director of Development………….………………Debra Smyers designer for Lion in Winter and has assisted with costumes for Fruitcakes, Steel Magnolias, and She Loves Me. When she isn’t Opening Night Reception………………..…….Laurie Bersack & Christie Clark volunteering for FCT, Micki can be found playing chauffer to her two Publicity & Box Office……………………………………………………….Christie Clark delightful children, co-leading a Junior Girl Scouts troop, reading, sewing her own projects, and, on very rare occasions, writing. “My Fair FCT Board Liaison……………………………………………………..Michael Mehaffey Lady is the biggest show I have worked on so far,” she says. “Our team made or found over 100 costumes!” Micki would like to say thanks to And the Board of Directors at FCT her husband Eric, who wrangles the children through sewing sessions and rehearsals; and to Amber, for being a patient and awesome FOR ALL THINGS, FCT! teammate, and for introducing her to the wonderful world of theater. Doug Barylski of Warrenton — Set & Props Crew Doug is a creative handyman, retired engineer, and sometimes actor, having last appeared as the old shepherd Corin in FCT’s As You Like It. Doug and his wife Mildred of 34 years moved to Warrenton in 2016 after Doug retired. Break a leg, just don’t break any props! Jessica Amster of Warrenton — Music Technician is happy to be in the booth for the first time after many years on the stage. Her recent stage appearances include the ensembles of Jekyll & Hyde and You’re A Good Man, Charlie Brown, as well as lead roles in scenes from Romeo & Juliet and Blackboot’s Lost Loot. 4 13 THE CAST performed in. Her favorite roles include Molly in FCT’s production of Annie and Francis in Fruitcakes. Theatre plays a big part of Aubrey’s Eliza Doolittle..………………………………..… Emily Miller life and she hopes to do many more productions in the future. Aubrey has enjoyed being part of this classic story and hopes you enjoy the Understudy………………………………. Grace Lehmann show! Henry Higgins………………………………..…. Peter Marsh Madeline Hanover of Warrenton — Flower Market Child Colonel Pickering……………………………..... David Horne Madeline is 10 years old and loves theatre! This is Madeline’s fourth show at FCT, she was also in The Wizard Mrs. Eynsford-Hill...………………………….… Dori Weathers of Oz, Fruitcakes, and Madagascar Jr. She has also been in Mrs. Higgins………..……………...……………. Barbara Szady Charlotte’s Web, James and the Giant Peach, Elf, Jungle Book and most recently Alice The Musical, Jr.! Maddie also Freddy Eynsford-Hill………………………….... Cristian Bustillos loves running (loves to run 5Ks and would love to run the Marine Corp and NYC marathon some day!), drawing and roller blading and is super Alfred Doolittle……………………………..…… Mark Kaiser happy to be getting to “play” with her friends again at FCT! Mrs. Pearce………………………..……………. Hilary Pierce Charlotte Kiffney of Warrenton — Flower Market Child George, the Bartender………..…….…………. Greg Leggott Charlotte is 7 years old and a first grader at CM Bradley Harry…………………….………………………. James Hanover Elementary School. She loves to sing and dance so is delighted with the chance to take part in My Fair Lady with Jamie………………………..…………………… Timothy Burhouse her older brothers, Eli and Owen! This spring she performed in her first play as The March Hare in Alice, The Musical. Mrs. Hopkins………………………..…………... Erin Coulter Charlotte also enjoys school, playing with friends, and being a Cub Professor Zoltan Karparthy………………….... Timothy Burhouse Scout who just achieved Tiger Rank. Eli Kiffney of Warrenton — Flower Market Child Lord Boxington………………………….……… Bobb Jordan Eli is 10 years old and has lived in Warrenton all his life. He Lady Boxington……………….………………... Leigh Miller performed in his first play this spring as The White Rabbit in Charles, Mrs. Higgins Chauffer……………..… Stub Estey Alice, the Musical with Progressions Dance School and is thrilled for the opportunity to be on stage in My Fair Lady. Understudy…………………..……………… Shane Koehr The eldest son of two musical-loving parents, he has grown up singing and dancing to show tunes! Eli recently achieved Weeblo Policeman……………………………..………… Stub Estey Rank as a Cub Scout and also enjoys camping and playing video Understudy……………..…………………… Shane Koehr games with his brother, Owen and sister, Charlotte. Queen of Transylvania…………..…………….. Alyssa Amster Owen Kiffney of Warrenton — Flower Market Child Owen is just shy of nine years old and a life-long Warrentonian.
