Ultima Thule 227: 02 January, 1997

Total Page：16

File Type：pdf, Size：1020Kb

Ultima Thule 227: 02 January, 1997 No Track Title Composer Artist Album Label Catalogue Dur 1 White Man Sleeps II Kevin Volans Kronos Quartet Pieces of Africa Elektra Nonesuch 7559-79275-2 5.03 2 The Final Score I Michael Nyman Michael Nyman Band After Extra Time Venture CDVE929 2.42 3 The Final Score II as above as above as above as above as above 3.29 4 The Final Score III as above as above as above as above as above 3.12 5 The Final Score IV as above as above as above as above as above 1.19 6 The Final Score V as above as above as above as above as above 2.42 7 The Final Score VI as above as above as above as above as above 1.41 8 The Final Score VII as above as above as above as above as above 1.31 9 The Final Score VIII as above as above as above as above as above 3.50 10 The Final Score IX as above as above as above as above as above 2.49 11 Aichuri, the Song Man Jan Garbarek Jan Garbarek Legend of the Seven Dreams ECM 1381 5.03 12 Reflections Sen Amano Synergy Taiko Black Sun 15021-2 7.38 Steve Roach, Michael Stearns + S Roach, M Stearns + R 13 West Kiva Kiva Fathom HS11056-2 17.26 Ron Sunsinger Sunsinger 14 Desert Horizon Temps Perdu? Temps Perdu? Terra Incognita Timebase time 3 8.23 15 Nieve Penitentes 2 Thomas Koner Thomas Koner Teimo Barooni BAR 005 4.55 16 Out from Under Jeff Greinke Jeff Greinke Changing Skies Multimood MRC-009 6.37 Michael Stearns + Ron M Stearns + R 17 Subterranean Garden Singing Stones Hearts of Space HS11042-2 8.57 Sunsinger Sunsinger The Simorgh Sleeps on 18 Robert Rich Robert Rich A Troubled Resting Place Fathom 11067-2 10.20 Velvet Tongues 19 Altus Steve Roach Steve Roach The Magnificent Void Fathom HS11062-2 20.01 Programme produced and presented by George Cruickshank.

Copy Link

Recommended publications

Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, deﬁned it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice,
[Show full text]
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
[Show full text]
Tower Pulse July 91 Article
'We have a clause in the contract music and an appeal to a wider minutes of harmonic overtone award out there made from crystal, yet trying to define the nature of the audience. For those artists and labels, singing. It's the only conference if s another lightning rod for cliches. recordings that I will deliver to the INAMC conception of "mains- where instead of being awaken by [Virgin Records]. Because I refused tream" was a misnomer. "I think it's loud TVs or parties, you are roused "Look at how new-age music is to say that I will deliver new-age wishful thinking," says Stephen Hill, by chanting from the next hotel room. described in the media, by and large: recordings, because I felt that was host of the Music From the Hearts of Whafs surprising is that these were It's called yuppie Muzak or aural ve y misleading." Space radio program and owner of the among the few meditative moments in wallpaper, hot-tub music, drones; -Mark Isham, winner Hearts of Space record label. the four-day conference, during which there's no structure to it; it's 1991 New Age Grammy Award "That's a nice sentiment," agrees even new-age savant Steve Halpern completely laid back and passive. All Terry Wood, director of commu- left at home his lighted crystal, so of that. Well that certainly doesn't At the Third Annual International nications for Narada Records. "I'm prominently featured on a recent 48 describe my music in any way. It has New Age Music Conference held in not sure that was reflected in the type Hours on CBS.
