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Download Booklet A FRONT COVER.qxd 24/7/08 1:35 pm Page 1 CHANDOS Chan 4543 Bone Idyll T HE W ILLIAMS FAIREY B AND Brett Baker trombone James Gourlay Bryan Hurdley conductors CHAN 4543 BOOK.qxd 24/7/08 1:37 pm Page 2 Bone Idyll Robin Dewhurst (b.1965) 1 Brasilia 4:20 To Sarah and my family Trad. arr. Adrian Drover 2 Annie Laurie 3:03 I have many people to thank for the existence of this disc. Over the years I have had so many excellent teachers and advisors and it would be an Camille Saint-Saëns (1835–1921) arr. James Gourlay enormous task to acknowledge all of them. I will therefore thank them all 3 Cavatine§ 5:09 collectively as they know who they are. Trad. arr. Gordon Langford 4 In particular I would like to thank the Fairey Band and Chandos without Nobody knows the trouble I see 4:38 whom this CD could not have been possible. I also wish to thank Robin Derek Bourgeois (b.1941) Dewhurst and Philip Sparke for composing works specifically for this 5 Bone Idyll§ 4:52 venture. Gordon Langford (b.1930) Finally, I would like to thank Steve Walkley for his help and guidance on 6 Rhapsody§ 12:39 programme choice and interpretation of the works chosen, and Chris Philip Sparke (b.1951) Houlding for his advice in overcoming the technical difficulties of the works. Prelude and Scherzo 7:55 Of course I would also like to thank the members of my team Andy Gillooly 7 Prelude – 3:39 and James Cant who are always available for advice and help and to John 8 Scherzo 4:16 Cresswell for his patience and hard work in organizing this recording. Larry Henley/Jeff Silbar arr. Darrol Barry Brett Baker 9 The wind beneath my wings 5:47 Alexandre Guilmant (1837–1911) arr. Klaas van der Woude 10 Morceau symphonique 6:56 2 3 CHAN 4543 BOOK.qxd 24/7/08 1:37 pm Page 4 Benjamin Godard (1849–1895) arr. Gordon Langford 11 Berceuse de Jocelyn (‘Angels guard thee’) 5:13 Bone Idyll Ferdinand David (1810–1873) arr. Bryan Hurdley*/Leslie Condon† Brasilia the Madeleine (1857–75) and a teacher at the Concertino§ 15:04 A new piece commissioned by Brett Baker for Ecole Niedermeyer (1861–65), where Gabriel 12 I Allegro maestoso* 5:59 this disc, Brasilia conjures up all the Fauré was among his devoted pupils. On 13 II Andante, marcia funebre† 4:56 atmosphere of carnival time in Rio, as well as behalf of new French music he co-founded providing the soloist with a great opportunity the Société nationale de musique (1871). 14 III Allegro maestoso† 4:16 to display his talents in a lighter (but no less The typically French characteristics of TT 76:32 demanding) style of music. The composer, conservative musical style – neat proportions, Robin Dewhurst, whilst not yet a household clarity, elegance of line – are all to be found in Brett Baker trombone name, is undoubtedly a young man from whom his best compositions, amongst the best- Williams Fairey Band we can expect to hear more in the future. known of which are the Symphony No. 3, the § James Gourlay ‘Organ’ Symphony, his opera Samson et Dalila, Bryan Hurdley Annie Laurie and Le carnaval des animaux, of which he One of many lovely tunes from ‘North o’ the forbade performances in his own lifetime with Border’, this provides another opportunity for the exception of ‘Le cygne’. The Cavatine the soloist to display the lyrical side of his Op. 144 is one of a number of solo playing skills. How fitting that this instrumental pieces written by Saint-Saëns, arrangement should come from the pen of France being one of the few countries in Scottish-based Adrian Drover, a former bass which the trombone flourished as a solo trombonist and arranger with the famous instrument in the late nineteenth century. It is Maynard Ferguson big band of the 1970s. another piece which has become popular in the serious trombone repertoire. Cavatine This arrangement for brass band, especially Camille Saint-Saëns was a well-known French for Brett Baker to perform on this disc, has composer, pianist and organist whose dazzling been made by the Principal Conductor of the musical talent at a relatively early age won him Williams Fairey Band, James Gourlay, himself a the admiration of Gounod, Rossini, Berlioz, renowned tuba soloist formerly with the BBC and especially Liszt, who hailed him as the Symphony Orchestra and currently principal world’s greatest organist. He was organist at tubist with the the Zurich Opera Orchestra. 