DOCSLIB.ORG

Brazilian Photographer Wins Manchester's Creative Tourist, The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Brazilian Photographer Wins Manchester's Creative Tourist, The Brazilian Photographer Wins Manchester’s Creative Tourist, The Art of the City competition Submitted by: prandsocial Monday, 1 March 2010 Manchester Museums Consortium campaign Creative Tourist (http://creativetourist.com) today announced the winner of its open photography competition The Art of the City (http://www.flickr.com/groups/theartofthecity), which received over 1200 entries via its Flickr group. Winning image STOP (http://www.flickr.com/photos/sousa/4140886423/in/pool-theartofthecity) by Brazilian photographer Luciano Bernardes, was a unanimous choice by the judges who called the image, “inspirational – what street photography is all about”. Luciano, 32, developed an interest in photography around seven years ago and went on to undertake a bachelors in photography, he now also runs a small business as a photo retoucher. The winning photo was one of several he submitted to the competition and was taken while he was working as a photography intern, for an NGO in San Paulo. Explaining he said, “To me this image represents my feeling of being on the street, before the picture I liked to sit still watching the street, now I take the camera for a walk with me”. Commenting on the competition Susie Stubbs, editor of Creative Tourist (http://creativetourist.com) and one of the three judges, said, “We were blown over by the quality of the entries, it was incredibly difficult to choose a winner and runners-up but we all loved Luciano’s image for the way it captures the essence of everyday city life”. This image, along with the three runners-up (http://www.flickr.com/photos/40080249@N02/galleries/72157623533361336), Manchester at night, Red Hoardings and Art of Decay will all be included in a limited edition creativetourist.com postcard set. --ends Notes to editors: The competition judges were Christian Payne photography, video and social technology expert (otherwise known as @documentally), Paul Herrmann, professional photographer and Director of Redeye, the North West’s photography network and writer Susie Stubbs who edits creativetourist.com, creativetourist.com is an online magazine and a series of city guides that has been put together by Manchester Museums Consortium, a group of nine museums and galleries in Manchester. creativetourist.com, with its mix of exclusive features, interviews, arts news and city guides, allows readers to discover more about what’s happening in the city, uncover its outstanding cultural programme and collections, and perhaps come to be as passionate about Manchester as its inhabitants. Download the 2010 programme on a handy planner at www.creativetourist.com Manchester Museums’ Consortium is Cornerhouse, Imperial War Museum North, The Lowry, Manchester Art Gallery, The Manchester Museum, (MOSI) Museum of Science & Industry, People’s History Museum, Urbis and Page 1 The Whitworth Art Gallery. Between 2009 and 2011, these venues are working together to stage an impressive, interlinked programme of international exhibitions, openings and events. They are able to do this because of the financial support of the Northwest Regional Development Agency, which is funding the Consortium through its Raising the Game programme, a regional investment scheme that supports product and service development to drive tourism and increase sustainability. Manchester Museums Consortium is supported by Renaissance North West, as part of Renaissance in the Regions, the Museums, Libraries & Archives Council’s national scheme to transform England’s regional museums, while it also relies on the help of Visit Manchester to deliver its wider tourism communications programme. Page 2 Distributed via Press Release Wire (https://pressreleases.responsesource.com/) on behalf of prandsocial Copyright © 1999-2021 ResponseSource, The Johnson Building, 79 Hatton Garden, London, EC1N 8AW, UK e: [email protected] t: 020 3426 4051 f: 0345 370 7776 w: https://www.responsesource.com.
