Ramayana Brief Introduction
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Return of the Gods - the Cambodia Daily
10/12/2015 Return of the Gods - The Cambodia Daily Return of the Gods by Michelle Vachon | October 10, 2015 Over the past few years, Leang Seckon has been using his art to explore the turmoil that engulfed every Cambodian in the 1970s and ’80s. This started with his series “Heavy Skirt,” named after the garment that his mother used to wear, patching it over and over again in the early 1970s as their village in Prey Veng province was being bombed. Leang Seckon and his mixed media artwork, ‘Indochina War,’ in his studio in Phnom Penh (Jens https://www.cambodiadaily.com/weekendtag/return-of-the-god-97003/ 1/5 10/12/2015 Return of the Gods - The Cambodia Daily Welding Ollgaard/The Cambodia Daily) Now, with the mural‐size works he created for his first New York exhibition next week at the Sundaram Tagore Galleries, Mr. Seckon will seek to bring artistic closure to those decades of misery, using the recent repatriation of a looted Cambodian antiquity to symbolize the spiritual end of decades of civil war. In May, a 10th‐century statue of the Hindu monkey deity Hanuman, which is believed to have been looted from the Koh Ker temple complex in the 1960s, was returned by the Cleveland Museum of Art. For Mr. Seckon, having Hanuman back home means that the country is again under the protection of the deity. One of the most cherished figures in the country’s mythology, Hanuman plays a prominent role in the Reamker, Cambodia’s version of the Indian epic tale Ramayana. -
CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana
CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana 1.2 Valmiki Ramayana‘s Importance – In The Words Of Valmiki 1.3 Need for selecting the problem from the point of view of Educational Leadership 1.4 Leadership Lessons from Valmiki Ramayana 1.5 Morality of Leaders in Valmiki Ramayana 1.6 Rationale of the Study 1.7 Statement of the Study 1.8 Objective of the Study 1.9 Explanation of the terms 1.10 Approach and Methodology 1.11 Scheme of Chapterization 1.12 Implications of the study CHAPTER – I INTRODUCTION Introduction ―The art of education would never attain clearness in itself without philosophy, there is an interaction between the two and either without the other is incomplete and unserviceable.‖ Fitche. The most sacred of all creations of God in the human life and it has two aspects- one biological and other sociological. If nutrition and reproduction maintain and transmit the biological aspect, the sociological aspect is transmitted by education. Man is primarily distinguishable from the animals because of power of reasoning. Man is endowed with intelligence, remains active, original and energetic. Man lives in accordance with his philosophy of life and his conception of the world. Human life is a priceless gift of God. But we have become sheer materialistic and we live animal life. It is said that man is a rational animal; but our intellect is fully preoccupied in pursuit of materialistic life and worldly pleasures. Our senses and objects of pleasure are also created by God, hence without discarding or condemning them, we have to develop ( Bhav Jeevan) and devotion along with them. -
The Creative Choreography for Nang Yai (Thai Traditional Shadow Puppet Theatre) Ramakien, Wat Ban Don, Rayong Province
