DOCSLIB.ORG

Awards / Nominations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Awards / Nominations STEVEN PRICE COMPOSER CREDITS AWARDS & NOMINATIONS BAFTA TV CRAFT AWARD 2016 THE HUNT Original Music ACADEMY AWARD 2013 GRAVITY Best Original Score BAFTA AWARD 2013 GRAVITY Original Music GOLDEN GLOBE AWARD GRAVITY NOMINATION 2013 Best Original Score CRITICS CHOICE AWARD 2013 GRAVITY Best Score WORLD SOUNDTRACK AWARD GRAVITY NOMINATIONS Film Composer of the Year and Best Original Film Score of the Year FEATURE FILMS OVER THE MOON Gennie Rim, prod. NETFLIX Glen Keane, dir. ARCHIVE Philip Herd, Luc Roeg, prods. Independent Film Company Gavin Rotherty, dir. OPHELIA Daniel Bobker, Paul Hanson, Sarah Curtis, Bobker / Kruger Films Ehren Kruger, prods. Claire McCarthy, dir. WONDERLAND Karen Rosenfelt, Kendra Haaland, prods. Paramount Pictures Dylan Brown, dir. AMERICAN ASSASSIN Lorenzo Di Bonaventura, Nick Wechsler, Di Bonaventura Pictures / CBS Films prods. Michael Cuesta, dir. BABY DRIVER Tim Bevan, Eric Fellner, Nina Park, prods. TriStar / Working Title Edgar Wright, dir. SUICIDE SQUAD Charles Roven, Richard Suckle, prods. Warner Bros. David Ayer, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 STEVEN PRICE FURY Bill Block, John Lesher, Ethan Smith, prods. Columbia Pictures David Ayer, dir. GRAVITY David Heyman, Geyer Kosinski, prods. Warner Bros. Alfonso Cuaron, dir. THE WORLD’S END Tim Bevan, Eric Fellner, prods. Working Title Edgar Wright, dir. MARLEY Charles Steel, prod. Cowboy Films Kevin Macdonald, dir. ATTACK THE BLOCK Nira Park, James Wilson, prods. Big Talk Joe Cornish, dir. SCOTT PILGRIM VS THE WORLD Eric Glitter, Nira Park, Marc Platt, Universal Edgar Wright, prods. *Additional Music Edgar Wright, dir. THE BOAT THAT ROCKED Hilary Bevan Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Richard Curtis, dir. MR. BEANS HOLIDAY Peter Bennett-Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Steve Bendelack, dir. SEED OF CHUCKY David Kirschner, Corey Sienega, prods. Rogue Features Don Mancini, dir. *Additional Music AROUND THE WORLD IN 80 DAYS Bill Badalato, Hal Lieberman, prods. Walden Media / Disney Frank Coraci, dir. *Additional Music GLADIATRESS Graham Broadbent, Bruce Davey, Icon Entertainment Damian Jones, prods. *Additional Music Brian Grant, dir. LEAGUE OF EXTRAORDINARY Trevor Albert, Don Murphy, prods. GENTLEMEN Stephen Norrington, dir. Fox Pictures *Additional Music ASHES AND SAND Andrew Holmes, prod. Open Road Productions Bob Blagden, dir. *Additional Music TELEVISION The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 STEVEN PRICE THE AERONAUTS Todd Lieberman, David Hoberman, Naomi Amazon Funabashi, prods. Tom Harper, dir. OUR PLANET Alastair Fothergill, Keith Scholey, creators Netflix / Silverback Productions BELIEVE J.J. Abrams, Bryan Burk, Alfonso Cuarón, Warner Bros TV Mark Friedman, exec. prods. Alfonso Cuarón, dir. ROBIN HOOD SERIES 1 and 3 BBC – Tiger Aspect *Additional composer ANGEL OF DEATH – THE STORY OF BEVERLY ALITT BBC THE MYSTERIOUS DEATH OF Richard McGill, prod. CLEOPATRA Lisa Harney, dir. Atlantic Productions DINOTOPIA