Load more

Recommended publications
  • CV FIU Aug 2017
    Patel, Alpesh Kantilal 2-Sep-17 CURRICULUM VITAE ALPESH KANTILAL PATEL DEPARTMENT OF ART AND ART HISTORY EDUCATION PhD University of Manchester Art History and Visual Studies Apr 2009 Manchester, England BA Yale University History of Art (with distinction) Sep 1997 New Haven, Connecticut FULL-TIME ACADEMIC EXPERIENCE Florida International University Associate Professor (with tenure), Aug 2017− Miami, Florida Contemporary Art and Theory Assistant Professor, Aug 2011− Contemporary Art and Theory Jul 2017 Affiliate Faculty, Jun 2013− Center for Women’s and Gender Studies present Affiliate Faculty, Aug 2014− African and African Diaspora Program present Other academic affiliations Cranbrook Academy of Art Critical Studies Fellow Sep−Dec Bloomfield Hills, Michigan 2016 University of Fine Arts Fulbright Scholar Jun−Aug Poznań, Poland 2016 Adam Mickiewicz University Fulbright Scholar, Fall 2015 Poznań, Poland Art History Department New York University Visiting Scholar, Sep 2010− New York City Center for Gender and Sexuality May 2011 NONACADEMIC EXPERIENCE New Museum of Executive Assistant, Director’s Office Jan 2002− Contemporary Art May 2005 Clinica Estetico and Assistant to Film Producer Ed Saxon Sep 2000− Magnet Entertainment Dec 2001 Patel, Alpesh Kantilal 2-Sep-17 Whitney Museum Special Projects Coordinator, Jan−Aug of American Art Director’s Office 2000 Whitney Museum Catalog Coordinator Jun 1999− of American Art (Film/Video Section), Jan 2000 2000 Biennial Exhibition Whitney Museum Curatorial Research Assistant, Dec 1998− of American Art “The American Century: Art and Culture, May 1999 1950−2000” Exhibition/Catalog RoseLee Goldberg Research Assistant for Author’s Sep 1998− Books: Laurie Anderson (Abrams, Mar 1999 2000) and Performance Art: Live (part-time Art since 1960 (Abrams, 1998) from Jan) Jack Tilton Gallery Codirector Jun-Aug 1998 From Sep 1997 to Sep 1998: Winter 1998 (part-time): Photography Traffic Coordinator, Photonica Winter 1998 (part-time): Curatorial Intern, Solomon R.
    [Show full text]
  • The Democratic Image Online Projects Exhibitions Workshops Commissions Events 2 About Look 07
    THE DEMOCRATIC IMAGE ONLINE PROJECTS EXHIBITIONS WORKSHOPS COMMISSIONS EVENTS 2 ABOUT LOOK 07 LOOK 07 WAS CONCEIVED BY REDEYE AND IS A PROGRAMME OF ACTIVITIES CONCERNED WITH THE REVOLUTION IN PHOTOGRAPHY. AS CAMERA OWNERSHIP IS SKYROCKETING WORLDWIDE, LOOK 07 DESCRIBES WHAT PEOPLE ARE SAYING WITH THIS NEW LANGUAGE; WHO’S MAKING THE MOST INTERESTING PICTURES NOW; WHO’S LOOKING AT THEM; HOW THE PUBLIC IS USING PHOTOGRAPHY AS A NEW MEANS OF EXPRESSION AND THE PLACE OF THE PROFESSIONAL PHOTOGRAPHER IN ALL THIS. LOOK 07 IS… A SYMPOSIUM WORKSHOPS The Democratic Image Symposium investigates the Look 07 brings together photographers, artists and revolution in photography with some of the world’s non-professionals for exciting projects that will be top speakers on the subject. exhibited in galleries and online. ONLINE WORK COMMISSIONS Look 07’s online gallery, Flickr gallery and blog New work commissioned from a broad range of keep the conversation going. photographers and artists will make its mark upon the city. It will also lead to an open competition. EXHIBITIONS A large number of new, lens-based exhibitions will EVENTS span Greater Manchester, many tying in with the An engaging mix of gallery talks and special symposium’s theme of The Democratic Image. events celebrate different aspects of photography. WHO’S SUPPORTING LOOK 07? Look 07 gratefully acknowledges the support of the We would also like to thank our media partners, Arts Council of England, the Association of Greater The Associated Press and Metro newspaper, and Manchester Authorities, Manchester City Council, our new media supporter, Manchester Digital the Paul Hamlyn Foundation and Redeye – The Development Agency with funds from the ERDF.
