DOCSLIB.ORG

Nadine J. Seiler Date of Interview: February 5, 2021 Location: Martin Luther King Jr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nadine J. Seiler Date of Interview: February 5, 2021 Location: Martin Luther King Jr 1 Name: Nadine J. Seiler Date of Interview: February 5, 2021 Location: Martin Luther King Jr. Memorial Library, 901 G St. NW, Washington, DC 20001 Interviewer: Owen Rogers Project: Black Lives Matter Memorial Fence Recording: Digital Audio & Video (MOV; MP4; WAV) HH:MM:SS 00:00:07 INTERVIEWER: Today is February 5, 2021, my name is Owen Rogers and I’m recording an oral history at the Washington, DC Public Library for the Washington, DC Public Library Archive. For the record, would you please give us your name? NADINE SEILER: Nadine J. Seiler INTERVIEWER: And would you please give me the spelling of your last name for the transcriber? NADINE SEILER: S-E-I-L as in Larry-E as in Edward-R as in Robert 00:00:38 INTERVIEWER: Thank you so much, we’re going to start off the interview with the story about you. Where were you born? NADINE SEILER: I was born in Trinidad and Tobago, Port of Spain General Hospital. INTERVIEWER: And where did you grow up? NADINE SEILER: I grew up in Trinidad, I came to the United States at the age of 22. INTERVIEWER: And what year was that? NADINE SEILER: 1987, I came on Halloween. It was a Saturday, yes. INTERVIEWER: What was that experience like? NADINE SEILER: Um, well, I came to some disappointment on Halloween in 1987 but it worked out. INTERVIEWER: Now how about your parents, what are their names? NADINE SEILER: My father, who is deceased, his name is Yeussef Orlando Otego and my biological mother is Yvette Joseph. INTERVIEWER: Do you have any siblings? 2 NADINE SEILER: I have five brothers and three sisters, one brother deceased. INTERVIEWER: What do your siblings do for a living? NADINE SEILER: My sister works in import and export, my brother is an electrician, and my other brother works in air conditioning, and my sister is an accountant. INTERVIEWER: That’s quite the range. NADINE SEILER: Yes and one sister is a homemaker. 00:02:15 INTERVIEWER: And how about you? When you aren’t the curator of the Black Lives Matter Memorial Fence? NADINE SEILER: In my past life, I was a home organizer, mover, what do you call it? I worked on a task platform like a gig platform, where if somebody needed something done immediately they would contact me and I would go buy their friends donuts and Georgetown Cupcakes and wine for parties and stuff like that. Very fun. And people actually actually like having that opportunity for somebody to think think of a friend and say “my friend’s birthday is today and I didn’t think to buy that person a birthday card” or something and have somebody do it immediately. People really appreciate you. 00:03:12 INTERVIEWER: I believe it and that brings us to the Black Lives Memorial Matter social movement. NADINE SEILER: Yes INTERVIEWER: And how did you first become aware of Black Lives Matter? NADINE SEILER: Well I knew of the term “Black Lives Matter” back in 2012 when Trayvon Martin died so I knew of it in the peripheral and then when Trump first came into office and we were protesting him I remember seeing the t-shirts being worn by white people, white allies and I found it kind of strange because black people were not wearing the t-shirt that says “Black Lives Matter” so it was I don’t know why at the time that we were not wearing it but it was something that I found kind of strange that our allies were but we were not part of the movement at the time so but then obviously by the time Michael Brown’s death came around then George Floyd death came around you know the whole thing exploded and everybody was embracing it. 00:04:29 INTERVIEWER: So you became aware of it in 2012? When did you become active? 3 NADINE SEILER: Well I am active in Black Lives Matter just by virtue of being black but but to be to be part of the movement itself, I was protesting at the White House since 2018, July of 2018, consistently and we moved inside when Covid Covid happened and then I gingerly came back out in probably April and the Black Lives Matter protests broke out I want to believe like the 28th of May so it actually met me there when protesting Trump so I just moved over and became Black Lives Matter but just by virtue of being there in the epicenter of the protest where people all came to the White House. 