So Whats the Difference Between Art and Entertainment Anyways???

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i H l i l So Whats the Difference Between Art and Entertainment Anyways??? 1 IJU U Kli^Jljj MM 2A Thursday, April 18,1985 Daily Nexus Alvin Alley Repertory Ensemble Inspired Beyond the Physical The Alvin Ailey Repertory they move together, as if Ensemble brought to the only able to truly connect fortunate Santa Barbara after being stripped of their audience Sunday night a initial pretense. Ultimately, concert of not just the dancers return to full technically excellent dan dress minus the hats, but cing, but more importantly, retain the freedom they a showing of unique insight struggled for earlier, leaving and conviction. While many behind much more than just other collections of young the hats that were once on choreographers and dancers their heads. are looking to achieve The second piece is clarity of technique, Ailey’s dedicated in the program to repertory group has a good friend of the achieved this and proceeds choreographer and along ' /So "PiddLetj ' w to levels beyond the with its title, Bridgeforms physical, to dancing with connotes all the themes of ; p ' * S k i t * l L i true soul. The dancers are any friendship strong strong, exuberant, and inspired, and yvith all of these enough to inspire a dance. The men in the company are qualities overflowing as they perform, they inspire us too, allowed through Loris Beckles’ playful choreography to N y ★ P l a t t e t J to reach for an understanding of what being a person is all fully express their abilities as dancers and as sensitive, about. The company members are descended from many talented men. They support each other at times, dancing m u generations of people who have been forced by social in together, and playfully challenge each other to the limits of justices to be always attuned to their human integrity, as their capabilities. Bridgeforms is a delightful dance often they were stripped of everything else. Any per narrative about male friendships and the joy and strength formance stemming Trom so deep a source and being to be found in them. a n d th e A lo n t e û & x io i manifested in such sensitive, intelligent choreography by Blues the last piece, is a classic in the repertory of as meticulously trained dancers as these can only be Suite, ARLINGTON TH€flTR€ • SflNTR BRRBflRR tremendous, as Sunday’s very much was. Alvin Ailey’s choreographic and humanistic genius. Printed in the program is “ From the fields and SAT. MAY 18th - 8:00PM A 9:30PM - RESERVED SEATING *15.00/312.50 The first of three pieces in the program, Warren Spears’ barrelhouses of the Southern Negro sprang the blues — TICKETS AVAILABLE AT ARLINGTON TICKET AGENCY, MORNINGLORY Knudsen Variations, was a strenuous exercise in control MUSIC, JAILHOUSE RECORDS, VANDENBERG AIR FORCE BASE, AND songs of lost love, despair, protest, and anger — hymns to A U CHEAP THRILLS RECORD STORES. where the dancers were pushed to their physical limits. the secular regions of his soul.” This soul is clearly what The curtains open onto five dancers, donning layers of drives the company, as well as all Black Americans who fashiony costumes and hats and most of all, an affect with share the history to which Blues Suite is a tribute. The which they confront us and each other coldly. They never arrangement of traditonal blues music itself depicts the touch and their movements are forced and stiff. With each struggle of a group of human beings to gain the kind of exit from and return to the stage, a piece of costuming freedom and deserved recognition that cannot be disappears. The dancers move more freely, but seem Peter S a m e lso n legislated. We in turn witness the unity born out of their almost fearful at losing their outward protection as well as shared struggle. When matched, though, with such im that of the person inside who was initially so guarded. mensely talented representatives of Black American Theater of Illusion Eventually, the bodies are nearly bared and the lighting society, portraying roles so close to their hearts through becomes as sultry as the dancers. With the music heavy, each conducts an exploration of themselves through subtly this dynamic medium, the fact of this people’s tribulations A titan among and their constant and admirable struggle to overcome tricksters, very sensual movements and we are invited to join in an excursion to the primal core of our beings. Then, as if them is so clear that we are compelled to applaud them Samelson released from some earlier constraints, the dancers’ moods through five curtains with fervor. manipulates become much lighter. Their expressions are happier and v w w > — Judith Smith-Meyer perception to create magic and unveils an evening of theatrical Spend An Evening With Shange wonderment. 7 don't do magic, / Poet, playwright and short dramatic works that help you see magic. novelist Ntozake Shange is w ere published in the one of America’s most ex collection Three Pieces, It happens in your citing and important young winner of a Los Angeles mind. ” writers. The fire and feeling Times book award.' In ad of Shange’s work has cap dition, Shange wrote an Fri., April 26 / UCSB Campbell Hail / 8 PM tivated audiences since the acclaimed adaptation of

______In residence April 25-26______commercial and artistic Berthold Brecht’s Mother Reserved Seats: $9.00/$7.50/$6.00 success on Broadway of her Courage and Her Children. UCSB Students: $7.00/$5.50/$4.00 first play: For Colored Girls Shange integrates poetry, Presented by UCSB Arts & Lectures. Who Have Considered dance and music, evoking Suicide/When the Rainbow powerful images of life for Tickets/Charge By Phone: 961-3535 is Enuf, later a best-selling Blacks in America, in all of book and a well-received its exuberance and beauty. PBS Television special. In all of her works, Shange Local audiences have a creates “an emotional unique opportunity to see landscape/a felt ar and hear Shange soon, at chitecture” in a stunningly —APPUCA TIONS— “ An Evening with Ntozake original and unique vision of Shange,” a free presentation what it means to be “ a are now being accepted for in which Shange will read Njozake Shange colored girl” in America and discuss her work and today. '85-'86 Positions other topics of interest, on With the recent nappy edges), she is also a For more information o n th e Saturday, Apr. 20 at 7:30 publication of her novel, respected contemporary about Ntozake Shange’s visit p.m. in UCSB Campbell titled Sassafrass, Cypress & playwright, having com to UCSB, or to receive a free A.S. Comm. Hall. This special program is Indigo, Shange has made her pleted “Spell 7,” “A Public Lectures and Special o n th e presented in conjunction debut as a major voice in Photograph: Lovers in Events brochure, call the with SUPER SATURDAY American fiction. Not only a Motion” and “Boogie Arts & Lectures Ticket Status o f W om en activities at UCSB. superb poet (as the author of Woogie Landscapes” — Office at 961-3535.

