Tower Pulse July 91 Article

Total Page:16

File Type:pdf, Size:1020Kb

Tower Pulse July 91 Article 'We have a clause in the contract music and an appeal to a wider minutes of harmonic overtone award out there made from crystal, yet trying to define the nature of the audience. For those artists and labels, singing. It's the only conference if s another lightning rod for cliches. recordings that I will deliver to the INAMC conception of "mains- where instead of being awaken by [Virgin Records]. Because I refused tream" was a misnomer. "I think it's loud TVs or parties, you are roused "Look at how new-age music is to say that I will deliver new-age wishful thinking," says Stephen Hill, by chanting from the next hotel room. described in the media, by and large: recordings, because I felt that was host of the Music From the Hearts of Whafs surprising is that these were It's called yuppie Muzak or aural ve y misleading." Space radio program and owner of the among the few meditative moments in wallpaper, hot-tub music, drones; -Mark Isham, winner Hearts of Space record label. the four-day conference, during which there's no structure to it; it's 1991 New Age Grammy Award "That's a nice sentiment," agrees even new-age savant Steve Halpern completely laid back and passive. All Terry Wood, director of commu- left at home his lighted crystal, so of that. Well that certainly doesn't At the Third Annual International nications for Narada Records. "I'm prominently featured on a recent 48 describe my music in any way. It has New Age Music Conference held in not sure that was reflected in the type Hours on CBS. Sure, there was a lot of nothing to do with my music." April in Los Angeles, industry of offerings at the conference." talk about channeling music, about -Ray Lynch, composer of the representatives tried to attack the Narada was among several major how "some of your tri-tones stimulate new-age hit "Celestial Soda Pop" problem from another direction by new-age-identified labels who chose the third eye, others cause your aura to choosing the theme "New Age Goes to stay home. shrink," and how dolphins project It was a conference that tried its best Mainstream." "All the people who sound waves to align your chakras. A to shake the new-age image of crystal have been around for 10 years or so "It's an incredibly limiting category. booth from MC2 displayed a system of gazing, meditative ruminations, and are making a transition by going into We've had so many different people in light and sound that purports to metaphysical mumblings. What was the mainstream record outlets," the concerts, whole families and "Relax, accelerate goal achievement most evident was the "hustle." Evey- asserts conference organizer Suzanne heavy-metal people. We've had lots of and boost personal creativity." You put one was pushing tapes and CDs into the Doucet. "I think there's a lot of things Hell's Angels people, black leather on a pair of headphones which hands of record companies, distributors, happening in media and retail outlets and chains." produce a somewhat annoying tone radio stations and writers. You'd walk that are becoming more open." -Andreas Vollenweider, winner that pulses back and forth in your ears into a room and suddenly see a dozen Doucet, who also runs the Only New of first New Age Grammy Award while a pair of Sun Ra sunglasses business cards criss-crossing the table of Age Music store in Los Angeles, feels project light pulses onto your closed the "International" panel. The talk was that more "spiritual" music is Most conferences begin with a few eyelids, sending you to sleep or into a often less about music and more about reaching the mainstream audience, jokes, some solemn musings and migraine headache. And of course the commerce. 'We're here so that you can even if that audience isn't entirely maybe an invocation or prayer. But conference's version of the Gramo- go further in your business," said aware of the spiritual content. the Third Annual International New phone and Oscar is the "Crystal Richard Bochenek, one of the conference But for many, "New Age Goes Age Music Conference began with Award," a phallic pinnacle of crystal. organizers. "This represents the new- Mainstream" means a shift in the the ring of Tibetan chimes and a few As Halpern points out, if s not the only age industry." At times it could've been a NAIRD or NARM convention. It's a Small World After All amok-albeit in slow motion-through ethereal, spacially 'I don't know what new age is. You enhanced settings. Still, there's a big difference between know, I think it's a marketing term." Jon Hassell, Paul Horn and others discern new classic new-age recording and current world-beat hits. -Chuck