MAGAZINE This Issue Features the College of Arts & Sciences SPRING 2018
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Section 2: LAY of the LAND ASSESSING the CURRENT STATUS of TOBACCO POLICIES
Section 2: LAY OF THE LAND ASSESSING THE CURRENT STATUS OF TOBACCO POLICIES There are 31 post-secondary institutions The six public universities (along with two schools in South Dakota representing both public serving special K-12 populations: the deaf and the and private higher education entities. blind/visually impaired) are governed by the South Dakota Board of Regents. South Dakota’s four Governance for these institutions varies. technical institutes – Lake Area Technical Institute in Watertown, Mitchell Technical Institute in Mitchell, Southeast Please note that the term “tobacco” Technical Institute in Sioux Falls, and Western Dakota Technical in this document refers to commercially Institute in Rapid City – are governed jointly by the South Dakota produced tobacco products only and Department of Education, the South Dakota Board of Education never the traditional tobacco of our and the local school boards of the districts in which they are located. Northern Plains American Indians. Tribal and private colleges and universities have their own independent governing bodies. This diversity of governance means that there is no one entity to establish or control tobacco-free policies among the state’s post-secondary institutions. South Dakota Post-Secondary Institutions Sisseton Agency Village 18 1 12 22 13 Black Hills State University Presentation College Globe University 12 Aberdeen 2 National American University, Rapid City 13 Northern State University 23 National American University, Sioux Falls 3 South Dakota School of Mines and -
Onobrakpeya & Workshop
ONOBRAKPEYA & THE HARMATTAN WORKSHOP 78 Ezekiel Udubrae (detail) AGBARHA OTOR LANDSCAPE 2007 oil on canvas 122 x 141cm 78 Ezekiel Udubrae (detail) AGBARHA OTOR LANDSCAPE 2007 oil on canvas 122 x 141cm ONOBRAKPEYA & THE HARMATTAN WORKSHOP 1 Bruce Onobrakpeya OBARO ISHOSHI ROVUE ESIRI (THE FRONT OF THE CHURCH OF GOOD NEWS) plastocast 125 x 93 cm 3 ONOBRAKPEYA & THE HARMATTAN WORKSHOP 1 Bruce Onobrakpeya OBARO ISHOSHI ROVUE ESIRI (THE FRONT OF THE CHURCH OF GOOD NEWS) plastocast 125 x 93 cm 3 ONOBRAKPEYA & THE HARMATTAN WORKSHOP CURATED BY SANDRA MBANEFO OBIAGO at the LAGOS COURT OF ARBITRATION SEPT. 16 - DEC 16, 2016 240 Aderinsoye Aladegbongbe (detail) SHOWERS OF BLESSING 2009 acrylic on canvas 60.5 x 100cm 5 ONOBRAKPEYA & THE HARMATTAN WORKSHOP CURATED BY SANDRA MBANEFO OBIAGO at the LAGOS COURT OF ARBITRATION SEPT. 16 - DEC 16, 2016 240 Aderinsoye Aladegbongbe (detail) SHOWERS OF BLESSING 2009 acrylic on canvas 60.5 x 100cm 5 We wish to acknowledge the generous support of: Lead Sponsor Sponsors and Partners Contents Welcome by Yemi Candide Johnson 9 Foreword by Andrew Skipper 11 Preface by Prof. Bruce Onobrakpeya 13 Curatorial Foreword by Sandra Mbanefo Obiago 19 Bruce Onobrakpeya: Human Treasure 25 The Long Road to Agbarah-Otor 33 Credits Celebration by Sam Ovraiti 97 Editorial & Artistic Direction: Sandra Mbanefo Obiago Photography, Layout & Design: Adeyinka Akingbade Our Culture, Our Wealth 99 Exhibition Assistant Manager: Nneoma Ilogu Art at the Heart of Giving by Prof. Peju Layiwola 121 Harmattan Workshop Editorial: Bruce Onobrakpeya, Sam Ovraiti, Moses Unokwah Friendships & Connectivity 133 BOF Exhibition Team: Udeme Nyong, Bode Olaniran, Pius Emorhopkor, Ojo Olaniyi, Oluwole Orowole, Dele Oluseye, Azeez Alawode, Patrick Akpojotor, Monsuru Alashe, A Master & His Workshops by Tam Fiofori 149 Rasaki Adeniyi, Ikechukwu Ajibo and Daniel Ajibade. -
0 0 0 0 Acasa Program Final For