00:05:35 INTERVIEWER: And how did that feel to be part of a movement? NADINE SEILER: Oh well again, I I am very black conscious I you know when people like Trayvon Martin died and Tamir Rice died all these people you know it had an impact on me because it could easily be me so that people without necessarily protesting in DC for Tamir Rice or Philando Castile you know I can’t say why or what George Floyd more so than Philando Castile or Terence Crutcher but it happened that everybody came together when George Floyd died and I just moved over so it wasn’t something that I was necessarily saying I want to be part of this particular movement but again just by virtue of being black and knowing that a lot of my fellow black citizens were dying unnecessarily, just for showing up, I had to be there. 00:06:51 INTERVIEWER: And the follow up to the summer protests, what was your first reaction when you saw the security fence being installed around Lafayette Park? NADINE SEILER: Well I mean that Trump was trying to stifle our First Amendment rights you know? I didn’t like the fact that he felt that you know like we were protesting for our lives and that he felt that he he was offended by the fact that we were there in front of his house doing it and that he could shove us out and tell us to go away. I was offended. 00:07:36 INTERVIEWER: And we’ll get into more detail about this but I’m so curious about the moment - when did the security fence change into a memorial fence? NADINE SEILER: So there INTERVIEWER: To you – in your perception? NADINE SEILER: So there were two fences. There was the first fence that was erected I think like probably like June 4th or something along that line that was when the protests first broke out and people were in the park and they first started macing folks. That fence stayed up, I want to believe, I was told they said 17 days I’m not sure it was actually 17 days because it came down on June 9th. I know it came down on June 9th because I was there as part of the people who took down the initial set of protest signs. I was onsite for the as we called it and then the 4 second fence was erected on June 24th when the Black Lives Matter protesters attempted to bring down the Andrew Jackson statue and the fence was put up overnight on the 23rd into the 24th. So this this fence that were are talk that we are talking the first fence was related as a memorial fence but it wasn’t spoken so much because it didn’t exist for that long. So this second fence was there from since the 24th so it became more of a memorial because people were traveling to come and bring their stories and the stories of their families to the fence. 00:09:26 INTERVIEWER: And how did that feel for you to see the context change? NADINE SEILER: Oh oh oh definitely from from going there to protest and just being there and then talking to people and realizing that people were traveling from around the country to come and tell their family’s stories on the fence. It made a difference. It made me that I guess part of knowing that people were traveling to come there made me want to to protect the stuff that was on there or to take care of the stuff that was on there and I think that it what led me to you know picking up the signs I saw that were on the sidewalk because people were people were coming to tell their family’s stories. Because initially, the signs that were on the initially the signs that were on the fence were of the dead but they were put there by activists so we were you know like if somebody had a a a picture of Breonna Taylor or George Floyd or Terence Crutcher there was a sign that somebody probably had in a protest but then it became that people were traveling from from Florida from New York and from Minnesota to come and put their family’s story so it it changed to me it changed the dynamic of it that people from around the country were seeing this fence as a memorial to tell the stories of their families who were killed by the police. 00:11:09 INTERVIEWER: A literal memorial? NADINE SEILER: A literal memorial,yeah. INTERVIEWER: And that happened organically? NADINE SEILER: Yes, it happened totally organically, totally because again, the first set of protest signs were just what protesters were carrying. 00:11:23 INTERVIEWER: And I’m thinking of how a protest sign, how it’s used and you make a protest sign, you bring it to the protest, and then it’s discarded.