Greenberg of age's once and future inspiration: world music The emerging international music industry emphasizes Shadowfax, winners of the New Afropop and Latin styles precisely because their Age Grammy Award in 1989 By Linda Kohanov exhilarating, dance-inspired polyrhythms exist within a Euro~ean-influencedmelodic and harmonic context. "The The argument for new age going s the Beatles took the United States by storm, jazz artist things that are struggling are the Middle Eastern and mainstream can be persuasive. After A Tony Scott took a deep breath and uttered the first Oriental releases," reports Lowenhar. "This means that all, Yanni is attaining unprecedented notes of Music for Zen Meditation. Back then no one really people still need to overcome the bias that our Western sales, receiving a gold record with his knew what to do with a serenely exotic set of interactions system of music is the best." When the averaae" American synthesized updating of Mantovani, between clarinet, Japanese koto and shakuchachi flute. listens to recordings based on the micro-tonal melodic Reflections of Passion (Private Music). Released on Verve in 1964, Music for Zen Meditation meanderings and strange tuning systems of Eastern styles, He was preceded by the synthesizer remained an anomaly in the jazz label's bebop and swing the most common reaction is that the instruments have "an confections of Ray Lynch's chart- catalog until this subtle, cross-cultural venture was hailed irritating habit of weaving in and out of tune" and the toppers, Deep Breakfast and No Blue as the first new-age album some 20 years later. If Scott music "doesn't seem to ao", anwhere in ~articular." Thing on Music West, an independent would have come up with the same American-Japanese The fact that people often lodge the same complaint about label. Add to that the mainstream collaboration in 1991, he might just as easily have found new-age music is revealing: The genre's early innovators penetration of Enya, Andreas Vollen- himself under the "world music" banner. were inspired primarily by Indian, Balinese and Japanese weider, George Winston and Kitaro, as Billboard magazine's 1990 new age issue contended styles. "A lot of us took our inspiration from the Orient well as the mock-new-age dance music that "in both artistic and marketing areas, NAM is rapidly because it was the only place we found anything related to of Enigma, and you might think there's being absorbed into the expanding world music market." what we wanted to do," insists Steven Halpern, who helped still a movement afoot. The 1991 International New Age Conference in Los usher in the new age with a series of "Anti-Frantic Yet, none of these artists were at Angeles also seemed keyed up about the influx of cross- Alternative" albums in the mid '70s. "The origins of these the conference. The best-known musi- cultural sounds as the annual convention held its first musics were ceremonial, magical, healing, uplifting." With cians present were Halpern, flautist "New Age World Music Festival.'' this in mind, spiritual seekers like jazz flautist Paul Horn and Paul Horn and violinist Steven "New age has a few more gold and platinum albums, German multi-instrumentalist Deuter (influential albums by Kindler. The very labels that have but world music is closing in," observes Eric Lowenhar, both are available on Kuckuck) went off to India and had mainstream success, like Music manager for Billboard's new age and world music charts. discovered a highly specialized series of traditions that West and Private Music, were absent. The most confusing aspect of. his job, in fact, is trying to emphasized music as a path to enlightenment. Though these Windham Hill, which is in the decide which releases are appropriate for which chart. artists studied and played Indian classical music in the late process of converting itself into a "One of the reasons is that there are a lot of titles that fall '60s and '70s, they emerged from the experience with mainstream label with rock, jazz and into that grey area between the two.'' compositional styles that combined the meditative essence of folk acts, was never present and From the beginning, the new-age genre itself was a certain Oriental forms with Occidental (continued on 89) hardly ever mentioned. Even Narada, giant grey area where ethnic styles and instruments ran which has usurped much of Wind- ham Hill's initial audience, passed on 86 PULSE! JULY 1991 ILLUSTRATION ON PAGE 84 BY ADELE CAMERON. new-age genre, but Hill himself has "1 don%think never called it that. "We never billboarded the program as a new-age program but a space-music pro- new age is going gram," says Hill, who did attend the conference.