PROGRAM ABSTRACTS FOR THE 15TH TRIENNIAL SYMPOSIUM ON AFRICAN ART Africa and Its Diasporas in the Market Place: Cultural Resources and the Global Economy The core theme of the 2011 ACASA symposium, proposed by Pamela Allara, examines the current status of Africa’s cultural resources and the influence—for good or ill—of market forces both inside and outside the continent. As nation states decline in influence and power, and corporations, private patrons and foundations increasingly determine the kinds of cultural production that will be supported, how is African art being reinterpreted and by whom? Are artists and scholars able to successfully articulate their own intellectual and cultural values in this climate? Is there anything we can do to address the situation? WEDNESDAY, MARCH 23, 2O11, MUSEUM PROGRAM All Museum Program panels are in the Lenart Auditorium, Fowler Museum at UCLA Welcoming Remarks (8:30). Jean Borgatti, Steven Nelson, and Marla C. Berns PANEL I (8:45–10:45) Contemporary Art Sans Frontières. Chairs: Barbara Thompson, Stanford University, and Gemma Rodrigues, Fowler Museum at UCLA Contemporary African art is a phenomenon that transcends and complicates traditional curatorial categories and disciplinary boundaries. These overlaps have at times excluded contemporary African art from exhibitions and collections and, at other times, transformed its research and display into a contested terrain. At a moment when many museums with so‐called ethnographic collections are expanding their chronological reach by teasing out connections between traditional and contemporary artistic production, many museums of Euro‐American contemporary art are extending their geographic reach by globalizing their curatorial vision. -
2003 15Th Year Evaluation Report
NASA’s South Dakota Space Grant Consortium 15th Year Evaluation National Space Grant College and Fellowship Program Program Performance and Results (PPR) Report South Dakota Space Grant Consortium Dr. Sherry O. Farwell, Director South Dakota School of Mines and Technology 501 East Saint Joseph Street Rapid City, SD 57701 Phone: 605-394-1975 Fax: 605-394-5360 [email protected] Submitted October 16, 2003 1 Table of Contents Title Page ……………………………………………………………………………….. 1 Table of Contents …………………………………………………………………….…. 2 Executive Summary and Consortium Impact …………………………………………... 3 Introduction ……………………………………………………………………………... 5 National Program Emphases ……………………………………………………………. 7 Program Elements Consortium Management ……………………………………………………….. 10 Fellowship/Scholarship Program ……………………………………………….. 13 Research Infrastructure Program ……………………………………………….. 14 Higher Education Program ……………………………………………………... 18 Precollege Education Program …………………………………………………. 22 Public Service Program: General Public and External Relations ………………. 26 Statement of Consortium Concurrence …………………………………………………. 27 2 Executive Summary and Consortium Impact The South Dakota Space Grant Consortium (SDSGC) has facilitated tremendous advances in educational outreach and research in subject areas critical to NASA’s unique mission. Over the past 12 years since it’s inception, the SDSGC has greatly stimulated the growth and impact of our expanding network of industry, academic, and governmental organizations; thereby bringing the Consortium’s educational and research -
Spring 2021 Online College Fair Participants – April 22
Spring 2021 Online College Fair Participants – April 22 Allen College Mount Mercy University Augustana University Nebraska Wesleyan University Aveda Institute Des Moines North Iowa Area Community College Bellevue University Northeast Community College (Nebraska) Briar Cliff University Northeast Iowa Community College Buena Vista University Northwest Iowa Community College Central College Northwestern College Clarke University Peru State College Clarkson College Saint Mary's University of Minnesota Coe College Simpson College Cornell College South Dakota School of Mines Creighton University South Dakota State University Dakota State University Southeast Technical College DMACC Southeastern Community College Drake University Southwest Minnesota State University Eastern Iowa Community Colleges St. Ambrose University Grand View University St. Luke's College Grinnell College University of Dubuque Hawkeye Community College University of Iowa Indian Hills Community College University of Nebraska - Lincoln Iowa Central Community College University of Nebraska at Omaha Iowa Lakes Community College University of Northern Iowa Iowa State University University of Sioux Falls Iowa Wesleyan University University of South Dakota Iowa Western Community College University of Wisconsin - Eau Claire Kirkwood Community College University of Wisconsin - La Crosse Luther College University of Wisconsin - Platteville Mercy College of Health Sciences Upper Iowa University Michigan Technological University Van Wall Equipment Midland University Waldorf University Minnesota State University, Mankato Wartburg College Minnesota West Community & Technical College Wayne State College Missouri Western State University William Penn University Morningside University Winona State University . -
