Course Description Essential Questions Learning Outcomes

Total Page:16

File Type:pdf, Size:1020Kb

Course Description Essential Questions Learning Outcomes SUMMER STRETCH 2018 INVESTIGATIVE AUDIO JOURNALISM: PODCASTING THE INTERSECTION OF SCIENCE & CULTURE Instructor: Cara Stoddard Email: [email protected] Sieg Hall, Room 225 Course Description This course is for students who love reading and storytelling and want to learn to combine their writing skills with their use of digital media to record and edit their own podcast episode about a local issue of their choosing. Students will read about popular scientific topics (ranging from biomimicry in engineering to animal cognition) and the myths that have historically shaped American culture (ranging from school integration to Japanese internment camps to gender pronouns) and then choose their own unique angle on one the topics introduced in the readings to research more in-depth. From there, students will conduct and record an interview with a member of their community who lends a unique perspective on that topic. Students will study the stylistic components that set podcasts apart from talk radio and, using their interview as a springboard, they will combine and edit audio clips in Audacity to tell their own unique story. Essential Questions 1. What is unique about my own perspective on the world? What is unique about my voice? 2. What is the value of oral storytelling to modern day? 3. What do podcasts offer listeners that is different from what written texts offer readers? 4. How is presenting an argument in the form of a podcast episode similar to and different from presenting an argument in the written form? How does a podcast host’s style affect listeners in similar or different ways than a writer’s voice affects their readers? 5. How is the act of editing audio for a podcast similar to the writing process of drafting and making multiple revisions? Learning Outcomes Students will expand their understanding of: Social justice issues including racism, ableism, and gender stereotypes Oft-overlooked architecture & design in the human-built world; end-of-life medical care; and conservation issues related to hunting ethics, animal domestication, and animal cognition Developing their own authorial voice / persona as a podcast host Students will develop skills for: Research (including interviewing), pitching stories, and understanding data / converting data into a story Editing and combining audio using open source software Performing a close reading (for both written and audio texts) Investigative Audio Journalism Syllabus 2 Instructional Strategies In-class time is designed to fit both extroverted and introverted students’ learning styles. For this reason, socratic seminars and fishbowls will be balanced out with one-on-one conversations (students in pairs) and independently (written-in-class) reflections. As a class, in small groups, and independently students will be practice analyzing written and audio texts on multiple levels in order to look beyond just the subject matter and notice the writer’s / host’s technique (examine the “wiring behind the walls” or “way the argument is structured”). Students will also have the opportunity to showcase their own learning by playing their final podcasts in front of a live audience on the last day of class. Parents and family are invited to attend this Celebration of Learning potluck, starting at 12:30pm on Thurs July 26th in our classroom. Families may bring a snack or treat to share (optional). Please do NOT plan to arrive early, as students will be working hard to finalize their podcasts for this presentation. Student Assessment Students’ preparedness for class is the single-most important factor for a rewarding and enhancing experience in this summer enrichment class. Completion of the daily assigned readings/podcast listenings and posting to the online classroom Discussion Boards is mandatory. In the spirit of promoting a growth mindset instead of a fixed mindset, every student who participates in the Discussion Board will receive the same grade; but each will receive individualized (and private) holistic feedback on their post from me or one of my TAs. What I am looking for from these Discussion Board posts is engagement with both the topicality (themes and essential questions) of the assigned readings or podcasts and with the craft techniques deployed by the writer or podcast host / interviewer. Additionally, I encourage students to practice their analysis skills in these Discussion Board Posts by referring to specific lines from the assigned reading or podcast (with time stamps for audio texts) as illustrative examples. The online forum is designed to be an extension of the classroom where students can be themselves (talk informally as they would on social media) and build relationships with their classmates socially; however, it is important to remind students that they are not anonymous on these Discussion Boards. Respect and kindness are mandatory. Any posts deemed disrespectful or trollish will be deleted and, for the first offense, the