Recommended publications
  • Drone Music from Wikipedia, the Free Encyclopedia
    Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice,
    [Show full text]
  • Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
    2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive
    [Show full text]
  • Yanni Discography 34 Albums
    Yanni - Discography, 34 Albums 1 / 4 Yanni - Discography, 34 Albums 2 / 4 3 / 4 Yanni - "Prelude and Nostalgia"_1080p From the Master! "Yanni Live! The Concert Event". YANNI - Live best ,(before ,NEW album .... Yanni discography and songs: Music profile for Yanni, born 14 November 1954. Genres: New Age, Symphonic Prog, Neoclassical New Age. Albums include Live at the Acropolis, Keys to Imagination, and In My Time. ... See all 34 lists .... Yanni - Discography, 34 Albums. Yiannis Chryssomallis known professionally as Yanni is a Greek composer, keyboardist, pianist . the son of a banker, Sotiri .... In 1980, Yanni recorded his first album Optimystique, which Atlantic Records ... Acropolis was Yanni's first live album, and used his core band with a full sixty .... Исполнитель: Yanni Альбом: Discography 34 Albums Год выпуска: (1984-2011) Жанр: Инструментал Формат: (FLAC, tracks, cue, .... ... from Yanni at Discogs. Shop for Vinyl, CDs and more from Yanni at the Discogs Marketplace. ... Yanni (2) - Keys To Imagination album art, Yanni (2) · Keys To .... Yanni - Discography, 34 Albums -- http://fancli.com/1axwdq e878091efe Yanni's triumphant return featuring classic and new songs performed .... Yanni Discography: “«Mexicanísimo»”, “«Love Songs/Reflections of Passion”», ... Show/Hide Album's Genre ... 2009-03-24, Voices [Bonus Tracks]Cover, 34.. Composers: Yanni - Marc Russell - David Scheuer - Tinatin Japaridze.. Yanni - Discography, 34 Albums -- http://bit.ly/2DLTJC4 e878091efe Yanni's triumphant .... 26, Reflections of Passion [4:34].. Yanni - Discography, 34 Albums -- http://bit.ly/2DLTJC4 e878091efe Yanni's triumphant return featuring classic and new songs .... Santorini - 4:34. Port of Mystery - 4:49. Keys To Imagination - 5:13. Forgotten Yesterdays - 3:30.
    [Show full text]
  • MY VOICE, MY LIFE Directed by Ruby Yang
    Presented by: In association with: MY VOICE, MY LIFE Directed by Ruby Yang PRESS PACKET Running Time: 91 minutes Language: Cantonese with English subtitles Rating: IIA (Hong Kong) Theatrical Release: October 16, 2014 (Hong Kong) For More Info: www.myvoicemylifemovie.com www.facebook.com/mvmlmovie www.youtube.com/mvmlhk Contact: [email protected] MY VOICE, MY LIFE Synopsis Short Synopsis “My Voice, My Life,” a Hong Kong documentary directed by Oscar winner Ruby Yang, chronicles the trials and tribulations of a group of underprivileged middle and high school students as they underwent six months of vigorous training to produce a musical on stage. A life-affirming journey of self-discovery and growth, the stories of these young people will challenge every parent, teacher and policy maker to reflect on our way of nurturing the young. The film is presented by the L plus H Creations Foundation, in association with the Lee Hysan Foundation. 250-Word Synopsis Oscar-winning documentary filmmaker Ruby Yang’s newest film,My “ Voice, My Life” follows an unlikely group of misfit students from four Hong Kong middle and high schools cast in a musical theater performance. From low self-esteem to blindness, each student confronts unique personal challenges in the process of developing his or her character. Many of the musical theater troupe’s students come from Hong Kong’s underprivileged schools, which admit the territory’s academically underperforming students. Others come from a school for the blind that seeks to teach its students how to perform basic tasks and function in the sighted world. Bad boy Jason regularly cuts class, smokes, and is generally a troublemaker.
    [Show full text]
  • Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1.