4 5 CHAN 4543 BOOK.qxd 24/7/08 1:37 pm Page 6 Nobody knows the trouble I see piece, which most emerging young brass and challenging technical passages, sometimes of Romanticism in French church music. The Take a well-known spiritual typical of those band trombone soloists aspire to play. It interspersed with reflective passages of great Morceau symphonique is one of a number of you may remember being sung by Paul really is a Rhapsody in the true sense, (i.e. a beauty, and it is these ingredients which have solo instrumental pieces he wrote for the Paris Robeson, an arranger like Gordon Langford musical fantasy or poem full of strong feeling made his music attractive to players and Conservatory, and is listed in the catalogue of (also a trombonist!), a soloist like Brett Baker, or excitement), and places considerable listeners alike. Prelude and Scherzo is another his works as a piece for trombone and piano. a band like Faireys, mix them together and it demands on the soloist, but it makes no of the pieces commissioned by Brett Baker However, judging from the title, and the way must be a recipe for something special! attempt to be highbrow in character and, especially for this disc, and is a particularly the piano part is written, there is every reason being very tuneful, is easily accessible to challenging piece for the soloist, with a high to assume that the work was originally Bone Idyll any listener (a Langford hallmark). One of tessitura in the Prelude and the considerable conceived with an orchestral accompaniment. The title alludes to the phrase ‘bone idle’, but the important features is what the composer technical challenges throughout the piece – For certain, it was not conceived with brass there is no room for idleness here since the describes as the ‘big tune’, which carries certainly not a solo for the faint-hearted, band in mind, although one cannot help music calls for considerable agility from the the unique and unusual instruction molto but it displays Brett Baker’s talents to good feeling that Guilmant would have approved of soloist, and the band! Bone Idyll takes the cantabile e lusheroso – unusual, perhaps, effect. the playing of Brett Baker and the Williams form of a theme and variation, the theme until you take into account the fact that Fairey Band in this transcription by Klaas van being the King’s drinking song ‘Old Ale’ from this piece was commissioned for that great The wind beneath my wings der Woude. Derek Bourgeois’s opera Rumplestiltskin. The trombonist Don Lusher to play in the Gala In its original form, this beautiful song from piece was written in 1980 for Steve Walkley Concert of the National Brass Band Festival the film Beaches was sung by Bette Midler. No Berceuse de Jocelyn (‘Angels guard thee’) and the Sun Life Band, of which Bourgeois in 1975, where it received its first doubt listeners will agree that it lends itself Benjamin Godard was a late-nineteenth- was Musical Director at the time, to play at the performance. ideally to the voice of the trombone in this century French composer, most of whose Granada TV Band of the Year competition. In arrangement by Darrol Barry. works were sentimental salon pieces for piano fact, Old Ale was one of the original titles Prelude and Scherzo although his serious music, which includes considered by the composer for the solo, the Philip Sparke needs no introduction to Morceau symphonique (Concert Piece) symphonies and chamber music, shows a more other being Napoleon – for brass band and afficionados of modern-day brass- and wind- Alexandre Guilmant is regarded primarily as classical orientation. Angels guard thee, is the bone apart!!! band music. His output has been prolific one of the finest organists of his time, having English title of the Berceuse from Godard’s during the past ten to fifteen years and played for the inauguration of the great organ opera Jocelyn, and takes the form of a lullaby. Rhapsody includes a string of light concert pieces in of Notre Dame in Paris. However, as a This sensitive arrangement by Gordon This is, without doubt, a masterpiece of addition to the more substantial works for composer his influence was also very Langford is a welcome inclusion on this disc, scoring for solo trombone and brass band, which he is best known, including the well- significant, having written many pieces for his and provides an ideal vehicle by which the and marked a major milestone in that loved Land of the Long White Cloud own instrument, and also works for soloists, soloist can express the more reflective and particular repertoire. It is certainly not (Aetearoa), Year of the Dragon, Harmony choir and orchestra, and a quantity of subdued side to playing the trombone, a side performed as often as it deserves to be, Music, and Enigma Variations. The hallmarks of chamber music. In fact, in his finest works he which is all too often overlooked by many despite being one of the pieces, if not the his music are strong and energetic rhythms emerges as one of the outstanding examples young players.
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