    [Show full text]
  • CV—Alpesh K. Patel/ Page 1 of 6
    ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference,
    [Show full text]
  • 2001: University of Manchester
    CLASSICAL ASSOCIATION ANNUAL CONFERENCE THE UNIVERSITY OF MANCHESTER WEDNESDAY 18 APRIL - SATURDAY 21 APRIL 2001 CA 2001 CONFERENCE INFORMATION The CA Conference in 2001 will be hosted by the University of Manchester, and will form part of the celebrations of the 150th anniversary of the University, which was originally founded as Owens College in 1851 and became the first of England’s great civic universities. Programme CA 2001 offers a programme of exceptional variety. Several panels will focus on the theme of ‘setting the agenda for the twenty-first century’, as advertised in the Call for Papers: ‘Computers and the Classicist’; ‘Classics without Greek and Latin: the future for teaching and research’; ‘Shifting Boundaries: Classics and other disciplines’; ‘Plato after Plato’; ‘Personal Identity’; ‘Fragments’; ‘Ancient Ideas of Freedom’. In addition panels will be offered on: § Semiotics and Greek Literature § The History of Classics § Poetic Identity § Ancient Music § Old Age § Folklore § Romanisation and Other Interactions § Ancient Religion § Late Ovid § Greek Tragedy As you can see from the enclosed programme, our three plenary sessions with distinguished guest speakers will also address some of the highlighted themes. They include the Presidential Address by Professor T.P. Wiseman. In addition, this year, there will be a performance of Lyric Poetry in Greek and Latin. A welcoming reception will be held on Wednesday, 18 April, in the newly refurbished galleries of the Manchester Museum. The main Conference Centre, where all other scheduled events will take place, is at Hulme Hall, Oxford Place, Victoria Park, Manchester M14 5RL. Accommodation for delegates will be on site at Hulme Hall and, if needed, at nearby Dalton Ellis Hall.
    [Show full text]
  • Thurs 25 March Additional Programme Information 090310
    From the Margins to the Core? Conference Additional Programme Information Day 2 - Thursday 25 March 2010 Connecting or Competing Equalities? 09.30-09.50 Title: Diversity and cultural policy This presentation will suggest how contemporary concerns with diversity and difference present particular challenges for mainstream art historical and curatorial practice. It will locate Dr Leon Wainwright’s own practice, which overlaps historical research, collaborations with museums and galleries, and curatorial work. Briefly, he will set out the broader intellectual background on which the concept of ‘margins and core’ has emerged in the academy, and suggest why opportunities for exploring transnationalism may also become the site of ‘competing equalities’. The examples for this range from the institutional life in Britain of World Art Studies, and two exhibitions in Liverpool in 2010. Chair: Dr Jo Littler, Senior Lecturer in Media and Cultural Studies at Middlesex University As well as being the Senior Lecturer in Media and Cultural Studies at Middlesex University, Jo Littler is co-editor, with Roshi Naidoo, of The Politics of Heritage: The Legacies of Race (Routledge 2005), author of Radical Consumption? Shopping for change in contemporary culture (Open University Press, 2009) and an associate editor of Soundings. Speaker: Dr Leon Wainwright, Senior Lecturer in History, Art & Design, Manchester Metropolitan University Leon Wainwright is Senior Lecturer in the History of Art and Design at Manchester Metropolitan University, Visiting Fellow at the Yale Center for British Art, a member of the editorial board of the journal Third Text, and Guest Curator, with Reyahn King, of Aubrey Williams Atlantic Fire (Walker Art Gallery, Liverpool, 2010).
    [Show full text]
  • Building Key Key P
    T S BAR ING S D TREET N L EE E R I G F K R IC I D W 35 Cordingley Lecture Theatre A RD A F 147 Building key A Key 86 Core Technology Facility Manchester Piccadilly Bus 78 Academy Station stop B 42 Cosmo Rodewald ERRY S cluster 63 Alan Gilbert 47 Coupland Building 3 83 Grove House 16 Manchester 53 Roscoe Building 81 The Manchester 32 Access Summit Concert Hall T Campus buildings Learning Commons 31 Crawford House 29 Harold Hankins Building Interdisciplinary Biocentre 45 Rutherford Building Incubator Building Disability Resource 01 Council Chamber cluster 46 Alan Turing Building 33 Crawford House Lecture 74 Holy Name Church 44 Manchester Museum cluster 14 The Mill Centre (Sackville Street) 01 Sackville Street Building University residences Theatres 76 AQA 80 Horniman House cluster 65 Mansfield Cooper Building 67 Samuel Alexander Building 37 University Place 37 Accommodation Office 51 Council Chamber cluster (Whitworth Building) 3 10 36 Arthur Lewis Building 867 Denmark Building 35 Humanities Bridgeford 42 Martin Harris Centre for 56 Schunck Building 38 Waterloo Place 31 Accounting and Finance A cluster cluster Principal car parks 6 15 P 68 Council Chamber 75 AV Hill Building T 41 Dental School and Hospital Street Music and Drama 11 Weston Hall 01 Aerospace Research E 54 Schuster Building (Students’ Union) E 30 Devonshire House AD 40 Information Technology 25 Materials Science Centre Centre (UMARI) 73 Avila House RC ChaplaTinRcy RO 59 Simon Building 84 Whitworth Art PC clusters S SON cluster 31 Counselling Service 2 G 70 Dover Street BuildWinAg