student will have a chance to re-post. Second or more offenses of disrespectful language or trolling in the online classroom discussion forum will simply receive a zero. Students will submit (via email) one major assignment per week. All assignments are due by 9pm on Fridays and are graded on a credit / no credit basis. That means, all assignments submitted on time that meet the minimum requirements (including word count and # of quotes from outside text) will receive full points. What is most valuable about doing these assignments is the qualitative written feedback you will receive from me. Any assignment that is submitted on Friday after 9pm will be given 75% credit. Any assignment submitted after Friday but by Sunday at midnight will receive 50% credit and will be returned up to 7 days later than classmates’ work that was submitted on time. Any assignment submitted after Sunday the week it was assigned will not be graded or returned with feedback and will receive a zero. Additionally, any assignments submitted on time but that are short of the minimum word count / time length (for Guggenheim Annex Box 351630 Seattle, Washington 98195-1630 206-543-4160 [email protected] http://RobinsonCenter.uw.edu Investigative Audio Journalism Syllabus 3 audio assignments) or missing any of the other required components will be given partial credit according to the percentage of missing work. For their final project, students will create their own 5 to 10-min podcast about a topic of their choosing. Each podcast will incorporate an interview the student conducted themselves as well as references to at least two other studies or experts in the field. Final podcasts will range from personal narrative to more objective journalism. All media used in final podcasts must be creative commons license. All students will play their podcasts and talk about their process in front of an audience of their family and friends in a Celebration of Learning on the last day of class—Thursday July 26 at 12:30pm. Students whose podcasts are not finished in time for the Celebration of Learning will play what they have (in process). Parents are invited to (but not required to) bring light refreshments. Attendance Since this class only meets three days a week, missing even one class could result in missing important instruction and having holes in student learning. The way this course is scaffolded, one day’s in-class activities build on the previous day’s discussions of podcast’s styles and techniques. Producing a podcast over the course of only 15 class periods is already hugely ambitious. For this reason, please be mindful of how absences detract from setting your student up to succeed: that is how multiple absences might affect your student’s ability to complete their podcast project on time and, more importantly, diminish their personal satisfaction with the work they have produced. Resources and Materials Please bring the following each day: Smartphone or other handheld audio recorder (avoid using an iPad or tablet) Laptop computer with charger (avoid sending your student with an iPad or tablet in lieu of a laptop) Course packet (provided on the first day of class) and folder or 3-ring binder Sack lunch and snack (or lunch money to use in the HUB) Earbuds or headphones Tentative Course Schedule Date Essential Question In-Class Activities Homework Day 1 What tricks and techniques Eduardo Briceno “The Choose a minimum do authors and radio hosts Power of Belief”; of three Mon use to endear readers / RadioLab “Colors” and RadioActive Youth June 25 listeners to their first half of “American Media podcast perspective? Football” episodes to listen to and post to student Blair Braverman “Useless discussion board Bay” and Jill Christman “The Sloth” Guggenheim Annex Box 351630 Seattle, Washington 98195-1630 206-543-4160 [email protected] http://RobinsonCenter.uw.edu Investigative Audio Journalism Syllabus 4 Day 2 Does language shape / Nancy Mairs’ “On Being A Read Robin Wall influence our perception? Cripple.” RadioActive Kimmerer “Asters Tues Youth Media Field Trip and Goldenrod” June 26 and Workshop. and “Grammar of Animacy” and post Lexicon Valley “When to student Nouns Grew Genitals” and discussion board “When English Lost Its Genders” Day 3 How does a podcast host’s Youth Radio “Foster Care” Submit Voice style affect listeners in and “Immigration.” Lars Analysis by Fri Thurs similar or different ways Eigner’s “On Dumpster June 29 at 9pm. June 28 than a writer’s voice affects Diving” their readers? RadioLab “Border Trilogy Part 1,” TAL “We Are in the Future” Act II “Past Imperfect,” 99% Invisible “Pagodas & Dragon Gates” and “Manzanar” Assignment Voice Analysis—Submit an 800-word, typed voice analysis of the host or 1: narrator of the assigned audio or written texts from this week. More details TBA. Day 4 How do journalists More or Less: Behind the Peruse Humans of responsibly (and Stats Puerto Rico & This New York on Mon irresponsibly) use statistics American Life “Mush Facebook or July 2 to tell a story? Polling” Instagram and post to student Guest Speaker Jevin discussion board.