Load more

Recommended publications
  • Police Misconduct at Black Lives Matter Plaza
    July 2, 2020 Honorable Muriel Bowser John E. Wilson Building 1350 Pennsylvania Avenue, N.W. Washington, D.C. 20004 Re: Police Misconduct at Black Lives Matter Plaza Dear Mayor Bowser: With the utmost urgency, we call on you to require the Metropolitan Police Department to immediately cease all activity to remove protesters from Black Lives Matter Plaza and the adjacent sidewalks. We are alarmed by the daily excessive force and abusive conduct by MPD officers against people who have gathered at the Plaza to demand an end to the killing of people of color and to other police misconduct. The First Amendment’s protection of free speech is one of the most profound rights in the United States Constitution. When people seek to exercise that right, the role of MPD should be to facilitate the First Amendment activity and protect the ability of protestors to have their voices heard. Instead, the people who have gathered at Black Lives Matter Plaza have met with police violence; including: The unjustified and excessive use of batons and chemical irritants causing significant physical injuries; Unjustified arrests and detentions; The destruction of tents and supplies set up for the purposes of supporting the health and safety needs of the people protesting; The destruction of protest signs and cultural material; and The destruction of equipment for the preparation of food. The conduct of MPD is not only a violation of the First Amendment, but of the District’s own laws and policies. District law recognizes the sanctity of protest and the importance of people “to engage in First Amendment assembly near the object of their protest so they may be seen and heard.” First Amendment Assemblies Act of 2004, 5- 331.01, et.
    [Show full text]
  • Rise Above XR App Press Release
    ARTECHOUSE @artechouse FOR IMMEDIATE RELEASE PRESS CONTACT: Blake Zidell and Ron Gaskill [email protected], [email protected], [email protected] ​ ​ ​ ​ ARTECHOUSE Presents Vince Fraser’s We Rise Above, an ​ ​ Augmented Reality Experience in Black Lives Matter Plazas Across the U.S. Timely Work Premieres at 34 Black Lives Matter Plazas Before Becoming Available Nationwide WASHINGTON, DC - ARTECHOUSE debuts “We Rise Above,” a nationwide collaboration with Afrosurrealist ​ ​ ​ artist, Vince Fraser, for the 57th anniversary of the March on Washington on August 28. Through the ​ ARTECHOUSE extended reality (XR) mobile app, audiences can experience Fraser’s visual art rise above the Black Lives Matter Plazas as a special preview across the 34 Black Lives Matter Plaza locations on August 24th, and nationwide on the 28th. ​ 1 We Rise Above builds upon other recent efforts to draw attention to systemic racism through murals in Black ​ Lives Matter Plaza nationwide, from Sacramento to New York—34 separate spaces where this message is now imprinted onto city streets. The experience offers people across North America a new way to experience these ​ ​ spaces, and to create virtual Black Lives Matter experiences wherever they are. The project aims to both uplift ​ and educate, as well as empower and amplify the presence of Black artists working at the intersection of art and technology. “We’re truly honored to collaborate with Vince Fraser, one of the brightest and most innovative minds in the digital art-for-social change space, to bring We Rise Above to life across America on this historic occasion,” ​ ​ shared Sandro Kereselidze, Founder and Chief Creative Officer of ARTECHOUSE.
    [Show full text]
  • Final List George Floyd
    The below collection of data is one of three key elements in Mapping a Moment, a project created by the Cleveland based musical duo the Baker’s Basement. Mapping a Moment was crafted after a long journey across America and beyond in the weeks immediately following the murder of George Floyd. The full presentation includes these 3 parts: 1. A written reflection on the response of Americans in public spaces during a time of crisis 2. A five and a half minute video illustrating this reflection through song, image, and an animated map displaying the occurrence of demonstrations across America 3. The below spreadsheet containing data on over 1600 public demonstrations that occurred from May 25, 2020 to June 13, 2020 in the United States and throughout the international community. To see all three parts of Mapping a Moment, go here: www.thebakersbasement.com/mapping-a-moment To see the full video of the murder of George Floyd, go here: https://www.youtube.com/watch?v=zaGmz4DPlJw&app=desktop&bpctr=1596415559 Summary of Data: The spreadsheet below contains data on a large portion of the public demonstrations held in response to the murder of George Floyd in the weeks immediately following his death (From May 25, 2020 to June 13, 2020). It was collected to help provide a wider understanding of how people in the United States and the international community initially reacted through a variety of public demonstrations. This data was used to construct the animated map presented in the video & song portion of Mapping a Moment - Youtube. This is not to be considered a complete list of the demonstrations that occurred during that time period, but an effort to create a fuller picture of how the USA and the international community reacted in public spaces.