    [Show full text]
  • Yanni - in My Time (Piano Solos) by Yanni
    Yanni - In My Time (Piano Solos) By Yanni READ ONLINE If searched for the book Yanni - In My Time (Piano Solos) by Yanni in pdf form, in that case you come on to the loyal site. We furnish complete edition of this book in ePub, DjVu, doc, txt, PDF formats. You may reading Yanni - In My Time (Piano Solos) online or downloading. Additionally, on our site you can reading the manuals and other art books online, either download theirs. We will invite attention what our website not store the book itself, but we give url to the website whereat you can download either reading online. So that if want to load pdf Yanni - In My Time (Piano Solos) by Yanni , then you've come to the right website. We own Yanni - In My Time (Piano Solos) doc, ePub, PDF, txt, DjVu forms. We will be pleased if you revert to us more. Yanni - in my time (piano solos) | best pianos, soloing and products Free piano sheet music: beauty and the beast.pdf Tale as old as time, song as old as rhyme. Tale as old as time, true as it c. Help i need an easy song to play - topic - yanni I was able to play Pedro's part on my flute in 2 or 3 of the Ethnicity songs Personally, I have the sheet music for In My Time piano solos, that Yanni facts, information, pictures | encyclopedia.com articles about As a child, Yanni mastered the piano without lessons. He played for hours Later that year, Private Music released Yanni's first solo album, Optimystique.
    [Show full text]
  • How to Order by Phone Call the Hal Leonard E-Z Order Line at 1-800-554-0626, Monday Through Friday Between 8:30 A.M
    HOW TO ORDER By Phone Call the Hal Leonard E-Z Order Line at 1-800-554-0626, Monday through Friday between 8:30 a.m. and 9:00 p.m. or Saturday and Sunday 9:00 a.m. - 5:00 C.S.T. Please have ready the following information: • Your customer account number • Your purchase order number • Special shipping instructions (if any) • Quantity of each item • Hal Leonard inventory number of each item (the 8-digit number listed with all products) By Fax You may fax your order to 414-774-3259. Be sure to put “Attention: Sales” on your cover page, and include all of the same information listed under the “By Phone” section. By E-Mail Simply e-mail us at [email protected] with the same information as above. By Mail For stock orders, simply indicate the quantity of each item you wish to order directly in this catalog and mail it back to us. A Hal Leonard sales representative will be happy to provide you with a replacement catalog. On Line Visit Hal Leonard on the internet at http://www.halleonard.com/dealers. Ask your sales rep about our dealer access web features. International Orders For international inquiries, please contact the Hal Leonard International Sales Department at [email protected]. Canadian Dealers, please contact the Sales Representative for Canada at [email protected]. Customer Service Should you have any questions regarding your account (shipping, orders, etc.), please call our Customer Service Department in Winona, Minnesota, toll-free at 1-800-321-3408 Monday through Friday between 8:00 a.m.
    [Show full text]
  • A New Cafe to Pop up in Marblehead Revere Comes Together for Fire
    MONDAY, JULY 31, 2017 A new cafe to pop up in Marblehead MARBLEHEAD — The Northeast Arc, a not-for-profit organization that helps children and adults with disabilities become full participants in the com- munity, is opening a second, temporary Breaking Grounds Café at the Jewish Community Center of the North Shore in Marblehead. Breaking Grounds is an innovative coffee shop in downtown Peabody that trains people with disabilities for ca- reers in the food service and customer service industries. It opened at the end of 2016. “This second café provides more oppor- tunities for people we support,” said Tim Brown, director of Innovation and Strate- gy, Northeast Arc, in a press release. “The JCC location will be set up differently than our Peabody location which will allow us to assist people in assimilating skills learned from one location to another.” From August 1 to September 8, Break- ing Grounds will be operate a “pop up” Revere comes satellite Breaking Grounds at the Jew- Controversy ish Community Center (JCC) located at 4 Community Road in Marblehead. The café together for will be open from 7 a.m. to 11 a.m., Mon- dogs Lynn condo day through Friday, the release stated. “During the summer months, our café re victims moves outdoors so having Breaking association Grounds provide refreshments for our By Gayla Cawley Carol Tye of the members during this time is of great ben- By Matt Demirs Cheryl Hard- ITEM STAFF Revere School e t to us,” said Martin Schneer, executive FOR THE ITEM nett plays with Committee director, Jewish Community Center of the her service REVERE — More than a month af- gets a hug from North Shore in Marblehead.