Recommended publications
  • Looking for Podcast Suggestions? We’Ve Got You Covered
    Looking for podcast suggestions? We’ve got you covered. We asked Loomis faculty members to share their podcast playlists with us, and they offered a variety of suggestions as wide-ranging as their areas of personal interest and professional expertise. Here’s a collection of 85 of these free, downloadable audio shows for you to try, listed alphabetically with their “recommenders” listed below each entry: 30 for 30 You may be familiar with ESPN’s 30 for 30 series of award-winning sports documentaries on television. The podcasts of the same name are audio documentaries on similarly compelling subjects. Recent podcasts have looked at the man behind the Bikram Yoga fitness craze, racial activism by professional athletes, the origins of the hugely profitable Ultimate Fighting Championship, and the lasting legacy of the John Madden Football video game. Recommended by Elliott: “I love how it involves the culture of sports. You get an inner look on a sports story or event that you never really knew about. Brings real life and sports together in a fantastic way.” 99% Invisible From the podcast website: “Ever wonder how inflatable men came to be regular fixtures at used car lots? Curious about the origin of the fortune cookie? Want to know why Sigmund Freud opted for a couch over an armchair? 99% Invisible is about all the thought that goes into the things we don’t think about — the unnoticed architecture and design that shape our world.” Recommended by Scott ABCA Calls from the Clubhouse Interviews with coaches in the American Baseball Coaches Association Recommended by Donnie, who is head coach of varsity baseball and says the podcast covers “all aspects of baseball, culture, techniques, practices, strategy, etc.
    [Show full text]
  • Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
    Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters.
    [Show full text]
  • 9Th Grade Ela
    9TH GRADE ELA Week of: MAY 11TH WICHITA PUBLIC SCHOOLS 9th, 10th, 11th and 12th Grades Your child should spend up to 90 minutes over the course of each day on this packet. Consider other family-friendly activities during the day such as: Learn how to do laundry. Create a cartoon image Make a bucket list of Look up riddles to Wash the laundry, of your family. things to do after the solve with someone fold and put the quarantine is over with in your family. laundry away. your family. Mindful Minute: Write Do a random act of Teach someone in your Put together a puzzle down what a typical day kindness for someone in family to play one of your with your family. was like pre-quarantine your house. video games. and during quarantine. How have things changed? *All activities are optional. Parents/Guardians please practice responsibility, safety, and supervision. For students with an Individualized Education Program (IEP) who need additional support, Parents/Guardians can refer to the Specialized Instruction and Supports webpage, contact their child’s IEP manager, and/or speak to the special education provider when you are contacted by them. Contact the IEP manager by emailing them directly or by contacting the school. The Specialized Instruction and Supports webpage can be accessed by clicking HERE or by navigating in a web browser to https://www.usd259.org/Page/17540 WICHITA PUBLIC SCHOOLS CONTINUOUS LEARNING HOTLINE AVAILABLE 316-973-4443 MARCH 30 – MAY 21, 2020 MONDAY – FRIDAY 11:00 AM – 1:00 PM ONLY For Multilingual Education Services (MES) support, please call (316) 866-8000 (Spanish and Proprio) or (316) 866-8003 (Vietnamese).
    [Show full text]
  • Biomedical Innovations and the Question Of
    ENGL 1101: Biomedical Innovations and the Question of Ethics Writing and Communication Program School of Literature, Media, and Communication Georgia Institute of Technology, Fall 2017 Section G1 MWF 12:20-1:10 in Clough 123 http://www.cnn.com/2013/08/07/health/henrietta-lacks-genetic-destiny/index.html Courtney A. Hoffman, PhD [email protected] / 009-15 Stephen A. Hall Bldg Office hours: MWF 11:00-12:00 or by appointment Class website: http://blogs.iac.gatech.edu/hoffmanfall2017/ NB: EMAIL IS MY PREFERRED METHOD OF COMMUNICATION Subject Line: Please begin every subject line for your email message with “ENGL 1101:G1” COURSE DESCRIPTION Utilizing texts that question, challenge, and document changes in biomedicine and the ethical considerations of such innovation since the 1950s, students will hone their skills in rhetorical practices across multiple modes of communication. This class will seek to emphasize the importance of communication skills in the dissemination of information about these new and exciting technologies. These will include written projects, visual essay design, journal blog posts, presentations with visual components, and a group research project culminating in a podcast episode. Innovations in biomedicine seem to appear almost daily on the evening news, on radio broadcasts, across our newsfeeds, and in fictional narratives. From gene therapy to designer babies, therapeutic uses of blood doping to scandals in cycling, the effects of scientific 2 advancement and their engagements with existence as we know it permeate facets of our lives, some of which we might not even realize. As we consider what drives these developments and what are the underlying ethical implications of pushing the boundaries of the human, students will design, create, and communicate their ideas on the subject through various modes and media.
