Hit-And-Run Driver Avoids Jail Time Cooperation with Authorities

Total Page:16

File Type:pdf, Size:1020Kb

Hit-And-Run Driver Avoids Jail Time Cooperation with Authorities AN ALMANAC, MOUNTAIN VIEW VOICE AND PALO ALTO WEEKLY PUBLICATION HOME+GARDEN SUMMER 2011 Summer FROM ‘70s COTTAGE TO MODERN Home & Garden IN MENLO PARK PAGE 10 Design IN THIS ISSUE AN EYE FOR DETAIL IN PALO ALTO | PAGE 4 THE ULTIMATE MOUNTAIN VIEW DO-IT-YOURSELF PROJECT | PAGE 16 HONORING AN OLDER HOME IN PALO ALTO | PAGE 22 JULY 22, 2011 VOLUME 19, NO. 27 INSIDE: WEEKEND | PAGE 17 650.964.6300 MountainViewOnline.com Local senior day care center braces for Medi-Cal cuts STATE REDUCTIONS WILL FORCE ROSE KLEINER TO TURN AWAY FRAIL ELDERLY By Nick Veronin Grace Archibong to attend. Archibong, who is recovering bout one-third of the elderly from a stroke and a knee replace- and frail people who rely on ment, said that Rose Kleiner has Aa local adult day health care been instrumental in her recovery. service may soon be forced out as a “This place not only accelerated my result of the state’s Medi-Cal spend- health progress, but I very much ing cuts, officials at the Avenidas enjoy the community,” she said. Rose Kleiner Senior Day Health If it weren’t for the center, Archi- Center said. bong said she would spend most of When California halts Medi- her days by herself at home, as her JUSTIN LAI Cal reimbursements for adult day husband spends most of his days Workers remove the siding from Hangar One high above the ground at Moffett Field, on July 19. health programs across the state, working on the family business. as the Department of Health Care “Here, I’m not alone.” Services eventually plans to do, No easy solutions for Hangar One Rose Kleiner will no longer be able State budget crisis to afford to provide free care to the However, with California in By Daniel DeBolt Hangar One, preservationists say, transferred to another govern- 32 low-income seniors who regu- the midst of a financial crisis, the and any plans by NASA to demol- ment agency because the $32.8 larly attend the center. Department of Health Care Ser- ASA headquarters and ish it or transfer it to another million project has no officially Though Rose Kleiner will remain vices plans to eliminate adult day House Republicans now agency could take many years, designated use and would mean open for families who can afford care as a Medi-Cal benefit. And Nappear to view the demo- cause degradation of its exposed major cuts to more critical NASA to pay, officials at the center and while the cut is projected to save lition of Hangar One as a real frame and lead to legal complica- projects. Medi-Cal recipients who rely on the state $169 million, it would force possibility, but it would “make a tions, including a potential lawsuit While preservationists say the the free care they receive there said many like Archibong out of centers mockery” of federal historic pres- over demolition. OIG report ignored NASA’s legal the state should look to make cuts like Rose Kleiner. ervation law and “ignores years of The Moffett Field Restoration obligations to preserve the hangar elsewhere. “It’s a very difficult decision, discussion by the local commu- Advisory Board voted to send the under two statutes, NASA head- Right now, Medi-Cal, California’s but California is facing a very seri- nity and government agencies,” letter to the Office of the Inspector quarters concurred with the OIG Medicaid program, pays more than ous budget deficit,” said Norman preservationists say in a letter to General. report, saying that demolition and half the cost associated with a day Williams, deputy director of