Dusty Symonds, prod. Hallamark / ABC Marco Brambilla, dir. *Additional Music ADVERTISING HONDA The Chase WALMART Smart Network DERBY ACADEMY FEDERAL EXPRESS RED STRIPE Perfect Gift SIEMENS On Hold LEVIS Second Date TOYOTA TUNDRA THOMASVILLE So You MERCEDES BENZ Blow Out PILSNER URQUELL Bubbles WEETABIX The Scarecrow The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 3 STEVEN PRICE MUSIC EDITOR AWARD & NOMINATIONS MPSE GOLDEN REEL AWARD BATMAN BEGINS NOMINATION Music Editing MPSE GOLDEN REEL AWARD LORD OF THE RINGS: RETURN OF THE NOMINATION KING Music Editing MPSE GOLDEN REEL AWARD LORD OF THE RINGS: FELLOWSHIP NOMINATION OF THE RING Music Editing FEATURE FILMS JOHNNY ENGLISH REBORN Tim Bevan, Eric Fellner, Working Title Chris Clark, prods., Oliver Parker, dir. ARTHUR CHRISTMAS Steve Pegram, Carla Shelley, prods. Aardman Animations Sarah Smith, Barry Cook, dirs. PAUL Tim Bevan, Eric Fellner, Nira Park, prods. Working Title Greg Mottola, dir. SCOTT PILGRIM VS THE WORLD Eric Glitter, Nira Park, Marc Platt, Universal Edgar Wright, prods. Edgar Wright, dir. PIRATES! Barry Caudill, prod. Aardman Animations ARTHUR CHRISTMAS Steve Pegram, Carla Shelley, prods. Aardman Animations Sarah Smith, Barry Cook, dirs. NANNY MCPHEE AND THE BIG BANG Tim Bevan, Lindsay Doran , Eric Fellner, prods. Columbia TriStar Pictures Susanna White, dir. THE BOAT THAT ROCKED Hilary Bevan Jones, Tim Bevan, Eric Fellner, Working Title prods. Richard Curtis, dir. WILD CHILD Tim Bevan, Eric Fellner, Working Title Diana Phillips, prods. Nick Moor, dir. MADE OF HONOR Aaron Kaplan, Sean Perrone, Columbia Pictures Tania Landau, prods. Paul Weiland, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 4 STEVEN PRICE FREQUENTLY ASKED QUESTIONS Neil Peplow, ABOUT TIME TRAVEL Justin Anderson Smith, prods. BBC Films / HBO Gareth Carrivick, dir. THE MEERKATS Trevor Ingman, Joe Oppenheimer, prods. BBC Films / Miramax James Honeyborne, dir. EARTH Sophokles Tasioulis, Alix Tidmarsh, prods. BBC Films Alastair Fothergill, Mark Linfield, dir. MR. BEANS HOLIDAY Peter Bennett-Jones, Tim Bevan, Working Title Eric Fellner, prods. Steve Bendelack, dir. CHILDREN OF MEN Marc Abraham, Eric Newman, Hilary Shor, Universal Lain Smith, Tony Smith, prods. Alfonso Cuaron, dir. MR. BEANS HOLIDAY Peter Bennett-Jones, Tim Bevan, Eric Fellner, Working Title prods. Steve Bendelack, dir. LAST LEGION Tarak Ben Ammar, Chris Curling, Miramax Dino De Laurentiis, Martha De Laurentiis, Raffaella De Laurentiis, prods. Doug Lefler, dir. 66 Tim Bevan, Eric Fellner, Working Title Elizabeth Karlsen, prods. Paul Weiland, dir. WHATEVER LOVE MEANS Jolyon Symonds, prod. Granada William Humble, dir. DRIVING LESSONS Julia Chasman, prod. Rubber Tree Plant Productions Jeremy Brock, dir. BATMAN BEGINS Larry Franco, Charles Roven, Warner Bros. Emma Thomas, prods. Christopher Nolan, dir. PERFECT CREATURES Michael Cowan, Russel Fischer, Arclight Productions Jason PIette, Tim Sanders, Haneet Vaswani, prods. Glenn Standring, dir. WHATEVER LOVE MEANS Jolyon Symonds, prod. Granada William Humble, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 5 STEVEN PRICE