13 Positions Available THURSDAY PUB NIGHTS • COMEDY NIGHTS • MUSIC WARS • VIDEO DANCE • JOHN STOCKWELL • SAL BERNSTEIN • Commissioner Violence Prevention MORE THAN 82% Sexual Harassment OF THE Affirmative Action A.S. PROGRAM BOARD EVENTS Women's Health OVER THE LAST 4 YEARS Cross Cultural H A VE BEEN Lesbian Issues Publicity and Graphics Womanwise (2) FREE!!! "Raw Images" V O TE YES ON Sorority Liaison A.S. PROGRAM BOARD’S Re-Entry Liaison 50« FEE INCREASE Applications available on 3rd Floor UCan Room 3110A Applications are due Wednesday, April 23rd & 24th . April 24th by 4 p.m.

» THE FIXX » GENERAL PUBLIC « AZTEC CAMERA » JOHN LUC PONTY « FATHER GUIDO SARDUCCI • RON HUDSON Daily Nexus Thursday, April 18,1986 3A

FREE MOVIES!!! Come see the world's worst movies at the

"SUPER BAD FILM FESTIVAL " Featuring Munster Go Home 7:30 p.m. The Man Called Flinstone 9:15 p.m. Attack of the Killer Tomatoes 10:30 p.m. Friday, April 19th, UCen Lawn 7 9 8 5

STUDENT LIFE SLIDE SHOW Narrated by 2KO's DEBBIE BUDGE A fast paced multi-media presentation of student life at UCSB. Fun and Entertaining Saturday at 11:00, 1:00, 3:00 p.m., INTERNATIONAL Buchanan 1940 FOOD FAIRE Enjoy culinary delights of foods from around the world. Explore cultural diversity. Located along Girvetz walkway, 11 a.m. - 4 p.m. STUDENT ORGANIZATIONS BOOTHS/ DEMONSTRATIONS A great opprotunity to check a club that interests you and speak to the officers. Along North Hall 10 a.m. - 3 p.m. MEET JACK O'CONNELL Local Assemblyman will speak to students at noon near the blue pyramid.

COME WATCH THE TRIVIA OF UCSB GAME See your friends play the newest popular Trivia Game. Learn about your campus and the Santa Barbara area. T rivia Of UCSB G ame Fun and prizes galore. 4:30 - 6:30 p.m. in Campbell Hall. Prizes donated by:

Loring & Co. Subway I.V. Hairstylist Woodstock's Pizza Intramural Sports Ice Patch Sato's Kitchen Bpd's Ice Cream and featuring:GREG KIHN CONCERT TICKETS DONATED BY LAMBDA CHI ALPHA 4A Thursday, April 18,1985 Daily Nexus • a Actions Of A Better Dream »REDS Whatever you do you have THURSDAY, APRIL 18, * CAMPBELL HALL ★ 7:30 PM the benefit of the doubt . Whatever J do please understand Whatever I do let’s make a # pledge to put it right H I I S So we can end the rule of the division ♦ from ‘‘Dream Into Action” Howard Jones, a not so ♦ well known in America, m \ writes painfully honest and 1 . x 'm lm challenging lyrics. Deter mined to make his audience see what he’s always fought ♦ for, Jones is the essence of pop’s newfound optimism. Consider a song like “ Change" The Man,” (an example of his always in And Pick Up A Coupon Good For Your Choice Of: credible ‘B-sides’ ) that calls A. *1.50 Off Any Large Pizza! for an “ inside personal revolution,” and you’ve hit the heart of new meaning to synthesizers, he formerly B. 1 FREE Small Coke with Purchased Slice of Pizza! Jones’ magnetic message. played as a one-man-band, even in concert. C. 2 Submarine Sandwiches For The Price O f One! Howard Jones’ most impressive attribute On Dream, however, Jones has surprisingly is a musical and lyrical cutting depth. The added bits of acoustic guitars and even a # new album, Dream Into Action, is more cello track. The sound varies from a moody P izza Bab's than good on the first listen. Its quick pace “ Elegy” to a New York rap-like song and catchy rhythms start you moving. The “ Bounce Right Back.” (Jones has been For F ro « Ho m o Delivery Coll 9 6 8 * 8 6 4 6 second time j ^ g M you begin to understand performing “ Bounce” in concert for over a more of w i^ g ^ s n s is saying and by then year to great responses of a witty routine by you’re hoolMd. All of Jones’ songs stand the him and dancermime Jed Holie.) “ Assault test of a year, the first album, and Battery” is an alarmimg plea for Lib,i with songs like “ What Is vegitarianism over a punchy dance beat. It the LovaB p “ NeWSons. ’ ’ and “ Pearl in the begins in a pointed piano solo and has S h ^ S still .’i^ d s new insights of quality beautiful intervening operatic girls’ voices singing about children’s love for animals jn u d io Lyrical content is not, however, the whole “ at the table in a different disguise.” It ends of JjM|^aai^'|i|past albums. Dream Into with the harrowing “ And I hear their Actiorn it a diverse range of tracks from screams...” u n i f i e ? uplifUrlldance tunes like the single “ Things Can to a folk ditty with a There’s no question about the meaning or melodic piccolo opening “ Life In One Day.” the realities of Howard Jones’ message in a WE REPAIR ALL BRANDS OF AUDIO AND VIDEO As on the paitaibu^ihe record company is song. In a desire to not “ treat his audience g o ip to hag|§pap||fre deciding on single as morons” with senseless lyrics, he is FACTORY AUTHORIZED SERVICE CENTER FOR: reMk scs: Every song on this album is characteristically upfront, honest, and STEREO EQUIPMENT powerful and exciting. vivid. But, rather than academic analysis, a Akai Kenwood Nikko Sony The h a rd e« thing about the album is spin of Dream Into Action will let Jones’ Bang & Olufsen Kyocera Onkyo Teac t# in g to figuniout what Jones is going to do music speak for itself. Base Luxman Phase Linear Techniques apixt. As one dF Britain’sSisiKlto who gave — Laurie McCullough Draco Labs MGA U.S. Pioneer Toshiba Dual Mitsubishi Sanyo Yamaha Hitachi Nakamieni Sherwood And Other VIDEO RECORDERS & DISC PLAYERS Akai JVC Pentax Sharp Canon^ Kenwood U.S. Pioneer Sony Reggae At La Raza Fisher Magnavox Quasar Toshiba General Electric NEC RCA Zenith Hitachi Panasonic Sanyo And Others A reggae dance concert featuring demands superlatives. If you’re going to PROMPT PROFESSIONAL SERVICE Jamaican Musician Ini Kamoze will take buy just one reggae album this year, this is place this Friday, April 19 (8:30 p.m.) at La the one.” Casa de la Raza. Backed by his new band, Along with Sly Dunbar and Robbie 682-6822 Ini is rated by many as the hottest of the new Shakespeare on drums and bass respec Jamaican talents. This will be his premiere tively, Ini is also backed by Willie Lindo on 3623 STATE ST. - SANTA BARBARA West Coast tour since starring in SunSplash guitar, and Robbie Lyn on piano. 84, and coincides with his recent album M-F10-6 SAT. 12-2 Also appearing will be Cedric Myton and released by Island Records. The mini-LP the Congo’s, who will be touring the West "W E DO IT RIGHT... THE FIRST TIME " features both “ Trouble You a Trouble Me” Coast for the first time in several years. and “ General” together with his current hit This longtime Jamaican band is led by the single “ Wings With Me” . powerful Cedric Myton, perhaps one of The Ital’s first album, Brutal Out Deh, Jamaica’s best vocalists. HARD-TO-FIND was released by Nighthawk Records in early 1982. Critical reception to this release Tickets are $9.50 student advance, $10.50 both in the United States and Europe was advance, and $13 at the door. Tickets are ROCK AND ROLL wholly enthusiastic and full of praise for the available at Sound Factory, Lobrero group. Robert Palmer, writing for The New Theater Ticket Agency, all Ticketron POSTERS York Times said: “ ...Brutal Out Deh outlets, and at Morninglory in Isla Vista. We have just acquired a large stock of record company promotional posters, from the late 1970’s to the present. Prices range from $3.00 to $20.00 each, depending on the size and how rare it is. COME IN TODAY FOR BEST SELECTION MANY ARE ONE-OF-A-KIND ITEMS! —TITLES INCLUDE—

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The Meat Puppets deliver some of the best and injects a presence into this record that happy tonic around. The dense at concentrates every detail in every song to a mospherics of Curt Kirkwood’s guitar pencil point. playing works a magic as effected as his I didn’t mean to pigeonhole this band into singing is disaffected. His interplay with the the bluegrass category although Up On The crack rhythm duelling of Cris Kirkwood on Sun leans toward that mark moreso than bass and Derrick Bostrum on drums their previous albums. They take pride in suggests he’s at least a virtuoso if not a great extended jams which has caused some guitar god. Up On The Sun, the Puppets’ to compare them to the Grateful Dead. The third album on SST Records should earn connection is legitimate but these young them a spot as some of America’s most punk upstarts technically blow those fogeys outstanding citizens right next to John Lee away on that score. While their lyrics have

Come Up And See Us Sometime! Hooker, Sam Shepard and Judy Garland. always reflected a sublime rural simplicity, Most poets have to wince for hours to their end product is an assimilation of styles come up with the stuff that Curt captures in so varied, they’ve created their own niche ★ ALL YOU CAN EAT SPAGHETTI SPECIAL★ just one of his song lyrics. Sample: dubbed “ puppet-rock.” Taking enormous “ Everybody’s got some kind of belief about delight in dabbling with folk, psychedelic, O nly s295 - Every N ight! creator/ Some say openly, ‘I don’t know’/ and early Talking Heads (to name but a few (Includes Bread & Salad) Some build elevators...” A fantastic ear for of their influences), the Meat Puppets reach rhyme and rhythm this chap has, not to new plateaus in the musical realm — a fresh —Other Specialties Include— mention a wit so thick it must be automatic. intensity worth looking into. • Killer Burgers • Fresh Clam Chowder With the musical fluidity I ’ve already It should come as no surprise that the mentioned, the songs operate like a party of Meat Puppets hail from a place where you’d • Delicious Tri Tip Sandwiches • Homemade Mudpie happy Ozark farmers: sowing and reaping expect an such weird wunderkinds to come smiles on a muggy summer night. Spot, the from: Phoenix, Arizona. HAPPY HOUR EVERY NIGHT (5:00-7:00 PM) — Hugh Haggerty house producer for SST hasn’t been better Where the Egghead is in the dayl 968-8833 — EDITORS:— Shirley Tatum Susanne Van Cleave Brett Anderson Travis Ashby Christopher Croton Hugh Haggerty Laurie McCullough Karen Oakley Cesar Padilla Judith Smith-Meyer