the be sent to Washington D.C. The OIG, which reports to transfer to another agency should at Rose Kleiner — about $76. The department. Because Medi-Cal is Federal funding is the only Congress, has recommended that center makes up the difference the state’s second largest general practical way to re-skin historic Hangar One be demolished or See HANGAR ONE, page 10 through its fundraising efforts, making it possible for patients like See AVENIDAS, page 6 Son was not sentenced to any said, noting that the district attor- jail time, in part because of her ney’s office did not seek a state Hit-and-run driver avoids jail time cooperation with authorities. Son prison sentence for Son. ultimately pleaded no contest to fel- Son was ordered to pay $7,500 in By Nick Veronin probation and community service, crossing California Street at its ony hit and run. A vehicular man- damages to the victim’s family and almost one year after the deadly intersection with Franklin Street. slaughter charge was dropped. about $612 in various legal fees, he driver in a hit-and-run accident, a spokeswoman with the Son fled the scene of the acci- Katrina Ohde, the prosecutor in according to Lisa McCrary, public accident that killed a man in Santa Clara County District Attor- dent, but later turned herself in to the case, said that Son’s early accep- information officer for the District Tdowntown Mountain View ney’s office said. authorities. She was arrested and tance of responsibility and willing- Attorney’s office. Son will serve two avoided jail time when she was At about 7:40 p.m. on July 19, bailed out the same day. Enos died ness to plead guilty to a serious years probation and must complete sentenced Monday, July 18. Keibun 2010, Son hit Manuel Enos, an in the hospital on July 20 as a result charge were “important factors” in 200 hours of community service. Son’s license was suspended and 80-year-old from Mountain View, of the injuries he suffered in the determining her sentence. Her driver’s license will be sus- she was fined and sentenced to with her Toyota Corolla. Enos was accident. “She was very cooperative,” Ohde pended for one year. V INSIDE GOINGS ON 21 | MARKETPLACE 22 | MOVIES 20 | REAL ESTATE 24 | VIEWPOINT 16 apr.com Go to open.apr.com for the Bay Area’s only complete online open home guide. PATRICE HORVATH PATRICE HORVATH DOTTIE MONROE MOUNTAIN VIEW Beautiful “Classics at Mira- MOUNTAIN VIEW Beautifully updated MOUNTAIN VIEW 3bd/2.5ba home located in monte” new home. 2250+/- sf., 3bd/2.5ba with 3bd/2.5ba home in one of the most charming a desirable neighborhood. 7875+/- sf lot. Fabulous large upstairs loft/4th bedroom. Gourmet kitchen, neighborhoods in Mountain View, next to Sylvan floor plan, original condition. FP in living room and formal living room and dining room. $1,398,000 Park. Pool and spa. $1,198,000 family room. $1,150,000 CINDI KODWEIS COURTNEY ELTHERINGTON WHERE DO YOU WANT TO LIVE? open.apr.com REDWOOD CITY Charming 3bd/2ba home MOUNTAIN VIEW Beautiful 3bd/2.5ba condo located on a tree-lined street in the desirable area in the heart of downtown Mountain View! Soaring of Mt. Carmel. Recessed lighting and double-pane ceilings, granite kitchen, separate FR, plus LR/DR windows. Open Sunday. $875,000 combo. Large master suite. $640,500 HELEN & KI NYBORG AND SCOTT RUTLEY TORI CORBETT KATHY BRIDGMAN MOUNTAIN VIEW Elegant townhome in MOUNTAIN VIEW Stylish 2bd/2ba condo in MOUNTAIN VIEW Updated 2bd/1ba condo newer Bedford Square complex. 