Summer Catalog 02

Total Page:16

File Type:pdf, Size:1020Kb

Summer Catalog 02 SUMMER BACKROADS m u s i c MUSIC-BY-MAIL CATALOG ~ 2002 ~ We proudly present the SUMMER 2002 HEARTBEATS CATALOG. I have separated the titles by style, catagorized by the main musical styles BACKROADS offers. This brochure has nearly all new reviews, since the last Catalog! Nu Ambient titles, Chant & Vocal releases, Space Music, Music for Healing Arts, World Music, and a wide variety of Electronic Music, Guitar, Contemporary & Tribal Primal sounds. If you don’t yet have a copy of the 20th Anniversary 40-pg. 2001 HEARTBEATS Catalog, please call (800-767-4748), email ([email protected]) or download it in its entirety in .pdf format from our Web site (www.backroadsmusic.com). Be sure to check our Web Site for the Summer “SELL-OFF” list, & our list of “Previously Played” CDs, along with other updates. Keep those orders coming, and watch for more bulletins & news about transitions here at Backroads in how we present the music. Please accept our deep appreciation for your musical interest & enthusiasm.As always, please ask for any other titles you are looking for. DEVA PREMAL “Embrace” SHASTRO “Shaman’s Healing” New and Featured Possibly the most beautiful CD of the century! The With each subsequent release, Shastro seems to take his third release from the artist by whom all chant artists carefully conceived ideas to a new level. On his latest CD, ISHQ “Orchid” are measured is beyond words, with impeccable mu- he joins the unique grouping of artist such as Anugama, The fantastic “Orchid” is beyond dreamy, and very pos- sicianship, pure vo- Deuter, Klaus Wiese (of sibly #1 for 2002 so far. The single CD version sells for cals, and a divine “El Hadra” fame) with $16.98, available from Canada’s Interchill label, and it sense of spirit. There music that is hypnotic, contains plenty of soothing rhythms, deep beats, and ex- is an ease of flow sensual, repetitious (in a cessive space to float in... Sounds of waterfalls and birds here, from sacred to good way!) and perfectly underline deep synth pads, opening into expansive vistas celebratory, with suited to healing set- of ambient space. This one has it all! rhythmic tracks in- tings. Using Native CD $16.98 terspersed against flutes, ethnic percussion, MOODSWINGS “Horizontal” those with a slower, and extended play for- This 2-CD set is quite an amazing surprise, both on its more inward sense of mat throughout four own merit and from the past success and reputation of the connectedness. Fol- lengthy tracks, Shastro Moodswings CDs. Ex-Pretenders drummer James Hood lowing the tremen- offers a timeless sound is the ambient persona dous earlier successes of Deva Premal’s mantra al- that will be ideal for Yoga, massage, or any of the healing arts. of Moodswings & his bums—“The Essence” and “Love Is Space,” “Em- This is patient music of high quality and heartfelt feelings. new masterpiece, brace” captures again that rare simplicity of beauty Also by SHASTRO & NADAMA: “Celestial Reiki” “Horizontal.” James and truth. Deva Premal, at the height of her art, shares Also by SHASTRO: “Oasis Night;” “Tantric Heart;” “Zen Hood came to renown the wisdom of the mantras with a voice that is rich Notes (w/NADAMA);” “Shanay;” “Malimba Moon;” as a rock drummer, es- and assured, and is joined by a sensual groove pro- “Shambhala;” also by NADAMA: “Healing Touch” pecially with The Pre- vided by some of today’s finest world fusion artists. CD $14.98 tenders. But the Brit- Produced by Miten and keyboard wizard Kit Walker ANDREA BAUER “Cello Songs for Silence” ish-born musician be- (Walela, Kitaro, Pagan Love Orchestra), “Embrace” After establishing herself as a principal cellist with sym- gan hearing a more ex- features a fully developed musical dynamic due in phonies in the US, Berlin, Andrea Bauer found that her pansive, electronic large part to the virtuoso performances by such top leanings toward jazz, ambient and oriental music deserved sound and started re- musicians as Jai Uttal (dotar and distinctive vocals), equal time. She played with