Load more

Recommended publications
  • September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 Min)
    September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 min) Directed by Anthony Asquith and Leslie Howard Written by George Bernard Shaw (play, scenario & dialogue), W.P. Lipscomb, Cecil Lewis, Ian Dalrymple (uncredited), Anatole de Grunwald (uncredited), Kay Walsh (uncredited) Produced by Gabriel Pascal Original Music by Arthur Honegger Cinematography by Harry Stradling Edited by David Lean Art Direction by John Bryan Costume Design by Ladislaw Czettel (as Professor L. Czettel), Schiaparelli (uncredited), Worth (uncredited) Music composed by William Axt Music conducted by Louis Levy Leslie Howard...Professor Henry Higgins Wendy Hiller...Eliza Doolittle Wilfrid Lawson...Alfred Doolittle Marie Lohr...Mrs. Higgins Scott Sunderland...Colonel George Pickering GEORGE BERNARD SHAW [from Wikipedia](26 July 1856 – 2 Jean Cadell...Mrs. Pearce November 1950) was an Irish playwright and a co-founder of the David Tree...Freddy Eynsford-Hill London School of Economics. Although his first profitable writing Everley Gregg...Mrs. Eynsford-Hill was music and literary criticism, in which capacity he wrote many Leueen MacGrath...Clara Eynsford Hill highly articulate pieces of journalism, his main talent was for Esme Percy...Count Aristid Karpathy drama, and he wrote more than 60 plays. Nearly all his writings address prevailing social problems, but have a vein of comedy Academy Award – 1939 – Best Screenplay which makes their stark themes more palatable. Shaw examined George Bernard Shaw, W.P. Lipscomb, Cecil Lewis, Ian Dalrymple education, marriage, religion, government, health care, and class privilege. ANTHONY ASQUITH (November 9, 1902, London, England, UK – He was most angered by what he perceived as the February 20, 1968, Marylebone, London, England, UK) directed 43 exploitation of the working class.
    [Show full text]
  • My Fair Lady
    TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts.
    [Show full text]
  • Irish I/- Democrat
    THREE BODY BLOWS IRISH I/- HIT THE DEMOCRAT JULY 1969 UNIONISTS Foreign landlords burnt Irish question now international out of Westmeath farms N.I.L.P. SACKS RIGHTIST LEADERS IRISH LAND FOR IRISH PEOPLE! • S their internal support and international repute crumbled under three devastating 'pHREE large houses occupied by knocked down the gates, and the Germans in Meath and Louth placards they carry urging people ^^Th blowe FIRSs inT onBLOe Wmont wahs ththee Belfasattackt bUnionisty the influentias were lreduce Inter-d tomos weat damagink bumbling blogw protestsof all, .wa s struck by the Northern Ireland La- were set alight by the I.R.A. in early not to pay charges are being widely national Commission of Jurists which described the gerrymander- June as part of a campaign by Re- obeyed by the summer throngs each bour Party at its annual confer- publicans against incursions by Sunday. ing, discrimination in the six counties as shocking. ence. foreign landowners in Ireland. The statement went on to say A resolution was passed which Two of the properties belonged to that the six counties has become pledged the Labour Party to devot< large estates the local farmers have itself to the struggle for democracy a byword like South Africa for back- wanted divided for a long time. The WE ARE WITHIN SIGHT OF in the six counties as an integral Westmeath Lanifc^League hasybeen wardness and oppression. part of the civil rights movement. gitating that the^atoalfl be taken by the Land Cpmartasion. The SECOND BLOW was the As a result of the debate> on this although they had no connection OUR FIRST OBJECTIVE statement by Senator Edward Ken- issue the old pro-Unionist leaders with the burnings nedy in a message to the Belfast lost the* positions.