Fine Arts International Journal, Srinakharinwirot University Vol.14 issue 2 July - December 2010 The Creative Choreography for Nang Yai (Thai traditional shadow puppet theatre) Ramakien, Wat Ban Don, Rayong Province Sun Tawalwongsri Abstract This paper aims at studying Nang Yai performances and how to create modernized choreography techniques for Nang Yai by using Wat Ban Don dance troupes. As Nang Yai always depicts Ramakien stories from the Indian Ramayana epic, this piece will also be about a Ramayana story, performed with innovative techniques—choreography, narrative, manipulation, and dance movement. The creation of this show also emphasizes on exploring and finding methods of broader techniques, styles, and materials that can be used in the production of Nang Yai for its development and survival in modern times. Keywords: NangYai, Thai traditional shadow puppet theatre, Choreography, Performing arts Introduction narration and dialogues, dance and performing art Nang Yai or Thai traditional shadow in the maneuver of the puppets along with musical puppet theatre, the oldest theatrical art in Thailand, art—the live music accompanying the shows. is an ancient form of storytelling and entertainment Shadow performance with puppets made using opaque, often articulated figures in front of from animal hide is a form of world an illuminated backdrop to create the illusion of entertainment that can be traced back to ancient moving images. Such performance is a combination times, and is believed to be approximately 2,000 of dance and puppetry, including songs and chants, years old, having been evolved through much reflections, poems about local events or current adjustment and change over time. -
Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr
[ VOLUME 2 I ISSUE 3 I JULY – SEP. 2015 ] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr. M. Sivanandam Professor, Department of Electronics and Communication Engineering, Sri Chandrasekharendra Saraswathi Viswa Mahavidyalaya, Kanchipuram- 631 561, Tamil Nadu. Received Aug. 20, 2015 Accepted Sept. 10, 2015 ABSTRACT Rama went on exile for 14 years. At the end of 12th year, near Panchavadi, Sita was abducted by Ravana. Rama with the help of Hanuman located Sita at Ashoka Vatika, Sri Lanka. To reach Sri Lanka, Nala and Vanara sena constructed a sea bridge from Dhanuskhodi, India to Thalaimannar, Sri Lanka with 35 Km length and 3.5 Km width in 5 days with local trees, rocks and gravels. At Sri Lanka Rama killed Ravana and returned with Sita to Ajodhya. The sea bridge with largest area, constructed 1.5 million years before is still considered an engineering marvel. Key words: Rama, Sita, Ravana, Hanuman, Ashoka Vatika, Nala, Rama Setu. 1. Introduction In Tredha Yuga the celestials troubled by They spent 12 years in the forest peacefully demons, especially Ravana, the king of Sri but towards the end of the exile when they Lanka, appealed to Lord Vishnu who agreed moved to Panchavadi near present to take a human incarnation to annihilate Bhadrachalam, Andhra Predesh Sita was Ravana. Rama was born to king Dasharatha of abducted by Ravana by Pushpaga Vimana [3]. Khosala Kingdom [1]. Rama decided to fulfill Figure 1 shows the places of travel during the promise of his father to Kaikeyi, step exile. -
Aglittering Coronation Took Place in the Kingdom of Ayodhya. After Fourteen
Code IN6 Scriptural Story Integrity, recognising the true value of things, to discriminate between objects and Concept/value people, to be selfless, and brave enough to be honest. Title Hanuman’s Heart Written by Vandna Synghal Reference Value based stories for Children. (2011) India: VOICE. A glittering coronation took place in the kingdom of Ayodhya. After fourteen long years of waiting and yearning, the inhabitants witnessed a rapturous scene. Flanked by his three brothers who stood joyously in service, Lord Ram, tall, broad and majestic, sat on the bejewelled golden throne with his beautiful wife, Sita Devi. Lord Ram’s new companions: