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Antoine Traisnel 435 S
ANTOINE TRAISNEL 435 S. State Street, 3132 Angell Hall, Ann Arbor, MI 48109 [email protected] ACADEMIC APPOINTMENTS Assistant Professor, University of Michigan, Ann Arbor Departments of Comparative Literature and English Language and Literature (2015- present) Assistant Professor of Literary and Cultural Theory, Cornell University Department of Comparative Literature (2013-15) Term Assistant Professor (ATER), Université Paris 8 Department of English (2008-10) EDUCATION Ph.D., Comparative Literature, Brown University, 2013 Dissertation: “After the Animal: Predatory Pursuits in Antebellum America” Committee: Kevin McLaughlin (Chair), Barbara Herrnstein Smith, Timothy Bewes, Marc Redfield Cornell University Exchange Scholar, Department of English (2012-13) Adjunct Fellow in the Society for the Humanities, Yearlong focal theme “Risk” Ph.D., American Literature, Université Lille 3, 2009 Dissertation: “Nathaniel Hawthorne: L’allégorie critique, ou l’écriture de la crise” Supervised by Mathieu Duplay | Conferred with First-class honors Fulbright Fellow, Department of English, Brown University (2007-08) M.A., American Literature, Université Lille 3, 2005 Conferred with First-class honors Agrégation of English, Ecole Normale Supérieure de la rue d’Ulm, 2003-04 Awarded both Agrégation and CAPES of English (La Sorbonne), 2004 TEACHING AND RESEARCH FIELDS • Comparative Literature (English, • Literary and Critical Theory French, German) • Animal Studies and the Posthumanities • Nineteenth-Century American • Ecocriticism Literature ANTOINE TRAISNEL -
John Ashbery and Anglo-American Exchange: the Minor Eras
OXFORD ENGLISH MONOGRAPHS General Editors PAULINA KEWES LAURA MARCUS PETER MCCULLOUGH HEATHER O’ DONOGHUE SEAMUS PERRY LLOYD PRATT FIONA STAFFORD John Ashbery and Anglo-American Exchange The Minor Eras OLI HAZZARD 1 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oli Hazzard 2018 The moral rights of the author have been asserted First Edition published in 2018 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this work in any other form and you must impose this same condition on any acquirer Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2017964287 ISBN 978–0–19–882201–1 Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Links to third party websites are provided by Oxford in good faith and for information only. -
T. E. Lawrence Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8bg2tr0 No online items T. E. Lawrence Papers: Finding Aid Finding aid prepared by Gayle M. Richardson, April 30, 2009. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2009 The Huntington Library. All rights reserved. T. E. Lawrence Papers: Finding mssTEL 1-1277 1 Aid Overview of the Collection Title: T. E. Lawrence Papers Dates (inclusive): 1894-2006 Bulk dates: 1911-2000 Collection Number: mssTEL 1-1277 Creator: Lawrence, T. E. (Thomas Edward), 1888-1935. Extent: 8,707 pieces. 86 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: The collection consists of papers concerning British soldier and author T.E. Lawrence (1888-1935) including manuscripts (by and about Lawrence), correspondence (including over 150 letters by Lawrence), photographs, drawings, reproductions and ephemera. Also included in the collection is research material of various Lawrence collectors and scholars. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Boxes 82-86 -- Coin & Fine Art, Manuscript & Rare Book Dealers. Restricted to staff use only. These boxes include provenance, price and sale information; please see Container List for an item-level list of contents. Publication Rights All photocopies, for which the Huntington does not own the original manuscript, may not be copied in any way, as noted in the Container List and on the folders. -
Masks of Reality the Rhetoric of Narration in The
MASKS OF REALITY THE RHETORIC OF NARRATION IN THE EIGHTEENTH-CENTURY ENGLISH NOVEL By SYDNEY JAMES BUTLER B.Ed., University of Alberta, 1963 M.A., University of Alberta, 1968 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June, 1974 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. 1 further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date ii ABSTRACT The development of the English novel during the eighteenth century is illustrated in this thesis by the concept of the author's "mask of reality," or the rhetorical stance adopted by the novelist for the telling of his story. The novelist creates and populates a fictional world, or Kosmos, and the success of his work depends on his power to invest this illusory world with an air of reality. Through the medium of the printed word, he convinces the reader of the truth of his vision. My examination of the modes of narration in the major novels of the period clarifies their authors' use of the mask of reality. -
Commencement-Program-2013.Pdf