    [Show full text]
  • Minecraft: Education Edition Lesson Template Lesson Overview
    Minecraft: Education Edition Lesson Template Please use the following template as a workspace for your Minecraft: Education Edition lesson plan. When you are ready, you can submit your lesson to the community site by heading to education.minecraft.net/create-lesson and don’t forget to create your educator profile. Thank you for your contribution to Minecraft for learning. Lesson Overview Lesson Photo (accepted file types are JPG or PNG. Minimum dimensions are 750px by 368px. Title: Say Their Names: Black Lives Matter Short Description Lesson in Good Trouble: The Black Lives Matter Movement Introduction- Join the activists on Black Lives Matter Plaza as they stand together as catalysts for Good Trouble, seeking racial justice for the Black Community. Your upload of any lesson plan is licensed under the terms of the Microsoft Services Agreement https://www.microsoft.com/en-us/servicesagreement Student Ages 8-10, 11-13, 14-18 Subjects Politics & Civics, Service Learning & Social Good, Leadership Skills Character, Citizenship, Critical Thinking Lesson Plan This is the second lesson in the series about “Good Trouble,” based on the life and teachings of Civil Rights activist and U.S. Congressman John Lewis. In this lesson, students will learn about the Black Lives Matter Movement and its impact on the fight for social justice in the United States. Learning Objectives SIGNIFICANT CONTEXT: Students will develop an analytical understanding of the Black Lives Matter Movement. HEROIC CONTEXT: Students will identify important people/events of the BLM movement and their role within this movement. HISTORICAL/POLITICAL AWARENESS: Students will develop a better understanding of racial injustices and their impact on the black community.
    [Show full text]
  • Ja a BLACK RAGE
    APAXXX10.1177/00030651211014207Beverly J. StouteBlack Rage 1014207research-article2021 j a P a Beverly J. Stoute 69/2 BLACK RAGE: THE PSYCHIC ADAPTATION TO THE TRAUMA OF OPPRESSION Integrating the story of a young Freud’s racial trauma with a novel appli- cation of the concept of moral injury has led to a realization and concep- tual formulation during the pandemic uprisings of the mental construct of Black Rage as an adaptation to oppression trauma. As formulated here, Black Rage exists in a specific dynamic equilibrium as a compromise formation that is a functional adaptation for oppressed people of color who suffer racial trauma and racial degradation, an adaptation that can be mobilized for the purpose of defense or psychic growth. Black Rage operates as a mental construct in a way analogous to the topographical model, in which mental agencies carry psychic functions. The concept of Black Rage is crucial to constructing a theoretical framework for a psy- chology of oppression and transgenerational transmission of trauma. Additionally, in the psychoanalytic theory on oppression suggested here, a developmental line is formulated for the adaptive function of Black Rage in promoting resilience in the face of oppression trauma for mar- ginalized people. Keywords: Black Rage, race, racism, oppression, trauma, transgen- erational trauma, mass trauma, slavery, racial trauma, Freud, Hannibal President, Atlanta Psychoanalytic Society; Co-Chair, Holmes Commission on Racial Equality in the American Psychoanalytic Association; Training and Supervising Analyst, Emory University Psychoanalytic Institute; Child and Adolescent Supervising Analyst, New York Psychoanalytic Institute; Adjunct Associate Professor of Psychiatry and Behavioral Sciences, Emory University School of Medicine; Adjunct Clinical Associate Professor of Psychiatry and Behavioral Sciences, Morehouse School of Medicine.