[Show full text]
Audio Based Genre Classification of Electronic Music
Audio Based Genre Classification of Electronic Music Priit Kirss Master's Thesis Music, Mind and Technology University of Jyväskylä June 2007 JYVÄSKYLÄN YLIOPISTO Faculty of Humanities Department of Music Priit Kirss Audio Based Genre Classification of Electronic Music Music, Mind and Technology Master’s Thesis June 2007 Number of pages: 72 This thesis aims at developing the audio based genre classification techniques combining some of the existing computational methods with models that are capable of detecting rhythm patterns. The overviews of the features and machine learning algorithms used for current approach are presented. The total 250 musical excerpts from five different electronic music genres such as deep house, techno, uplifting trance, drum and bass and ambient were used for evaluation. The methodology consists of two main steps, first, the feature data is extracted from audio excerpts, and second, the feature data is used to train the machine learning algorithms for classification. The experiments carried out using feature set composed of Rhythm Patterns, Statistical Spectrum Descriptors from RPextract and features from Marsyas gave the highest results. Training that feature set on Support Vector Machine algorithm the classification accuracy of 96.4% was reached. Music Information Retrieval Contents 1 INTRODUCTION ..................................................................................................................................... 1 2 PREVIOUS WORK ON GENRE CLASSIFICATION ........................................................................
[Show full text]
Ambient Music
Înv ăţământ, Cercetare, Creaţie (Education, Research, Creation) Volume I AMBIENT MUSIC Author: Assistant Lecturer Phd. Iliana VELESCU Ovidius University Constanta Faculty of Arts Abstract: Artistic exploration period of the early 20th century draws two new directions in art history called Dadaism and Futurism. Along with the painters and writers who begin to manifest in these artistic directions, is distinguished composers whose works are focused on producing electronic, electric and acoustic sounds. Music gets a strong minimalist and concrete experimental type, evolving in different genres including the ambient music. Keywords: ambient music, minimalism, experimental music Ambient music is a derivative genre of electronic music known as background music developed from traditional musical structures, and generally focuses on timbre sound and creating a specific sound field. The origins of this music are found in the early 20th century, shortly before and after the First World War. This period of exploration and rejection of what was classical and traditionally gave birth of two artistic currents called in art history, Dadaism and Futurism. Along with painters and writers manifested in these artistic directions were distinguished experimental musician such as Francesco Balilla Pratella, Kurt Schwitters and Erwin Schulhoff. This trend has had a notable influence in Erik Satie works which consider this music as „music of furniture” (Musique d'ameublement) and proper to create a suitable background during dinner rather than serving as the focus of attention1. The experimental trend has evolved at the same time with the „music that surrounds us” which start to delimitated the cosmic sounds, nature sounds, and sound objects - composers being attracted by sound exploring in microstructure and macrostructure level through the emergence and improvement of acoustic laboratories or electronic music studios as well as Iannis Xenakis, Pierre Boulez, Karl Stockausen.
[Show full text]
MUSIC BEYOND AIRPORTS Appraising Ambient Music
MUSIC BEYOND AIRPORTS APPRAISING AMBIENT MUSIC Edited by Monty Adkins & Simon Cummings 10.5920/beyondairports.fulltext Published by University of Huddersfield Press University of Huddersfield Press The University of Huddersfield Queensgate Huddersfield HD1 3DH Email enquiries [email protected] First published 2019 This work is licensed under a Creative Commons Attribution 4.0 International License Images © as attributed Every effort has been made to locate copyright holders of materials included and to obtain permission for their publication. The publisher is not responsible for the continued existence and accuracy of websites referenced in the text. A CIP catalogue record for this book is available from the British Library. ISBN: 978-1-86218-161-8 Designed by Dawn Cockcroft 10.5920/beyondairports.fulltext CONTENTS INTRODUCTION i CHAPTER 1 1 David Toop How Much World Do You Want? Ambient Listening And Its Questions CHAPTER 2 21 Ambrose Field Space In The Ambience: Is Ambient Music Socially Relevant? CHAPTER 3 51 Ulf Holbrook A Question Of Background: Sites Of Listening CHAPTER 4 67 Richard Talbot Three Manifestations Of Spatiality In Ambient Music CHAPTER 5 83 Simon Cummings The Steady State Theory: Recalibrating The Quiddity Of Ambient Music 10.5920/beyondairports.fulltext CHAPTER 6 119 Monty Adkins Fragility, Noise, And Atmosphere In Ambient Music CHAPTER 7 147 Lisa Colton Channelling The Ecstasy Of Hildegard Von Bingen: “O Euchari” Remixed CHAPTER 8 177 Justin Morey Ambient House: “Little Fluffy Clouds” And The Sampler As Time Machine CHAPTER 9 197 Axel Berndt Adaptive Game Scoring With Ambient Music 10.5920/beyondairports.fulltext CONTRIBUTORS Monty Adkins is a composer, performer, and lecturer of experimental electronic music.
