Paul Cupido Hilversum - the Netherlands

Vijverhofstraat 34 3032 SN Rotterdam www.galeriesehnsucht.com

Photography as time machineInternational Photo Exhibition.

feb. 15 mar. 24 2018 Time machine Time machine international photo exhibition Febr., 14th 2018 - Mar., 24th 2018 Contents

Preface ...... 9

Catalogue ...... 11

About the Artists ...... 69

Next Exhibition ...... 77

Time machine

Print: Pumbo.nl Coverphoto: Harland Viney Designed by Studio Holalola

All rights reserved. This book is copyright material and may not be copied, reproduced in whole or in part, in any form without written permission from the publisher and/or photographers. PREFACE Preface

Time machine

“Photography is an art of tele- they could use their camera as working on a project “capturing porting the past into the future” timemachine. If they could give the present with the past”. He – Mehmet Murat Ildan (Turkish us a feeling of displacement in makes pictures of the modern 8 9 writer) time, simply by showing us their world, with an old 13×18 cm photographic work. Are photo- collodion camera, choosing For photographers, time is an graphers able to surprise us by subjects that would have been important concept. A photo- using old techniques capturing off interest for 19th century graph is a moment frozen in modern day subjects, or, on the travel guides. time, but its meaning changes contrary, using modern techni- in the future and the photo ques but in a strange, timeless, itself becomes part of the past. old fashioned manner? Can Photography is two hundred they combine old and new, years old now. During these making the future? This exhibi- centuries, the looks of the pho- tion will be about time – past, tographs have changed. When present and future. we see a photograph, we in- stinctly place it into some point The exposition shows our in time. Brown, black and white selection from the works. Guest are old, colour photographs are curator was Jeroen de Wijs. new. Sometimes we are right, He is a dedicated collodion sometimes wrong. photographer, and instructor at the Willem de Kooning Acade- We asked photographers if mie, Rotterdam. He is currently CATALOGUE Christian Arts Amsterdam - the netherlands

The Antikythera mechanism time, taken over by nature. It is was an ancient Greek analogue a metaphor for the power of our device, that was used to predict ratio, as well as its transience. 12 13 astronomical events like eclip- ses. It was discovered in 1902 in the wreck of a ship.

The mechanism is believed to be built around 150 bc. After its loss it took 1500 years before one was able to reach the level of knowledge and craftsman- ship necessary to create such a complex device again.

Christian Arts Antikytera, no. 1, 2018 The Antikythera mechanism C print (22x31 cm) on foam in was a time machine avant la passe-partout, framed € 175,00 (excl. vat) lettre: it could predict future Ed. 20 events, but it was also a sample of technology that was way Antikytera, no. 2, 2018 C print (22x31 cm) on foam in ahead of its time. This series passe-partout, framed depicts strange mechanic € 175,00 (excl. vat) Ed. 20 structures, decayed - lost in Arnoud Bakker Zeist - the netherlands

Arnoud Bakkers way of working would a test be without a might be best compared with a mouse. The skulls were digitally 14 mad professor who, in a archived and by means of a 15 timeless manner, searches for computerscreen Bakker made the limits of tangible light. contactprints on barytha paper, In his yought, Bakker roamed and followed the making around the woods in search of proces the analogue way: deve- owl pellets. At home, Bakker loping, rinsing, fixing, rinsing, carefully dissected his loot with toning and drying. matchsticks. Yesterdays owls In the end it is no shame to dinner - fragile bones and combine ‘newfangled’ practical fluffs of half a mouse colony, lay photography with the old spread at the table in order to crafted look and beauty of bary- determine and rank them. tha and chemical silver photo- Many years the tiny skulls were graphy. In Bakkers opinion it preserved in jars, safeguarded leads to the best of both worlds as a childhoods treasure. - and of both times. Arnoud Bakker In the course of time, Arnouds Mice, 2014 interests shifted from bones to Photocollage, silvergelatine on barytha, selenium photography, and one day toned with the mouseskulls were used for epoxy toplayer. € 1145,00 (excl. vat) photographic experiments - 100 x 102 cm. Ed. 1 which seamed logical for what Eva Bachmann London - united kingdom

Eva Bachmanns photographic time warp of the unchanged series are a visual inquiry into neighbourhood. 16 widely overlooked architectu- With the series Railway Arches, 17 ral elements. Like an urban Bachmann investigates visual archaeologist, she decodes the realms of accidental creativity language of mundane spaces, done unintentionally. Devoid of tracing cultural and historical people, these images serve as references through layers of a testament to creative proces- time. ses done by unsung workers. Tacked away from the busy streets of Hackney (London), she stumbled upon Andre Street, a small passage lined with railway arches. The sig- nage and the textured layers of overlapping paint reveal what is happening behind the closed doors when open for business - most of the arches are Eva Bachmann converted into car mechanic Railway Arches / Andre St E8, 2014 workshops. In their unpreten- Giclée print on dibond tious appearance, they seem 40 x 60 cm € 680,00 (excl. vat) time-less, as if one entered a Ed. 7 + AP 5 Martien van Beeck Ghent - belgium