Vibishna, demon king of Lanka; Sugriva, the monkey king; and his many valorous commanders, Hanuman, Angad, and Jamavan also surrounded the regal couple. It was indeed a charming sight. Sages and priests chanted sacred mantras and sprinkled holy waters on Lord Ram before placing the magnificent crown on his head. A joyous cheer resounded through the great hall. Demigods in the heavens and their celestial dancers also celebrated with sweet music and divine dance. Flower confetti marked the end of the formalities and then, as was custom, Lord Ram began giving out gifts. He offered thousands of cows, millions of gold coins and heaps of precious jewels in charity. As special presents to his friends, he gave a stunning divine necklace to Sugriva and exquisite diamond bracelets to Angad. He thanked them for their loyalty and courage in the recent battle against demon King Ravana. Watching with pleasure, Sita Devi also desired to show her gratitude and affection. -
The Transformation of Thai Khon Costume Concept to High-End Fashion Design
THE TRANSFORMATION OF THAI KHON COSTUME CONCEPT TO HIGH-END FASHION DESIGN By Miss Hu JIA A Thesis Submitted in Partial Fulfillment of the Requirements for Doctor of Philosophy DESIGN ARTS (INTERNATIONAL PROGRAM) Graduate School, Silpakorn University Academic Year 2020 Copyright of Graduate School, Silpakorn University - โดย MissHU JIA วทิ ยานิพนธ์น้ีเป็นส่วนหน่ึงของการศึกษาตามหลกั สูตรปรัชญาดุษฎีบณั ฑิต สาขาวิชาศิลปะการออกแบบ แบบ 1.1 ปรัชญาดุษฎีบัณฑิต(หลักสูตรนานาชาติ) บัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร ปีการศึกษา 2563 ลิขสิทธ์ิของบณั ฑิตวทิ ยาลยั มหาวิทยาลัยศิลปากร THE TRANSFORMATION OF THAI KHON COSTUME CONCEPT TO HIGH-END FASHION DESIGN By Miss Hu JIA A Thesis Submitted in Partial Fulfillment of the Requirements for Doctor of Philosophy DESIGN ARTS (INTERNATIONAL PROGRAM) Graduate School, Silpakorn University Academic Year 2020 Copyright of Graduate School, Silpakorn University Title THE TRANSFORMATION OF THAI KHON COSTUME CONCEPT TO HIGH-END FASHION DESIGN By Hu JIA Field of Study DESIGN ARTS (INTERNATIONAL PROGRAM) Advisor Assistant Professor JIRAWAT VONGPHANTUSET , Ph.D. Graduate School Silpakorn University in Partial Fulfillment of the Requirements for the Doctor of Philosophy Dean of graduate school (Associate Professor Jurairat Nunthanid, Ph.D.) Approved by Chair person (Professor Eakachat Joneurairatana ) Advisor (Assistant Professor JIRAWAT VONGPHANTUSET , Ph.D.) Co advisor (Assistant Professor VEERAWAT SIRIVESMAS , Ph.D.) External Examiner (Professor Mustaffa Hatabi HJ. Azahari , Ph.D.) D ABST RACT 60155903 : Major DESIGN -
Sugriva Begs Lakshmana for Forgiveness
“Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Kishkinda Kanda – Chapter 36 Sugriva Begs Lakshmana for Forgiveness Summary Sugreeva's apology pacifies Lakshmana. On knowing that Lakshmana is pacified by Tara's reasoning Sugreeva makes his apologetic statement and affirms his support to Rama. Then Lakshmana's rage comes to a halt and he too is appeased by the open declaration of Sugreeva about his adherence to Rama, and Lakshmana asks him to come to Rama. Chapter [Sarga] 36 in Detail iti uktah taarayaa vaakyam prashritam dharma sa.mhitam | mridu svabhaavah saumitrih pratijagraaha tat vacah || 4-36-1 In that way when Tara has submissively argued with words containing probity, Saumitri gave assent to her perspective as he is soft by his nature. [4-36-1] tasmin pratigrihiite tu vaakye hari gana iishvarah | laksmanaat sumahat traasam vastram klinnam iva atyajat || 4-36-2 And when Lakshmana conceded to that argument of Tara, Sugreeva, the king of monkey-troops, got rid of his highly intense scare of Lakshmana, like the riddance