[Show full text]
Amir Baghiri & M.Grassow
Tabell1 Amir Baghiri & Brannan Lane – Lucid Circles Amir Baghiri – Dreamsources (Remastered) Amir Baghiri & M.Grassow – True North Aeoga – Zenith Beyond the Helix-Locus Arktau Eos – Mirrorion Sida 1 Tabell1 Between Interval - Autumn Continent Brian Parnham – Mantle Between Interval - Secret Observatory Byron Metcalf - A Warning From The Elders Byron Metcalf – The Shaman's Heart Byron Metcalf & Mark Seelig w/ Steve Roach – Wachuma's Wave Sida 2 Tabell1 Coleclough & Murmer – Husk David Parsons – Inner Places Sida 3 Tabell1 False Mirror - Chronostatic Scenes Sida 4 Tabell1 Jeff Greinke - Winter Light Kelly David – Angkor John Vorus: Transmuting Currents Sida 5 Tabell1 LULL - Like A Slow River Matt Marble – Chiasmata Leakh - Et Cetera Sida 6 Tabell1 Nathan Youngblood – Asunder Sida 7 Tabell1 Oopoi -Forgotten Rirtuals Oophoi - An Aerial View Sida 8 Tabell1 Phaenon – Submerged Sida 9 Tabell1 Robert Rich & Ian Boddy – React Robert Rich – Sunyata Robert Rich – Calling Down the Sky Robert Rich – Gaudi Robert Rich & Steve Roach – Strata Robert Rich – Propagation Robert Rich – A troubled Resting Place Robert Rich & B.Lustmord – Stalker Robert Rich – Rainforest Robert Rich & Alio Die - Fissures Robert Rich - Temple of the Invisible Robert Rich & David Colvin – Atlas Dei (DVD) Robert Rich & Faryus – Zerkalo Robert Rich – Atlas Dei Robert Rich – Electric Ladder Robert Rich & Lisa Moskow – Yearning Robert rich – Numena/Geometry Robert Rich – Somnium (DVD) Robert Rich – Below Zero Robert Rich – Inner Landscapes Sida 10 Tabell1 Steve Roach – Midnight
[Show full text]
Summer Catalog 02
SUMMER BACKROADS m u s i c MUSIC-BY-MAIL CATALOG ~ 2002 ~ We proudly present the SUMMER 2002 HEARTBEATS CATALOG. I have separated the titles by style, catagorized by the main musical styles BACKROADS offers. This brochure has nearly all new reviews, since the last Catalog! Nu Ambient titles, Chant & Vocal releases, Space Music, Music for Healing Arts, World Music, and a wide variety of Electronic Music, Guitar, Contemporary & Tribal Primal sounds. If you don’t yet have a copy of the 20th Anniversary 40-pg. 2001 HEARTBEATS Catalog, please call (800-767-4748), email ([email protected]) or download it in its entirety in .pdf format from our Web site (www.backroadsmusic.com). Be sure to check our Web Site for the Summer “SELL-OFF” list, & our list of “Previously Played” CDs, along with other updates. Keep those orders coming, and watch for more bulletins & news about transitions here at Backroads in how we present the music. Please accept our deep appreciation for your musical interest & enthusiasm.As always, please ask for any other titles you are looking for. DEVA PREMAL “Embrace” SHASTRO “Shaman’s Healing” New and Featured Possibly the most beautiful CD of the century! The With each subsequent release, Shastro seems to take his third release from the artist by whom all chant artists carefully conceived ideas to a new level. On his latest CD, ISHQ “Orchid” are measured is beyond words, with impeccable mu- he joins the unique grouping of artist such as Anugama, The fantastic “Orchid” is beyond dreamy, and very pos- sicianship, pure vo- Deuter, Klaus Wiese (of sibly #1 for 2002 so far.