Animals and anatomical speci- Limbo’ (2003). The pictures mens in glass jars defy the ‘nor- were also shown in several mal’ perception we have of a exhibitions in Belgium and 19 dead thing. Although these abroad. A selection of images creatures are literally dead, the was published in O.K. Periodi- process of decomposition has cals #5 / The Body Issue ( Arn- been halted and by this, their hem, The Netherlands, 2010). symbolic death has become suspended. In a sense the jars containing specimens are three-dimensional photographs. What had already been a ‘paralysed moment’, now becomes duplicated in the photo. The threedimensi- onal jar animals and people die a second time in the two-dimensional picture Van Beeck takes Martien van Beeck of them. Artificial life in a bottle Chamaeleo zeylanicus - 1880 (from the series ‘In Limbo’), 2001 is given an extension in the Giclée print on dibond photographic artefact. 19 x 52 cm These photographs were first € 350,00 (excl. vat) Ed. 6 published in a book called ‘In Saskia Boelsums Nieuw-Schoonebeek - the netherlands

As a visual artist and photographer, Boelsums carries a rich cultural heritage with her. 20 21 That is why she feels a strong connection to the Dutch tradi- tion of landscape painters. That rich history helped shape her. And at the same time it confronts her with the future. In the beauty that she tries to capture in her photographs, there is also uncertainty and something threatening. Boelsums sees the skies result of climate change. She is becoming more dramatic, the very aware of that tension. That Saskia Boelsums weather is becoming more ex- is what she captures. Dutch Landscape #11, 2017 treme with unexpected pheno- Canson infinity print 30 x 30 cm, framed mena, the climate is becoming € 900,00 (excl. vat) more violent. Ed. 10 + AP It looks like the classic historic >Dutch Landscape #28, 2017 Dutch landscapes and skies Canson infinity print 30 x 30 cm, framed are being pushed out by land- € 900,00 (excl. vat) scapes and skies that are the Ed. 10 + AP Peter Boersma Groningen - the netherlands

The works of Peter Boersma are combinations of pictures from old books and magazines 22 23 from times goneby. The col- lages come about with tenth of meters of adhesive tape and many layers of paper. The pictures he uses are almost randomly choosen for esthetic reasons. Layer for layer he gives the material a new con- text and a new meaning, trying to give life to his newly created worlds.

Peter Boersma Landscape 11 Collage, mixed media 30 x 30 cm € 475,00 (excl. vat) Jesse Budel The Hague - the netherlands

I REMEMBER ME, DANCING weeks, where he would spend AROUND MY GRANDMA’S the night at her home. Jesse 24 HOUSE, IN ONE OF HER could do whatever he wanted 25 OUTFITS to do, went to bed as late as he pleased, drank tea with sugar Two years ago, in 2015, Jesse and ate whatever he wanted Budels grandmother died. His to eat. This project is dedica- grandma accepted him the ted to Budels most vulnerable way he is and never judged him moment, in which he struggled because of his sexual prefe- with his sexual identity. A time rence. She always told him where he longed most eagerly she was the first who knew he to be in his grandmother’s pres- was gay. With her death, Budel ence and witness her creativity lost his safe haven. One of the and personality. memories he can immedia- tely recall is the one of himself dancing around his grandma’s house, in one of her outfits. A Jesse Budel significant moment from his I remember me, dancing around my grandma’s house, youth where he felt completely in one of her outfits, 2017 free. Another memory was a Matte print on dibond, 50 x 75 cm recurring occasion he had at his € 400,00 (excl. vat) grandmother’s house every two Ed. 1 van 5 + AP Ursula van de Bunte Elburg - the netherlands

Ursula is constantly looking for the moment when everything is right. Composition, light and 26 27 chemistry. The series PLASTIC VEGE- TABLES arose from the asto- nishment that food is largely packaged in plastic. She leaves the pre-packaged vegetables in the plastic and photographed it in the atmosphere of the Dutch Old Masters of the 17th century. Some people don’t even discover the anachronistic aspect in the picture. Apparently this packaging form belongs to the vegetable nowadays.

Ursula van de Bunte Cucumber, 2016 Giclée print on dibond 50 x 70 cm, framed € 950,00 (excl. vat) Ed. 5 Michael Chylinski Los Angeles - united states

Michael Chylinski feels that sort of poetry, one centered much of his creative work, around growth, innocence, time 28 whether in photography, writing and the passing of forms. 29 or music, ultimately centers around a sense of mystery, or something evocative and suggestive of realms beyond which we can easily see. He has curated projects dealing with vernacular (or “found”) photography, and is now working on a book with a publisher who last year re- leased a set of limited-edition prints (http://www.falllinepress. com/because-it-is-you-michael- chylinski-folio/). Michael states there, “these images with their Michael Chylinski fragments of text become a Patterns, 2016 Giclée print on aluminium new sort of poetry to us.” He 20 x 30 cm feels that that is what he is -- € 195,00 (excl. vat) somehow -- seeking here: a Ed. 20 Paul Cupido Hilversum - the netherlands