Madagascar: a Crate Adventure Opens at Universal Studios Singapore® on 16 May 2011
p r e s s r e l e a s e Madagascar: A Crate Adventure Opens at Universal Studios Singapore® on 16 May 2011 SINGAPORE – 09 MAY 2011 – Universal Studios Singapore, the world-class theme park within Resorts World Sentosa, the first integrated resort destination in Singapore, today announced that guests can soon join the famous escapees from the New York Zoo when Madagascar: A Crate Adventure debuts on 16 May. This new theme park attraction is inspired by DreamWorks Animation SKG, Inc.’s (Nasdaq: DWA) Madagascar film series, one of the most successful animated movie franchises of all time. Among the longest rides in Universal Studios Singapore, Madagascar: A Crate Adventure is a nine-minute indoor flume ride that takes guests on a river boat adventure with Alex the Lion, Marty the Zebra, Melman the Giraffe and Gloria the Hippo. The Central Park “Zoosters” join forces with the eccentric leader of the local lemurs, King Julien – and Universal Studios Singapore guests – to help defeat the dreaded Foosa. Aided by the technically-savvy and hilarious Penguins, the heroes and guests together defeat the Foosa at the rim of a bubbling volcanic cauldron. Along the way, they encounter a giant alligator, wild- eyed spiders and more. Mr. Jeffrey Katzenberg, Chief Executive Officer of DreamWorks Animation, said: “Madagascar: A Crate Adventure is the primary attraction built within the first-ever theme park zone dedicated exclusively to all things related to and inspired by our Madagascar movie series. We are excited about the way in which it allows people to interact with DreamWorks Animation’s unique characters and worlds in a memorable family experience.” Mr. -
2007 Annual Report
2007 Annual Report As a celebration of the creative spirit that drives everything we do at DreamWorks Animation, we held an artwork contest in 2007 in which we invited all employees to submit a design to be featured in the Annual Report. Every submission celebrated the unique and fulfilling process of working on an animated film at the Company. Rhion Magee, Consumer Products, created the winning submission. Dear Fellow Shareholders, I am pleased to report that 2007 was our most successful year since we took DreamWorks Animation public in 2004, thanks in large part to the blockbuster success of Shrek the Third and the Shrek franchise as a whole. In addition to boasting the best domestic opening in the history of animated film, Shrek the Third became the second highest grossing film of 2007 in the U.S. and the fourth best performing animated movie of all time. Even in a challenging home video market, Shrek the Third has risen above the competition and performed well. In 2007, we advanced our mission to successfully expand the Shrek brand with Shrek the Halls, our first made-for-television special. Over 21 million people throughout the U.S. watched the program this past holiday season on ABC. Additionally, Shrek made his first appearance at the annual Macy’s Thanksgiving Day Parade as the official 2007 Ambassador for the event. In December, we will take our brand expansion one step further by bringing Shrek the Musical to the Broadway Theatre in New York City. We are very excited about this tremendous opportunity to further extend one of the most successful franchises in Hollywood history. -
Irradiance Caching at Dreamworks