the Ray Brown Trio, James cording as Moodswings. In the early 90s he had a dance Nepali native Manose (bamboo flute), Miten (vo- Morrison, Natalie Cole (on her “Unforgettable” world hit with the song, “Spiritual High,” featuring vocals by cals), Ty Burhoe (tablas, star protege of Zakir Hussain) tour she played the cello solos) and many others. But it was The Pretenders’ Chrissie Hynde. Hood’s new & Marquinho Brasil (assorted exotic hand percussion). a trip to California where Andrea found “her own music” Moodswings album, Horizontal, is a double CD excur- Deva Premal reaches new heights with “Embrace” in coming to her and she recorded the Cello Songs for Silence sion into deep ambient expanse with lush compositions, offering this beautiful gift of great depth. This is mu- CD as a result. The sounds of the cello seem to evoke sweeping lyricism, including some haunting leads by sic to enchant and befriend you, providing hours of yearning and poignancy, and that is certainly the case here, pedal steel guitarist B.J. Cole and a pair of vocals from solace and inspiration. Later this summer will be an- but the sound that she pleads, coaxes and draws from her Julee Cruise. Fans of ISHQ, Global Communication & other CD by Deva Premal & Miten -- “Satsang,” -- instrument seem to go way beyond these feelings, into a Solarquest will absolutely love this CD, a double disc to with beautiful chants & songs recorded live in concert. place of devotion, of silence, of stillness & reaching for the dive deeply into...Often featured on Echoes, this is a re- Also available: “Love is Space;” “Essence” heavens. It’s a privilege to offer “Cello Songs for Silence”. cording to delve into deeply, with great rewards for the lis- CD $14.98 CD $14.98 tener. It is surprisingly almost beat-free. Instead we are DAVID PARSONS “Maitreya: The Future Buddha” ARCHETRIBE “Earthtones” treated to washes of watery tones, subdued, muted drum Another new David Parsons CD, and what more I was reminded of some of my favorite recent CDs when I sounds and microtonal pedal steel sounds that slide over could you ask for? For over 20 years, Parsons, who listened to Archetribe. Coming to mind were Mars Lasar amorphous surfaces. The two vocals, which appear on hails from New Zealand, has been providing quintes- “Karma,” Open Canvas, or the best of David Arkenstone’s disc two, are impressionistic and suitably moody. sential space music, with strong ties and influences latest CDs, and it all adds up to one of the best ethno-tribal 2-CD $18.98 from the Tibetan re- ambient releases in years. Uniquely blending rhythm and Also available: “Psychedelicatessen;” “Mood Food” gions. Penetrating exotic textures alongside its use of melodies, played on CD $17.98 tones, musical hom- flutes, duduk, and clarinet, with healthy infusions of MARTIN/KLAMT/ROWND “Convergence” age of a respectful na- tribal-ambient elements, the album is a marvel of varied Three prominent artists from the Spotted Peccary label ture, and experiential moods and tempos through its fourteen tracks. The group have joined together here for a tour-de-force journey knowledge of each includes a name which should be known to any fan of elec- with numerous dimensions of sounds. Deborah Martin, culture that is repre- tronic music - Larry Fast from the pioneering group Syn- who has three of her own recordings, brings her own style sented, take Parsons’ ergy (synthesizers). In addition, Jamal Mohamed plays of keyboards and percussion, and a keen sense of the creations way above percussion (to the max!), Flavio Gaete on viola, Ken Field earth. Greg Klamt, whose last recording dates back to the norm. This is mu- with various flutes, Gunnard Doboze on duduk and clari- 19__, adds flutes, didg, keyboards and ambient sensibili- sic inspired by the net, and Dave DeMarco takes care of bass and baritone ties that carve deep into space, as well as being the amaz- deep spiritual beauty guitar. Led by the synths, guitars, voice, and percussion of ing artist who provides the artwork for this label’s award- and mesmerizing tones of Indian and Tibetan