Theoreticians from fields as experience of time, go beyond diverse as geometry, theology, infinity? By pondering these 30 philosophy, mathematics and dizzying notions Cupido kept 31 physics have puzzled their feeling a sense of disquietude. heads about the concept of infi- Perhaps the infinite can only nity. Within a linear concept of amount to our interior lives, the time the infinite remains out never-ending journey of the of reach, whereas in a circular human imagination, the infinite conception – where the end wonders of mind and soul. New converges with the beginning – works are emerging from Paul infinity is an eternal cycle. We Cupido’s ongoing body of work already are inside (and part titled Searching for Mu, inspired of) the infinite, so to say. by playing on the themes of Related to Einstein’s theory time, space and the infinite, and of four-dimensional space- it is with these works that he time Cupido also wondered wishes to invite the audience to whether one could slow down somersault with him and take a time (as it does indeed seem leap of the imagination. Paul Cupido to slow down near a black Uh-huh, 2017 hole) and thus “hack” infinity? Archival Pigment Print Baryta 22,5 x 15 cm Could we, through decelerating € 275,00 (excl. vat) time or stimulating a different AP + ed. 2 Sander Foederer The Hague - the netherlands

On the 14th of May 1940, the silent witnesses of the bom- city centre of Rotterdam was bing and the equally important 32 almost completely destroyed decisions that were made 33 by the German Air Force. afterwards. The reflections of Shortly after, the city’s architect modernity are cast upon these W.G. Witteveen presented a historical buildings by the mo- plan for the reconstruction of dern constructions surrounding the city. This plan considered them today. the future needs of the city but also attempted to give the historical city centre back to the people of Rotterdam. Although initially accepted, it was ultimately replaced by a Sander Foederer The New City, I, 2017 new plan, focusing on the future Giclée print on aluminium and radically breaking with his- 40 x 60 cm € 400,00 (excl. vat) tory. In this new plan modernity, Ed. 5+AP strongly influenced by indus- tries, prevailed. The New City, II, 2017 Giclée print on aluminium Nowadays only a few buildings 40 x 60 cm remain to remind us of how the € 400,00 (excl. vat) city used to be and how it could Ed. 5+AP have become. They are the (inclusive dvd with video) Mariëlle Gebben Groningen - the netherlands

I bring you The Flux.

34 As an explorer I try to push the 35 boundaries of the mind. Physi- cally I am in the here and now, mentally I move straight through time and matter. My artworks are abstractions of an imaginary reality. I find inspiration in nature, the story of creation and astronomy. And this all started with a rabbit.

Mariëlle Gebben Only to see beyond the naked eye, 2017 Pigment print on dibond 70 x 46,5 cm € 660,00 (excl. vat) Ed. 5 Elisabeth Greve Amsterdam - the netherlands

With this photograph of the this abstract and dreamy visual Concertgebouw in Amsterdam language Greve wants to com- Elisabeth Greve intended to municate on an emotional and 36 37 transfer the Dutch capital from factual level and gives room to now till decades ago. Greve her thoughts, feelings and a dif- used a Mamiya RB 67 to ferent way of looking. capture the city’s Concert Hall, seen from the Lairessestraat. It was pouring that day. Using a very long shutter time she succeeded in giving a timeless feel to contemporary Amsterdam.

In her work Greve researches how she can peel off visible layers of reality, in order to find a touchable core. She reaches this effect by making a soft con- Elisabeth Greve nection between form and Concerthall, 2014 Giclée print on dibond colour through which loose ele- 30 x 20 cm ments, often in movement, blur € 333,00 (excl. btw) Ed. 7 + AP and merge together. With Phillip Hall-Patch Brighton - united kingdom

Phillip Hall-Patch explores in his work the origins of photographic history using salt 38 39 and silver nitrates with original hand printing techniques. These images show ephemeral salt sculptures - ie. sculptures made of salt blocks using water as the sculpting tool. The sculptures continue to change over time and are captured here as an image of a ‘moment in time’. The salt of the sculpture pictured was used both to

Phillip Hall-Patch prepare the paper and to fix the Salt landscape, 1, 2016 image - the salt of the sculpture Salted print on paper is therefore literally within the 32 x 42 cm, framed € 800,00 (excl. vat) paper of the image and used in Open Edition its representation.

