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Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, October 22, 2020 NEWS CHART ACTION Dolly Parton, Sara Evans, And More New On The Chart —Debuting This Week song/artist/label—Chart Position Collaborate On New Single “PINK” To Aid Down To One/Luke Bryan/Capitol — 46 Breast Cancer Research We Didn't Have Much/Justin Moore/Valory — 78 Greatest Spin Increase song/artist/label—Spin Increase Better Together/Luke Combs/Columbia — 344 Down To One/Luke Bryan/Capitol — 316 One Too Many/Keith Urban & P!nk/Capitol — 166 Long Live/Florida Georgia Line/BMLG Records — 154 Everywhere But On/Matt Stell/RECORDS/Arista Nashville — 147 Love You Like I Used To/Russell Dickerson/Triple Tigers Records — 142 We Didn't Have Much/Justin Moore/Valory — 137 Starting Over/Chris Stapleton/Mercury Nashville — 136 Five artists, including Dolly Parton, Sara Evans, Monica, Jordin Breaking Up Was Easy In The 90's/Sam Hunt/MCA Nashville — 128 Sparks, and Rita Wilson, are helping in the fght against breast cancer by releasing the new single, “PINK.” The collaboration benefts Susan G. Most Added Komen, the world’s leading breast cancer research organization. song/artist/label—No. of Adds Down To One/Luke Bryan/Capitol — 24 “PINK” was co-written by Victoria Shaw, Erin Kinsey and Jodi We Didn't Have Much/Justin Moore/Valory — 10 Marr, and produced by Shaw. The song will be distributed via Brighter Better Together/Luke Combs/Columbia — 10 Day Records. Click here to read more. Martha Devine/Ashley McBryde/Atlantic Records/WMN/WAR — 6 If It Wasn't For Trucks/Riley Green/BMLG — 6 Michael Ray On New Music: “I’m As Breaking Up Was Easy In The 90's/Sam Hunt/MCA Nashville — 6 Authentically Me As I’ve Ever Been” On Deck—Soon To Be Charting song/artist/label—No. -
Wilson AKNER One
Nothing to See Here ‘Brilliant, hilarious, sardonic, heartbreaking, strange, utterly fantastic.’ ELIZABETH GILBERT Kevin ‘Good lord, I can’t believe how good this book is.’ TAFFY BRODESSER- Wilson AKNER One IN THE LATE SPRING OF 1995, JUST A FEW WEEKS AFTER I’D turned twenty- eight, I got a letter from my friend Madison Roberts. I still thought of her as Madison Billings. I heard from Madison four or five times a year, updates on her life that were as foreign to me as reports from the moon, her existence the kind you only read about in magazines. She was married to an older man, a senator, and she had a little boy whom she dressed in nautical suits and who looked like an expensive teddy bear that had turned human. I was working two cashier jobs at com- peting grocery stores, smoking weed in the attic of my mother’s house because when I had turned eighteen, she had immedi- ately turned my childhood bedroom into a workout room, a huge NordicTrack filling the place where I’d unhappily grown up. I sporadically dated people who didn’t deserve me but thought they did. You can imagine how Madison’s letters were a hundred times more interesting than mine, but we stayed in touch. This letter had broken up the natural spacing of her cor- respondence, precise and expected. But that didn’t give me pause. Madison and I did not communicate except on paper. I didn’t even have her phone number. NothingToSeeHere_9780062913463_Final_EB0626_cc17.indd 1 6/26/19 12:14 PM 2 Kevin Wilson I was on break at the Save- A- Lot, the first chance I’d had to read the thing, and I opened it to find that Madison wanted me to come to Franklin, Tennessee, where she lived on her hus- band’s estate, because she had an interesting job opportunity for me. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Tanya Tucker