LORD OF THE RINGS: THE RETURN Barrie M. Osborne, Tim Sanders, OF THE KING Peter Jackson, prods. New Line Cinema Peter Jackson, dir. A MAN APART Bob Degus, Vin Diesel, Vincent Newman, New Line Cinema Joey Nittolo, prods. F. Gary Gray, dir. LORD OF THE RINGS: THE TWO Barrie M. Osborne, Tim Sanders, TOWERS Peter Jackson, prods. New Line Cinema Peter Jackson, dir. LORD OF THE RINGS: THE TWO Barrie M. Osborne, Tim Sanders, TOWERS Peter Jackson, prods. New Line Cinema Peter Jackson, dir. TELEVISION THE TAKE Willow Grylls, prod. Company Pictures David Drury, dir. ROBIN HOOD SERIES 1, 2 and 3 BBC – Tiger Aspect AFTER THOMAS Elaine Cameron, prod. ITV TV Simon Shore, dir. THE OTHER WOMAN Working Title Television *Programming, Arranging PROGRAMMER/ARRANGER/ MUSICIAN FEATURE FILMS SCOTT PILGRIM VS THE WORLD Eric Glitter, Nira Park, Marc Platt, Universal Edgar Wright, prods. *Arranger, Musician Edgar Wright, dir. STONED Finola Dwyer, Stephen Woolley, prods. Intandem Films Stephen Woolley, dir. *Sound track producer 2 tracks I, ROBOT John Dvais, Topher Dow, Wyck Godfrey, 20th Century Fox Laurence Mark, prods. *Programming, arranging Alex Proyas, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 6 STEVEN PRICE AROUND THE WORLD IN 80 DAYS Bill Badalato, Hal Lieberman, prods. Walden Media / Disney Frank Coraci, dir. *Programming, Arranging BELLY OF THE BEAST Jamie Brown, Randall Emmett, GFT Entertainment Inc George Furla, Gary Howsam, *Programming, Arranging Steven Seagal, Charles Wang, prods. Siu0Tung Ching, dir. GLADIATRESS Graham Broadbent, Bruce Davey, Icon Entertainment Damian Jones, prods. *Orchestration Brian Grant, dir. LEAGUE OF EXTRAORDINARY Trevor Albert, Don Murphy, prods. GENTLEMEN Stephen Norrington, dir. Fox Pictures *Programming, arranging, performing LD50 Alistair Maclean-Clark, Four Horsemen Productions Basil Stephens, prods. *Orchestration Simon De Salva, dir. ASHES AND SAND Andrew Holmes, prod. Open Road Productions Bob Blagden, dir. *Orchestration, guitars CROSSROADS Ann Carli, prod. Zomba Tamra Davis, dir. *Programming, Arranging, Featured Guitar Soloist with the London Symphony Orchestra THIRTEEN DAYS Peter O Almond, Armyan Bernstein, Kevin New Line Cinema Costner, prods. *Programming Roger Donaldson, dir. TELEVISION THE OTHER WOMAN Working Title Television *Programming, Arranging THE GATHERING STORM Frank Dielger, David M Thompson, Nick HBO Gillott, prod. *Programming Richard Loncraine, dir. DINOTOPIA Dusty Symonds, prod. Hallamark / ABC Marco Brambilla, dir. *Programming The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 7 STEVEN PRICE COME TOGETHER Working Title Television *Guitar , Arranging MAGIC HOUR MTV *Guitars RECORDS KIRSTY B EMI *Guitars, Arranging THE QUEEN SYMPHONY EMI Classics *Royal Philharmonic Orchestra, Kashif Associate Producer, programming BECKY TAYLOR EMI *Guitars, Arranging, Programming, Music Editing DUNCAN JAMES BMG *String Arrangements MICAHEL HUTCHENCE V2 Album * Guitars, Arranging, Programming, , String Arrangements, Engineering SONA FARIQ Warner Bros. * Engineering The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 8 .