Salt landscape, 2, 2016 Salted print on paper 32 x 42 cm, framed € 800,00 (excl. vat) Open Edition Harland Viney Bridport - united kingdom

The show works are part of the disrupted and a new story is series ‘Studies in temporality’. created, thereby altering the About her work Tara relationship we have to the 40 41 Harland Viney mentions on image. This allows a preca- her website:”Old photographic riousness into the depictions studio portraits are often and interpretations of the past. aesthetically beautiful pieces, The pervasive theme in all my and in contrast to our current artwork is the exploration of our era of ubiquitous digital forums, relationship to the natural world, Harland Viney The rising ruffle, 2017 offer a visual experience that and in turn, the awareness we Vintage photo, hand painted can only truly be appreciated have of our inner, instinctive, (aquarel) 77 x 103 mm, framed 36,5 x 41,5 cm when looking at the original animal selves. I am interested € 550,00 (excl. vat) image. The process of slowly in the ruptures that occur in Ed. 1 and meticulously painting over human behavior that belie our >> Jewelled armour, 2017 the photograph, to create a need to appear in control, and Vintage photo, hand painted unique artwork, allows a slo- hope that the artwork conveys (aquarel) 83 x 132 mm, framed 36,5 x 41,5 cm wing down of the pace of life a sense of doubt as to what it € 550,00 (excl. vat) and to reuse what has already means to be human.” Ed. 1 been created and consequently >>> A delicate arrangement, 2017 discarded. Vintage photo, hand painted Through reworking photographs (aquarel) 101 x 138 mm, framed 36,5 x 41,5 cm and reinventing the narrative, € 550,00 (excl. vat) the controlled depiction is Ed. 1 42 43 Pascale Hustings Zeist - the netherlands

How would it be if you were a The title of the series ‘Change- city lays in the use of polaroids changeling, if your memories ling’ is dear to Pascale Hustings and old childhood photos in are different than those told by which Pascale flashed herself 44 for it sounds poetic, fairytale- 45 your family; how would it be if like and dangerous. away. In all her projects, pho- you have to leave your home, In this series, which is still in tos and installations she wants what would you remember; progress, Hustings wants to to make the viewer experience how would it feel if you’d write take the beholder with her on time, form and scale in mul- in someone elses diary; what if a journey through this Change- tiple ways. Her work can be you were the alter ego - or the ling-story in which she askes either flat or 3dimensional, or lost princess; what if you’d wish herself questions about being be reused for a new image, in you weren’t you? human. order to appeal to the visual ability to orientate at the here The subtle way by which photos and now. Pascale Hustings can suggest, mislead and co- The suggestions Pascale Hus- Flying, from the series The operate are a source of inspira- tings makes can question the Changeling, 2017 way we relate to our perception Giclée print on dibond tion for Hustings. By combining 40 x 40 cm photos one can feel the emo- in the imaginairy world. € 500,00 (excl. vat) tional tone of each individual Ed. 5 +AP (polaroid) photo and in the whole one can Mirror, mirror on the wall, from the series The Changeling, 2017 follow the poetic thread that Giclée print on dibond stitches the story together. The 40 x 40 cm feeling of unicity is important for € 500,00 (excl. vat) Ed. 5 +AP (polaroid) Pascale. In this series the uni- Christian Klant Berlin - germany

Christian Klant used the wet plate collodion process for this 46 work. The silence of wet plate 47 photography creates for Klant a unique atmosphere, which greatly affects his landscapes. In that silence places in nature become beings with whom Klant enters into some sort of dialogue. He deeply engages with those places, experien- ces and explores them with all his senses, in search of their magic, their very nature – which he then captures in his photographs. It is important to him that depth does not necessarily need to be gloomy and morbid. He is looking for life in all its Christian Klant facets and therefore also shows Portal, no. 2, 2017 Giclée print the peaceful and luminous 40 x 50 cm, framed aspects of this world. € 1750,00 (excl. vat) Ed. 1 van 6 (+2AP) Jacqueline Louter-Hoos Delfgauw - the netherlands

Jacqueline Louter-Hoos is currently working on a series of flower still lives in the style of 48 49 the great epochs and styles in art and culture. In this work she (re)created a flower still life from the ‘rococo era’ with an abundance of found artificial flo- wers and birds from the recycle shop. The delicate colors and frivolous arrangement are reminiscent of this volatile pe- riod in time.

Jacqueline Louter-Hoos Rococo, 2018 Giclée print on dibond 75 x 95 cm € 695,00 (excl. vat) Ed. 7 Katya Pak Ekaterinburg - russia

The photos are part of the the Livadia Palace, located the house on the other shore, series “The house on the other on the coast of the Black Sea and peering into the darkness, 50 shore”. It is dedicated to the in Crimea. This palace is a trying to see a candle light in its 51 historical characters of the Ro- metaphor of the dream and the window. manov sisters, four daughters ultimate goal, which lives deep of the last tsar of Russia, who inside of all of the people and were killed by the revolutiona- living beings — a space of real ries in 1918 under the historical happiness, peace, a source version. of eternal light where we have In this photostory, the ‘’sisters’’ come from, and will return there are only a metaphor, an artistic one day, if we’d be able to image. There is no historical remember that. Like the “sis- reproduction here, nor is it Paks ters” on the pictures, we are the purpose to highlight any facts eternally young souls, in the Katya Pak >The endless moment or her attitude to the characters. white wearings from light, that >> Wind She would like the viewer to cannot be spoiled or polluted by >>> Autums is coming look at the photos as a philo- anything. But we are locked in >>>> Dream sopher and recognize himself the space of the never-ending All from the series and all of us in the “sisters’’. In autumn, where everything is ‘The House on the other shore’ 2017 real, Tatiana, Maria, Olga and temporary and is fading away, Giclée print on aluminium Anastasia had a dream: to stay like withered leaves. But we 40 x 60 cm and live in the beautiful place — are still remembering the home, € 450,00 (excl. vat) each Ed. 5 52 53 Caroline Penris Eenrum - the netherlands