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WORKSHOP SERIES Leadership and Student Activities Blake's 'Bell Book' Bombs ★ Coilege to Career: Skills Transfer Thursday, April 18 3:30—4:30 There’s a disaster taking place at the not be enough. Let’s make her walk UCen 1 Lobero Theatre. Do everything in your correctly too. Cross the stage as a young power to avoid it. Queen of England might, Sally! ” Tuesday night I had the misfortune of Begging Kellerman to carry herself with seeing John van Druten’s Bell, Book and grace isn’t going to do you any good Mr. Candle by the Lobero Theatre Foundation. Blake. Kellerman’s clumsy. You can make Both the play, and the production, are a her wear the proper hair-do and gowns, but theatre lovers nightmare. Not since high you can’t make her graceful. Look at her: school have I seen a live performance of she keeps grabbing at her dress, trying to THE ACTIVITIES PLANNING CENTER such little merit. The play, starring Bud keep herself from tripping. Blake doesn’t Cort, Yvonne De Carlo, Sally Kellerman, see it. Painfully, he has Kellerman try. The PRESENTS THE Ron Tomme and M. Emmet Walsh was “ elegant witch” ends up “ gliding” about the written in the middle part of this century stage like a slutty french poodle. and is an alleged comedy about witchcraft. Kellerman doesn’t deliver the shows only The plot is 1950’s contrived. In the play inept performance. Neither Yvonne De Sally Kellerman plays a witch named Carlo, Bud Cort, nor Ron Tomme do Gillian Holroyd, her brother and Aunt, anything memorable. Their lines are often ***ARTS FESTIVAL*** played by Bud Cort and Yvonne De Carlo, delivered awkwardly, as if they had learned are a witch and a warlock also. Holroyd them the night before. Only M. Emmett longs to love and cry because witches can do Walsh does anything interesting. And he neither. She falls for a mortal (Ron Tomme does do well. Walsh is believable, even as Shep Henderson), and decides to cast a enjoyable, as Sidney Redlitch, a best selling spell to make him love her. She wants author writing about witchcraft, who gets in FRIDAY, APRIL 19 & SATURDAY, APRIL 20 nothing else but to live in wedded mortal over his drunken head by becoming in bliss. No more of this witch business. With volved with the Holroyd family. STORKE PLAZA this the fun begins. Or at least it’s supposed So who’s to blame? First of all the writer. to. The play is pathetically trite, “ Say 10 A.M . - P.M. Of course the plan backfires. Her new anything, I just want to hear the sound of 4 found fiance finds out about the spell, is your voice.” Somehow the playgoer gets the naturally irritated, and refuses to see her feeling that that’s exactly what Druten again. Gillian is crushed. She does wind up thought when he was concocting this mess crying in the end because it turns out she (i.e. “ write anything, I just like the way the really loves Henderson. And because she is ink looks on paper” ). in love, she loses her powers as a witch. All Even so, this plot could succeed if the play crafts for sale include - witches lose their powers when they fall in were directed correctly. Somebody’s got to love. Didn’t you know that? Finally, just in tell Paul Blake that this is 1985. 1950’s trite weaving - leather work - batik the nick of time for a happy ending, Hen doesn’t work anymore. Blake should have derson sees that her love is legitimate and realized what the play was worth, very •clothing - jewelry - ceramics - toys goes back to her so they can live happily little, and employed an ironical, tongue-in- ever after. cheek approach. But he didn’t. He takes the -a n d m ore The plot lacks even the wit of a mediocre play seriously. How he could I can’t un Bewitched episode. The dialogue is derstand. Bell, Book and Candle has an belligerently stupid. intrinsic value equivalent to a lump of reheated Alpo. What a shame. As Holroyd, Kellerman is supposed to Ultimately though, more than anyone or play an elegant witch. She needs to be at anything else, The Lobero Theatre Foun tractive. “ I know,” says the Director Paul dation has to accept the blame. They chose Blake, “ Let’s make her wear beautiful the play. evening gowns and fix her hair up real Bell, Book and Candle continues its run pretty. There. That should do it. Any red- through April 28. Ticket prices range from blooded mortal man couldn’t help but fall in $13 to $15. For more information call the love with her now.” Then he has second Lobero Theatre ticket office at 963-0761. thoughts. “ Wait,” says Blake, “ that may — Travis Ashby

The Art Of Kathy Vargas Currently on view at the UCSB Women’s Center Art delivery Gallery are recent works by Kathy Vargas. Her works contain multiple layers of imagery and meaning which persons suggest the passage of time and decay. Ghostly forms are presented with lyrical attention. Color is subtle, sometimes hand-painted, othertimes achieved by the addition of collaged fibre. Wanted! The haunting quality of her Title: For Jeff #2 photographs suggests rather than defines. Part or full time. Flexible hours and days. Must be at least 18. Must have own car and insurance. Must be able to work weekends. CASH EACH NIGHT EARN UP TO *7“ PER HOUR (wages, tips & commission)