    [Show full text]
  • Scanned Image
    gar THE MAPLE ClTY MINUTES of June 22, 2020 Regular Meeting Board of Public Works & Safety and Stormwater Board Held 2:00 pm. Goshen Police & Court Building, 111 East Jefferson Street, Goshen, Indiana Present: Chair Jeremy Stutsman, Member Mary Nichols Absent: Member Mike Landis Minutes of May 4 were presented. Nichols/Stutsman moved to approve minutes of May 4 as presented. Passed 2-0 Mayor moved to add Item #9 (Request from Mayor), moved Item #1 to Item #10 (Main Street Black Lives Matter Mural) Stutsman/Nichols moved to approve the agenda as amended. Passed 2-0 Hiring of Justin T. Ravl as Probationary Patrol Officer Chief of Police Jose’ Miller presented the packet memo. Nichols/Stutsman moved to approve the hiring of Justin T. Rayl as a Probationary Patrol Officer effective today, June 22, 2020. Passed 2-0 Probationary Patrol Officer Justin T. Rayl was sworn in by Mayor Stutsman. Tactical Fire Traininq Facility, JN: 2017-0017 Director of Public Works Dustin Sailor presented that packet memo. Nichols/Stutsman moved to accept the Tactical Fire Training Structure constructed/installed by Ancon Construction, Inc. with American Fire Training Systems, Inc. as the subcontractor and supplier of the structure. Passed 2-0 1|Page June 22, 2020 Board of Works Minutes *1? ms. MAPLE cnv Multi-Site Downtown Businesses Outdoor Seatinq Request Director of Events for Eyedart Creative Studios Adrienne Nesbitt presented the packet memo. Mayor stated that further discussion would be needed in order to finalize the requirements for outdoor seating. StutsmanINichols moved to table the request until the June 29 meeting.
    [Show full text]
  • Fiscal Year 2022 Committee Budget Report
    FISCAL YEAR 2022 COMMITTEE BUDGET REPORT TO: Members of the Council of the District of Columbia FROM: Councilmember Mary M. Cheh Chairperson, Committee on Transportation & the Environment DATE: July 1, 2021 SUBJECT: DRAFT Report and recommendations of the Committee on Transportation & the Environment on the Fiscal Year 2022 budget for agencies under its purview The Committee on Transportation & the Environment (“Committee”), having conducted hearings and received testimony on the Mayor’s proposed operating and capital budgets for Fiscal Year (“FY”) 2022 for the agencies under its jurisdiction, reports its recommendations for review and consideration by the Committee of the Whole. The Committee also comments on several sections in the Fiscal Year 2022 Budget Support Act of 2021, as proposed by the Mayor, and proposes several of its own subtitles. Table of Contents Summary ............................................................................................ 3 A. Executive Summary.......................................................................................................................... 3 B. Operating Budget Summary Table .................................................................................................. 7 C. Full-Time Equivalent Summary Table ............................................................................................. 9 E. Committee Transfers .................................................................................................................... 11 F. Revenue Adjustment &
    [Show full text]
  • IN WHOSE INTEREST? Gender and Far-Right Politics in the United States 
    STUDY This report examines women’s and gender politics in the U.S. in the context of far-right nationalist populism and extremism, in three parts. DEMOCRACY AND HUMAN RIGHTS First, it looks at gendered IN WHOSE framings in the Tea Party, evangelical Christianity, and populist frames linking anti-elitism and anti-gender INTEREST? studies, along with the impact of the 2016 election on repro- Gender and Far-Right Politics in the United States ductive and LGBTQ+ rights. Second, it situates these devel- Cynthia Miller-Idriss opments within a gendered October 2020 and extreme right, including the »Tradwife«, »incel«, and male supremacy movements. Finally, the report turns to counter movements and strat- egies to combat far-right mobi- lization, with a particular eye toward gendered aspects. DEMOCRACY AND HUMAN RIGHTS IN WHOSE INTEREST? Gender and Far-Right Politics in the United States Contents 1 INTRODUCTION ....................................................................... 