Caroline Penris’ father had a own photography. The newly colourful uncle: a wine trader composed images show present 54 with a castle near Bordeaux, and past in stereo. Phantasy, 55 owner of Hotel de Zalm in The empathy and a sense for history Hague, lover of cigars, family are the tools by which uncle man and a fervent correspon- Dick makes his comeback. dence chess-player: Dick Mei- The photos are combined with ners (1880 - 1970). Between spoken sound fragments from 1912 and 1930 Meiners took a oom Dicks diary. lot of photos. Two wine boxes with colour photos and glass negatives, among which a lot of stereo photographs were kept in Penris’ fathers house for 65 years. They stood in the cellar, on the ceiling and under his bed. Now they are like a trove that needs to be seen. In her imagination Caroline fol- Caroline Penris lows the trail of his posthumous Oom Dick, 2017 Print on Awagami Kozo, memories. She combines the framed, 14 x 25 cm photos of oom Dick with her € 275,00 (excl. vat) each Ed. 5+AP Dieter Provoost Zeldegem - belgium

The work ‘Traces of caring’ - we left behind. The traces we taken in an abandoned hospital leave behind when we forget - is part of the series ‘The humanity, where it al started, 56 57 Traces we leave behind’. With when we forget the principles of this series Dieter Provoost life...and of photography. wants to give people a glimpse of the other side of the substi- tute culture we live in, abandoned buildings as if humanity disappeared in a flash, only to reappear in a new place, a new building. A clear sign that everything in our society has a limited expiration date. Traces that in our race to non-stop progress we have forgotten about, traces of our roots. With printing these works in cyanotype, Provoost is emphasizing Dieter Provoost Traces of caring, 2018 this; using an old nearly forgot- Cyanotype, framed ten printing method to deve- 56 x 76 cm lop a digital image of an old € 735,00 (excl. vat) Ed. 1 +AP abandoned building with traces Deborah Sfez Haifa - israel

Time this crook 58 This heartless machine 59 Changing faces and shapes Sometimes obedient and calm Sometimes feverish And Restless It simultaneously progresses On two planes Rhythmically Horizontally without mistrust Vertically It lingers Frivolous Like A Scarecrow Marionette. Deborah Sfez These existences of the past Childhood hours, no. 1 like Mummies in our lives Childhood hours, no. 2 Dead corps in black and white Giclée print Telling us a story 40 x 40 cm, framed We do not trust. € 850,00 (excl. vat) each Ed. 10 Helma Vlemmings Hoek van Holland- the netherlands

Helma Vlemmings is fascinated made photos that are very dear with form language of ordinary, to Helma. The poses of the often perceived ugly, beauty. actors are captured in an even 61 The Brionvega still #1 is made better way. She could capture with a Brionvega Algol tele- something she otherways would vision - a design of Marco not have found. Zanuso and Richard Sapper. This Italian brand - famous in the sixties and seventies, made iconic audio- and videopro- ducts: technically perfect and perfectly designed. Vlemmings owns one and during the final phase of her studies, in search of beautiful headshots, she sometimes spend hours watching this tv looking for that special ‘something’, for she didn’t dare to asked people to model for Helma Vlemmings Brionvega Still #1, 2015 her. She made great shots with Giclée print on dibond, her Canon Ixus or analogue 53,5 x 39 cm, framed € 1100,00 (excl. vat) Minolta. The combination of this Ed. 1 special tv and a rapid camera Daphne Wageman Obdam - the netherlands

By experimenting with hand- glance you notice his remar- crafted photography with ana- kable attire, for the young man 62 logue Dry Plate glass negatives perfectly fits in this setting of a 63 Daphne Wageman discovered majestic old house. her fascination for the imper- fect. In her portraits, she searches for the true person behind the mask that each person carries in pursuit of his own perfection. These vulnerable im- perfections, which makes each person unique, are reinforced by the chaotic chemical process of dry plate photography; Imperfection as a mirror of true identity.

In A man’s world the model wears a wearable art piece by Daphne Wageman A man’s world, 2016 Elise Drake. He stands delicate Giclée print on aluminium, and vunerable in his surroun- 50 x 70 cm € 995,00 (excl. vat) dings. But it is just at second Ed. 10 Jeroen de Wijs Beneden-Leeuwen - the netherlands

In his work Jeroen de Wijs an old camera. He wandered has returned to the essence of around modern times with the photography. He is an expert eyes and equipement of a 19th 64 65 in various 19th photographical century tourist, which led to processes - not only the history, some remarkable photos which but the theory, chemicals and initially put the viewer on the Jeroen de Wijs < N 40° 24’ 016” W 07° 34’ 034” the practice as well, and he wrong foot. (Penhas Douradas/Serra da Es- is famous for his big self-built trela, Manteigas, Portugal), 2013 mammoth plate camera. De Salted paper print 17x12 cm, framed 24x30 cm Wijs is fascinated by coinci- € 375,00 (excl. VAT) dence and real photographic AP + ed. 10 characteristics and uses them > N 38° 42’ 045” W 09° 09’ 022” to create his own wayward (Rua de Borges Carneiro/ Calçada images. da Estrela, Lisboa, Portugal), 2013 Salted paper print 16x12 cm, framed 24x30 cm For Jeroen is not using pho- € 375,00 tography-the-old-way to make AP + ed. 10 images-the-old-way. He is >> N 41° 09’ 007” W 08° 36’ 034” searching for modern images (Estação Trindade, Porto, Portu- gal), 2013 and comtemporary ways of Salted paper print, 16x12 cm, presenting them. framed 24x30 cm In this series Jeroen photograp- € 375,00 (excl. VAT) AP + ed. 10 hed in Portugal modern life with