    [Show full text]
  • KALW Is the Voice of San Francisco
    The Stoop Black identity — complicated, fun, real. p. 4 Snap Judgment Live In San Francisco — December 3rd! p. 19 75th Anniversary Edition p. 3 Dying To Talk Live (Really.) p. 9 Meet the Beat Reporters p. 8 TALES OF STUDIOS PAST p. 6 Fall 2016 KALW is the voice of San Francisco. You cover all the communities that make up our city. — Donna Hayes, San Francisco KALW: By and for the community . COMMUNITY BROADCAST PARTNERS America Scores Bay Area • Association for Continuing Education • Berkeleyside • Berkeley Symphony Orchestra • Burton High School • Cabrillo Festival • East Bay Express • Global Exchange • INFORUM at The Commonwealth Club • Jewish Community Center of San Francisco • New America Media • Other Minds • outLoud Radio • Radio Ambulante • San Francisco Arts Commission • San Francisco Conservatory of Music • San Quentin Prison Radio • SF Performances • Stanford Storytelling Project • StoryCorps • Youth Radio KALW VOLUNTEER PRODUCERS Shereen Adel, Josiah-Luis Alderete, Dennis Aman, Dan Becker, David Boyer, Susie Britton, Sarah Cahill, Bob Campbell, Lisa Cantrell, Bonnie Chan, Julie Dewitt, Ethan Elkind, Chuck Finney, Richard Friedman, Janos Gereben, Nato Green, Nicole Grigg, Dawn Gross, Anne Harper, Meradith Hoddinott, Wendy Holcombe, Jeremy Jue, Dianne Keogh, Kendra Klang, Carol Kocivar, Justine Lee, Martin MacClain, JoAnn Mar, Holly J. McDede, Greer McVay, Rhian Miller, Sandy Miranda, Helena Murphy, Emmanuel Nado, Marty Nemko, Erik Neumann, Chris Nooney, Edwin Okong’o, Kevin Oliver, Steve O’Neill, David Onek, Joseph Pace, Colin
    [Show full text]
  • C:\Documents and Settings\Mbrady\Local Settings\Temporary Internet Files\OLKAE\September.Wpd
    STATE BOARD OF REGENTS MEETING REGENTS’ OFFICES, SALT LAKE CITY, UTAH SEPTEMBER 2007 Minutes Thursday, September 13, 2007 Regents Present Regents Excused Jed H. Pitcher, Chair Nolan E. Karras Bonnie Jean Beesley, Vice Chair Greg W. Haws Jerry C. Atkin Sara V. Sinclair Janet A. Cannon Rosanita Cespedes Amy Engh Katharine B. Garff Patti Harrington Meghan Holbrook James S. Jardine David J. Jordan Anthony Morgan Josh M. Reid Marlon O. Snow John H. Zenger Office of the Commissioner Richard E. Kendell, Commissioner Joyce Cottrell, Executive Secretary Amanda Covington, Communications Director Troy Caserta, Accounting Officer David S. Doty, Assistant Commissioner and Director of Policy Studies Brian S. Foisy, Assistant Commissioner for Financial Services Kimberly Henrie, Budget Director Nate Millward, Director of Internal Budget and Finance Phyllis C. Safman, Assistant Commissioner for Academic Affairs Mark H. Spencer, Associate Commissioner for Finance and Facilities Lucille T. Stoddard, Associate Commissioner for Academic Affairs Lynne S. Ward, Director, Utah Educational Savings Plan Darrell White, Special Assistant to the Commissioner for Public Affairs Gary S. Wixom, Assistant Commissioner for Academic Affairs INSTITUTIONAL REPRESENTATIVES University of Utah A. Lorris Betz, Senior Vice President for Health Sciences David W. Pershing, Senior Vice President for Academic Affairs James R. Bardsley, Associate Vice President for Finance and Planning, Health Sciences Paul T. Brinkman, Associate Vice President for Budget and Finance Arnold B. Combe, Vice President for Administrative Services Minutes of meeting State Board of Regents September 13-14, 2007 Page 2 John G. Francis, Associate Vice President for Academic Affairs Ray Lynch, Executive Director, Huntsman Cancer Hospital Mike Perez, Associate Vice President for Facilities Management Utah State University Fred R.