Load more

Recommended publications
  • HOLLYWOOD in VIENNA Featuring Music from “STAR WARS” “HARRY POTTER” “GRAND BUDAPEST HOTEL” and Many More
    A TRIBUTE TO ALEXANDRE DESPLAT HOLLYWOOD IN VIENNA Featuring music from “STAR WARS” “HARRY POTTER” “GRAND BUDAPEST HOTEL” and many more ORF RADIO-SYMPHONIEORCHESTER WIEN CONDUCTED BY KEITH LOCKHART KRISTIN LEWIS • KATHERINA ELLIS • FRANTIŠEK JANOSKA MARTIN HASELBÖCK • ISKANDAR WIDJAJA WIENER KONZERTHAUS A TRIBUTE TO ALEXANDRE DESPLAT HOLLYWOOD IN VIENNA MAX STEINER, BRUCE BROUGHTON Hollywood in Vienna Fanfare RICHARD STRAUSS Also Sprach Zarathustra Op. 30: I. Prelude (Sonnenaufgang) BRUCE BROUGHTON Hollywood in Vienna invites to an unforgettable musical journey Spaceship Earth – Suite through space and time and honours the Hollywood composer, JERRY GOLDSMITH Oscar, Golden Globe and Grammy Award winner Alexandre Star Trek – Main Title Desplat. First, A Space Odyssey leads us to outer space. We enter the infamous, global Star Wars and are rescued by Star Trek’s ALAN SILVESTRI spaceship “Enterprise” before Gravity pulls us back to earth and, Contact – Main Title finally, we fulfill E.T.’s wish, to phone home. In the second part, Desplat’s atmospheric melodies for Harry Potter, Twilight, The King’s DAVID ARNOLD Speech and The Grand Budapest Hotel let us virtually float through Star Gate - Suite the universe. Featuring star singers from various musical genres – Verdi STEVEN PRICE soprano Kristin Lewis, singer-songwriter Katerine Ellis and pop Gravity – Main Title star Grace Capristo – “standing ovations were pre-programmed” HANS ZIMMER (Kronenzeitung). Interstellar – Suite Orchestra ORF Radio- JOHN WILLIAMS Star Wars: Episode II – Anakin and Padmé Symphonieorchester Wien Star Wars: Episode III – Suite for Violin and Orchestra Chorus Neue Wiener Stimmen Chorus Masters Christoph Wigelbeyer JERRY GOLDSMITH & Jürgen Partaj Star Trek: First Contact – Main Title Conductor Keith Lockhart JOHN WILLIAMS E.T.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
    Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems.
    [Show full text]
  • Worksheet- the Boat That Rocked (Film Trailer) Watch the Video 3 Times
    Worksheet- The Boat that Rocked (film trailer) Watch the video 3 times VIEWING 1: Write down all the words you understand : VIEWING 2: Fill in the blanks Richard Curtis, creator of Notting Hill, Four Weddings and a Funeral and Love Actually was __________ by the true story of how the _________ _____________ tried to _____ rock ‘n’ roll music from the _________ to bring us his latest comedy : __________ ________ In 1964, all anybody could ______ on _______ radio of ____ music was about _____ hours a week and this was the ________ time for British pop music. That’s the whole point of being the government, if you don’t like something, you simply make it ________ until one __________ DJ and a band of __________ took to the sea to begin __________ _______-_______ hours a day. You had the right to _______ to this music _________ you wanted… They became known as _________, loved by _________ and despised by the ____________. 22 million _____ used to ____ in every day, and then of course they got ________ status, which was even ________ VIEWING 3: Interview Richard Curtis ! What type of film is it according to Richard Curtis ? A comedy A romance A romantic comedy What’s the serious message out of this film ? ………………………………………………………………………. EE : Would you like to watch this film ? Why ? (30 words) …………………………………………..…………………………………………………..…………………………………… ….…………………………………………..…………………………………………………..………………………………… ……. Toolbox : exciting/ hilarious/ based on true events… Activity 3 : Let’s recap ! Using the trailer and your asnwers, write the synopsis (=plot) of the film The Boat that Rocked is a film by……………………………………………………………………………………….