2bd/2.5ba end- the heart of downtown Mountain View. Two mas- features a spacious floor plan with numerous ame- unit with high-end appliances, 1236+/- sf. Attached ter bedrooms, one up and one down, + high ceil- nities. Excellent location near downtown Mountain 2-car garage + pool. $615,000 ings throughout. $589,000 View. $399,000 LOS ALTOS ⎮ 167 South San Antonio Rd 650.941.1111 APR COUNTIES ⎮ Santa Clara ⎮ San Mateo ⎮ San Fracisco ⎮ Marin ⎮ Sonoma ⎮ Alameda ⎮ Contra Costa ⎮ Monterey ⎮ Santa Cruz 2 ■ MOUNTAIN VIEW VOICE ■ JULY 22, 2011 7PJD FT 2010 AROUND TOWN Asked in Downtown Mountain View. Interviews and photos by Nick Gonzales Do you ever carpool or use public transit? Are you past due for your check-up and cleaning? “I do not carpool, neither do I drive · Service – · Smiles – a car. I use public transportation At smiles dental, we Our offi ce is equipped believe in treating our patients to the best because its very convenient, it’s with the latest technology to help you of dentistry and technology with fi rst class achieve the smile you deserve. cheap, and I stay in shape. personal service. If I want to go to San Francisco, Health & Beauty I take Caltrain, and I’m there.” · Passionate – Our skilled team is Bermet Baltagulova, passionate about helping our patients Mountain View EXAM maintain healthy beautiful smiles. FREENEW PATIENTS ONLY INCLUDES EXAM & DIGITAL X-RAYS! SECOND OPINIONS WELCOME Dr. William Hall & Dr. Peri Eilers Call for details. “I do not carpool because where I Some restrictions may apply. Offer Good for 60 Days. work, along 280, pretty much no 100 W. El Camino Real, Suite 63A one else in the area that I know Mountain View works there. And also public transit (Corner of El Camino and Calderon) doesn’t really go down there in any 650.964.2626 reasonable time.” Brian Sampson, Mountain View www.SmilesDental.com EXPERT CARE FOR YOUR “Presently, I don’t take public transportation. I have before in the FORD past taken public transportation, Entrust the care of your but I prefer to have my own car so that I can be able to go whenever Ford vehicle to us, 2010 I want.” and enjoy expert service RUNNER-UP Mary Ann Salyards, Santa Clara in a stress-free environment with a lot of TLC.
Recommended publications
  • Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
    Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works.
    [Show full text]
  • THE EVOLUTION of a POEM the Shark
    Phoenix Phoenix The University of Sydney Writers Journal The University of Sydney Writers Journal 2006 2006 Guest Editors Guest Editors Judith Beveridge Judith Beveridge David Brooks David Brooks Edited By Edited By Adrienne Jerram Adrienne Jerram Roberta Lowing Roberta Lowing Julianne Wargren Julianne Wargren The University of Sydney Creative Writing Program The University of Sydney Creative Writing Program Department of English Department of English University of Sydney University of Sydney in association with in association with SYDNEY UNIVERSITY PRESS SYDNEY UNIVERSITY PRESS ; ($%&+;!;+ +;$&(;$& ; $!$ ; ($%&+;!;+ +;$&(;$& ; $!$ "$& &;!; % "$& &;!; % ($%&+;!;+ + ($%&+;!;+ + ;%%!&! ;)& ;%%!&! ;)& ; ; ; ; ($%&+;!;+ + ($%&+;!;+ + )))5%'"5'%+5'5' )))5%'"5'%+5'5' 9;.,,1; (';'&!$% 9;.,,1; (';'&!$% 9;.,,1;+ +; ($%&+; $%% 9;.,,1;+ +; ($%&+; $%% ;&!$% ;&!$% !$&; !) !$&; !) ' ;$$ ' ;$$ % ; ;+!'& % ; ;+!'& ' ;$$ ' ;$$ ! *;$";"$!(;+ ! *;$";"$!(;+ %;;$ %;;$ "$!'&! ; ; !' &! ; !$; !&$; "'$"!%% "$!'&! ; ; !' &! ; !$; !&$; "'$"!%% *"&;%;"$&&;' $;&;&6; !;"$&;!;&%;&! ;+;;$"$!'6;%&!$ *"&;%;"$&&;' $;&;&6; !;"$&;!;&%;&! ;+;;$"$!'6;%&!$ ;;$&$(;%+%&6;!$;!' &; ; +;!$;!$;+; +; %;)&!'&;"$!$ ;;$&$(;%+%&6;!$;!' &; ; +;!$;!$;+; +; %;)&!'&;"$!$ )$&& ;"$%%! 5;;$#'%&%;!$;$"$!'&! ;!$;!' &! ;%!';; )$&& ;"$%%! 5;;$#'%&%;!$;$"$!'&! ;!$;!' &! ;%!';; &!;+ +; ($%&+; $%%;&;&;$%%;!)7 &!;+ +; ($%&+; $%%;&;&;$%%;!)7 + +; ($%&+; $%% + +; ($%&+; $%% %$; $$+;,/ %$; $$+;,/ ($%&+;!;+ + ($%&+;!;+ + ;.,,1; ;.,,1; 7;;;; !8%'"5'%+5'5' 7;;;; !8%'"5'%+5'5' -3/0:-3,.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • The Development of Dylan Thomas' Use of Private Symbolism in Poetry A.Nne" Marie Delap Master of Arts