    [Show full text]
  • How to Write a Press Release
    How to Write a Press Release Published by All About Audiences 2010 This useful guide explains what you should include on a press release to ensure it grabs the attention of the recipient. It includes a generic template you can use, along with two annotated examples of a press release and photo opportunity. The Audience Agency is a not-for-profit organisation created out of the merger between All About Audiences and Audiences London Plus in 2012. © The Audience Agency 2012 Example Press Releases Generic template YOUR ORGANISATION’S LOGO PRESS RELEASE Date of issue YOUR TITLE SHOULD ATTRACT ATTENTION AND MAKE IT CLEAR WHAT THE PRESS RELEASE IS ABOUT The first paragraph should summarise what, where, who and when. Subsequent paragraphs should give more detail about your story. The second last paragraph could be a quote from someone relevant to support the press release. The last paragraph can be used to reinforce any key points or provide any additional information not important enough to go at the beginning. ENDS For further information and images contact : Provide the name, email and telephone number of the person the media should contact for more information. Notes to Editors : This section is not essential, but you may find it useful to provide more general information, such as a description of what your organisation does. 17 March 2011 Comment [c1]: This is the date the press release was PRESS RELEASE FOR IMMEDIATE RELEASE issued to the media. Comment [c2]: This states The Evolutionist: A Darwin Extravaganza at The Manchester Museum that it is a press release – making its purpose clear.
    [Show full text]
  • MANCHESTER STUDENT GUIDE Contents
    UCFB MANCHESTER STUDENT GUIDE Contents 4 Travel 4 Tourism 6 Shopping If it's your first time in Manchester, 8 Supermarkets or you haven't lived in a major city before, then it can be rather daunting 8 Bars, Pubs & Clubs to get around. We've put together 10 Sport & Fitness some key information to help you settle in this amazing city. 15 Health 2 3 Travel & Tourism Remember to purchase your ticket before you get on a tram, or tap in and out on the touchpads and validate your ticket, otherwise you can be fined on the spot. Travel Tourism If it's your first time in Manchester, or you ◆ Etihad Campus to Belle Vue/Speedway: ◆ National Football Museum: haven't lived in a major city before, then it can be rather daunting to get around. New travel From Alan Turing Way (stop F) take the 53 The name explains it all. If there’s anything systems, locations, destinations, routes etc can bus to Pottery Lane (stop B). For specific you didn’t know before about football you all make it difficult to get out and about. Below, bus and tram times or for alternate routes will come out knowing about the history of we've put together some key information on and journeys please visit Transport for the game. Opening times: important routes to help you settle in this Greater Manchester and use their ‘Plan my amazing city: journey’ service. Mon-Sun. 10am-5pm. Address: Urbis Building, Cathedral Gardens, Todd Street, ◆ Unite Piccadilly to Etihad Campus: *Remember to purchase your ticket Manchester M4 3BG.
    [Show full text]
  • Architecture Program Report 2009
    ARCHITECTURE PROGRAM REPORT 2009 UNIVERSITY OF CALIFORNIA, BERKELEY College of Environmental Design, Department of Architecture MASTER OF ARCHITECTURE DEGREE UNIVERSITY OF CALIFORNIA, BERKELEY ARCHITECTURE PROGRAM REPORT 2009 College of Environmental Design, Department of Architecture MASTER OF ARCHITECTURE DEGREE ………………………………………………………………………………………………………………………………………………….……………………………………………………………………………………………………………………………………………………...... TABLE OF CONTENTS 1. INTRODUCTION TO THE PROGRAM 5 1.1 HISTORY AND DESCRIPTION OF THE INSTITUTION ………………………………………… …....7 1.2 INSTITUTIONAL MISSION……………………………………………………………………….... ...11 1.3 PROGRAM HISTORY……………………………………………………………………….……… . …13 1.4 PROGRAM MISSION………………………………………………………………………….…..... .15 1.5 PROGRAM SELF-ASSESSMENT……………………………………………………………………. ... 16 1.5.1 PROGRAM STRENGTHS ........................................................................................... ……….17 1.5.2 CHALLENGES WITHIN THE M.ARCH PROGRAM .................................................................. ..27 1.5.3 THE FUTURE: OPPORTUNITIES, STRATEGIES AND PROPOSED INITIATIVES ................................... 29 2. PROGRESS SINCE THE PREVIOUS SITE VISIT 31 2.1 SUMMARY OF RESPONSES TO TEAM FINDINGS……………………………………................ 33 2.1.1 RESPONSE TO CONDITIONS UNMET .................................................................................. 33 2.1.2 RESPONSE TO “CAUSES OF CONCERN” ............................................................................. 39 2.1.3 RESPONSE TO CONCERNS REGARDING CONDITIONS GENERALLY
    [Show full text]
  • Chapter 4 URBAN REGENERATION CITY of MANCHESTER