    [Show full text]
  • “Talkin' 'Bout My Generation”: Radio Caroline and Cultural Hegemony
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation Article (Accepted Version) Miley, Frances M and Read, Andrew F (2017) Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation. Accounting History, 22 (3). pp. 301-319. ISSN 1032-3732 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/67723/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • KEVIN MCKEEVER Music Editor FILM CREDITS
    KEVIN MCKEEVER Music Editor FILM CREDITS The Toxic Avenger Ghost in the Shell Director: Macon Blair Director: Rupert Sanders Legendary Entertainment Arad Productions Composers: The Blair Brothers Composer: Clint Mansell Coming 2 America Rings – Temp Director: Craig Brewer Director: F Javier Gutierrez Eddie Murphy Productions Macari/Edelstein Composer: Jermaine Stegall Composer: Matthew Margeson Sonic the Hedgehog (uncredited) xXx: Return of Xander Cage – Temp/Final Director: Jeff Fowler Director: D. J. Caruso Paramount Pictures Hua Hua Media Composer: Junkie XL Composers: Robert Lydecker & Brian Tyler The Rhythm Section (uncredited) Teenage Mutant Ninja Turtles: Out of the Director: Reed Morano Shadows – Final Paramount Pictures Director: Dave Green Composer: Steve Mazzaro Canadian Film or Video Production Tax Credit Program Composer: Steve Jablonsky Like a Boss (uncredited) Director: Miguel Arteta Scouts Guide to The Zombie Apocalypse – Paramount Pictures Temp/Final Composer: Christophe Beck Director: Christopher Landon Broken Road Productions Point Blank – Final Composer: Matthew Margeson Director: Joe Lynch WarParty Film/Netflix Drunk Wedding Composer: Mitch Lee Director: Nick Weiss Weston Pictures Wonder Park (uncredited) Composer: Nathan Matthew David Director: Josh Appelbaum & André Nemec Paramount Animation Project Almanac Composer: Steven Price Director: Dean Israelite Insurge Pictures Bumblebee Director: Travis Knight Allspark Pictures/Paramount Pictures Composer: Dario Marianelli Page 1 of 3 Transformers: Age of Extinction Footloose
    [Show full text]
  • 86Th Academy Awards
    LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell
    [Show full text]
  • The Boat That Rocked Da Fri Radio Blev Knægtet Af Statsmagten Af Bo Torp Pedersen
    www.filmorientering.dk The Boat That Rocked Da fri radio blev knægtet af statsmagten Af Bo Torp Pedersen For nutidens ungdom er det sikkert ubegribeligt, at lande som Danmark og England i deres forældres levetid havde regeringer, som ville og kunne forbyde piratradioer, fordi de var populære, frie og spillede ungdommens ønskemusik. For nutidens unge er musik – lige meget hvilken genre – lettilgængelig. Måske kan filmen ”The Boat that rocked” hjælpe dem til at forstå, at sådan var det ikke i ti-året 1958-1968. Det er en løst fortalt komedie, der tager tilløb til nogle små historier, dels om nogle af personerne på pirat-radio-skibet, dels om ministeren og hans nærmeste embedsmand, som er -1- www.filmorientering.dk deres fjender. Richard Curtis har givet Kenneth Branagh frit løb i en vild parodi på en snæversynet konservativ politiker. Desværre kan Branaghs minister-portræt give det fejlagtige indtryk, at der er tale om en konservativ regerings-leder, men i årene 1964-1970 havde England en Labour regering under Harold Wilson. Philip Seymour Hoffman kan noteres for endnu en god rolle som én af Radio Rocks disc- jockeys, en amerikansk indvandrer, indfølt og præcist portrætteret, og på samme niveau er Bill Nighy, der føjer endnu en usædvanlig rolle til sine brede palet. På radioskibet er det ellers den unge Carl, som er vi tilskueres indgang til det sælsomme univers, men det virker som en belemring, at vi skal bruge en masse tid på Carls seksuelle debut og hans søgen efter den ukendte far, og filmens slutning spolerer slutdramaet med en fjollet overraskelse.
    [Show full text]
  • Steven Price
    STEVEN PRICE COMPOSER Steven Price is an Academy Award winning film composer. His unique, story-driven approach to the craft of film scoring has seen him work on some of the most innovative productions of recent years. From Alfonso Cuaron’s Gravity to Edgar Wright’s Baby Driver, Steven’s individualistic scores seek to enhance the ideas and images of great filmmakers in truly bespoke ways. Steven’s diverse music reflects the wide range of movie and television projects he has been involved with. Beginning his career in the late 1990s, he contributed to productions such as The Lord of the Rings trilogy and Batman Begins, before making his scoring debut in 2011 with Joe Cornish’s inner-city horror comedy, Attack the Block. Recent years have seen him compose distinctive scores for Claire McCarthy’s reimagining of Hamlet, Ophelia, David Ayer’s Suicide Squad, and the Paramount Animation Wonder Park. From his incorporation of original WW2 tanks in the percussion of the Brad Pitt starring Fury to the wind instrument driven score created for Tom Harper’s The Aeronauts, the music created for each production seeks to give each story its unique voice, the result of an experimental and collaborative process. His work in the Natural History realm, working alongside Sir David Attenborough on The Hunt, (for which Steven won a Bafta), and the Netflix Original Our Planet, (nominated for two score Emmys), will continue in 2020 with a new live arena spectacular, Our Planet Live in Concert, the premiere for which will be held at London’s O2 Arena in October 2020.