Apply in person V) between 3:00 and 4:00 pm. o 955 Embarcadero Del Mar, 2 < S N Isla Vista. 968-1057 OÜ Daily Nexus Thursday, April 18,1985 9 A

QUICK PHOTO The Replacements Really Rocked La Raza 1-HOUR PHOTO PROCESSOR

Listen up all you IV-leaguers, because if you missed Saturday’s show at La Casa De La Raza with the Replacements, you be bummin’ heavily. Now I know all of you did miss it, since the venue was on the verge of ■■ | Expires 944_ 5/2/85 being half full. Why? How? Is it possible that people can miss American rock’n’roll 5X7 COLOR at its best? Come on, these guys aren’t those ENLARGEMENTS mass produced American prophets that I ’m From your 35mm sure you oh so love. This is rock’n’roll. It negative in may be a little fast at times and a little slow one hour. at other times, but hey it doesn’t get any better. o n ly . Though not the best Replacements show I ’ve ever seen, it sure came close. These 5786 Hollister Ave. - Goleta guys are really hot and when they took to the stage on Saturday night, in a sober state of 964-4571 - Open Every Day mind (unbelievable), they were definitely ready to rock. I mean really rock, not like “Takin’ a Ride Go,” “Kids performed The Osmonds’ “ One Bad Apple,” that LOUDNESS shit I saw last week. Don’t Follow,” and “ An The Bay City Rollers’ “ Saturday Night,” Covering material from their four swering Machine,” but wait, and Yes’ “ Roundabout.” Wow, what a show. albums, as well as numerous songs it gets better. The Nostalgia trip and all! Aren’t they hot? I borrowed from fellow rockers, The Replacements went one step told you they were. What guts. 3 0 minutes Replacements played for approximately 2 further and ventured ' into Fronted by Paul Westerberg, whose voice hours. They tore through such songs as their teenage archives and never ceases to amaze me, The Replacements had the whole house rockin’, and including some punker dudes (they were totally cool with their hairdos, you know the spiked Mohawk types) who were slamming delicious! for no apparent reason. I guess they don’t know The Replacements aren’t hardcore, but then maybe they got lost. The opening band, Broken Homes, was okay, but were it not for their lead singer, who looked like a cross between Bob Dylan Pizza nos s and The Romantics, they might have been pretty good. I mean this guy was a geek. Oeiivers You should have seen him, he thought he was a rock star or something of the sort. By the way, I missed George of the Jungle, but I 9 6 8 *8 6 4 6 heard they weren’t that bad and I didn’t (TO 04» hear a word about The Surging Monkey fiM - itM Dally Thicker Thin Fact and Free Preps, but the name is enough. The Replacements replenish their precious bodily fluids. — Cesar Padilla

S!EPI®I CLOUD AND Philip Glass' S.B. Debut UCSB ARTS & LECTURES present Next Wednesday, April 24, The Philip Glass Ensemble Einstein on the Beach, The■ Photographer, Koyaanisqatsi, THE will be playing in Campbell Hall. The concert, which starts Glass Works, CIVIL warS, and Akhnatia. at 8 p.m., is a joint presentation by Stephen Cloud and Arts Tickets are $13.50 and $11.50, $12.50 and $10.50 for & Lectures. students, and are available from the Arts and Lectures box PHILIP GLASS This show, the ensemble’s debut in Santa Barbara, office, and from the Lobero. promises to be the most important musical event on ENSEMBLE i campus this quarter. Glass is one of the most preeminent contemporary composers and his ensemble has played in concert halls worldwide. He was commissioned to write the 1985 Musician of the Year score which accompanied the lighting of the Olympic flame MUSICAI AMERICA last summer, and thus reached a far wider audience than Music from: would normally be possible. E M I ON THE BEACH Much of his work has been for theatrical and operatic productions,and he has also composed several film scores. THE PHOTOGRAPHER His most recent film, Francis Ford Coppolla’s KOYAANISQATSI Koyaanisqatsi, will be shown this Saturday at 9:30 p.m. in GLASSWORKS Campbell Hall. This provides a good introduction for those CMLwarS.AKHNATEN unfamiliar with Glass’ music, and is also an excellent film in its own right. 'The soothing harmonics. the glittering electric pianos and organs, the high-voltage His music is very atmospheric and is based on, in his own volume, the classical complexity and Eastern repetition combine to give the listener words, “ repetitive structures with very reduced pitch an immediate shot of adrenalin, a sense at buoyancy" - new repubuc relationships, a steady eighth note beat, and a static dynamic level.” He has had a huge influence on certain Wed, April 24-8pm UCSB Campbell Hall streams of art rock, particularly on David Bowie and David RESERVED SEWS $13.50/11.50. UCS8S1ÙDEWS $12.60/10.50 Byrne. ARTS & LECTURES B/C, LOBERO B/0. CHARGE BŸ PHONE 961-3535 The concert on Wednesday will include excerpts from THE HDIOCHUST: I933-I945I “Now Listen Up! Best Air Rates In this war on airline Santa Barbara TO: ticket prices, your New Ybrk------$129°° best weapon is your Chicago — ,------$ 1 1 9®° telephone. Boston —------$129°° S e a ttle ------$ 79°® Gall Your Travel Center D allas------$ 9900 and demand the best San Francisco —— $ 4900 connections at the Denver------$ 7900 M iam i------$129°° lowest prices. Now!” SWIim istluuiF Salt Lake City ------$ 6900 Prices subject to change without notice 683-3802