E Brown University The 2013 Two Hundred and Forty-Fifth Commencement E E For a map of the Brown campus and to locate individual diploma ceremonies, please turn to the inside back cover. Brown University providence, rhode island The College Ceremony Candidates for Master of Arts, ad eundem may , Schedule in the Event of Storm ❖ Conditions Officers Emeriti The Graduate School Ceremony Citations and Awards The Warren Alpert Medical Fellowships, Scholarships, and Grants School Ceremony Special Recognition for Advanced The University Ceremony Degree Candidates Brown University’s th President Faculty Recognition Brown Commencement Traditions Commencement Procession Aides and Marshals Candidates for Baccalaureate Degrees The Corporation and Officers Candidates for Advanced Degrees Locations for Diploma Ceremonies Candidates for Honorary Degrees Commencement Summary ⁽all times are estimated⁾ Seating on the College Green is on a first-come The day begins with a procession during which basis outside the center section. the candidates for degrees march across the College Green, led by the chief marshal party, : a.m. Seniors line up on Waterman Street. Brown band, presidential party, Corporation, : a.m. Procession begins through Faunce Arch. senior administration, and faculty. In addition, alumni who have returned for reunions march : a.m. Graduate School ceremony on with their classes. Once the last person is Simmons Quadrangle. through the Van Wickle Gates on the front : a.m. Medical School Ceremony at green, the procession inverts and continues the First Unitarian Church. down College street with each participant ap- plauding the others. : p.m. College ceremony on First Baptist Church The Medical School adjourns to the First grounds begins (simulcast). -
Prosopisia a Venture of A.R.A.W.LII
https://www.arawlii.net/ Prosopisia A venture of A.R.A.W.LII... Vol - XII, No. 1 & 2, 2018 An International Journal of Poetry & Creative Writing Prosopisia 1 https://www.arawlii.net/ PROSOPISIA Editorial Prosopisia is the official journal of A.R.A.W.LII... (Academy of raite*(s) And World Literati) which intends to provide a literary forum to the creative Editing my recent me… th writers of the world. A biannual journal, it aims at creating a platform for On 12 March, my elder daughter got married. shared experiences of human existence as voiced in the literary products the It is an old notebook I'm writing in. it belongs to my daughter when she was in X standard. A few initial pages are filled up with some world over. mathematical problems and solutions, I seem to bypass as they read Latin and Greek to me. I myself was a very, very poor student of the Patron : SATISH VERMA science of numbers. With all candid shamelessness, I must say that the Editor-in-Chief : Anuraag Sharma problem with numbers I did then face and have been facing ever since Co-Editor : Moizur Rehman Khan is that my eyes and my mind, too, cannot distinguish between 8 or 5, Editorial Board : Les Murray, Bill Ashcroft, or 3 or 7: the all look similar and always seem to play some mysterious S.Asnani, E.E.Sule, John Kinsella, trick upon my soul. Some notorious trapping thus played upon me leaves me embarrassed and insulted. I feel small, bowed down—as I Mark O'Connor, Bibhu Padhi, used to be in my Maths class when I was in High School Christopher Rollason, Nathanael O' Reilly myself—before each digit: each of them looks like a ferocious giant and I trembling like a Lilliput! The fear of numbers quite often has told upon my matrimonial harmony as well, especially when I'm snubbed for not being able to tell exactly as to how much I'm having in my thin wallet or in my so-called fat bank account. -
New Writing: Modernism, Punctuation, and the Intermedial Text
NEW WRITING: MODERNISM, PUNCTUATION, AND THE INTERMEDIAL TEXT BY SUSAN SOLOMON B.A. UNIVERSITY OF CONNECTICUT, 2001 M.A. UNIVERSITY OF CONNECTICUT, 2005 A.M. BROWN UNIVERSITY, 2009 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF COMPARATIVE LITERATURE AT BROWN UNIVERSITY © Copyright 2013 by Susan Solomon iii CURRICULUM VITAE Susan Solomon was born in 1979 in New London, Connecticut. She graduated with a B.A. from the Honors Program at the University of Connecticut, Storrs, where she majored in English and German and minored in Women’s Studies. She spent 2001-2002 at the Humboldt Universität zu Berlin as a Fulbright Student. In 2003, she returned to the University of Connecticut to earn an M.A. in English, where she also taught freshman writing seminars. In 2005, she entered the graduate program in Comparative Literature at Brown University and received her A.M. in 2009. In 2008-09, she participated in an exchange between Brown University and the Eberhard Karls University in Tübingen. At Brown she served as a teaching assistant and instructor for the Department of Comparative Literature, and as a proctor for differences in the Pembroke Center for Teaching on Women and Gender and the Modernist Journals Project in the Department of Modern Culture and Media. Her essay, “Turning Points: Periodizing New Writing,” received the 2013 Albert Spaulding Cook prize for best comparative essay by a graduate student from the Department of Comparative Literature at Brown. iv ACKNOWLEDGEMENTS I would not have completed this dissertation without the extended fellowship support I received from the Graduate School, the Department of Comparative Literature, and the Modernist Journals Project/ Modern Culture and Media Department at Brown University.