    THE DEVELOPMENT OF DYLAN THOMAS' USE OF PRIVATE SYMBOLISM IN POETRY By A.NNE" MARIE DELAP \\ Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1964 ~ubmitted to the faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May, 1967 0DAHOMI STATE IJIIVERsifi'li' 1-~BR,AYRV dlNlQN THE DEVELOPMENT OF DYLAN THOMAS O USE OF PRIVATE SYMBOLISM IN POETRY Thesis Approved: n n 11,~d Dean of the Graduate College 658670 f.i PREFACE In spite of numerous explications that have been written about Dylan Thomas' poems, there has been little attention given the growth and change in his symbolism. This study does not pretend to be comprehensive, but will atte~pt, within the areas designated by the titles of chapters 2, 3, and 4, to trace this development. The terms early 129ems and later poems will apply to the poetry finished before and after 1939, which was the year of the publication of The Map tl Love. A number of Thomas• mature poems existed in manu- script form before 1939, but were rewritten and often drastically altered before appearing in their final form. .,After the funera1° ' i is one of these: Thomas conceived the idea for the poem in 1933, but its final form, which appeared in The Map .Q! ~' represents a complete change from the early notebook version. Poem titles which appear in this study have been capitalized according to standard prac- tice, except when derived from the first line of a poem; in thes,e cases only the first word is capitalized.
    [Show full text]
  • The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
    THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Recent Sexual Assault Raises Safety Issues by Melissa Nielsen CAMPUS EDITOR
    Eastern Illinois University The Keep October 2002 10-25-2002 Daily Eastern News: October 25, 2002 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2002_oct Recommended Citation Eastern Illinois University, "Daily Eastern News: October 25, 2002" (2002). October. 17. http://thekeep.eiu.edu/den_2002_oct/17 This Article is brought to you for free and open access by the 2002 at The Keep. It has been accepted for inclusion in October by an authorized administrator of The Keep. For more information, please contact [email protected]. N “Tell the truth October 25, 2002 FRIDAY and don’t be afraid.” VOLUME 87, NUMBER 44 THEDAILYEASTERNNEWS.COM Panthers reborn Women’s soccer team turns around season, wins six of eight. Page 8 SECTION A Recent sexual assault raises safety issues By Melissa Nielsen CAMPUS EDITOR The recent sexual assault of woman on cam- pus has reiterated the need for police and cam- pus sexual assault services for the ongoing problem of rape. On Oct. 9, at about midnight, an unidentified woman said a man she knew sexually assaulted her in Thomas Hall, a police report said. Though the report was filed, no charges will be filed, said Adam Due, chief public safety officer. He said the woman wanted to make police aware of the situation, but did not want to take the case any further. Due said the victim knew the offender, did not seek medical attention and police were not aware of any alcohol use. Tom Edwards, president of the board for Sexual Assault Crisis and Information Center, said going to police is one option sexual assault victims have, but victims who feel they need help should call professional help lines in their area after an assault.