2 2 AGAINST THEIR INTEREST? WHITE WOMEN AND THE TRUMP ELECTION ....... 3 The Tea Party and Sarah Palin’s»Mama Grizzlies« ................................ 4 Evangelical Christianity, Christian Nationalism, and »Family Values« ....... 5 The Christian Homeschooling Movement and the Culture Wars ............. 6 Restoration Through Masculinity ...................................................... 7 Populism, Anti-Gender Studies, and Anti-Science ................................ 8 Populism and Anti-Gender Studies ................................................... 8 Populism and Anti-Science .............................................................. 8 Whose Impact? The Trump Administration’s Policy Legacy on Gender and Reproductive Rights .................................................. 9 3 FROM ›TRADWIFE‹ TO THE ›WHITE BABY CHALLENGE›: GENDER AND THE U.S. EXTREME RIGHT 13 Male Supremacy and Ideological Misogynism ..................................... 15 4 COUNTER-MOVEMENTS AND (SUCCESSFUL) STRATEGIES 17 Black Lives Matter, the »Wall Of Moms,« and Union Support ...............
    [Show full text]
  • FY 2022 Budget Supports the Health and Well-Being of District Residents, and Helps Provide a Pathway to the Middle Class, Through the Following Investments
    COUNCIL OF THE DISTRICT OF COLUMBIA COMMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: July 20, 2021 SUBJECT: Report on Bill 24-285, the “Fiscal Year 2022 Budget Support Act of 2021” The Committee of the Whole, to which Bill 24-285 was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need ................................................................1 II. Legislative Chronology ..............................................................2 III. Position of the Executive ...........................................................3 IV. Comments of Advisory Neighborhood Commissions ...............3 V. List of Witnesses ........................................................................4 VI. Impact on Existing Law .............................................................8 VII. Fiscal Impact ..............................................................................9 VIII. Subtitle-by-Subtitle Analysis .....................................................9 IX. Committee Action ....................................................................28 X. Attachments .............................................................................29 I. BACKGROUND AND NEED The purpose of Bill 24-285, the Fiscal Year 2022 Budget Support Act of 2021 (“FY 2022 BSA”), is to amend or enact various provisions of law that support the implementation
    [Show full text]
  • Preserving Their Names
    PRESERVING THEIR NAMES: Alexandria Black History Museum’s collecting initiative The Legacy of George Floyd: Documenting Alexandria’s Response and the creation of the Black Lives Remembered Collection Detail from a t-shirt from the Black Lives Remembered Collection. George Floyd On May 25, 2020, George Floyd, an African American, was killed by white police officer, Derek Chauvin, during an arrest in Minneapolis. Floyd had allegedly attempted to use a counterfeit $20 bill. During the arrest, Chauvin knelt on Floyd's neck for over nine minutes. Amidst the backdrop of a global pandemic, the account and video footage of George Floyd’s arrest and his subsequent murder laid bare the reality of incidents of extreme police violence toward Black people. Ink sketch and painting of George Floyd by Rachael Bright. Donated to the Museum by the artist. Black Lives Matter The Black Lives Matter protest movement, which was formed in 2013 following the acquittal of Trayvon Martin's murderer, took on a new urgency following the deaths of Ahmaud Arbery, Breonna Taylor, and George Floyd within the span of a few months of each other. Large scale protests and activism quickly spread across the United States of America and internationally. Digital photograph of participants at a vigil for George Floyd at the Charles Houston Recreation Center, June 4, 2020. This photograph was taken from in front of the Museum. From Black Lives Remembered Collection. Lift Every Voice The voices of individuals were joined by those of businesses, organizations and local and state governments. Statements calling for racial equality and an end to police violence and white supremacy flooded the internet, media and shop windows.