Tanya Tucker │Biography │ One of country music’s greatest legends, Tanya Tucker, has just released her much anticipated new CD, My Turn, on Saguaro Road Records. On this new album Tucker takes classic country songs originally recorded by the all time great male legends of the time and turns the tables, giving classics such as “You Don’t Know Me” and “Oh, Lonesome Me” a powerful reconstruction from a woman’s point of view. Only 13 when her provocative “Delta Dawn” caused a nationwide stir and became a Top 10 country hit, Tucker has built one of the most successful and compelling careers in music. Considered one of the very few females of the “outlaw” country movement, she holds a Grammy award, two Country Music Association awards, Two Academy of Country Music awards, and three CMT Awards. 23 of her albums have landed in the country Top 40 chart since her 1972 debut, and she has amassed 10 #1 country singles, 33 that have reached the Top 5, and 41 in the Top 10. Always reinventing herself, Tanya again became a media darling in 2005 as the star of her own television reality series, Tuckerville. The primetime series was a huge hit for TLC, generating the cable network’s highest Neilsen ratings ever, and guaranteed the show’s return in 2006. Having sold over 50 million records over the last three decades, country music icon Tanya Tucker is among the all-time best selling female vocalists in country music. “Surprisingly mature at a very young age, Tanya Tucker continues to grow today, taming and conquering tunes long assumed to be a man’s territory. -
Free Monologues for Kids and Teens Pg
© Drama Notebook www.dramanotebook.com Free Monologues for Kids and Teens pg. 1 Copyright 2020 Published in the United States by Drama Notebook www.dramanotebook.com a division of Rumpelstiltskin Press, Portland Oregon USA All rights reserved. While this collection is free for teachers and students to use, it is copyright protected. Any commercial use is strictly prohibited without written permission from the publisher of this work. The monologues may be used in classrooms, performed in competitions, used in auditions, and performed as part of school/educational plays completely royalty- free. Please credit ‘Drama Notebook’ in all forms of performance. For commercial rights or other inquiries, please contact Janea Dahl at [email protected] Quick Copyright FAQ’s You may use these monologues freely with your students. You MAY share this PDF with your students via Google drive, email, or through your password protected teacher web page. You MAY print as many copies as you need for classroom use with your students. Your students MAY perform the monologues for class work, performances and competitions WITHOUT requesting permission, but students must cite the author and “published on Drama Notebook” in their recitation. Neither you nor your students may edit the monologues. You may NOT post the PDF on a web page that is searchable/view-able by the public. You may NOT email the collection to other teachers or educators. Rather, please refer them to Drama Notebook to obtain their own download. ENJOY! © Drama Notebook www.dramanotebook.com Free Monologues for Kids and Teens pg. 2 Free Monologues for Kids and Teens Written by kids and teens! Drama Notebook has created the world’s largest collection of original monologues written by children and teenagers. -
WORKING CLASS EXPRESSION THROUGH KARAOKE SONG SELECTION Mark T. Gerolami a Thesis Submitted To
"I LOVE THIS BAR": WORKING CLASS EXPRESSION THROUGH KARAOKE SONG SELECTION Mark T. Gerolami A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC May 2007 Committee: David Harnish, Advisor Steven Cornelius ii ABSTRACT David Harnish, Advisor This thesis probes the meaning and processes of karaoke song selection at Whiskey Dick’s, a working-class bar in Bowling Green, Ohio. Through research, observations, and interviews conducted from 2005 to 2006, it examines how working-class identity manifests itself in karaoke song selection. As part of positioning the author into the study, I introduce my own background and discuss my history with both karaoke music and working-class culture. An analysis of a single night at Whiskey Dick’s creates a framework for specific observations and gives the reader greater context, while the lengthy enthnography provides for more generalized observations. In interviews and discussions with the singers I attempt to uncover the meaning behind each song selected, discovering how conscious singers are of their choices. For some participants my research eventually impacted how they pick songs thus raising issues of intrusion by the ethnomusicologist. I examine several of the most popular songs at Whiskey Dick’s and analyze the lyrics of each, focusing on class representation within the lyrics. In addition, the difficulties of speaking about music and our musical preferences are explored and discussed in reference to the singers at Whiskey Dick’s. iii This thesis is dedicated to everyone who enjoys making music a part of life. -