music Matthew Davidson, the group Archetribe moves through winning covers. And Mark Rownd, of “Painting Twi- and culture, combined with a deep spacemusic elec- moods which, at times, dark, mysterious, even a bit fore- light” fame, adds a palette of pure space and texture to the tronic sensibility. Every track is relaxing and inspiring boding, with equal emphasis on soloing and superb en- project. Native rhythms, flutes from different cultures, & takes the listener to higher and more subtle states. semble work. Very engaging, and a CD with broad cross- and all manner of chimes, cymbals, tubes and rattles Great use of voice & sitar help to balance his keyboard over appeal from world music aficionados to ambient and comprise the cohesive sounds that guide the journey. mastery. Journey deep into stillness & peaceful space. even ethno-tribal fans as well. Matthew’s previous work Also by MARTIN: Deep Roots;” “ (w/David Also: “Shaman;” “Ngaio Gamelan;” “Dorje Ling;” on “Blue Forest Mass¸” gave some indication of where Gordon);” “Under the Moon;” also by KLAMT: “Fluxus “Himalaya;” “Tibetan Plateau/Sounds of Mothership things were headed musically, but “Earthtones” surpasses Quo;” “Fulcrum;” also by ROWND: “Painting Twilight” CD $16.98 and preconceived ideas of how it would all fit together. CD $14.98 Also available: “Parikrama;” “Yatra” 2-CD $27.98 CD $14.98 CRAIG KEYES “Earthwalks” Space Music KELLY DAVID “Broken Voyage” This is a powerful musical journey which blends vocals, STEVE ROACH/VIDNAOBMANA “Inner Zone” This is a very deep and heavy ambient record, with ethno- guitar, Native American flute, African drums, violin and Steve Roach and Vidna Obmana meet at the tribal leanings rhythms sparingly but effectively em- rattles with an exotic influence.
Recommended publications
  • Live Among the White Trash: a History of Nono----Manman on Stage
    Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
    [Show full text]
  • LSD Modulates Music-Induced Imagery Via Changes in Parahippocampal Connectivity
    European Neuropsychopharmacology (2016) 26, 1099–1109 www.elsevier.com/locate/euroneuro LSD modulates music-induced imagery via changes in parahippocampal connectivity Mendel Kaelena,n, Leor Rosemana,b, Joshua Kahanc, Andre Santos-Ribeiroa, Csaba Orbana, Romy Lorenzb, Frederick S. Barrettd, Mark Bolstridgea, Tim Williamse, Luke Williamsa, Matthew B. Walla,f,g, Amanda Feildingh, Suresh Muthukumaraswamyi, David J. Nutta, Robin Carhart-Harrisa aCentre for Neuropsychopharmacology, Division of Brain Sciences, Faculty of Medicine, Imperial College London, London W12, UK bThe Computational, Cognitive and Clinical Neuroimaging Laboratory, The Centre for Neuroscience, Division of Brain Sciences, Imperial College London, London W12, UK cSobell Department of Motor Neuroscience & Movement Disorders, Institute of Neurology, University College London, Queen Square, London WC1N 3BG, UK dBehavioral Pharmacology Research Unit, Johns Hopkins School of Medicine, Baltimore, MD 21224, USA eAcademic Unit of Psychiatry, University of Bristol, Bristol BS8 2BN, UK fImanova Centre for Imaging Sciences, Hammersmith Hospital, London W12, UK gClinical Psychopharmacology Unit, University College London, London UK hThe Beckley Foundation, Beckley Park, Oxford OX3 9SY, UK iSchools of Pharmacy and Psychology, University of Auckland, Auckland 1142, New Zealand Received 10 November 2015; received in revised form 15 February 2016; accepted 24 March 2016 KEYWORDS Abstract Effective connectiv- Psychedelic drugs such as lysergic acid diethylamide (LSD) were used extensively in psychiatry ity; in the past and their therapeutic potential is beginning to be re-examined today. Psychedelic LSD; psychotherapy typically involves a patient lying with their eyes-closed during peak drug effects, Mental imagery; while listening to music and being supervised by trained psychotherapists. In this context, music Music; is considered to be a key element in the therapeutic model; working in synergy with the drug to Parahippocampus; evoke therapeutically meaningful thoughts, emotions and imagery.