From 1933 to 1945, some twenty-nine m illion people died as a result o f Nazi rule. Out o f • Prices quoted for one way only this enormous number slaughtered were six m illion Jews— murdered because they were Jews. As one historian has said: “ N o one would claim that the Nazi extermination o f the ® r ? Y o u r Jews was greater or more tragic than what has been done to other persecuted peoples. Such Based on round trip purchase, 30 days comparisons are unfeeling and fruitless. W hat is historically significant is its uniqueness.” in advance. Seats are limited. Book T ra v e l now tor best dates. Other The Holocaust Memorial Museum will be displaying these restrictions may apply. touching posters. Everyone is encouraged to come through C e n t e r the museum located in: “A Great Way To Go” m

UCen ROOM 3 • THURSDAY, April 18 Amerjcon Society of Hovel Agents Goleta/Calle Real Center • FROM 12-2 PM ONLY • — 5652 Calle Real— THERE WILL BE A REMEMBERANCE CEREMONY SPONSORED BY THE U.R.C. AT NOON. ______—The Jewish Student Action Coalition— 10A Thursday, April 18,1985 Daily Nexus RUN FOR YOUR MOTHER Bruce Jones: No Universe Too Small

Bruce Jones is a graduating senior currently showing his art work at the College of Creative Studies. The exhibit consists mainly of paintings, the most ambitious and challenging of which is the triptych “ Pathways.” Viewed from left to right, the first or far left of the three oil pain tings consists of a sphere encapsulated by what appears to be a large freeway interchange and buildings, a sort of “ LA as the world” representation. The middle painting presents Only 2 more days to register before Race Day the artist sitting cross-legged in a darkened space, staring UCen between 11-1- HURRY! Sponsored by Environmental Studies directly at the viewer. Beside him a mask-like face glows, and blocks of light shine from an open door in the upper left hand corner of the painting, and also from an open window in the upper right hand corner. The painter seems to be levitating, and most of the images in the painting appear to LO-CALORIE! be floating as well. There is a glow which emanates from the reddish floor that reflects onto the painters figure. SANTA BARBARA There is also a small bluish-purple ball that could be representative of the sphere in the painting on the left. The S N O W CO. painting on the far right shows an abandoned access ramp “Shave Ice” in the noonday sun. The bluish purple tone of the scene runs throughout the paintings, and presents a mystic oneness 40 REFRESHING FLAVORS which runs through all life. On the left of the triptych is a drawing of a couple that has Pathways <§)(§)<§>©<§>® 950 Embareadero Del Norte, I.V. apparently just been married. It seems the painter is are people that would gladly pay money to own this piece. equally at home contemplating the universe and drawing Jones’ drawings of the poet, Michael Hamberger, and a (BEHIND S.O.S. BEER) weddings. The rest of Jones’ work seems to be split up into chair in a study of texture and surface, indicate that the two categories: that which we have to think about in order artist has a talent for draftsmanship. However, the show to figure out, and that which is ornamental and carries no suffers from works which seem designed for posters and deeper meaning. The commercial and marketable talents wall hangings, particularly “ Dust In the Wind,” which of the painter are not disguised in the show, as a large scale appeals to the hip cocaine user, and other slick airbrush FREE MOVIES!!! painting which served as a magazine cover is displayed works. Jones’ use of bright colors is particularly effective with the magazine. In one of his sculptures, Jones pokes fun in the haulti-layered “ Bird In Motion” and “ In fSUPER BAD FILM FESTIVAL’ at “ what is fashionable is worth buying” with a telephone strumentation,” but his Cubist-derived self-portrait is not f t ” Munster Go Home that has an enormous pickle for a receiver. The irony is that very provocative. Jones’ show runs through Saturday and ft- The Man Called Flintstone while Jones criticizes the fashion mentality, you know there is well worth the visit. - Christopher Croton 'ft Attack of the Killer Tomatoes FRIDAY, APRIL 19th • UCen Lawn 7:30 PM — 12:30 AM -Visions from the Pacific Rim Les Biller’s series of acrylic paintings on paper evoke a Matissean joie-de- vivre laced with a distinctly oriental flavor. The sense of BOWLING vitality present in his earlier scenes of interiors remains, but here the neo- OPEN 24 HRS expressionistic brushwork Relax, Unwind • Have Funi introduces Asian imagery in Let Loose - Go Bowtingl a dreamlike atmosphere. BMttards and Videos The format itself helps engender this air of in OPEN LANES trospection: paper panels, Weak ends. Day, Lata Nite all painted separately, are laid side by side in a shifting series of images reminiscent ORCHID BOWL • 967-0128 of both cinematic techniques 5925 Calla Real,,- naar Fairviaw, Goleta and Chinese handscrolls. Like dream symbols that Mountain Stones metamorphose without warning, into other forms, Biller’s ting, textiles and ceramics. “ The Great Emptiness Hut” is panels juxtapose conrasting styles and subject matter. composed of panels suggesting contrasting textures, like Despite this segmented type of composition, the artist in the interior walls of a Japanese tea house. Other pictures FRANCIS FORD COPPOLA tends each work to be perceived as one gestalt; he refers to quote directly from kimono designs, and frequently thin the verses of a famous Chinese poet, which were meant to black squiggles of paint echo the bold spontaneity of be read as one visual image instead of a series of charac Chinese calligraphy. Although occasionally lapsing into ‘A remarkable film even t.” ters. imitations of decorative wallpaper, Biller has infused the Los Angeles Times The fascination with the Far East results from Biller’s actively-worked surfaces of his best paintings with a poetic first-hand experience of exotic cultures. Born in Los sensibility. Angeles in 1934, Biller has studied and taught at the The central panel of “ Mountains and Stones” (1983), for University of Hawaii and also lived in Japan for two years example, depicts stone figures of Budhist monks in under a Fulbright grant. A self-proclaimed “ Pacific Rim meditation. The muted earth tones enlivened by red, and person” , he has residences in both Los Angeles and Hawaii the rough, unfinished quality suggests a secluded natural and is currently teaching at UCLA. Biller relates that he environment; the irregular strokes and patterns on the was first inspired to paint by the spectacular colors of bordering panels exhibit the rustic simplicity admired in Produced and Directed by GODFREY REGGIO Music by PH1UP GLASS Hawaii. The brilliant passages of pinks, melons, marine Japanese Rafcu ware. Memories are distilled into sensuous Cinematography by RON FRICKE blues and greens in “ Kaliki” (1985) bring to mind the reverie; Biller invited the viewer to participate in a quiet tropical flora and rippling waves of a sun-drenched island. ritual of shared experience.