    [Show full text]
  • My Fair Lady": a Comparison of the Vision of Two Authors and What Each Play Says to Women
    UNLV Retrospective Theses & Dissertations 1-1-1999 "Pygmalion" vs "My Fair Lady": A comparison of the vision of two authors and what each play says to women Jessica Lynn Raymer University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Raymer, Jessica Lynn, ""Pygmalion" vs "My Fair Lady": A comparison of the vision of two authors and what each play says to women" (1999). UNLV Retrospective Theses & Dissertations. 980. http://dx.doi.org/10.25669/fa7r-6qdw This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • Shaw Bernard Eng 0807.Pdf
    qwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasd fghjklzxcvbnmqwertyuiopasdfghjklzx cvbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxcBernard Shaw vbnmqwertyuiopasdfghjklzxcvbnmq(1856 – 1950) wertyuiopasdfgA hjklzxcvbnmqwertyuiBibliography opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmrtyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwert yuiopasdfghjklzxcvbnmqwertyuiopas dfghjklzxcvbnmqwertyuiopasdfghjklz xcvbnmqwertyuiopasdfghjklzxcvbnm qwertyuiopasdfghjklzxcvbnmqwerty Bernard Shaw (1856 –1950) George Bernard Shaw (26 July 1856 Ŕ 2 November 1950) was born in Dublin, the son of a civil servant. His education was irregular, due to his dislike of any organized training. After working in an estate agent's office for a while, he moved to London as a young man (1876), where he established himself as a leading music and theatre critic in the eighties and nineties and became a prominent member of the Fabian Society, for which he composed many pamphlets. He began his literary career as a novelist; as a fervent advocate of the new theatre of Ibsen (The Quintessence of Ibsenism, 1891) he decided to write plays in order to illustrate his criticism of the English stage. His earliest dramas were called appropriately Plays Pleasant and Unpleasant (1898). Among these, Widower's Houses and Mrs. Warren's Profession savagely
    [Show full text]
  • My Fair Lady
    Woodside Community Theatre Presents my fair lady October 26–28 and November 2-4, 2018 Woodside High School Performing Arts Center Woodside Community Theatre Production of my fair lady Lerner and Loewe’s My Fair Lady Book and Lyrics by Music by Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s Play and Gabriel Pascal’s Motion Picture “Pygmalion” Original Production Directed by Moss Hart Learner and Lowe’s May Fair Lady is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com 1 2 my fair lady Producers Darlene Batcheldar, Mark Bowles, Donna Losey, Liz Matchett Director John Baiocchi Assistant Director Steve Wilner Choreography Gary Stanford Jr. Music Director/ Orchestra Conductor Kristin Pfeifer Vocal Director Heather O’Brien Production Stage Manager Don Coluzzi Rehearsal Stage Manager Alyssa Houston Technical Directors Don Coluzzi, Akio Patrick Lighting Design Don Coluzzi Set Design Akio Patrick Scenic Artists Don Coluzzi, Tina Patrick Costume Design Karen Patrick Dialect Coach Kimily Conkle Properties Alistair Lindawson, Kevin Stanford Sound Design Rob Harper Assistant Stage Managers Brett Ayoob, Alyssa Houston 3 4 the cast (In Order of Appearance) Eliza Doolittle…………………………………………...Alicia Teeter Freddy Eynsford-Hill…………………………………Justin Kerekes Mrs. Eynsford-Hill………......………………….……Leslie Newport Colonel Pickering………………………………...….Steven Anthony Selsey Man……………………………………..…… Michael Sacco Professor Henry Higgins……………………………Aaron Weisberg Hoxton Man………………………………………………Issac Booth The Cockney Quartet……………….…Michael Sacco, Joey Montes Richard Vaughan, Gary Pugh Newman Frank, the Bartender……………………….…….Darrell Batchelder Harry…………………………….………………Gary Pugh Newman Jamie……………………………...………………………Issac Booth Alfred P. Doolittle…………………………...……Daniel Dominguez Angry Cockney Woman …………………………Claudia McCarthy Flower Girl……………………………….………Chloe Montgomery Mrs.
    [Show full text]
  • Glimpses of the God-Man, Vol. 5, Part 2
    MEMORABLE STAY AT ELURU 1954 - PART VII "Breaking" the Silence A little after 11:00 on the night of February 22, Meher Baba reached Eluru. This time also, as in the previous year, He stayed in Katta Subba Rao's garden, in the two-room cottage known as the Kuti. The host had done all he could to make sure that Baba and His party would be comfortable. The Kuti was decorated and provided with furniture, while temporary electric lights had also been installed. The verandah had been extended by means of an awning, creating a covered area in front of the Kuti for Baba and others to sit under. A temporary thatched pandal-type structure had been erected for Baba's mandali and the Andhra lovers traveling with them. It had folding cots for all, with a chair next to each cot. Latrines, bath rooms, a kitchen and dining hall had also been thoughtfully arranged. So loving and lavish was the host that when all reached Eluru, Baba jokingly warned us to be careful about our stomachs as Subba Rao would, in his hospitality, undoubtedly tempt us to overeat! Although it was late, before Baba could retire to His room for rest, He was surrounded by some of the Baba families of Eluru. Ever compassionate and willing to sacrifice His own comforts to please His lovers, Baba greeted them and then permitted them to sing His arti. When the mandali reached their quarters, they found that Subba Rao had prepared tea for all and it was certainly welcome and refreshing after the night journey.