[Show full text]
Recalibrating the Quiddity of Ambient Music
5 THE STEADY STATE THEORY: RECALIBRATING THE QUIDDITY OF AMBIENT MUSIC Simon Cummings “Plus ça change, plus c’est la même chose.” – Jean-Baptiste Alphonse Karr1 Introduction As the superstitions of religious interpretation have given way to the rational rigour of scientific investigation, so our understanding of the nature of the universe has fundamentally shifted. Symbolism, significance, order and limitation have been replaced by meaninglessness, insignificance, randomness and infinity. As we look up at the stars, gazing out and beyond what we think of as home, our perception passes ever further away from the specific to the generalised, an existence characterised by a uniform distribution of elements (homogeneity) appearing the same from all vantage points and in all directions (isotropy).2 From this universal perspective everything may be precious, but nothing is privileged. In tandem with our understanding of how things are, how they came to be has been similarly scrutinised. The twentieth century brought numerous theories regarding such origins (or lack of them), proposing either that the universe had no fixed beginning – Fred Hoyle’s ‘steady state’ model – or that it all began instantaneously in an enormous conflagration, the well-known ‘big 1 Les Guêpes January 1849 (6th series, 1859), in Oxford Essential Quotations, Sixth Edition, ed. Susan Ratcliffe (Oxford University Press, 2018). 2 These twin elements are what constitutes the cosmological principle, originally asserted by Isaac Newton. 10.5920/beyondairports.01 83 MUSIC BEYOND AIRPORTS bang’ theory.3 The latter has become firmly established as the most compatible with contemporary cosmological understanding, though arguments remain and further theories (including attempts to combine the steady state and big bang models)4 continue to be proposed.5 It is perhaps not too fanciful a parallel to say that musical compositions can be regarded as sonic universes.
[Show full text]
Steve Roach Long Thoughts Mp3, Flac, Wma
Steve Roach Long Thoughts mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Long Thoughts Country: US Released: 2017 Style: Ambient MP3 version RAR size: 1272 mb FLAC version RAR size: 1991 mb WMA version RAR size: 1762 mb Rating: 4.2 Votes: 478 Other Formats: ASF AHX AU VQF DMF DTS MP2 Tracklist 1 Long Thoughts 73:14 Companies, etc. Manufactured By – Disc Makers – MBF3139 Copyright (c) – Soundquest Music Mastered At – Spotted Peccary Studios Credits Cover [Images] – Linda Kohanov Design [Graphic Design] – Sam Rosenthal Mastered By – Howard Givens Notes Created at The Eagle's Nest and The Timehouse, Baja Arizona. Created for infinite low volume playback. Packaged in a 4-panel digipak. Barcode and Other Identifiers Barcode: 617026034324 Matrix / Runout: MBF3139 DISC MAKERS Mould SID Code: IFPI ALK11 Mastering SID Code: IFPI LZ74 Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year none Steve Roach Long Thoughts (Cass) Projekt none US 2017 Long Thoughts (File, Not On Label (Steve none Steve Roach none US 2017 AIFF, Album) Roach Self-released) Long Thoughts (File, AAC, none Steve Roach Projekt none US 2017 Album, 256) Long Thoughts (File, none Steve Roach Timeroom Direct none US 2017 FLAC, Album) Comments about Long Thoughts - Steve Roach Bandiri From a graphic design perspective, Rosenthal has outdone himself with this cover. Fractured glass imbued with various blues and hints of orange make for quite the powerful metaphoric statement in line with Roach's 'Long Thoughts' LP. Related Music albums to Long Thoughts by Steve Roach Steve Roach - Invisible Steve Roach - Structures From Silence Steve Roach - Arc Of Passion Steve Roach / Erik Wøllo - The Road Eternal Steve Roach - Emotions Revealed Steve Roach / Byron Metcalf - The Serpent's Lair Steve Roach - The Dream Circle Steve Roach - Live In Tucson: Skeleton-Spiral Passage (Extended Version).