Global Illumination Across Industries Ray Tracing vs. Point-Based GI for Animated Films Eric Tabellion [email protected] Introduction • Global Illumination (GI) usage at DreamWorks Animation – Bounce lighting – Ambient occlusion – HDR Environment map lighting (IBL) – Used on many films since “Shrek 2” • Used in a variety of shots • Various characters, props and environments • Global Illumination system – Using Ray Tracing and Irradiance Caching (IC) • [Tabellion and Lamorlette 2004] • [Krivanek et al. 2008] – Using point-based GI • [Christensen 2008] Direct Lighting Only Direct + Indirect Lighting Example: “How To Train Your Dragon ” Example: “How To Train Your Dragon ” Example: “Shrek Forever After” GI in Animated Film Production • Requirements: – High Quality • No noise, buzzing or popping – Artistic control • Offer physically correct starting point • Let the user tweak shaders further – Good shader integration – Speedy interaction • Add bounce cards to control lighting • Apply localized filters to GI – Scene complexity • Scene complexity is unbounded (more or less tuned) GI in Animated Film Production • Multi-department Impact: – Modelling & Animation • Geometry with bad contact / penetrations – Surfacing • Account for GI as a lighting scenario • Define bouncing characteristics – FX • Effects do illuminate and occlude – Lighting • GI not always intuitive – Light is coming from everywhere • GI produces simpler lighting rigs • Propagates well to other shots / sequences Ray-Tracing-Based GI System Overview • Micropolygon Deep Frame Buffer Renderer -
Western Technical College Faculty Credentials
P a g e | 1 Faculty Credentials Alexander, Hilaree Winona State University, Nursing Education, MA 2008 University of Iowa, Nursing, BA 2001 Altobelli, Joyce Cornell Univ, Development Sociology, Ph.D. 2003 North Dakota University, Physics, BS 1987 North Dakota University, Sociology, MA 1990 Anderson, Loren Iowa State University, Architecture, BA 1977 Anderson, Mary Austin Community College, Nursing, ADN 1989 University of Phoenix, Nursing, MSN 2002 Viterbo University, Nursing, BSN 1999 Arneson, Pamela UW-La Crosse, Elem. Edu., BS 1989 Viterbo University, Education, MA 2007 Bahl, Alexander Western Technical College, Mechanical Design, AAS 2014 Bahraminejad, Behzad K.N University of Technology, Bioelectric/Biomed. Engineer ,MS 2004 Shahrood University of Tech, Bioelectric/Biomed. Engineer, BA 2000 University Putra Malaysia, Bioelectric/Biomed. Engineer, Doctorate 2011 Bauer, Michelle UW-La Crosse, Elementary Education, BS 1993 UW-La Crosse, Professional. Development., MEPD 2002 Becker, Deanne Clemson University, Mathematical Science, MS 1997 Winona State University, Mathematics, BS 1994 Berra, Heather Western Governors University, Nursing Education, Master's 2017 Western Technical College, Nursing, Associate's 2007 June 1, 2021 P a g e | 2 Berry, Shari Simmons College, Phys. Therapy, Doc of PT 2007 UW-La Crosse, Phys. Therapy, BS 1994 Blum, Michelle Concordia University, Education - Literacy, Master's IP UW-Madison, Social Studies, Bachelor's 1998 Bodelson, Amery Minnesota State Univ. Moorhead, English, BA 1999 UW-Eau Claire, English, MA -
WARN Report Summary by Received Date 07/01/2019 - 06/30/2020 State Fiscal Year No
WARN Report Summary by Received Date 07/01/2019 - 06/30/2020 State Fiscal Year No. Of Notice Date Effective Date Received Date Company City County Employees Layoff/Closure 06/10/2020 06/09/2020 06/30/2020 Harbor Bay Club, Inc Alameda Alameda County 80 Layoff Temporary 03/20/2020 03/20/2020 06/30/2020 MD2 Industries, LLC Long Beach Los Angeles County 109 Closure Temporary 06/30/2020 08/21/2020 06/30/2020 NBCUniversal Media, LLC - Digital Lab Unit Universal City Los Angeles County 28 Layoff Temporary 04/22/2020 06/22/2020 06/30/2020 House of Blues Anaheim Anaheim Orange County 8 Closure Temporary 06/29/2020 08/01/2020 06/30/2020 ADESA California, LLC dba ADESA/AFC Los Mira Loma Riverside County 71 Layoff Permanent Angeles 06/17/2020 06/17/2020 06/30/2020 K&N Engineering, Inc. Riverside Riverside County 44 Layoff Permanent 06/29/2020 07/28/2020 06/30/2020 Benchmark Arrowhead, LLC dba Lake Lake Arrowhead San Bernardino County 114 Layoff Permanent Arrowhead Resort and Spa 06/18/2020 07/06/2020 06/30/2020 HOWMET Aerospace Fontana San Bernardino County 75 Layoff Temporary 06/18/2020 06/16/2020 06/30/2020 Bahia Resort Hotel San Diego San Diego County 47 Layoff Permanent 06/18/2020 06/16/2020 06/30/2020 Catamaran Resort Hotel and Spa San Diego San Diego County 46 Layoff Permanent 06/18/2020 06/16/2020 