    [Show full text]
  • STICK MEN - Tony Levin and Pat MasteloO, the Powerhouse Bass and Drums of the Group King Crimson for a Few Decades, Bring That TradiOn to All Their Playing
    STICK MEN - Tony Levin and Pat Masteloo, the powerhouse bass and drums of the group King Crimson for a few decades, bring that tradion to all their playing. Levin plays the Chapman Sck, from which the band takes it’s name. Having bass and guitar strings, the Chapman Sck funcons at mes like two instruments. Markus Reuter plays his selfdesigned touch style guitar – again covering much more ground than a guitar or a bass. And Masteloo’s drumming encompasses not just the acousc kit, but a unique electronic setup too, allowing him to add loops, samples, percussion and more. TONY LEVIN - Born in Boston, Tony Levin started out in classical music, playing bass in the Rochester Philharmonic. Then moving into jazz and rock, he has had a notable career, recording and touring with John Lennon, Pink Floyd, Yes, Alice Cooper, Gary Burton, Buddy Rich and many more. He has also released 5 solo CDs and three books. In addion to touring with Sck Men, since more than 30 years is currently a member of King Crimson and Peter Gabriel Band, and jazz bands Levin Brothers and L’Image. His popular website, tonylevin.com, featured one of the web’s first blogs, and has over 4 million visits. PAT MASTELOTTO - Very rarely does a drummer go on to forge the most successful career on the demise of their former hit band. Phil Collins and Dave Grohl have managed it, so too has Pat Masteloo, a self taught drummer from Northern California, who has also been involved with pushing the envelope of electronic drumming.
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • The History of Rock Music: 1970-1975
    The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality.
    [Show full text]
  • Quantum Leap Stormdrum 3 Manual
    Quantum Leap Stormdrum 3 Virtual Instrument Users’ Manual QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT The information in this document is subject to change without notice and does not rep- resent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2013. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] http://support.soundsonline.com ii QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT 1. Welcome 2 About EastWest and Quantum Leap 3 Producer: Nick Phoenix 4 Percussionist: Mickey Hart 5 Credits 6 How to Use This and the Other Manuals 7 Online Documentation and Other Resources Click on this text to open the Master Navigation Document 1 QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT Welcome About EastWest and Quantum Leap Founder and producer Doug Rogers has over 35 years experience in the audio industry and is the recipient of many recording industry awards including “Recording Engineer of the Year.” In 2005, “The Art of Digital Music” named him one of “56 Visionary Artists & Insiders” in the book of the same name.
    [Show full text]
  • 124720 Aaron Read Lowres
    Dead Hart Live Beat by Amy Brown Born in the war year of 1943 in New York, Mickey bearded guitar player who had a voice that finger touched your Hart's parents were drummers. soul and kissed your neck. Jerry stepped up when R & B genius Although he didn't stay around to enjoy Mickey's birth, Pigpen McKernan forgot there were closing times and his dad was a 'rudimental' drummer, a master of establishing checked out of the band and life too early. Bob Weir was there, tempo through percussion and acting as the backbone of an too, the cute one with an edge, who alternated vocals with ensemble. Mickey was raised by his mother, who was what Jerry, and Phil Lesh and hey…they all had their following, but Mickey calls an 'intramural' player, a musician with a true love for this article at least and a sense of Rock history, it is of rhythm and its many artistic expressions. impossible to ignore the impact that Mickey Hart has had on Whether it was in his blood or an imprint of early the world of rhythm and percussion beginning with his days memory, Hart embarked on a lifetime of exploration into the with “The Dead” and continuing with the groups he has either artistry and healing powers of drumming. In 1967, with the joined or founded since Jerry Garcia's challenged heart gave Summer of Love in full blossom, Mickey fell in with a group out in 1995. of musicians from Northern California. They were a free- “ My teacher took me aside when I was in spirited and experimental group of high school and asked, “Do you want to guys who would become his lifelong play drums for the rest of your life?” companions.