-n t* einem a - íDÍPOtMV STEHCOj Many pieces derive motifs directly from oriental pain — Karen Oakley ONE SHOW ONLY SATURDAY, APRIL 20,0:30 F.M. —Campbell Nall— MIGHTY FORTRESS An evening of

A F IM JONATHAN A L H T A L K I N G PRODUCTIONS 'HEAVENLY METAL1 B Y DEMME AND HEADS STOP presents: with MAKING

In the Year of Darkness, SENSE 2029, the ruler* of this planet dovteod something that tell no pity. • m m — N o p ain . N o tear. is l a n d a l iv i ^ / C in e c o m Something unstoppable, they created 4P 2 DAYS ONLY! April 21—22 I.V. THEATRE APRIL 25 OXNARD CIVIC AUDITORIUM ISLA VISTA THEATER F rl.f A p ril 19 Thursday 7:30 PM 8 0 0 Hobson Way 6*8*10*12•$3 6:00, 8:00,10:00 PM A 12 AM Sponsored by Phi Sigma Kappa TICKETS •8S0 in advance at TICKETRON or *10 at the door. More info: (805) 486-2424 SPONSORED BY ENVIRONMENTAL UNITY Thursday, April 18,1985 11A Daily Nexus M ovie Í R T ® metropolitan theatres corporation SANTA BARBARA -The Nest Egg Crackeck ARLINGTON n CENTER Albert Brooks (writer-director-actor) move and winds up in the Howard bedroom 1317 State Street would have been better off sticking to in where David and Linda lie side-by-side 966-9382 novative short films about his favorite dog listening to Rex Reed on the Larry King LIVE ARLINGTON 4/20—Magical Illusions for Saturday Night Live rather than making Show. However this little plot point of Reed STAGE 4/25—Venom/Slayer his latest film Lost In America. The latter is discussing what makes a good film gets lost a montage of simpleminded comedy better in the muddle of Brooks inept and shallow ENTERTAINMENT suited for a night club than a motion picture. narrative development and 5:00,9:20 It is the chronicle of a young and upwardly cinematography. (Perhaps he ought to have w A downstairs p ] upstairs IN DOLBY STEREO mobile couple who decide to chuck their listened more closely to Reed’s evaluation.) 4:50, 725,10:00 5:30,8:05,10:30 current success orientation to explore Aside from the stereotyped depiction of America, “ touch Indians,’’ and find women through the character of Linda upstairs themselves in the spirit of Easy Rider. (ditzy without the charm and inherent in Starring What brings such aspiring baby-boomers tellect of Diane Keaton) played sickeningly EDDIE MURPHY 7:00 I f i j j r CHER to make this drastic change? David is a top well by Julie Hagerty, the characters in |F G -i3 | executive for one of the world’s largest Lost In America are grotesque, sometimes I3IEV1Eievierly w /& £ ' j L l A w t a t a S advertising firms eagerly anticipating funny, often boring caricatures of upper- i H i 11 i I WSm^: H it IwTñl promotion to Senior Vice President. Linda is middle-class boomsters and yuppies. I hate h i l l s r V m head of personnel for a department store to use those terms but no others fit so well and has spent the last 7 years in an office the sentiment and values of this sorry film. Harrison lJ LOST IN AMERICA without a window. They’ve just bought a Brooks’ vision of the future becomes 5:30. new house and have an order in for a $44,000 metaphorically synonymous for a sappy Ford 5:30 “An inspired com edy." 7:45, 7:30. TMt N fw YOOK tiMES Jonet Moskn ALBERT Mercedes-Benz, all of course, based on Frank Sinatra rendition of “ New York, New is 10, n n 9:30 "T o be cherished." BROOKS David’s promotion which, needless to say, York,” which closes the film while leaving K P l -NEWSWEEK David Arisen he doesn’t get. At this point, David goes into the likes of Steppenwolf in the dust of 60’s John hyperactive frenzy, tells his boss where to yesteryear. ______Book. JULIE go, convinces Linda to quit her job, sells HAGERTY everything they own, pulls out of escrow for Perhaps the most disappointing element W IT N E S S si a penalty fee of $15,000, buys a 35-foot motor- of this film was its readiness to embrace and home, takes a $125,000 nest-egg, asks Linda justify the seeming inevitability of the quest THE BREAKFASTI W fcrcH O u t f o r i t e f o r c e to remarry him, and they set off to Las for money and the values which such a quest CLUB, Vegas and the Blue Bell chapel to begin necessitates. In general, Lost in America is P G 13 their quest for truth. a sardonic endorsement of all that is They Sounds interesting? Well it has potential materialistic. Instead of effectively ex : , but Brooks effectively shatters it by burying ploring the potential for more in life than an broke — 6 00 15, the narrative in a linear wasteland. We are expensive car, house, and high-paying job, the M 8:00, 1 5 , taken from point A to Z in a Winnebago, Brooks’ is telling us that in the real world, rules. L 10:00 15 i i finding ourselves in such forbidden places that’s all there is. 1HHB FIRST ASSIGNMENT as Hoover Dam and Safford, Arizona. Lost loses it in the kind of premature, Scenes come and go without true middle-aged resignment so common to the development or connection to the sup generation preceeding the baby-boom. It posedly unfolding storyline and the triteness seems sad and disheartening to see this of Brooks protaganists David and Linda sentiment in the people whose hands once Howard makes the viewer almost as had the potential and dettrgafciation to claustrophobic as the endless rides in the change thhi&ft^Njije. It reachs the point of 8 a c a d e m y "-A stunning motion picture!’ v\ ,, motor home. truly irritable''men a major commercial AWARDS! ____ -Bob Thomas, Associated Press Is Lost In America awful from the release film spends just under 110-minutes beginning? Not exactly. It begins with a pan on pessimistic, seiHndulgent drivel which is BEST lifLd AN ORION PICTURES RELEASE through what appears to be a suburban not only thematically boring, but pic tu r e ______Mon.-Fri. 8:00, Saturday & Sunday 2:10,5:05, 8:00 garage in the midst of packing for a big cinematically immature. — Susanne Van Cleave LOUIS JOURDAN