    [Show full text]
  • December 1993
    Features DAVE ABBRUZZESE With nary a note on Pearl Jam's breakthrough album, Ten, Dave Abbruzzese flew to the top of MD's 1993 Readers Poll in the Up & Coming category. Now the brand-new Five Against One is out, and Dave's really laying down his mark. • Matt Peiken 20 TONY REEDUS Can today's jazz drummer find happiness on both sides of the avant-garde/straight-ahead coin? Well, Tony Reedus has, making him one of the most sought-after skinsmen around. • Ken Micallef 26 ZILDJIAN AT 370 Zildjian certainly should be proud of their long history: Their cymbal design innovations often coincided with the major artistic leaps of our drumset masters. Since the company is celebrating their deep roots in a big way this year, we thought it a good time to check in. • Rick Van Horn 30 Volume 17, Number 12 Cover Photo By Lance Mercer EDUCATION NEWS EQUIPMENT 48 OFF THE 8 UPDATE RECORD Billy Cobham, Mike Portnoy Toss Panos, Lance Huff of David & the Giants, and the Bulletboys' 52 STRICTLY Jim D'Anda, plus News TECHNIQUE The Hi-Hat 138 INDUSTRY BY JOE MORELLO HAPPENINGS 62 DRIVER'S SEAT Big Bands & Bass Drums DEPARTMENTS BY CHARLIE PERRY 4 EDITOR'S 36 PRODUCT OVERVIEW 66 LATIN CLOSE-UP SYMPOSIUM Pearl Masters Maguinho's 6 READERS' Custom Drumkit BY RICK VAN HORN Brazilian Rhythms PLATFORM BY PETE MAGADINI 39 Rhythm Tech 12 ASK A PRO indexTension Drum 94 SHOW Tuners BY ADAM BUDOFSKY DRUMMERS' 16 IT'S SEMINAR QUESTIONABLE Pete Engelhart Crashers Trials & Tribulations BY ADAM BUDOFSKY Of A New York 50 DRUMLINE Show Drummer 40 LP Gajate Bracket BY LARRY CALLAHAN BY ADAM BUDOFSKY 102 CRITIQUE Taw Duplicate X 98 THE JOBBING Products NDEX DRUMMER 126 1993 I BY RICK VAN HORN The Clubdate Business UPDATE BY PETER J.
    [Show full text]
  • Page 1 of 163 Music
    Music Psychedelic Navigator 1 Acid Mother Guru Guru 1.Stonerrock Socks (10:49) 2.Bayangobi (20:24) 3.For Bunka-San (2:18) 4.Psychedelic Navigator (19:49) 5.Bo Diddley (8:41) IAO Chant from the Cosmic Inferno 2 Acid Mothers Temple 1.IAO Chant From The Cosmic Inferno (51:24) Nam Myo Ho Ren Ge Kyo 3 Acid Mothers Temple 1.Nam Myo Ho Ren Ge Kyo (1:05:15) Absolutely Freak Out (Zap Your Mind!) 4 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.Star Child vs Third Bad Stone (3:49) 2.Supernal Infinite Space - Waikiki Easy Meat (19:09) 3.Grapefruit March - Virgin UFO – Let's Have A Ball - Pagan Nova (20:19) 4.Stone Stoner (16:32) 1.The Incipient Light Of The Echoes (12:15) 2.Magic Aum Rock - Mercurical Megatronic Meninx (7:39) 3.Children Of The Drab - Surfin' Paris Texas - Virgin UFO Feedback (24:35) 4.The Kiss That Took A Trip - Magic Aum Rock Again - Love Is Overborne - Fly High (19:25) Electric Heavyland 5 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.Atomic Rotary Grinding God (15:43) 2.Loved And Confused (17:02) 3.Phantom Of Galactic Magnum (18:58) In C 6 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.In C (20:32) 2.In E (16:31) 3.In D (19:47) Page 1 of 163 Music Last Chance Disco 7 Acoustic Ladyland 1.Iggy (1:56) 9.Thing (2:39) 2.Om Konz (5:50) 10.Of You (4:39) 3.Deckchair (4:06) 11.Nico (4:42) 4.Remember (5:45) 5.Perfect Bitch (1:58) 6.Ludwig Van Ramone (4:38) 7.High Heel Blues (2:02) 8.Trial And Error (4:47) Last 8 Agitation Free 1.Soundpool (5:54) 2.Laila II (16:58) 3.Looping IV (22:43) Malesch 9 Agitation Free 1.You Play For
    [Show full text]
  • Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, History Commons, and the Music Commons Recommended Citation anderson, Benjamin Park, "Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement" (2005). Dissertations, Theses, and Masters Projects. Paper 1539626478. https://dx.doi.org/doi:10.21220/s2-9ab3-4z88 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BLUE NOTES AND BROWN SKIN Five African-American Jazzmen and the Music they Produced in Regard to the American Civil Rights Movement. A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Benjamin Park Anderson 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts imin Park Anderson Approved by the Committee, May 2005 Dr. Arthur Knight, Chair Ids McGovern . Lewis Porter, Rutgers University, outside reader ii TABLE OF CONTENTS Page Acknowledgements iv List of Illustrations V List of Musical Examples vi Abstract vii Introduction 2 Chapter I.