    [Show full text]
  • African Drumming in Drum Circles by Robert J
    African Drumming in Drum Circles By Robert J. Damm Although there is a clear distinction between African drum ensembles that learn a repertoire of traditional dance rhythms of West Africa and a drum circle that plays primarily freestyle, in-the-moment music, there are times when it might be valuable to share African drumming concepts in a drum circle. In his 2011 Percussive Notes article “Interactive Drumming: Using the power of rhythm to unite and inspire,” Kalani defined drum circles, drum ensembles, and drum classes. Drum circles are “improvisational experiences, aimed at having fun in an inclusive setting. They don’t require of the participants any specific musical knowledge or skills, and the music is co-created in the moment. The main idea is that anyone is free to join and express himself or herself in any way that positively contributes to the music.” By contrast, drum classes are “a means to learn musical skills. The goal is to develop one’s drumming skills in order to enhance one’s enjoyment and appreciation of music. Students often start with classes and then move on to join ensembles, thereby further developing their skills.” Drum ensembles are “often organized around specific musical genres, such as contemporary or folkloric music of a specific culture” (Kalani, p. 72). Robert Damm: It may be beneficial for a drum circle facilitator to introduce elements of African music for the sake of enhancing the musical skills, cultural knowledge, and social experience of the participants. PERCUSSIVE NOTES 8 JULY 2017 PERCUSSIVE NOTES 9 JULY 2017 cknowledging these distinctions, it may be beneficial for a drum circle facilitator to introduce elements of African music (culturally specific rhythms, processes, and concepts) for the sake of enhancing the musi- cal skills, cultural knowledge, and social experience Aof the participants in a drum circle.
    [Show full text]
  • Rock of Ages Part 3 751 曲、合計時間:2:09:29:58 、3.16 GB
    Rock of Ages part 3 751 曲、合計時間:2:09:29:58 、3.16 GB アーティスト アルバム 曲数 合計時間 21st Century Schizoid Band Live In Italy 1 7:06 808 State 24 Hour Party People 1 3:53 Adam F Colours 2 13:47 Future Soul 3 1 7:44 Afrika Bambaataa Dark Matter Moving At The Speed Of Light 1 5:02 Afrika Bambaataa Feat. Gary Numan & MC Chatt… Dark Matter Moving At The Speed Of Light 1 4:58 AFX Hangable Auto Bulb 2 9:57 Alan Parsons Project Eye In The Sky 1 7:18 Alice aLICE PERSONaL JUKE BOX 1 3:57 Viaggio in Italia 2 9:19 Amon Tobin (Cujo) Adventures In Foam 1 6:09 Andrea Bocelli Romanza 1 4:06 Sogno 1 4:44 Viaggio Italiano 1 3:13 Andrea Parker Kiss My Arp 2 11:13 Anekdoten From Within 3 15:36 Gravity 4 25:28 Nucleus (Remastered) 3 25:21 Vemod 4 30:34 Angela Aki Home 6 28:21 Kiss Me Good-Bye 2 10:03 Annie Haslam Annie Haslam 1 3:35 Annie Lennox Medusa 1 5:16 Anti Pop Consortium Tragic Epilogue 1 4:13 Aphex Twin ...I Care Because You Do 1 6:07 51/13 1 7:57 Classics 1 7:11 drukqs 3 5:17 drukqs (disc two) 3 4:58 Selected Ambient Works, Vol. II (Disc 1) 1 4:39 Apocalyptica Reflections 1 3:23 Apollo 440 Electro Glide in Blue 1 4:30 Aqualung Deep Blue 2 8:16 Arti E Mestieri Estrazioni 1 5:35 Asia Asia 2 8:39 Astor Piazzolla Piazzolla Original Soundtracks 1 4:49 The Balanescu Quartet Possessed 2 7:33 Band Aid 20 Do They Know It's Christmas? 1 5:07 Barratt Waugh I Love you, Goodbye 4 14:16 BEAT CRUSADERS SEXCITE 1 3:54 Beck Guero 1 3:22 Odelay 2 9:09 BEN FOLDS FIVE Reinhold Messner 1 3:23 Bice Cloudy Sky 1 4:00 Björk Homogenic 2 9:28 iTunes Originals - Björk 1 4:11 Bjork Selmasongs
    [Show full text]
  • LA MUSICA D'avanguardia (Provenienza Sconosciuta