06/30/2020 The Lodge Torrey Pines La Jolla San Diego County 84 Layoff Permanent 06/18/2020 06/18/2020 06/30/2020 Bahia Resort Hotel San Diego San Diego County 33 Layoff Temporary 06/18/2020 06/18/2020 06/30/2020 Catamaran Resort Hotel and Spa San Diego San Diego County 33 Layoff Temporary 06/18/2020 06/18/2020 06/30/2020 The Lodge Torrey Pines La Jolla San Diego County 37 Layoff Temporary 06/08/2020 03/30/2020 06/30/2020 SmartCareMD Escondido San Diego County 38 Layoff Permanent 06/29/2020 08/31/2020 06/30/2020 Stryker Employment Company Menlo Park San Mateo County 33 Layoff Permanent 06/29/2020 08/29/2020 06/30/2020 Nitto, Inc. -
Antz Bee Movie El Dorado Flushed Away Kung Fu Panda How to Train Your Dragon Madagascar Madagascar: Escape 2 Africa Monsters Vs
YOU ARE CORDIALLY INVITED TO THE OPENING RECEPTION FOR an exhibition of visual development and production artwork from DreamWorks DreamWorlds Animation’s feature films. PLEASE JOIN DREAMWORKS ANIMATION ARTISTS AND EXECUTIVES, ART CENTER PRESIDENT LORNE BUCHMAN, ART CENTER TRUSTEE ALYCE WILLIAMSON, ILLUSTRATION DEPARTMENT CHAIR ANN FIELD AND WILLIAMSON GALLERY DIRECTOR STEPHEN NOWLIN FOR THE OPENING OF DreamWorlds, a behind-the-scenes look at the artistry and imagination of animated filmmaking. THURSDAY, MARCH 4, 2010 7–8 PM PANEL DISCUSSION Ahmanson Auditorium 8–9 PM WILLIAMSON GALLERY RECEPTION Panel Discussion: Kathy Altieri DreamWorks Production Designer for the soon-to-be-released How to Train Your Dragon (March 26, 2010), Art Center alumna, ILLU ’81 Kendal Cronkhite DreamWorks Production Designer, Madagascar films, Art Center alumnus, ILLU ’87 Sam Michlap DreamWorks Visual Development Artist and DreamWorlds co-curator Alyce de Roulet Williamson Gallery Art Center College of Design | 1700 Lida Street | Pasadena, CA 91103 (Once on campus, please follow the signs for parking information.) featuring artwork from: ANTZ BEE MOVIE EL DORADO FLUSHED AWAY KUNG FU PANDA HOW TO TRAIN YOUR DRAGON MADAGASCAR MADAGASCAR: ESCAPE 2 AFRICA MONSTERS VS. ALIENS OVER THE HEDGE PRINCE OF EGYPT SHARK TALE SHREK SHREK 2 SHREK THE THIRD SINBAD SPIRIT: STALLION OF THE CIMARRON EXHIBITION DATES: MARCH 5 – MAY 9, 2010 DreamWorlds has been made possible through the support of DreamWorks Animation, Williamson Gallery Patrons and the Pasadena Art Alliance. Art Center extends a special thanks to all DreamWorks staff who have contributed to the exhibition’s development — in particular Angela Lepito, Sam Michlap, Brian Smith and Beverly Herman, without whose expertise, patience and commitment this project would never have been realized.. -
Faculty Research, Scholarship, and Creative Activity 2017
STATE UNIVERSITY OF NEW YORK AT FREDONIA FACULTY RESEARCH, SCHOLARSHIP, AND CREATIVE ACTIVITY 2017 fredonia.edu/academicaffairs STATE UNIVERSITY OF NEW YORK AT FREDONIA FACULTY RESEARCH, SCHOLARSHIP, AND CREATIVE ACTIVITY 2017 TABLE OF CONTENTS A MESSAGE FROM THE PRESIDENT .........................4 A MESSAGE FROM THE PROVOST ...........................5 COLLEGE OF EDUCATION ....................................6 CURRICULUM AND INSTRUCTION ................................... 7 LANGUAGE, LEARNING, AND LEADERSHIP ........................... 8 COLLEGE OF LIBERAL ARTS AND SCIENCES ................ 10 BIOLOGY .............................................................. 11 CHEMISTRY AND BIOCHEMISTRY ................................... 13 COMMUNICATION DISORDERS AND SCIENCES ..................... 14 COMMUNICATION .................................................... 14 COMPUTER AND INFORMATION SCIENCES ......................... 16 ENGLISH .............................................................. 17 HISTORY .............................................................. 18 MATHEMATICAL SCIENCES ........................................... 19 PHILOSOPHY ........................................................ 20 PHYSICS ............................................................... 21 POLITICS AND INTERNATIONAL AFFAIRS ........................... 22 PSYCHOLOGY ....................................................... 23 SOCIOCULTURAL AND JUSTICE SCIENCES ......................... 25 COLLEGE OF VISUAL AND PERFORMING ARTS .............26 MUSIC