ARLINGTON CENTER April 30th 8:00 PM LIVE O' May 1st 3:00 and 8:00 PM STA m i

3 ACADEMY AWARDS! An THE PURPLE THE ROSE OF CAIRO Evening MIA with KILLING FARROW FIELDS JEFF NTOZAKE DANIELS GOLETA SHANGE she knows he's 9.25 ■I C i n e m a ^ |P G -H | Poet, J: 6050 Hollister Ave. 967-9447 Playwright, \ CHER DflqsnN Novelist j SAM 7:30, Y J ELU O T T 9:50 WITNESS |PU -I3| Harrison Ford _ 7:15 Author of "For Colored Girls Who is John Book. ID Have Considered Sulcide/When 7:00,9:00 G STEPHEN th e Rainbow is Enuf," i F aIRVIEWi MADONNA 2S1 N. Fairview KING’S "Sassafrass, Cypress, and In 967-0744 in ¡P G 1 3 digo," "nappy edges," and "Three Pieces." 7:15 DESPERATELY 9:15 Saturday, April 20 SEEKING SUSAN UCSB Campbell Hall /vug^f thes^d. .us. BODY ROCK Ueafhstalker eTEjMpL * DRIVE-IN 835 7:30 PM - FR EE W 1 _ _ 907 S. Kellogg Ave. K n A V I D P A R R A D I N E <***» G IR L S tS f For more information call 7:00 UCSB Arts & Lectures at h 4 F U N X H t .i. 8:40 961-3535. SUNDAY CEJ SWAP Presented in conjunction with SUPER Whet on Institution! O® SATURDAY activities and co-sponsored by MEET UCSB Arts & Lectures, the Women's Center, 7:00 907 S. Kellogg Goleta 964-9050 the Department of Black Studies, Akanke, the Sellers-Gates open 6 a. m. No Association of Black University Women, the P G Ì3 ] reservations necessary. Office of Public Events, and the A.S. Program THEIR FIRST ASSIGNMENT Buyers-New deals every week. Board. 12A Thursday, April 18,1985 Daily Nexus A.S. PROGRAM BOARD This page provided and paid for by A S. Program Board

Com ing April 23 Father Guido Sarducci To Get your body, dead or alive, to the Pavilion by 7:30 p.m. to see Night of the Living Dead. Air On Showtime Tonight It’s even FREE. That’s right, FREE movies. Night of the Living Dead to start with, and I Invasion of the Body Snatchers will grab you at 9:30 p.m. Do you remember last quarter when Showtime today at 1:30 p.m. and tonight at Bring your blankets, pillows and most of all bring your friends! Two movies free of Showtime Entertainment filmed Father 10 p.m., and again on Monday, April 22, at charge. Free tickets will be distributed this Tuesday at noon in front of the UCen. DON’T I Guido Sarducci’s live performance in 9 a.m. and 7 p.m. Don’t miss these chances MISS IT!! CampbellV/ttUipucii n Hall? a il: Well, wen, theme showbiiuw filmed m ilieu

• THURSDAY PUB NIGHTS • COMEDY NIGHTS • MUSIC WARS • VIDEO DANCE • JOHN STOCKWELL • SAL BERNSTEIN • FIXX LU O O Z z < o O -< I— > MORE THAN 82% c 0 T) CD m Q x Z> • X OF THE CD 1 z C z ocr o > A.S. PROGRAM BOARD EVENTS -< ö m o x D -I O X 0C OVER THE LAST 4 YEARS > < < CD > O O 9 HAVE BEEN > ZD z CD N 0C > LU • X c _ 1- m < > u_

LU o CD C X 0C VOTE YES ON o £ o O > r~X A.S. PROGRAM BOARD’S O o o o o 50« FEE INCREASE o _J CC -< o o o >- Q April 23rd & 24th X z m Paid Advertisement by the A.S. Program Board z o .o m THE FIXX • GENERAL PUBLIC • AZTEC CAMERA • JOHN LUC PONTY FATHER GUIDO SARDUCCI • RON HUDSON