    [Show full text]
  • Erdem Helvacıoğlu's Musical Career Started During His High School Years at Robert College
    Education Istanbul Technical University, MIAM, Electroacoustic Composition and sound engineering PHD. Program, 2013 Istanbul Technical University, MIAM, Sound Engineering & Composition Master program, 2003 Yıldız Technical University, Industrial Engineering, 1999 Robert College, 1994 Awards Best Kurdish album of 2012 as producer, HAWER NET magazine, 2012 – Mehmet Akbaş “PIA” Best local album of 2012 as producer, Naim Dilmener, 2012 – Mehmet Akbaş “PIA” Best album of 2012, Ettore Garzia magazine, 2012 – “Fields and Fences” Best album of 2012, Canadian radio CJSW 90.9 FM, 2012 – “Planet X” Best album of 2012, KONTRA PLAK record store, 2012 – “Eleven Short Stories” Best album of 2012, Exclaim Magazine, 2012 – “Timeless Waves” Best album of 2011, Blogcritics Magazine, 2011 – “Black Falcon” Best album of 2010, Blogcritics Magazine, 2010 – “Sub City 2064” Best album of 2010, Perfect Sound Forever Magazine, 2010 – “Sub City 2064” Luigi Russolo Electroacoustic Music Competition, Finalist, 2010 Editors top 3 cds 2010, Guitar Player magazine, 2010 – “Sub City 2064” Best album of Spring 2009, Culture Catch Magazine, 2009 – “Wounded Breath” Best album of 2007, Audio Video Magazine, 2007 – “Altered Realities” Best album of 2007, Cyclic Defrost Magazine, 2007 – “Altered Realities” Best album of 2007, Textura Magazine, 2007 – “Altered Realities” Best album of 2007, All About Jazz Magazine, 2007 – “Altered Realities” Mostramundo Film Festival, The Best Original Soundtrack, 2006 MUSICA NOVA Elektroacoustic Music Competition, Finalist, 2006 Insulae Electronicae
    [Show full text]
  • Dreamland Theme - FAN-TASTIC FORUM
    Dreamland theme - FAN-TASTIC FORUM FAN-TASTIC HOME Solar X-rays: Geomagnetic Field: CQ CQ...From The Cyber Seas on the Pirate Ship FANTASTIC to the High Desert....and Back! FAN-TASTIC FORUM Art Bell Dreamland theme profile | register | preferences | faq | search UBBFriend: Email This Page to Someone! next newest topic | next oldest topic Author Topic: Dreamland theme Cydonia19.5 Buccaneer posted 24 January 2001 11:39 PM Posts: 52 Can anyone tell me who performed the theme song that Art used to From: las vegas, nv use for Dreamland? I always wanted to hear the full version of the Registered: Sep 2000 song since it was eerie and fit the show perfectly. IP: Logged shootzoo Swashbuckler posted 25 January 2001 12:05 AM Posts: 2032 Ray Lynch - The Oh Of Pleasure From: sc Registered: May 2000 IP: Logged Spike Mike Swashbuckler posted 25 January 2001 02:39 AM Posts: 5742 Yeppers(as jeri sexton would say), that's why he's From: TEXAS! WhoopAss Capitol of the World!! Jammer1stClass~shootzoo!!! Registered: Jan 2001 SpikeMike~Newsmonger Gunner1stClass #1Turret~KewlFT#1 IP: Logged http://www.fantasticforum.com/ubb/Forum4/HTML/000175.html (1 of 3) [11/4/2001 2:22:59 AM] Dreamland theme - FAN-TASTIC FORUM artsparts Buccaneer posted 25 January 2001 03:47 AM Posts: 37 The cd is Deep Breakfast by Ray Lynch. Windham Records 01934 From: Registered: Dec 2000 11118-2 IP: Logged Cydonia19.5 Buccaneer posted 25 January 2001 01:14 PM Posts: 52 Thank you...... From: las vegas, nv Registered: Sep 2000 IP: Logged Justen Tyme Buccaneer posted 25 January 2001 04:21 PM Posts: 195 Direct from the artist to you: From: Oconomowoc WI USA Registered: Nov 2000 http://raylynch.com/albums/deep1.html "The Oh of Pleasure" is one of the clips availible online from the Deep Breakfast album, in RealAudio or MP3 format.
    [Show full text]