    Chapter 4 URBAN REGENERATION CITY OF MANCHESTER Table of Contents 4.1 Introduction .............................................................................................................. 4 4.2 Brief History of Manchester: City Profile ........................................................ 4 4.2.1 Post-Industrial Shift ............................................................................................... 4 4.2.2 Greater Manchester Regional Structure................................................................. 5 4.2.3 Creating a Centre: Ongoing Management of Growth in the Manchester Core ..... 5 4.3 Castlefield ................................................................................................................. 7 4.3.1 Background............................................................................................................ 7 4.3.2 Decline of the 1950's and 1960's............................................................................ 8 4.3.3 Regeneration - Urban Heritage Park...................................................................... 8 4.3.4 Key Projects of the Regeneration Programme - Results........................................ 8 4.3.4.1 Redevelopment of the Middle Warehouse (Castle Quay) ......................................................... 8 4.3.4.2 Slate Wharf ................................................................................................................................9 4.3.4.3 Merchants' Warehouse.............................................................................................................
    [Show full text]
  • Communities and Equalities Scrutiny Committee – 10 October 2019
    Manchester City Council Report for Information Report to: Communities and Equalities Scrutiny Committee – 10 October 2019 Subject: Manchester Art Gallery’s Update Report of: Director of Manchester Art Gallery and the Strategic Director of Neighbourhoods Summary This report details Manchester Art Gallery’s programme, reach and social impact during 2018/19 and 2019/20 within the context of our strategic plan. Recommendations The Committee is recommended to approve the contents of the report. Wards Affected: All Manchester Strategy outcomes Summary of the contribution to the strategy A thriving and sustainable city: We provide support for the creative economy supporting a diverse and through our public programme, training and distinctive economy that creates development opportunities for young people, and jobs and opportunities contribute to economic growth and prosperity of Manchester by championing creativity, supporting creative industries, and through cultural tourism. A highly skilled city: world class We develop and nurture skills within our workforce and home grown talent sustaining and support the development of skills and creativity the city’s economic success of Manchester residents through our programme of events, workshops, activities and exhibitions. A progressive and equitable city: The gallery aims to support individuals, families and making a positive contribution by communities achieve best outcomes through a unlocking the potential of our programme that brings people together, communities encourages creative decision-making, and delivers public projects that generate social capital. A liveable and low carbon city: a We will continue to make Manchester Art Gallery destination of choice to live, visit, (including Platt Hall and Queen’s Park) a green and work sustainable organisation, and attract a diverse population to our public programme from within and outside the city to promote and celebrate Manchester as a city with a strong, healthy culture and environment.
    [Show full text]
  • A History of the University of Manchester Since 1951
    Pullan2004jkt 10/2/03 2:43 PM Page 1 University ofManchester A history ofthe HIS IS THE SECOND VOLUME of a history of the University of Manchester since 1951. It spans seventeen critical years in T which public funding was contracting, student grants were diminishing, instructions from the government and the University Grants Commission were multiplying, and universities feared for their reputation in the public eye. It provides a frank account of the University’s struggle against these difficulties and its efforts to prove the value of university education to society and the economy. This volume describes and analyses not only academic developments and changes in the structure and finances of the University, but the opinions and social and political lives of the staff and their students as well. It also examines the controversies of the 1970s and 1980s over such issues as feminism, free speech, ethical investment, academic freedom and the quest for efficient management. The author draws on official records, staff and student newspapers, and personal interviews with people who experienced the University in very 1973–90 different ways. With its wide range of academic interests and large student population, the University of Manchester was the biggest unitary university in the country, and its history illustrates the problems faced by almost all British universities. The book will appeal to past and present staff of the University and its alumni, and to anyone interested in the debates surrounding higher with MicheleAbendstern Brian Pullan education in the late twentieth century. A history of the University of Manchester 1951–73 by Brian Pullan with Michele Abendstern is also available from Manchester University Press.
    [Show full text]