    [Show full text]
  • Worship Transcript for August 30, 2020 Prelude (Members of the Jubilee Singers; Taryn Wilgus Null and Robert Jayes, Vocal Leads)
    Worship transcript for August 30, 2020 Prelude (members of the Jubilee Singers; Taryn Wilgus Null and Robert Jayes, vocal leads) “Hold On!” (traditional spiritual; arr. by L. Starks) Paul and Silas were bound in jail, Had no money for to go their bail. Keep your eyes on-a the prize, Hold on! Paul and Silas began to pray, The doors popped open and they walked away. Keep your eyes on-a the prize, Hold On! Hold on! Hold on! Keep your eyes on-a the prize. Hold on! The only chains that we can stand, Are the chains of hand-in-hand. Keep your eyes on-a the prize, Hold on! Keep your hand on the justice plow, I wouldn’t take nothing for my journey now. Keep your hands on-a the plow, Hold on! Hold on! Hold on! Keep your eyes on-a the prize. Hold on! Hold on! Hold on! Keep your eyes on-a the prize and Hold On! Call to Worship (Rev. Rob Keithan) Friends, we know that our waters are troubled, both literally and figuratively. Let us join our hearts and spirits and voices as we answer God’s call and wade into that water. Come, let us worship together. Hymn 210 (members of the Jubilee Singers; Roy Barber, vocal lead) “Wade in the Water” (Chorus) Wade in the water, wade in the water, children, wade in the water, God’s gonna trouble the water. 1 See that band all dressed in white. God’s gonna trouble the water. The leader looks like an Israelite.
    [Show full text]
  • JULY-AUGUST 2020 Change Has Come
    JULY | AUGUST 2020 Change has come Protests and pandemic converge, and we are witnesses CONTENTS | JULY / AUGUST 2020 Editor's Column Sue Morrow 5 President’s Column Andrew Stanfill 6 Executive Director's Column Akili Ramsess 7 Advocacy Mickey Osterreicher & Alicia Calzada 8 Arrested in Dallas Chris Rusanowsky 10 NPPF Alan Hagman Grant Chris Rusanowsky 13 Eyes on Research Kaitlin C. Miller 15 Spotlight: Small-market Gavin McIntyre 20 Ground Zero: Minneapolis Regina McComb 52 Picture Editing at Ground Zero Sue Morrow 66 ASMP & NPPA Sue Morrow 68 The Image Deconstructed Ross Taylor 84 Columnists Career/Life Balance: Autumn Payne 16 Doing It Well: Hope Ford 18 Openers/Enders Pages 22, 24, 26, 28, 30, 32, 34, 36, 38, 40, 42, 44, 46, 48, 50, 92, 94, 96, 98, 100, 102, 104, 106, 108, 110 ON THE COVER Photograph by Julia Rendleman Geared-up Independent, for REUTERS June 18, 2020: Artist Dustin Klein July 1, 2020: For Justin McCray, projects an image of George Floyd photojournalist at Fox 9 in onto the statue of Confederate Gen. Minneapolis, the protests marked Robert E. Lee in Richmond, Virginia. his toughest assignment since covering the 2010 earthquake destruction in Haiti. “To be honest, it's been hard,” McCray said. CLARIFICATION Story on Page 52 The photo credit in the May/June 2020 issue for Photo by Liz Flores, Star Tribune Julia Rendleman's essay "Quarantined", page 54, should have included American Reportage. 2 July - August 2020 News Photographer July - August 2020 News Photographer 3 SUE MORROW | EDITOR NPPA Membership nppa.org/join The Photo Bill of Rights and me Looking in the mirror; I have stayed quiet in the dumpster fire FOUNDED IN 1946 News Photographer Official publication of the that is social media because I find it unpro- is a registered trademark NATIONAL PRESS PHOTOGRAPHERS ASSOCIATION, INC.
    [Show full text]