    [Show full text]
  • UNEARTHED GEM Cardenas, Pete Mccann and David Gilmore) Plus the 4 of the 14 Tracks Include Harris’ Vocals, Sermon- Electric Bass of Steve Swallow
    by trombone, trumpets, bass clarinet and saxophones. Liebman’s wooden flute, Vashlishan’s clarinet and Ritz Flutes are also prominent in ensemble voicings on on frame drums, is given a very atmospheric treatment “Keep Your Razor Sharp”, “Take the Time”, “Song for while “Lazy Bird” is reinvented with a completely a Friend” and “Lovejoy”. different set of chord changes. Avoiding performing The rhythm section is also distinctive, not only for Coltrane’s warhorses, Liebman and his group conclude its use of martial and hip-hop patterns and odd meters by reviving such relatively obscure numbers as spiritual like 7/4, but also a heavily electronic cast. Electric “Peace On Earth”, passionate “One Up, One Down”, keyboards (Yayoi Ikawa or Adam Kipple), save for a B3 the futuristic title track and somber “Dear Lord”. style organ solo (Kipple) on “24 Days an Hour”, and Liebman and Co. succeed at updating Coltrane’s Guitar Talk electric bass (Calvin Jones) create expansive aural music to the 21st century without losing the essence of Joel Harrison (AGS Recordings) textures over the patterned drumming of Tony Lewis. the vintage material. by Robert Bush There is an ethereal feel under Harris’ most emotive, tender solo on elegy “Requiem for Fred Hampton” and For more information, visit dottimerecords.com. This Guitarist Joel Harrison has been quietly assembling Jones creates a throbbing pulse on the dramatically project is at Dizzy’s Club Sep. 4th-5th. See Calendar. a stellar body of work since his debut in 1996. 20 building “Makanda”, flute and brass-led ensemble albums later, Harrison is back with a riveting collection figures jabbing and probing behind flute, alto and of duets with four fellow guitarists (Ben Monder, Steve baritone in tandem and trumpet (Eddie Allen) solos.
    [Show full text]
  • The Bdok Deals with Classroom Uses of Black American 10Ratue
    .. an/ DOCUMENT RESUME ED 158 293 CS 204 277 AUTHOR Stanford, BarbaDa Aiin, KariLa TITLE__ 'Black Literature fot High School Students. INSTITUTION national Council of Teachers of English, Uibana, Ill. PUB 'DATE 18 NOTE 274p. '4AVAILABLE PROMNational Councilof Teachers of English, 1111 Kenyon Road, Urbana, Illinois 61801 (Stock.No..0330,6, $4.75. non-member, $3.,95 member) - ERRS' PRICE 40-$0.83 HC-$14.05 Plus'Postag,. BESCRIPTORS African Literature; American Literature; Annotated Bibliographies; Autobiographies; Biographies; *Black Culture; *Black History; *Black Literature; Black Studies"; Class Activities; EnglishInstruction; Fiction; Polk Culture; literary Influences; *Literary Perspective;,Literary Styles; *Literature Appreciation; *Literature Programs; Mythology; Secondary Education ABSTRACT . An interracial team of:teacherS'" and regional consultanti worked together_reV#insthisten-syear-old book on the _ teaching of black literature. ne first section discusses black literature in terms of its discovery, tradition, and affective aspects; outlines goals and objectives for the course; presents a historical survey of black American writers; considers junior novels, short story collections, 'biographies, and, autobiographies (historical And moitern) by bot black and white writers; an0 presents supplementary bibliographies. of.black literature. The second part of .the bdok deals with classroom uses of black American 10ratUe. Included in" this section-are outlines for two literature 'units on the bla6k experience; units on slave narratives and autobiography, poetry), and the short story; ecouise onAfro-American literature; _and a senior elective course on black literature, for which a bibliography is included. Also included are suggestions for bomposition, discussion, role playing, and games. The book contains a directory.of publishers and author anl title indexes.
    [Show full text]