Boy Meets Girl
BOY MEETS GIRL DIALOGUE LIST Prepared For: Eric Schaeffer Bramacharia LLC 2475 Palisade Ave. #3C Bronx, NY 10463 The Script Specialists 15303 Ventura Blvd. Suite 900 Sherman Oaks, CA 91403 (818) 380-3090 April 29, 2014 BOY MEETS GIRL 1:00:20 MAIN TITLE BOY MEETS GIRL 1:00:29 TITLE SEVEN YEARS AGO 1:01:00 TITLE NOW 1:01:02 ROBBY Come on, Ricky! Let’s go swimmin’ before it gets too chilly. 1:01:05 RICKY Some of us have to work for a livin’. 1:01:06 ROBBY And normal people get Sundays off. 1:01:08 RICKY Well, some of us normal people have to work seven days a week to save money. And besides, you need to start workin’ a little harder to keep me interested in hangin’ out with you. Watchin’ you troll for girls, while barely tolerable in high school, has officially lost its last little bit of luster. 1:01:21 ROBBY Hey, hey! I just invited you to go swimmin’. 1:01:23 RICKY Yeah, euphemistic for watchin’ you text at the swimmin’ hole, as opposed to the coffee shop. And, besides, it’s pointless. You’ve dated every girl in the state of Kentucky. 1:01:34 ROBBY I mighta missed one. And, please, yo-you spend as much time trolling for dudes as I do trolling for girls. 1:01:40 RICKY (scoffs) Yeah, but, unlike you, I’m not just lookin’ for sex. I wanna find love, get married. I haven’t even found one good guy who doesn’t wanna just get in my pants. -
Music Preview
Labels Q Us In On What To Expect MUSIC PREVIEW 19th & Grand Tenille Arts continues her chart momentum with “Somebody Like That,” with the label touting good research stories from radio partners. The single comes from her debut album, Love, Heartbreak, & Everything In Between. Zac Brown Band’s “The Man Who Loves You The Most” also remains a priority. “The father/ daughter anthem brings a familiar superstar voice to a heartfelt song that’s sure to resonate with listeners,” notes VP/Promo Jim Malito. Arista The Arista team is excited about the introduction of Robert Counts and his debut single, “What Do I Know.” Counts was the first-ever Sony/Nashville artist to participate in a virtual promo tour, which was well- received according to VP/Promo Josh Easler, who adds “If you have not yet seen it, please let us know. We will get it to you ASAP.” Speaking of crazy times, the enthusiastic response to Brad Paisley’s “No I In Beer” is matched only by the number of Zooms he’s crashed. Matt Stell comes off his debut No. 1, “Prayed For You,” with “Everywhere But On.” Easler reports Stell has recorded new music this year and to “look for more music from [him] this fall.” Arista’s Robert Counts Average Joes The label welcomed Josh Mirenda and Jeremy debut of their career with “How They Remember You,” Rascal Flatts’ new EP is currently available, and Black River McComb to its roster with plans to release singles this Touting a “very exciting fourth quarter ahead,” SVP/ they’ll release Twenty Years Of Rascal Flatts: The Greatest fall. -
THIRD WAVE FEMINISM in POP MUSIC by THAILAN PHAM
ARTICULATING FEMINISM AND POLITICS: THIRD WAVE FEMINISM IN POP MUSIC by THAILAN PHAM (Under the Direction of Jay Hamilton) ABSTRACT This study examines pop music in context of third wave feminism. The songs selected as material text are: Gretchen Wilson’s “Redneck Woman,” Avril Lavigne’s “Sk8er Boi,” Christina Aguilera’s “Can’t Hold Us Down,” featuring Lil’ Kim, and Missy Elliott’s “Work It.” The songs and corresponding music videos were analyzed for their responses and solutions to the issue of gender inequality. The songs were also examined for contradiction among songs and in relationship to third wave feminism. Results indicated similarities along ethnic lines and visual displays of sexuality rooted in patriarchal gender construction. INDEX WORDS: Pop music, Third wave feminism, Contradiction, Songs, Music videos, Sexuality, Patriarchy ARTICULATING FEMINISM AND POLITICS: THIRD WAVE FEMINISM IN POP MUSIC by THAILAN PHAM B.A., The University of Georgia, 2003 A.B.J., The University of