66 67 68 ABOUT THE ARTISTS Christian Arts (godly) creator who by catching died painting as well as photo- Peter Boersma something personal; a memory, in Zwolle/ Netherlands) Christian Arts considers his light can cling to the volatility graphy at the Royal Academy Peter Boersma is a graphic a happening, a familymember work as a roadtrip through of life as if he ‘light stamps’ his in Ghent. His work has been designer and artist, graduated etc. The stories he tells are www.ursula-artphotography. an imaginary world, wherein subjects. exhibited internationally in gal- from the Academy Minerva by implication about himself com separate moments in real life Bakkers work has been publis- leries and museums, published in Groningen. For his artwork or a part of his youth. Budel are combined into new ones by hed a.o. in GUP and DNCHT often and he has been awarded he uses adhesive tape and/or a describes his photographs as Michael Chylinski making use of photomontages. and has been in show in vari- with several prices. sewing machine. He find his a search for sexual identity Michael Chylinski is a Los Arts graduated at the Fotoa- ous (inter)national galleries and inspiration in old object and and perfection; something he Angeles-based photograp- cademie Amsterdam in 2016. museums. www.martienvanbeeck.com documents, in withered books longed for in his own youth. her, musician and writer who During his studies and after- and fumbled magazines from The work he makes is for his formerly played drums in the wards his work was exhibited www.arnoudbakker.com Saskia Boelsums with he in layers creates new fourteen year old self; strug- acclaimed 1990s British indie and rewarded at several occasi- Saskia Boelsums was born in stories. His technique is original gling with his sexual identity band Drugstore and now works 70 ons, including Gup’s New Dutch Eva Bachmann Nieuwer-Amstel in the Nether- and unique. Boersma’s colla- and trying to find answers on as a photographer, using large 71 Photography Talent 2016, Eva Bachmann is a lens based lands. She grew up in Iran and ges have been exhibited in The difficult questions regarding format cameras with film as well Ibasho Gallery Antwerpen, Rot- artist. She lives and works in Curacao. Boelsums studied Netherlands and abroad. this. as the wet plate collodion terdam photo 2017. His work is London. Graphic and Spatial Design at process. His photos have been represented by Howitstarts art She studied fine art at the Chel- the Academy Minerva in www.hehallo.nl www.jessebudel.com published in Shots Magazine, gallery. sea College of Arts & Design in Groningen, the Netherlands. Porchlight and 7x7 as well as London. Her work has been Since 2013 she focuses on Jesse Budel Ursula van de Bunte on album covers, and his wet www.panencaphotography.com exhibited nationally and inter- photography and was given a Jesse Budel has a bachelor of Ursula van de Bunte gradua- plate work has been exhibited nationally and has also been great number of nominations photography from the Royal ted in 2017 from the Fotovak- at the A Smith Gallery in Arnoud Bakker published often, in hard copies and prizes. Saskia is a member Academy of Arts in The Hague. school in Photographic Design Johnson City, Texas. He won Arnoud Bakker, who studied at as well as on-line. of DuPho, Dutch Photograp- Despite being a young photo- and won the audience award a jurors award in 2016 at the the AKI in Enschede, can best hers, an association of professi- grapher his work already has with the series “It’s a matter of Rayko Photo Center in San be described as an esthetic www.evabachmann.co.uk onal photographers. Her works been on show in multiple Time”, which is about the fear of Francisco for a photo taken with romantic. Bakker works like an has been part of many exhibiti- exhibitions in The Netherlands. losing her lover. Her work has a Holga toy camera. A piece photo-alchemist, experimenting Martien van Beeck ons around the globe and was He has done internships/assis- been exposed at multiple exhi- of his short fiction writing ap- with time, light, chemicals and Martien van Beeck lives and published several times. Saskia ting photographers Deen bitions and art projects in the peared in Joyland Magazine in cameras in order to give his works in Ghent, Belgium. He is is awarded for her still life pho- van Meer and Arjan Benning Netherlands. 2016 and was published in their subjects and photos ‘eternal an artist working within different tography. and self published his pho- Ursula has her own studio and year-end “best-of” book. life’. He is constantly in search media; photography, graphic tography. His photography teaches Photography at the He holds Bachelor’s and of ideal beauty, feeling like a work, painting. Van Beeck stu- www.saskiaboelsums.nl projects always start with CIBAP (school for imagination Master’s degrees in Philosophy from the University of Leuven in Sander Foederer Foederer regularly works for light to continue her quest for a Phillip Hall-Patch and publications in the UK Belgium. Sander Foederer has a MA both national and international perfect world. Eric Bos, jour- Born in Iran in 1971, Phillip and abroad and she has been in photography from the AKV clients. Although his personal nalist of ‘Het Dagblad van het Hall-Patch is a British con- awarded several times for her http://moderntintype.photo/ Sint Joost in Breda, a BA in and commissioned work often Noorden’ wrote about her work: temporary artist of mixed work. photography from the Fotoa- differ in motivation and concept, “Sometimes it is like we are heritage and ethnicity, working Paul Cupido cademie in Amsterdam and he enjoys combining the two, witnessing the birth of a planet.” at the boundaries of art and www.harlandviney.com Paul Cupido’s work is con- an BA in Fine Art and Design keeping both practices sustai- architecture. Through a multi- cerned with and reflects upon teaching training. His work has nable and inspired. www.mrll.nl disciplinary approach exploring Pascale Hustings the quest for inner peace, in the been on show in several gal- installations, sculpture and pho- Pascale Hustings graduated at knowledge that quiet resigna- leries around the world and is www.sanderfoederer.nl Elisabeth Greve tography, Phillip investigates the Fotoacademie Amsterdam tion is usually followed by rene- published in main Dutch news Elisabeth Greve is a profes- the tensions between transi- in 2016. In her photobased ima- wed turmoil. From inside life’s papers. His work is nominated Mariëlle Gebben sional creative photographer. ence and stability through ges Pascale makes the viewer 72 paradoxes, Cupido searches for for various awards. Mariëlle Gebben is a visual Living, loving and working in ephemeral and time-based in a new way aware of time, 73 beauty in the transient. Interwo- Foederers practice is centered artist from the Netherlands. She Amsterdam, the Netherlands. works. form and space. Her work can ven processes of searching and upon the fundamental and po- holds a master’s degree in Art She graduated from the Fotoa- be 2- or 3dimensional, or even making constitute his versatile tentially extraordinary act of and Art Management from the cademie Amsterdam in 2016. www.philliphall-patch.co.uk reused in a new image. Pascale approach to photography and perceiving the world around us. University of Groningen and Greve was an Honorable Mem- Hustings combines photos to other media. Time and light, and how they graduated in May 2017 with ber at London Photo Festival. Harland Viney her own view in such a way In 2017, Cupido graduated cum connect to inner experience, honours from the Fotoacademie (feb. 2017), Abstract Nominee Tara Harland Viney has a BA that they appael to your visual laude from the Fotoacademie are his main areas of research. Amsterdam. She