    [Show full text]
  • Inaccurate Interpretations: "Sometimes Behaves So Strangely"
    Share Report Abuse Next Blog» Inaccurate Interpretations My incredibly biased, and most likely wrong, view of the world Home Wednesday, 26 January 2011 Twitter Updates Just started playing "Sometimes behaves so strangely" @SupergiantGames Bastion, it really is fantastic, and If you read my first blog post, you would have seen that I want to become a radio super charming. Wish I'd got producer, so I figured it was about time I made a post about some audio-related stories. the soundtrack now. 1 day ago This first story is one I first heard on WNYC's Radiolab. Radiolab is a radio program Follow me on Twitter broadcast on NPR in America and is available as a free podcast for the rest of the world. Chances are, if you continue to read this blog, that you will see a lot more posts based on Radiolab stories. The reason for this is because they are no small part of my inspiration for radio production. You know how bassists may look up to Victor Wooten as the apex of Followers bass technique, or some guitarists fantasize about standing on stage next to Joe Satriani and his beautifully bald head? Well, that's how I feel about this show. If I had the Join this site opportunity to work for them, I'd sell my family home for plane tickets. with Google Friend Connect Members (4) Already a member? Sign in Blog Archive ▼ 2011 (13) ► March (5) ► February (4) ▼ January (4) "Sometimes behaves so Pictured: Beauty incarnate. The bald kind. strangely" Synchronicity What me and the Pope have in common Choosing Blog Names About Me Crimsai Not Pictured: Happy fingertips View my complete profile But anyway, this somehow leads me to this first story.
    [Show full text]
  • Hacker Culture & Politics
    HACKER CULTURE & POLITICS COMS 541 (CRN 15368) 1435-1725 Department of Art History and Communication Studies McGill University Professor Gabriella Coleman Fall 2012 Arts W-220/ 14:35-17:25 Professor: Dr. Gabriella Coleman Office: Arts W-110 Office hours: Sign up sheet Tuesday 2:30-3:30 PM Phone: xxx E-mail: [email protected] OVERVIEW This course examines computer hackers to interrogate not only the ethics and technical practices of hacking, but to examine more broadly how hackers and hacking have transformed the politics of computing and the Internet more generally. We will examine how hacker values are realized and constituted by different legal, technical, and ethical activities of computer hacking—for example, free software production, cyberactivism and hactivism, cryptography, and the prankish games of hacker underground. We will pay close attention to how ethical principles are variably represented and thought of by hackers, journalists, and academics and we will use the example of hacking to address various topics on law, order, and politics on the Internet such as: free speech and censorship, privacy, security, surveillance, and intellectual property. We finish with an in-depth look at two sites of hacker and activist action: Wikileaks and Anonymous. LEARNER OBJECTIVES This will allow us to 1) demonstrate familiarity with variants of hacking 2) critically examine the multiple ways hackers draw on and reconfigure dominant ideas of property, freedom, and privacy through their diverse moral 1 codes and technical activities 3) broaden our understanding of politics of the Internet by evaluating the various political effects and ramifications of hacking.
    [Show full text]
  • Podcasting As Public Media: the Future of U.S
    International Journal of Communication 14(2020), 1683–1704 1932–8036/20200005 Podcasting as Public Media: The Future of U.S. News, Public Affairs, and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the United States that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. The article concludes that currently, the public podcast ecology in the United States maintains some immunity from the most immediate threats, but there are also underappreciated threats to it, both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes a commercially viable part of the media landscape, are its public service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing not only a range of podcasting practices, but also an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, and one that deserves attention and even protection. This analysis contributes to the burgeoning literature on Patricia Aufderheide: [email protected] David Lieberman: [email protected] Atika Alkhallouf: [email protected] Jiji Majiri Ugboma: [email protected] Date submitted: 2019‒09‒27 Copyright © 2020 (Patricia Aufderheide, David Lieberman, Atika Alkhallouf, and Jiji Majiri Ugboma).