of a dampened cloth. [4-36-2] tatah kantha gatam maalyam citram bahu gunam mahat | ciccheda vimadah ca aasiit sugriivo vaanara iishvarah || 4-36-3 Sugreeva, the king of Vanara-s, then ripped apart the superb garland which is so far enwreathing his neck, and which has several strands according several gratifications, and he also became sober as though the insobriety is ripped from his mind. [4-36-3] Page 1 of 5 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Kishkinda Kanda – Chapter 36 sa laksmanam bhiima balam sarva vaanara sattamah | abraviit prashritam vaakyam sugriivah sa.mpraharsayan || 4-36-4 Sugreeva who is the most powerful one among all Vanara-s, then placatingly spoke this humble sentence to Lakshmana, whose prowess is most formidable. -
Towards a Christian Pastoral Approach to Cambodian Culture
Thesis Title: Towards a Christian Pastoral Approach to Cambodian Culture In fulfilment of the requirements of Master’s in Theology (Missiology) Submitted by: Gerard G. Ravasco Supervised by: Dr. Bill Domeris, Ph D March, 2004 Towards a Christian Pastoral Approach to Cambodian Culture Table of Contents Page Chapter 1 1.0 Introduction 1 1.1 The world we live in 1 1.2 The particular world we live in 1 1.3 Our target location: Cambodia 2 1.4 Our Particular Challenge: Cambodian Culture 2 1.5 An Invitation to Inculturation 3 1.6 My Personal Context 4 1.6.1 My Objectives 4 1.6.2 My Limitations 5 1.6.3 My Methodology 5 Chapter 2 2.0 Religious Influences in Early Cambodian History 6 2.1 The Beginnings of a People 6 2.2 Early Cambodian Kingdoms 7 2.3 Funan 8 2.4 Zhen-la 10 2.5 The Founding of Angkor 12 2.6 Angkorean Kingship 15 2.7 Theravada Buddhism and the Post Angkorean Crisis 18 2.8 An Overview of Christianity 19 2.9 Conclusion 20 Chapter 3 3.0 Religions that influenced Cambodian Culture 22 3.1 Animism 22 3.1.1 Animism as a Philosophical Theory 22 3.1.2 Animism as an Anthropological Theory 23 3.1.2.1 Tylor’s Theory 23 3.1.2.2 Counter Theories 24 3.1.2.3 An Animistic World View 24 3.1.2.4 Ancestor Veneration 25 3.1.2.5 Shamanism 26 3.1.3 Animism in Cambodian Culture 27 3.1.3.1 Spirits reside with us 27 3.1.3.2 Spirits intervene in daily life 28 3.1.3.3 Spirit’s power outside Cambodia 29 3.2 Brahmanism 30 3.2.1 Brahmanism and Hinduism 30 3.2.2 Brahmin Texts 31 3.2.3 Early Brahmanism or Vedism 32 3.2.4 Popular Brahmanism 33 3.2.5 Pantheistic Brahmanism -
Institut Universitari De La Dona
INSTITUT UNIVERSITARI DE LA DONA DE KOSALA A BOLLYWOOD: DOS MIL AÑOS CONTANDO HISTORIAS. UN ESTUDIO SEMIÓTICO DEL RAMAYANA ROSER NOGUERA MAS UNIVERSITAT DE VALÈNCIA Servei de Publicacions 2008 Aquesta Tesi Doctoral va ser presentada a València el dia 10 de març de 2008 davant un tribunal format per: - D. José María Bernardo Paniagüa - D. Josep Gavaldà Roca - D. Juan Arnau Navarro - Dª. Eva Fernández del Campo Barbadillo - D. Ramón X. Roselló Ivars Va ser dirigida per: Dª. Antonia Cabanilles Sanchís ©Copyright: Servei de Publicacions Roser Noguera Mas Depòsit legal: I.S.B.N.: 978-84-370-7160-2 Edita: Universitat de València Servei de Publicacions C/ Artes Gráficas, 13 bajo 46010 València Spain Telèfon: 963864115 UNIVERSITAT DE VALÈNCIA INSTITUT UNIVERSITARI D’ESTUDIS DE LA DONA FACULTAT DE FILOLOGIA, TRADUCCIÓ I COMUNICACIÓ DE KOSALA A BOLLYWOOD: DOS MIL AÑOS CONTANDO HISTORIAS. UN ESTUDIO SEMIÓTICO DEL RAMAYANA TESIS DOCTORAL Presentada por: ROSER NOGUERA MAS Dirigida por: Dra. ANTONIA CABANILLES SANCHIS VALÈNCIA, 2007 I II AGRADECIMIENTOS En primer lugar agradezco a Antonia Cabanilles, mi directora y profesora de crítica literaria y semiótica de la cultura, su entusiamo, apoyo incondicional y tarea de supervisión y dirección. A las personas que me han ayudado todos estos años en la burocracia y el aprendizaje: el profesor Ximo Espinosa del Departamento de Italiano de la Universitat de València, el Prof. Patrizio Rigobon de la Universidad de Bologna, Vicen Belenguer del Institut de la Dona, Sonsoles Vázquez de la Agencia Española de Cooperación Internacional; a todos mis compañeros del Department of Germanic and Romance Studies (GRS) de la University of Delhi, especialmente a Shaswati Mazumdar, Jyoti Sabharwal, Manisha Taneja, Mircea, Sabina, Stefano y Dominique; al profesor H. -