    [Show full text]
  • Press Release 5Th June 2008
    THE PHAROS TRUST Registered UK Charity Number 1090325 Press Release 5th June 2008 Text shown in italics has been taken from the press release issued by Working Title Pictures. HARWICH HISTORIC LIGHTSHIP TO STAR IN HOLLYWOOD MOVIE The historic Lightvessel LV18, has returned to Harwich after starring in a new blockbuster film. Filming for the new Richard Curtis movie The Boat That Rocked has been taking place in and around the Dorset harbour of Portland over the past 5 weeks. The Boat That Rocked is written by Richard Curtis, the Emmy, BAFTA and WGA Award-winning filmmaker whose projects have included films from Four Weddings and a Funeral, Notting Hill, Bridget Jones's Diary and Love Actually to Mr. Bean and Blackadder. It will also be directed by Curtis, his second directorial outing, but first non-rom-com. The film, based on the story of two offshore pirate radio ships in 1966 features actors, Rhys Ifans, Kenneth Brannagh, Bill Nighy and Philip Seymour Hoffman. In 1966, arguably British pop music's finest era, the BBC played only two hours of rock and roll every week. But pirate radio blasted rock and pop from the high seas 24 hours a day. And 25 million people - more than half the population of Britain - listened to these pirates every single day. The Boat That Rocked is an ensemble comedy in which the romance takes place between the young people of the '60s and pop music. It's about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that, incomprehensibly, preferred jazz.
    [Show full text]
  • The Boat That Rocked Da Fri Radio Blev Knægtet Af Statsmagten Af Bo Torp Pedersen
    www.kirkeogfilm.dk The Boat That Rocked Da fri radio blev knægtet af statsmagten Af Bo Torp Pedersen For nutidens ungdom er det sikkert ubegribeligt, at lande som Danmark og England i deres forældres levetid havde regeringer, som ville og kunne forbyde piratradioer, fordi de var populære, frie og spillede ungdommens ønskemusik. For nutidens unge er musik – lige meget hvilken genre – lettilgængelig. Måske kan filmen ”The Boat that rocked” hjælpe dem til at forstå, at sådan var det ikke 1958-1968. Det er en løst fortalt komedie, der tager tilløb til nogle små historier, dels om nogle af personerne på pirat-radio-skibet, dels om ministeren og hans nærmeste embedsmand, som er deres fjender. Richard Curtis har givet Kenneth Branagh frit løb i en vild parodi på en snæversynet konservativ politiker. Desværre kan Branaghs minister-portræt give det fejlagtige indtryk, at der er tale om en konservativ regerings-leder, men i årene 1964-1970 havde England en Labour regering under Harold Wilson. Philip Seymour Hoffman kan noteres for endnu en god rolle som én af Radio Rocks disc-jockeys, en amerikansk indvandrer, indfølt og præcist portrætteret, og på samme niveau er Bill Nighy, der føjer endnu en usædvanlig rolle til sine brede palet. På radioskibet er det ellers den unge Carl, som er vi tilskueres indgang til det sælsomme univers, men det virker som en belemring, at vi skal bruge en masse tid på Carls seksuelle debut og hans søgen efter den ukendte far, og filmens slutning spolerer slutdramaet med en fjollet overraskelse. Filmen vil gerne gengive piratradiokulturen som et eksempel på det, der blevet kaldt hippiekulturens motto: ”Sex, drugs and rock'n'roll”, men det virker stærkt overdrevet – som noget tillagt ud fra en idé om at gøre nutidens unge mere forstående over for det provokatoriske element i popkulturen.
    [Show full text]