    [Show full text]
  • Complexity, Big Data Science, and Happiness
    Complexity, Big Data Science, and Happiness Complexity, Big Data Science, and Complexity Introduction Emergence Happiness Universality Symmetry Breaking Discrete Days, St. Michael’s College, 2011 The Big Theory Revolution: Big Data & Complex Networks Nutshell Measuring Peter Dodds Happiness Tweetage Mechanical Turk Department of Mathematics & Statistics References Center for Complex Systems Vermont Advanced Computing Center University of Vermont 1 of 83 Complexity, Big Outline Data Science, and Happiness Complexity Complexity Introduction Emergence Introduction Universality Symmetry Breaking Emergence The Big Theory Revolution: Big Data & Universality Complex Networks Symmetry Breaking Nutshell Measuring The Big Theory Happiness Tweetage Revolution: Big Data & Complex Networks Mechanical Turk Nutshell References Measuring Happiness Tweetage Mechanical Turk References 2 of 83 Complexity, Big Definitions Data Science, and Happiness A meaningful definition of a Complex System: Complexity Introduction Emergence I Distributed possibly networked system of many Universality Symmetry Breaking interrelated parts with no centralized control The Big Theory Revolution: Big Data & [2] Complex Networks exhibiting emergent behavior—‘More is Different’ Nutshell Measuring Happiness A few optional features: Tweetage Mechanical Turk References I Nonlinear relationships I Presence of feedback loops I Being open or driven I Presence of memory I Modular (nested)/multiscale structure I Opaque boundaries 4 of 83 Complexity, Big Data Science, and Happiness Complexity Examples of Complex Systems: Introduction Emergence Universality Symmetry Breaking The Big Theory I human societies I animal societies Revolution: Big Data & Complex Networks Nutshell I cells I disease ecologies Measuring I organisms I brains Happiness Tweetage Mechanical Turk I power systems I social insects References I weather systems I geophysical systems I ecosystems I the world wide web I i.e., everything that’s interesting..
    [Show full text]
  • Radiolab Punto It
    Radiolab punto it Roberta Fulci Master in Comunicazione della Scienza Scuola Internazionale Superiore di Studi Avanzati Relatrice: Elisabetta Tola Trieste, 12 Dicembre 2013 Anno accademico 2012/2013 A Trieste, e a chi l'ha vissuta con me Indice Introduzione v La radio e il web: ascolto on demand e nuove opportunit`aper comunicare la scienza . v Radiolab, il bello della differita . vi 1 Radiolab, a show about curiosity 1 1.1 Uno show . 3 1.2 La storia . 4 1.3 Target e diffusione . 5 1.4 Struttura: episode e short . 7 1.5 I ruoli . 9 1.5.1 Jad Abumrad, accidental scientist . 9 1.5.2 Robert Krulwich: this is Don Roberto reporting . 10 1.5.3 Condurre in due . 12 1.5.4 Lo staff al completo . 14 1.6 Temi . 15 1.6.1 Radiolab e l’attualit`a. 16 1.6.2 Quanta scienza c'`edavvero? . 17 1.6.3 Gli ospiti . 17 1.7 Stili ed espedienti tecnici . 19 1.7.1 La sigla . 19 1.7.2 La musica come mezzo narrativo . 21 1.7.3 Il teatro . 21 1.7.4 Le storie . 23 1.7.5 I credits . 25 1.8 La produzione . 25 1.8.1 I finanziamenti . 25 1.8.2 Il making of . 26 1.9 Evoluzione . 27 1.10 Critiche, controversie e punti deboli . 28 1.10.1 Il valore scientifico . 28 iii 1.10.2 La vicenda delle piogge gialle . 29 1.10.3 I guai di Jonah Lehrer . 31 1.10.4 L'uso del dramma .