is a resear- for professionals Fine Art Pho- Fine Art (hons) First Class from abillities in order to orientate Amsterdam with the first install- Other key themes include: the cher, an explorer, fascinated tography Awards (april 2017), Bath Spa University and the you. The suggestions Hustings ment of his ongoing multimedia aesthetics of the everyday, so- by the scale of life and the infi- Honorable Mention for profes- University of Tasmania. She make can raise questions about project Searching for Mu. He cial geography, and art’s ability nite universe. She feels close to sionals Fine Arts. International finds craft and surprise make the way we relate to our vision was awarded an artist-in- to represent the transcendent. adventurers, who unravel Photo Festival (oct. 2017), and up a good artwork and that is in an imaginairy world. Pascale residence at the Belfast Photo His recent projects focus on mysteries and expose new Winner Photomed 2017. She what she does. She paints on is featured as a New Dutch Festival 2017 and the Hariban natural phenomena and how worlds on a daily basis, and to is awarded Dutch Photography found photographs, makes Photography talent 2018 in Juror’s Choice in Japan. they affect the experience of authors of fiction. She creates a Talent 2018. New Photo and large photographic prints that Gup. GUP Magazine included his daily life in a direct and primal possible reality, called The Flux, was part of the book and expo- look like drawings, combines work in New Dutch Talent 2018. way, namely within the highly which she explores under the sition. found imagery/photographs and www.pascalehustings.nl structured urban environment. guidance of her soft toy rabbit. experiments with print and www.paulcupido.nl Aside from pursuing personal In her photo studio she uses www.elisabethgreve.nl film. Harland Viney’s work has Christian Klant photography and film projects, paper, water, ink, paint and found it way to many exhibitions Christian Klant’s career as a professional photographer niques such as platin/palladium Caroline Penris he was hooked on digital photo- Photography and Video in all terns and people on the move. started after studying business and carbon printing. Caroline Penris works as a graphy, but that he missed the their creative configurations. That’s how she shows beauty administration and being a spe- His work is shown internation- graphic designer and photo- proces of developing his pic- She calls herself a visual writer in the world. After all, Helma cialist for analyzing corporate ally and in 2014 his first book grapher. She graduated from tures. He missed the time put using words and images, with a wants to make a statement. culture, consulting and coa- „100 Wet Plates – 100 Words“ the Sint Joost Academie in in making the ‘actual’ photo. camera as extended eye. She She participated in many pro- ching. Moving to Berlin brought was published. Breda. She uses digital as well The complete art of the analo- studied French and English Li- jects combining art and society. major changes and he started as large format cameras. gue photography and printing terature at Haifa University and working as a photographer - not www.christian-klant.de The last one inspires her to a never ceases to amaze him. Fashion Design in ESMOD Pa- www.straz.nl quiet a strange move for some- different kind of work, she calls After seeing the movie ‘Silver ris, and Scenery and Costume one who held his first camera Jacqueline Louter-Hoos slow photography. and Light’ online, Provoost Design at Rakefet Levi school Daphne Wageman at the age of five. In front of his Jacqueline Louter - Hoos is a Caroline is a storyteller. She of- concluded that there was much Scenery and Costume Design Daphne Wagemans photograp- lens back then: the nature and seasoned photographer and ten uses photo material that al- more to discover than only the in Tel Aviv. Deborah has been hy journey began at an early 74 people around him. Later on artist. She graduated from the ready exists from times goneby dark room development. The exhibiting her photography age. She always wondered how 75 he started immersing himself Fotoacademie in 2011 and had which she intuitively combines old analogue printing methods, and video work in Israel, Paris, she could capture the picture in meditation, yoga and other multiple exhibitions yearly ever with other images. The viewer the proces of development and Germany and Belgium in the which she had in mind. practices that taught him to take since, showing her 2D and 3D can wonder and dream away at following the correct recipes to last five years, and won several The capturing of emotion and a look behind the scenes. His artworks. the results. Her work has been make your own fluids; he sees photography and art prizes. feeling is an important aspect fascination for the essence sha- published and been on show it as time travel through the of her style of photography. ped his perception of the world. www.jaxpix.nl in various Dutch museums and wonderful world of photography www.deborah-s-artist.com Daphne strives to capture Since then he is using his eye institutes. with constant new discoveries the subject with respect and for the essentials behind the ca- Katya Pak in this old and unfortunately Helma Vlemmings integrity, while yielding a serene mera. Looking for a technique Katya Pak is a photographer www.carolinepenris.nl often forgotten art. Dieter Pro- Helma Vlemmings graduated ambience. that would allow him to create and artist from Ekaterinburg, www.oomdick.nl voost’s work has been shown in from the Willem de Kooning She studied for typographic the most possible depth in his Russia. She graduated from the exhibitions in Belgium and the Academie in 2005. She creates designer, (photo) stylist and at images he found his medium: Ural State University of Archi- Dieter Provoost Nethelands. still photos and installations last as conceptual photograp- the wet plate collodion process. tecture and Art in 2013 speciali- Dieter Provoost was found by with image or language. She her. She is specialized in fine To him that process means zing in graphic design. Katya is the photography bug when he http://www.eyeslikepics.be is fascinated with form langu- art photography and portraits the rediscovery of slowness, involved with painting, illustra- travelled the Pyrenees, since age of ordinary, often perceived on glass with an analogue Dry the photographic path to the tion, subject design and photo- then the passion has only Deborah Sfez ugly, beauty. Plate technique. more subtle realities. Klant also graphy. grown. After three years in a Deborah Sfez is an Israel artist Without technical intervention started working with numerous technical photography course born in 1964, mainly working in but touched by its emotion, she www.daphnewageman.com historical fine art printing tech- www.katyapak.com he came to the conclusion that Israel, focusing on the fields of creates images of order, pat- Jeroen de Wijs After studying biochemistry, Jeroen de Wijs studied Photo- graphic Design at the Konink- lijke Academie voor Beeldende Kunst in The Hague. He started his career as applied photographer under the name Mudar, making photographic images for people, companies and insti- tutions. But because of his passion for education, the history of 76 photography, crafts and content 77 his career took another turn. Je- roen now works as an instructor at the Willem de Kooning Aca- demie in Rotterdam and has his own artist and research studio. He has turned back in time to the beginning and the essence of photography, using 19th century photographically processes. Fascinated by coincidence and pure photographical characteristics De Wijs creates with this form of ‘writing with light’ his own wayward images.