Georgia, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Thailan Pham All Rights Reserved ARTICULATING FEMINISM AND POLITICS: THIRD WAVE FEMINISM IN POP MUSIC by THAILAN PHAM Major Professor: Jay Hamilton Committee: Christine Harold Anandam Kavoori Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2005 DEDICATION For my grandmother Nelle Morgan Burton August 10, 1917 – February 21, 2005 who taught me strength, love, and laughter My parents Dr. An Van Pham and Lienhoa Pham who have always demanded the most and expected absolutely nothing less My brother Binh Pham who has always offered a sympathetic ear and valuable advice even from halfway across the world iv ACKNOWLEDGEMENTS First and foremost, I would like to thank Dr. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, October 8, 2020 NEWS CHART ACTION New On The Chart —Debuting This Week song/artist/label—Chart Position Better Together/Luke Combs/Columbia — 41 Tiny Town/Laine Hardy/Buena Vista Records — 67 Everybody Dies But Not Everybody Lives/Shane Owens/Amerimonte Records — 69 Bad Guy/Casey Donahew/Almost Country Records — 71 Bad Decision/Emily Jean/SSM Evolution — 79 I Can Tell By The Way You Dance/Josh Turner/MCA Nashville — 80 Greatest Spin Increase song/artist/label—Spin Increase Better Together/Luke Combs/Columbia — 293 Tiny Town/Laine Hardy/Buena Vista Records — 207 One Too Many/Keith Urban & P!nk/Capitol — 173 Next Girl/Carly Pearce/Big Machine — 161 Starting Over/Chris Stapleton/Mercury Nashville — 161 Long Live/Florida Georgia Line/BMLG Records — 151 Most Added Rich Broadcasting, Idaho Falls, ID, 96.1/102.1 The Wolf, leader of the song/artist/label—No. of Adds pack, Don Jarrett, had a howlin' good time reading to a group of 1st Tiny Town/Laine Hardy/Buena Vista Records — 24 graders at Holy Rosary Catholic School with The Wolf Cub Book Club. Better Together/Luke Combs/Columbia — 17 Next Girl/Carly Pearce/Big Machine — 12 One Too Many/Keith Urban & P!nk/Capitol — 7 Just About Over You/Priscilla Block/Mercury Nashville — 7 Good Time/Niko Moon/RCA Nashville — 6 On Deck—Soon To Be Charting song/artist/label—No. of Spins Comin' Home/The Desert City Ramblers/Crane Creek Records — 153 Selma Swamp/Zach and Rodney/Canton Jones/Warcat Records/Cajo Records — 147 Whisper My Name/Aaron Watson/BIG Label Records — 137 Allie Colleen, currently on #32 on the MusicRow CountryBreakout Radio Chart and #11 on CDXTRACtion True Indie Chart with “Ain’t The Only Hell (My Momma Raised)” jumped on a ZOOM meeting with Spotify’s John Marks and the team from GrassRoots Promotion. -
Édith Piaf: a Cultural History
ÉDITH PIAF: A CULTURAL HISTORY ÉDITH PIAF A Cultural History David Looseley LIVERPOOL UNIVERSITY PRESS Édith Piaf: A Cultural History First published 2015 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2015 David Looseley The right of David Looseley to be identified as the author of this book has been asserted by him in accordance with the Copyright, Design and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available print ISBN 978-1-78138-257-8 epdf ISBN 978-1-78138-425-1 Typeset by Carnegie Book Production, Lancaster Printed in the UK by CPI Group (UK) Ltd, Croydon CR0 4YY. Contents CONTENTS Acknowledgements vii Chronology 1 Introduction 15 part i: narrating piaf 1 Inventing la Môme 27 2 Piaf and her public 45 3 A singer at war 65 part ii: piaf and chanson 4 A new Piaf 83 5 High art, low culture: Piaf and la chanson française 97 6 Ideology, tragedy, celebrity: a new middlebrow 113 part iii: afterlives 7 Losing Piaf 135 8 Remembering Piaf 153 9 Performing Piaf 171 Conclusion 185 Notes 193 References 233 Index 243 v For my granddaughter Elizabeth (Lizzie) Looseley-Burnet, with love Acknowledgements Acknowledgements would like to express my gratitude to the following, who in I various ways have helped me with the research for this book: Jacques d’Amboise, Ewan Burnet, Erica Burnham of the University of London in Paris, Di Holmes, Jim House, John and Josette Hughes, the late Tony Judt, Rhiannon Looseley, Bernard Marchois of the Musée Édith Piaf, Sue Miller, Cécile Obligi of the Bibliothèque nationale’s Département des arts du spectacle, Cécile Prévost-Thomas, Keith Reader, Philip Tagg, Florence Tamagne and Vera Zolberg.