    [Show full text]
  • LES VOYAGES DE MEHER BABA EN FRANCE Texte Inspiré De Lord Meher Par Bhau Kalchuri
    L’ASSOCIATION DES AMIS DE MEHER BABA www.meherbaba.fr Contact : [email protected] Je ne suis pas venu pour enseigner, mais pour éveiller, Meher Baba. LES VOYAGES DE MEHER BABA EN FRANCE Texte inspiré de Lord Meher par Bhau Kalchuri Le 11 septembre 1931, Baba a mis le pied pour la première fois sur les côtes de l'Europe à Marseille, à 8 heures du matin. Meredith starr et Herbert Davis l'attendaient. Il portait un sadra (tenue indienne) blanc et un manteau de fourrure. Après avoir quitté le bateau, Baba, Chanji, et Agha Ali sont allés se rafraîchir à l'hôtel Géneva, où Meredith avait réservé une chambre pour eux. C'est pendant ce voyage en bateau que Gandhi a rencontré Baba à plusieurs reprises. Le 12 septembre, le groupe est arrivé à Paris, attendu par une américaine, Enid Corfe, puis ils sont partis pour Londres via Boulogne et Folkestone. Il y avait foule à la gare de Londres pour attendre le Mahatma Gandhi qui devait se trouver dans ce même train. Le 11 décembre 1931, après 5 jours de voyage en paquebot, Baba arrive au Havre, en route pour l’Inde, après avoir passé un mois à New York. Il arrive à Paris le même jour et séjourne à l'hôtel Powers, qui se trouvait près de l’Opéra dans le 9ème arrondissement. Margaret Starr, Margaret Craske, Delia DeLeon, Kim Tolhurst, John Cousin (12 ans), Kitty Davy et sa nièce, Zillah ont rejoint Baba. Le soir, ils vont au cinéma voir « Les lumières de la ville » de Chaplin.
    [Show full text]
  • Glimpses of the God-Man, Vol. 6, Part 1
    GLIMPSES OF THE GOD-MAN MEHER BABA Volume VI (March 1954 – April 1955) By Bal Natu An Avatar Meher Baba Trust eBook June 2011 Copyright © 1994 by Avatar Meher Baba Perpetual Public Charitable Trust, Ahmednagar, India Source: This eBook reproduces the original edition of Glimpses of the God-Man, Meher Baba, Volume VI, published by Sheriar Foundation (North Myrtle Beach, South Carolina) in 1994. eBooks at the Avatar Meher Baba Trust Web Site The Avatar Meher Baba Trust’s eBooks aspire to be textually exact though non-facsimile reproductions of published books, journals and articles. With the consent of the copyright holders, these online editions are being made available through the Avatar Meher Baba Trust’s web site, for the research needs of Meher Baba’s lovers and the general public around the world. Again, the eBooks reproduce the text, though not the exact visual likeness, of the original publications. They have been created through a process of scanning the original pages, running these scans through optical character recognition (OCR) software, reflowing the new text, and proofreading it. Except in rare cases where we specify otherwise, the texts that you will find here correspond, page for page, with those of the original publications: in other words, page citations reliably correspond to those of the source books. But in other respects—such as lineation and font—the page designs differ. Our purpose is to provide digital texts that are more readily downloadable and searchable than photo facsimile images of the originals would have been. Moreover, they are often much more readable, especially in the case of older books, whose discoloration and deteriorated condition often makes them partly illegible.
    [Show full text]
  • A Chronology of Works by and About Bernard Shaw
    A Chronology of Works By and About Bernard Shaw CONTENTS A. Shaw’s Novels, Plays and Commentary 2 B. Shaw’s Reviews and Criticism 5 C. Shaw’s Collected Writings and Letters 5 D. Biographies and Biographical Studies 8 E. Critical Works: Monographs and Essay Collections 10 F. Online Monographs 15 G. Translated Monographs 15 H. Foreign-Language Monographs 16 I. Scholarly Editions of Shaw’s Plays 18 J. Reference Works 19 K. Bibliographies 19 L. Websites 20 M. Miscellanea 21 compiled by Michel Pharand last updated 1 January 2021 2 A. Shaw’s Novels, Plays and Commentary First date: year(s) written Second date: year of first performance Third date(s): year(s) of publication [in brackets] 1878 My Dear Dorothea: A Practical System of Moral Education for Females Embodied in a Letter to a Young Person of that Sex (ed. S. Winsten) [1906; 1956] 1878 Passion Play (fragment) [1971] 1879 Immaturity (novel) [1930] 1880 The Irrational Knot (novel) [ser. 1885-7; 1905] 1881 Love Among the Artists (novel) [ser. 1887-8; 1900] 1882 Cashel Byron’s Profession (novel) [ser. 1885-6; 1886; rev 1889, 1901] 1883 An Unsocial Socialist (novel) [ser. 1884; 1887] 1884 Un Petit Drame (playlet) [1959] 1884/92 Widowers’ Houses 1893 [1893; rev. 1898] 1887-88 An Unfinished Novel (novel fragment) [1958] 1889 Fabian Essays in Socialism (ed. Shaw) [1889; rev. 1908, 1931, 1948] 1890 Ibsen Lecture before the Fabian Society [1970] 1891 The Quintessence of Ibsenism (criticism) [1891; rev. 1913] 1893 The Philanderer 1905 [1898] 1893 Mrs Warren’s Profession 1902 [1898; rev. 1930] 1893-94 Arms and The Man 1894 [1898; rev.