    [Show full text]
  • (Edited by Sydney Lewis) Jad Abumrad
    The Transom Review Volume 12/Issue 4 Jad Abumrad September 2012 (Edited by Sydney Lewis) Jad Abumrad The Transom Review–Vol.12/ Issue 4 Intro from Jay Allison It’s not everyone who manages to design new modes of storytelling. Jad, with his pal Robert Krulwich, have invented ways of blending sound and voice into something musical–both familiar and strange, primal and sophisticated. In his Transom Manifesto, Jad reflects on the birth of Radiolab, the ways we discover things without realizing it, the difficulty of changing, and the burdens of geniushood. You can hear early mock-ups, seminal conversations, inspirational moments, and thoughts about what to do next. Jad recently won a MacArthur Fellowship and it’s brave of him to speak publicly, since all expectations from now on will be unreasonable, but this is very good stuff. Come check it. The Terrors & Occasional Virtues of Not Knowing What You’re Doing Anyone who knows me knows that much of the time, I have very little idea what the hell I’m doing. Sometimes by design, sometimes not. Choosing that character flaw as my topic was the only way I could get comfortable with the idea of writing a manifesto. A bit of background… The MacArthur Foundation (http://www.macfound.org/programs/fellows/) recently made a terrible mistake and awarded me a fellowship, a so-called “genius” grant. It’s a wonderful honor that comes with many benefits but also a small curse, which is that people suddenly expect you to be smarter than you are. To talk like a genius.
    [Show full text]
  • Frankfurt 2017
    foreign rights Frankfurt 2017 www.thegernertco.com JOHN GRISHAM #1 New York Times bestseller • Published in 40 languages • 375+ million books in print 24 October 2017 #1 New York Times bestselling author John Grisham’s newest legal thriller takes you inside a law firm that’s on shaky ground. Mark, Todd, and Zola came to law school to change the world, to make it a better place. But now, as third-year students, these close friends realize they have been duped. They all borrowed heavily to attend a third-tier, for-profit law school so mediocre that its graduates rarely pass the bar exam, let alone get good jobs. And when they learn that their school is one of a chain owned by a shady New York hedge-fund operator who also happens to own a bank specializing in student loans, the three know they have been caught up in The Great Law School Scam. But maybe there's a way out. Maybe there’s a way to escape their crushing debt, expose the bank and the scam, and make a few bucks in the process. But to do so, they would first have to quit school. And leaving law school a few short months before graduation would be completely crazy, right? Well, yes and no . Pull up a stool, grab a cold one, and get ready to spend some time at The Rooster Bar. John Grisham is the author of thirty-one novels, one work of nonfiction, a collection of stories, and six novels for young readers. He lives in Virginia and Mississippi.
    [Show full text]
  • Local Environmental Leaders to Be Interviewed Live with Radiolab Co-Host Robert Krulwich at the Pantages Theater January 22
    FOR IMMEDIATE RELEASE: January 12, 2016 MEDIA CONTACT: Mariesa Bus, Marketing Assistant Manager Phone: 253.573.2507 | Email: [email protected] | Web: BroadwayCenter.org Local Environmental Leaders to be Interviewed Live With Radiolab co-host Robert Krulwich At the Pantages Theater January 22 Sponsors: MultiCare, Immanuel Presbyterian Church | Media: KUOW, KPLU Tacoma, Wash. – A panel of four local environmental leaders will discuss Northwest water issues in an interview format live with the co-host of a popular NPR science podcast as part of the show Inside Radiolab with Robert Krulwich on January 22, 2016 at 7:30 p.m. at Tacoma’s Pantages Theater. Tickets start at $19 and are on sale now. RadioLab is one of the most popular podcasts – played on more than 450 NPR stations, and downloaded over 4 million times. For the first part of this event, co-host Robert Krulwich will discuss the inner workings of the smash hit, shedding light on what makes his work examining big questions in science, philosophy, and the human experience so compelling. In the second portion of the event, Krulwich will lead an interview discussion on the earth’s most precious resource: water. The local panel of environmental leaders will explore current challenges facing the region’s water supply, as well as the concept of One Water. An audience Q & A with Mr. Krulwich and the panelists will follow. Panelists include: Joel Baker Professor, University of Washington and Science Director, Center for Urban Waters in Tacoma Professor Joel Baker holds the Port of Tacoma Chair in Environmental Science at the University of Washington Tacoma and is the Science Director of the Center for Urban Waters in Tacoma.
    [Show full text]