[Show full text]
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-ambient Music (These are excerpts from my book "A History of Rock and Dance Music") Electronic Ambience, 1989-93 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. New studio techniques and new electronic and digital instruments allowed rock music and avantgarde music to develop new kinds of composition and performance. Ambient and cosmic music, in particular, reached an artistic peak. Noise was employed in a less irreverent and more calculated manner. Electronic sounds became less alien and more humane. Sound effects became the center of mass, not the centrifugal force. Overall, the emphasis shifted from melody/rhythm to "sound" and "ambience". And, in a way, this was the terminal point of a movement begun at the outset of the 20th century to emancipate music from the dogmas of classical music. French combo Lightwave (20) was still composing electronic tonal poems in the spirit of the German "cosmic couriers" of the 1970s, but they added intrepid new ideas. Serge Leroy and Christoph Harbonnier harked back to Klaus Schulze's early works on Nachtmusik (1990), but enhanced that cliche' with techniques borrowed from avantgarde music. Tycho Brahe (1993), that added Paul Haslinger (ex-Tangerine Dream) and violinist Jacques Deregnaucourt to the line-up, offered elegant, dramatic and highly dynamic chamber-electronic music of a kind that had never been heard before.
[Show full text]
Youtube Nightstick
Iron Claw - Skullcrusher - 1970 - YouTube Damon -[1]- Song Of A Gypsy - YouTube Chromakey Dreamcoat - YouTube Nightstick - Dream of the Witches' Sabbath/Massacre of Innocence (Air Attack) - YouTube Nightstick - Four More Years - YouTube Orange Goblin - The Astral Project - YouTube Orange Goblin - Nuclear Guru - YouTube Skepticism - Sign of the Storm - YouTube Cavity - Chase - YouTube Supercollider - YouTube Satin Black - YouTube Today Is The Day - Willpower - 2 - My First Knife - YouTube Alex G - Gnaw - YouTube Stereo Total - Baby Revolution - YouTube Add N To (X) Metal Fingers In My Body - YouTube 'Samurai' by X priest X (Official) - YouTube Bachelorette - I Want to be Your Girlfriend (Bored to Death ending credits) - YouTube Bachelorette - Her Rotating Head (Official) - YouTube The Bug - 'Fuck a Bitch' ft. Death Grips - YouTube Stumble On Tapes - Girlpool - YouTube Joanna Gruesome - Talking To Yr Dick - YouTube Joanna Gruesome - Lemonade Grrl - YouTube BLACK DIRT OAK "Demon Directive" - YouTube Black Dirt Oak - From The Jaguar Priest - YouTube alternative tv how much longer - YouTube Earthless - Lost in the Cold Sun - YouTube Electric Moon - The Doomsday Machine (2011) [Full Album] - YouTube CWC Music Video Holding Out For a Hero - YouTube La Femme - Psycho Tropical Berlin (Full Album) - YouTube Reverend Alicia - YouTube The Phi Mu Washboard Band - Love Hurts - YouTube BJ SNOWDEN IN CANADA - YouTube j-walk - plastic face (prod. cat soup) - YouTube BABY KAELY "SNEAKERHEAD" AMAZING 9 YEAR OLD RAPPER - YouTube Bernard + Edith - Heartache
[Show full text]