    LA MUSICA D’AVANGUARDIA (provenienza sconosciuta!!) Presentazione Questo volume si propone di fornire una panoramica, la piu' aggiornata possibile, sui fenomeni musicali che esulano dalle correnti tradizionali del rock, del jazz e della classica, e che rappresentano in senso lato l'attuale "avanguardia". In tal senso l'avanguardia, piu' che un movimento monolitico e omogeneo, appare come una federazione piu' o meno aperta di tante scuole diverse e separate. Alcune costituiscono la cosiddetta "contemporanea" (capitoli 1-7), figlia dell'avanguardia classica; altre sono scaturite della sperimentazione dei complessi rock (capitoli 8-10); altre ancora appartengono al nuovo jazz, e non fanno altro che legittimare una volta per tutte il jazz nel novero della musica "intellettuale" (capitoli 11-13); la new age, infine, sfrutta le suggestioni delle scuole precedenti (capitoli 14-17). Piuttosto che un'introduzione generale ci sembra allora piu' opportuno fornire una presentazione capitolo per capitolo: 1. L'avanguardia popolare. Per avanguardia si intendeva un tempo soltanto l'avanguardia classica. A dimostrazione di come i tempi siano cambiati, questo libro e' in gran parte dedicato a musicisti che hanno le loro origini nel rock, nel jazz o nella new age. In questo primo capitolo ci proponiamo di fornire una panoramica storica sulla nascita dei movimenti musicali che hanno introdotto le novita' armoniche, acustiche, ideologiche su cui speculano tuttora gli sperimentatori moderni. Ci premeva anche trasmettere la sensazione che esista una qualche continuita' fra i lavori di Varese e Stockhausen (per citarne due particolarmente famosi) e i protagonisti di questo libro. 2. Minimalismo. La scuola minimalista degli anni Settanta era chiaramente delimitata.
    [Show full text]
  • MY VOICE, MY LIFE Directed by Ruby Yang
    Presented by: In association with: MY VOICE, MY LIFE Directed by Ruby Yang PRESS PACKET Running Time: 91 minutes Language: Cantonese with English subtitles Rating: IIA (Hong Kong) Theatrical Release: October 16, 2014 (Hong Kong) For More Info: www.myvoicemylifemovie.com www.facebook.com/mvmlmovie www.youtube.com/mvmlhk Contact: [email protected] MY VOICE, MY LIFE Synopsis Short Synopsis “My Voice, My Life,” a Hong Kong documentary directed by Oscar winner Ruby Yang, chronicles the trials and tribulations of a group of underprivileged middle and high school students as they underwent six months of vigorous training to produce a musical on stage. A life-affirming journey of self-discovery and growth, the stories of these young people will challenge every parent, teacher and policy maker to reflect on our way of nurturing the young. The film is presented by the L plus H Creations Foundation, in association with the Lee Hysan Foundation. 250-Word Synopsis Oscar-winning documentary filmmaker Ruby Yang’s newest film,My “ Voice, My Life” follows an unlikely group of misfit students from four Hong Kong middle and high schools cast in a musical theater performance. From low self-esteem to blindness, each student confronts unique personal challenges in the process of developing his or her character. Many of the musical theater troupe’s students come from Hong Kong’s underprivileged schools, which admit the territory’s academically underperforming students. Others come from a school for the blind that seeks to teach its students how to perform basic tasks and function in the sighted world. Bad boy Jason regularly cuts class, smokes, and is generally a troublemaker.
    [Show full text]
  • Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1.
    [Show full text]