    [Show full text]
  • The Inventory of the Gabriel Pascal Collection #1282
    The Inventory of the Gabriel Pascal Collection #1282 Howard Gotlieb Archival Research Center PASCAL, Gabriel/SHAW, Bernard Collection Preliminary Listing I Correspondence Box 1 A Shaw: Folder 1 1 Shaw to Pascal. 56 postcards, 7/23/38 - 7/8/50 Folder 2 2 Shaw to various people. a 20 ALS, ca. 1935 - 1940 b ALS xerox, no original. 7/24/39 c 22 TLS, 12/13/35 - 12/22/40 d 2 TL, 9/14/38, 10/27/39. (No originals) e CTL, n.d. (with comments and signature by Shaw dated 11/19/37). Xerox f 2 photos of backs of postcards, 5/10/37, 03/24/38. (No originals) Folder 3 g 26 ALS, 8/27 /41- 4/20/50 h photo ALS, 1/13/41. (No original) I 26 TLS, 1/25/41 - 8/28/50 J xerox, 8/6/41. (No original) k mounted photo, back of postcard, 12/30/44 (2 copies) 1 2 TL, 1/20/46, 1/28/46. (No originals) m photo of Caesar and Cleopatra shooting script, title page with notes to Pascal dated 8/12/46 (3 copies) and negatives. n TLS, xerox, 11/27 /46. (No original) o. 2 CTL, 2/3/47 - 2/16/48. (Transcripts, no originals) p photo of outside, air letter, postmarked 10/28/49 q 3 CAL, 7/27/49 - 6/22/50. (No originals) Folder 4 3 Shaw to Pascal. 18 Telegrams, 1938 - 1950. Box2 B Pascal: (Copies of his letters and telegrams to Shaw. Some rough drafts. 175 letters, 68 telegrams.) Folder 1 1 Pascal to Shaw a 68 CTL, 5/11/37 - 5/6/42 Box 2, Folder l(cont.) b photostat 10/30/37 (2 pp.) C 8 TL, 7/7/37 - 5/9/42 Folder 2 d 3 TL duplicates, 5/26/42 - 7/29/42.
    [Show full text]
  • THE GOD-MAN the Life, Journeys and Work of Meher Baba with an Interpretation of His Silence and Spiritual Teaching
    THE GOD-MAN The Life, Journeys and Work of Meher Baba with an Interpretation of his Silence and Spiritual Teaching Second Edition, second printing with corrections (2010) By C. B. Purdom Avatar Meher Baba Trust eBook June 2011 Copyright © 1964 C. B. Purdom Copyright © Meher Spiritual Centre, Inc. Source and short publication history: This eBook reproduces the second printing (2010) of the second edition of The God-Man: The Life, Journeys and Work of Meher Baba with an Interpretation of his Silence and Spiritual Teaching. This title was originally published by Allen and Unwin (London) in 1964; the second edition, first printing, was published by Sheriar Press (North Myrtle Beach, South Carolina, 1971), and in its second printing, by Sheriar Foundation (Myrtle Beach, South Carolina, 2010). eBooks at the Avatar Meher Baba Trust Web Site The Avatar Meher Baba Trust’s eBooks aspire to be textually exact though non-facsimile reproductions of published books, journals and articles. With the consent of the copyright holders, these online editions are being made available through the Avatar Meher Baba Trust’s web site, for the research needs of Meher Baba’s lovers and the general public around the world. Again, the eBooks reproduce the text, though not the exact visual likeness, of the original publications. They have been created through a process of scanning the original pages, running these scans through optical character recognition (OCR) software, reflowing the new text, and proofreading it. Except in rare cases where we specify otherwise, the texts that you will find here correspond, page for page, with those of the original publications: in other words, page citations reliably correspond to those of the source books.
    [Show full text]