Sugriva's Role in Ramayana
ROLES IN RAMAYANA HANUMAN’S ROLE IN RAMAYANA Hanuman's role in the battle between Rama and Ravana is huge. He is the one who flies cross the oceans (he is Wind's child), locates the exact place where Sita is imprisoned and brings this information back to Rama. While within the demon fort on his quest for Sita, he sets the entire place on fire and warns Ravana about an impending attack unless Sita is returned unharmed. During the Rama-Ravana battle, Hanuman not only kills several demon generals but also brings Rama's brother back to life. How does he do that? Well, it so happens that Rama's brother is mortally wounded by Ravana's son, and the monkey-army-physician opines that the only things that can save the life of the younger prince are four specific herbs that grow on the Himalayan slopes. The catch? The battle is raging on in Lanka, across the southernmost tip of the country while the Himalayas are far up north, and the herbs are needed within the next few hours, before the new day dawns. Hanuman leaps up into the air, flies northwards at lightning speed, and alights atop the Himalayas. This is where things start to become confusing: the monkey- physician had said that medicine herbs glow in their own light and that it should be easy, therefore, to spot them. What Hanuman sees, however, is an entire mountain aglow with herbs of all kinds, each emitting its own peculiar light. Being unable to identify the exact four herbs that the physician had described, Hanuman uproots the entire mountain and carries it back to the battlefield. -
Monkey-Ear Mushrooms.Pdf
114 Telling Tales from Southeast Asia and Korea: Teachers’ Guide 115 Telling Tales from Southeast Asia and Korea: Teachers’ Guide Monkey-ear Mushrooms (Laos) Once, Queen Sida wanted to have a meal of tiger-ear mushrooms. But in the Northern Lao language this mushroom is called monkey-ear mushrooms. Queen Sida asked the Monkey King, Hanuman, to go search for the mushrooms for her from the mountain of Oudomxay. “Could you please go and get the mushrooms from Oudomxay Mountain for me?” said Queen Sida. “Yes, my Lady,” answered Hanuman. So Hanuman flew to Oudomxay Mountain and gathered some mushrooms for Queen Sida. He returned with a basket full of mushrooms for her. But Queen Sida looked at the mushrooms and said, “Oh no, this is not the kind of mushroom I would like to have. Please go and bring some others.” She did not want to say that she really wanted monkey-ear mushrooms for she thought that it would offend Hanuman, who is, after all, a monkey. “Yes, my Lady,” said Hanuman. He soared to the sky to pick up more mushrooms in Oudomxay Mountain. After awhile he returned with another basket full of mushrooms for Queen Sida. She again examined the mushrooms. “Oh no, this is still not the kind of mushrooms I would like to have. Please go bring some other kinds.” 116 Telling Tales from Southeast Asia and Korea: Teachers’ Guide “Yes, my Lady,” said Hanuman. He soared to the sky to pick more mushrooms in Oudomxay Mountain. After awhile he returned with another basket- full of mushrooms for Queen Sida. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi