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Where the Game Is Played Today's Lineups
VOL. ill, NO. THE49____________________________________ ServingOBSERVER the Notre Dame and St. Mary’s College Community________________________ Saturday, November 16. 1968 Where The Game Is Played This is where the game is played. Where you hit and shove and grunt and eat that dirt and learn what it’s like to take a three-point stance in the snow. If you’re on the Notre Dame offensive line, you do something else, too. You make holes...big holes , really BIG HOLES, in fact. Irish co-captain George Kunz, playing his last game in ND stadium today, discusses the role of an offensive right tackle on page 6. George Kunz.... ....fires off the ball toward his Iowa Hawkeye foe.... ... and stands him upright with a powerful block. “...what it’s like to take a three-point stance in the snow.” Today’s Lineups - - - Pages 4 and 5 PAGE 2 THE OBSERVER SATURDAY, NOVEMBER 16, 1968 The Starters IRISH OFFENSE LT Mike McCoy (77) C Billy Kidd (55) SE Jim Seymour (85) RT Eric Norri (72) RG Todd Woodhull (88) Sports Parade LT Jim Reilly (61) RE Chick Lauck (93) RT Terry Story (72) LG Ed Tuck (69) LB Tim Kelly (42) TE Joel Stevenson (89) C Mike Oriard (54) LB Jim Wright (40) QB Ken Bonifay (17) By Milt Richman, UPI columnist RG Tom McKinley (79) LB Bob Olson (36) FB Kenny Bounds (49) RT George Kunz (78) LB Larry Schumacher(24) TB Steve Harkey (41) TE Jim Winegardner (96) LH John Gasser (46) EL John Sias (21) Jacques Returns QB Joe’Theismann (7) RH Chuck Zloch (27) TECH DEFENSE FB Ron Dushney (38) S Don Reid (11) LE Steve Foster (91) Today's Sports Parade is written by James F. -
September-0Ctober 2013
september-0ctober 2013 On September 10, 1988, Museum of the As we enter our 25th anniversary year, I while doing the rounds through the Moving Image opened its doors to the can tell you that it has been a thrilling ride galleries, and then repair a video arcade public. At the time, years before the for the Museum, at least as action-packed game. He was a true professional, but will promise of the Internet and digital media as The Great Train Robbery. We have be best remembered as a great husband, were captured in the now-quaint phrase transformed and expanded over the years father, and friend, and he will be missed. “Information Superhighway,” the idea of a to serve a growing audience and to offer an We will pay tribute to Richie on October Museum, built on an historic site for movie increasingly ambitious slate of exhibitions, 4 at an event to mark the opening of a production, that would take a unified view screenings, and education programs. wonderful photo exhibit, The Booth, about of the disparate worlds of film, television, Our film programs range from the best projectionists and their workspaces. and video games, seemed as audacious as of classic Hollywood—as in our complete it was unprecedented. There was, simply, Howard Hawks retrospective—to the best Richie was a great showman; more than no museum like it in the world. It was an of contemporary world cinema—as in our anything at the Museum, he was obsessed innovative blend of a science museum, focus on the great French director Claire with making sure that we put on the best an art museum, a technology museum, Denis. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
Exit Here for Jazz…
Volume 43 • Issue 11 December 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Pianist Marc Cary, center, is flanked by members of his Harlem Sessions All-Stars during their performance at the Exit 0 Jazz Festival in Cape May on Nov. 7. Photo by Mitchell Seidel. Exit Here For Jazz… Now in its 4th year, Exit 0, the new iteration of a twice-yearly Cape May jazz festival, expands its soul and R&B offerings (and its audience) while still serving up plenty of outstanding straight-ahead and trad jazz. Jersey Jazz’s Mitchell Seidel offers an inside view in words and pictures beginning on page 26. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 In The Mailbag. .4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 USPS Statement of Ownership ........47 NJJS/Pee Wee T-shirts. 48 nce again, the holiday season is upon us! For are selected by the Music Committee, but it has New/Renewed Members ............48 Othe New Jersey Jazz Society, that means become a tradition that the President selects the storIes (among other things) it’s time for the annual group to perform at the annual meeting. For this Exit 0 Jazz Festival ..............cover meeting, at which the officers report on the state of year’s meeting, I have picked the DIVA Jazz Trio, Big Band in the Sky ..................8 the society and leadership is elected for the coming consisting of Sherrie Maricle on drums, Tomoko Talking Jazz: Ted Nash ..............12 year. -
“Your Hit Parade” HOFSTRA ENTERTAINMENT Presents “Your Hit Parade”
Little Girl Blue A Fine Romance Body and Soul All of Me Stardust Goody, Goody My Romance All or Nothing at All My Heart Belongs to Daddy Just One of Those Things HOFSTRA ENTERTAINMENT presents “Your Hit Parade” HOFSTRA ENTERTAINMENT presents “Your Hit Parade” Celebrating the music of the 1930s, with a special tribute to the songs of 1935 — in honor of Hofstra’s 75th anniversary. Featuring a 10-piece all-star band Guest vocalists include Valerie Ahneman, Jeremy Chase, Lynn DiMenna, Gary Fields, Keri Kelsey, Kelley Suttenfield, Laura Wolfe and Bob Spiotto. Your Hit Parade debuted on NBC radio on April 20, 1935, and moved between NBC and CBS until January 16, 1953. The radio institution billed itself as “an accurate, authentic tabulation of America’s taste in popular music.” A television version of Your Hit Parade was simulcast over NBC Radio from 1950 to 1959. During its run, the show had 19 orchestra leaders and 52 singers or groups. Every Saturday night, Your Hit Parade presented the top tunes of the week, saving the top three songs for the end of the show. The first No. 1 song on the first program was “Soon” sung by Bing Crosby. So join us in remembering a time that was truly music to your ears! Saturday, May 14, 8 p.m. Sunday, May 15, 2 p.m. John Cranford Adams Playhouse, South Campus Tickets: $27; $23 senior citizen (over 65) with ID; $18 matriculated Hofstra or non-Hofstra student with ID Tickets on sale beginning April 12. ALL SEATS RESERVED. For tickets and information, please call the John Cranford Adams Playhouse Box Office at 516-463-6644, Monday-Friday, 11 a.m.-3:45 p.m., or visit hofstra.edu/hofstraentertainment. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Car/Bus Accident Shows Need for Public Awareness No Injuries Incurred When Car Fails to Stop for School Bus Unloading Students
25«! HC«S « S0K3- 3,,K 3IHDER,* SffilWOPORr. MICHIC* 49284 Volume 17. Issue 25 Lowell Area Readers Since 1893 Wednesday, May 5,1993 Car/bus accident shows need for public awareness No injuries incurred when car fails to stop for school bus unloading students Wet roads and a misun- Galvin was carrying two pas- alize that the red flashing lights derstanding of the law may sengers, Laura Radle, 1800 mean all motorists must stop," have been the cause of an ac- W. Main, and Darlene Hess, said Larry Mikulski Bus Su- cident Thursday on M-21 just of Lowell. No one in either perintendent for Lowell. "It west of Settle wood. The acci- car was seriously injured. looks to me like the second dent involved two cars and a Christenson was coming car was expecting the first car school bus. to a stop bccause the buses' to keep on going." A car driven by Robert red lights were flashing and it Mikulski went on to ex- Galvin, 18(K)W. Main, struck was unloading children. The plain, "until the public is more another car driven by Robert other car apparently could not educated, either by law en- Christenson, 2535 Gee Dr., as stop in time to avoid hitting forcement officials or some he was coming to a stop for a his car. other organization, this kind school busunloadingchildren. "Some police officers tell of accident will happen more The school bus was just me that these types of acci- frequently. Only next time grazed and no children were dents are occurring more fre- some child may get hurt." in spite of the damage to Robert Galvin's 1984 Olds, no serious iiyuries occurred injured. -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 8-1985 Wavelength (August 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (August 1985) 58 https://scholarworks.uno.edu/wavelength/73 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. • • NEW ORLEANS MUSIC MAGAZINE THE STORY OF A REBEL AND HIS BIKE. ~ ( r. r. 4 I I I l PEE·WEE HERMAN Pee-wee~ 116 AD~etnlltle An ASPEN FILM SOCIETY I ROBERT SHAPIRO Production PEE-WEE HERMAN • PEE-WEE'S BIG ADVENTURE arstarring ELIZABETH DAILY • MARK HOLlON • DIANE SALINGER· JUDD OMEN music composed by DANNY ELFMAN executive producer WILLIAM E. McEUEN written by PHIL HARTMAN & PAUL REUBENS & MICHAEL VARHOL produced by ROBERT SHAPIRO and RICHARD GILBERT ABRAMSON directed by TIM BURTON [l]lr-="DOLBV~STERE0==""11® FROM WARNER BROS. ~ A WARNER COMMUNICATIONS COM PANY IPGIP'MEifTALGtBIUSYRSTEI-.1 lllloiEL£CTIDT!tPTIIU w C) ...sw ..... -..t... AIIItloht•"-'-~~'""-'""YNOT•turr-.E-~® The Adventure Begins Friday August 9th at a Theatre Near You. • • • r< '/JIV{)I(a JAU '' #/ . I .NA-Y k/OT .BE 1?.6C.Of?[J (({JJ, . THe 011/0~(£ J'ltL£ ISSUE NO. 58 • AUGUST 1985 f>U1111H<£ f'HE CR.t0/1 FOR. Of COURSE. t!JSPIR. ttJb f-IlS VERY R:W oF HIS' wl'm not sure. -
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade. -
Baseball: a U.S. Sport with a Spanish- American Stamp
ISSN 2373–874X (online) 017-01/2016EN Baseball: a U.S. Sport with a Spanish- American Stamp Orlando Alba 1 Topic: Spanish language and participation of Spanish-American players in Major League Baseball. Summary: The purpose of this paper is to highlight the importance of the Spanish language and the remarkable contribution to Major League Baseball by Spanish- American players. Keywords: baseball, sports, Major League Baseball, Spanish, Latinos Introduction The purpose of this paper is to highlight the remarkable contribution made to Major League Baseball (MLB) by players from Spanish America both in terms of © Clara González Tosat Hispanic Digital Newspapers in the United States Informes del Observatorio / Observatorio Reports. 016-12/2015EN ISSN: 2373-874X (online) doi: 10.15427/OR016-12/2015EN Instituto Cervantes at FAS - Harvard University © Instituto Cervantes at the Faculty of Arts and Sciences of Harvard University quantity and quality.1 The central idea is that the significant and valuable Spanish-American presence in the sports arena has a very positive impact on the collective psyche of the immigrant community to which these athletes belong. Moreover, this impact extends beyond the limited context of sport since, in addition to the obvious economic benefits for many families, it enhances the image of the Spanish-speaking community in the United States. At the level of language, contact allows English to influence Spanish, especially in the area of vocabulary, which Spanish assimilates and adapts according to its own peculiar structures. Baseball, which was invented in the United States during the first half of the nineteenth century, was introduced into Spanish America about thirty or forty years later. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
April 27- May 1 the Virginia Theatre 203 W
THE COLLEGE OF MEDIA AT I LLINOIS PRESENTS 13th Annual April 27- May 1 The Virginia Theatre 203 W. Park, Champaign www.ebertfest.com Special support provided by the Academy of Motion Picture Arts and Sciences. FILM SCREENINGS AT THE VIRGINIA THEATRE LIVE WDWS ON-AIR INTERVIEW Wednesday, April 27, 2011 Please Tune In to WDWS-AM 1400! 7:00 pm Metropolis Wednesday, April 27, 2011 10:30 pm Natural Selection 9:00 am - 10:00 am Jim Turpin’s (WDWS)Ebertfest Interview Thursday, April 28, 2011 1:00 pm Umberto D ACADEMIC PANEL DISCUSSIONS 3:30 pm My Dog Tulip 8:00 pm Tiny Furniture Thursday, April 28, 2011 9:00 am – 10:15 am Friday, April 29, 2011 Personal Stories in Film 1:00 pm 45365 Moderated by Eric Pierson 4:00 pm Me and Orson Welles Pine Lounge, 1st Floor 8:30 pm Only You 10:30am -11:45 am Far Flung Correspondents: International Perspectives Saturday, April 30, 2011 in Film Criticism 11:00 am A Small Act Moderated by Omer Mozaffar Pine Lounge, 1st Floor 2:00 pm Life, Above All 6:30 pm Leaves of Grass Friday, April 29, 2011 9:30 pm I Am Love 9:00 am – 10:15 am Sunday, May 1, 2011 Ebert Presents: Reinventing the TV Show in the Digital Age Noon Louder Than a Bomb Moderated by Chaz Ebert Pine Lounge, 1st Floor SPECIAL POST-FESTIVAL SCREENING 10:30am -11:45 am Sunday, May 1, 2011 Choices: The Movies We Make, the Roles We Play 4:00 pm Louder Than a Bomb Moderated by Nate Kohn Pine Lounge, 1st Floor The Champaign County Anti-Stigma Alliance is pleased to announce that they will have a special showing of LOUDER THAN A BOMB immediately following the close of Ebertfest (May WORKSHOP 1).