Report, and the Journal Be Adequate and Humbled by the Opportunity to Serve You

RReeppoorrtt Douglas Stotter, editor

Spring 2001

From the Podium

Dear CBDNA Colleagues, available to assist and to contribute as well as receive communi- As my term as president of CBDNA begins, I am both honored cation? Will the web site, the Report, and the Journal be adequate and humbled by the opportunity to serve you. Since its inception to handle the flow of information that the membership requires? in 1941 the College Band Directors National Association has been How can we do a better job of communicating with members who led by people of great wisdom and ability. Each president has do not attend conferences or with college band directors who are placed a unique stamp on the organization in a manner that has not members of CBDNA? allowed CBDNA to mature and grow as our history unfolded. We Bold leadership: all reap the benefits of their leadership and with your help we will In a recent article I suggested that CBDNA should always be be able to put in place additional building blocks for the future “revolutionary” and there are certainly many examples of revolu- these next two years. I am particularly grateful to have served on tionary activity sponsored by CBDNA over the past 60 years. What the board during the presidential terms of James Croft, Allan are the issues that we should be acting upon with “revolutionary” McMurray, and Eugene Migliaro Corporon. The open and inclu- passion in 2001-2003? What are agenda items that we cannot sive manner in which each of these gentlemen worked provided achieve alone but with our collected efforts are achievable? Who me a wonderful example of how the board can best function for are the persons that need a “revolution” in our thinking to be the benefit of CBDNA. Our terrific conference, just completed at brought or allowed at the table of our profession? the University of North Texas, was a direct reflection of Eugene’s Development: leadership as President of CBDNA and as conference host. We For twenty years CBDNA has been the catalyst for much of my are all indebted to him, Dennis Fischer, Brad Genevaro, and the personal development. It has been an equal pleasure to observe many wonderful UNT students for creating such a terrific envi- and participate in the organization as it has developed during this ronment for us to enjoy. time as well. Do our conferences, publications, and symposiums Any president of CBDNA receives an unusual amount of ad- offer members the spark of renewal that drives individual growth? vice! Some of the most profound advice I have received to date Is the organization developing as the needs of its members change? came from Fred Fennell. Is anyone surprised? With true Fennell National and international advocacy: wit, he offered a profound challenge with these words: “it’s really We are in a prime position to be advocates for bands on all important that CBDNA stand out among all the organizations and college campuses, for gender and ethnic equality in our profes- not just become part of the growing alphabet soup.” All of us sion, for composers who wish to write for our ensembles, for the belong to a multitude of musical organizations at both the state growth of professional bands, for the elementary and secondary and national levels. Each name can be reduced to an acronym school programs which feed us, for the standard of teacher train- (NBA, ABA, MENC etc.) explaining Fred’s concept of alphabet ing that affects these programs, and for the growth of the wind soup. Under the pressure of our professional lives it is easy for these organizations to blend together and it becomes easy for us continued on page 2 to prefer them to share the traits which make us the most comfort- able as members. Fred’s challenge to remain distinctive is not an invitation to throw out the past for the sake of new, rather, I view it as an opportunity to evaluate every aspect of our organization In this Issue: to make sure we are upholding the historic principles declared by our founders in light of the demands and challenges presented to National Conference Review ...... 2 our profession in 2001. News and Premieres ...... 6 With this quest in mind, I offer the following version of our acronym as the principles which will guide my thinking over the Programs, State by State ...... 7 next two years. Communication: Forum ...... 16 As a collection of professionals we are a terrific asset to each other. The membership of CBDNA is filled with people who pos- Business...... 17 sess a variety of abilities, experiences, and perspectives which can be of benefit to others. As our communication is facilitated by Survey...... 19 growing technology how can we best make ourselves open and 2 - NATIONAL CONFERENCE continued from page 1 Thirty-first National Conference band as a viable performance medium around the world. Are we using our resources and positions to advocate the right things and February 19-24, 2001 are we doing it well? There are many other things we could advocate and your suggestions are welcome. University of North Texas Artistic interaction: No matter what our position we must look for and seek out an Sessions ever increasing exchange of ideas with musicians and artists out- Research Session—Gary Sousa, moderator side the band world. We have made great strides in this area and The Wind Music of Kurt Weil we must continue our efforts to expand our horizons leaving no --Jeff Gershman stone unturned in inviting others to interact with us. Whom should Hindemith’s Symphony in B-flat-a Four Movement Work? we be inviting? --Matthew Mailman I hope these ideas inspire a dialogue. It would be great to have The Wind Ensemble Music of Frank Zappa printed responses of either affirmation or disagreement in the next --Patrick Brooks issue of the Report. I need your help to find the perfect answers to these questions and not just the easy answers. CBDNA needs your Small College Athletic Band Solutions input to make sure the right questions are being considered as the Douglas Stotter, moderator membership will always be the greatest resource of our organiza- John Villella and Gary Davis, panelists tion. I am glad you are a member and I look forward to serving you. Hindemith Perspectives—David Neumeyer

Sincerely, Composers Confluence—Jack Stamp, moderator Cindy McTee Joan Tower Dan Welcher George Walker Submissions to the Report Band, A Current History—Richard Crawford The Life and Times of a Small College Band Send all materials to: John Jones, moderator Douglas Stotter, editor Robert Tucker CBDNA Report Peter White Department of Bands Donald Miller Merrill Hall William Stowman Indiana University Kritel Pfeil Kemmerer Bloomington, IN 47405 Submission deadlines: The Musician’s Soul—James Jordan •June 1 for the Summer issue •October 1 for the Fall issue Grainger Perspectives—John Bird •March 1 for the Spring issue Looking Forward, Looking Back Format preferences: Michael Haithcock, moderator •1st: email: [email protected] Robert Reynolds •2nd:Disk (MAC or PC) Donald Hunsberger •3rd: hard copies Frank Battisti David Whitwell For programs: Please include your STATE and DATE OF PERFORMANCE Moving Inside—John Woods, moderator in all submissions. We encourage program submissions for spe- Frank Wicks cific concerts in performance order rather than repertoire lists. Ray Cramer Please note: Don Wilcox When sending email or computer disk, do not use tabs, leader characters, boldface, italics, centering, justification, or other National Standards—Richard Miles, moderator formatting. Submissions will be formatted prior to publica- Larry Blocher tion. Mark Fonder Robert Garofalo NATIONAL CONFERENCE - 3

Chosen Gems University of Georgia Wind Symphony and Chamber Winds University of Texas at Arlington Wind Ensemble H. Dwight Satterwhite, John N. Culvahouse and Ray Lichtenwalter, conductor F. David Romines, conductors Kentucky Harmony by Donald Grantham Scott Hartman, trombone --conducted by Lois Ferrari Concerto for 23 Winds ...... Walter Hartley Walls of Zion by Greg Danner Arrows of Time ...... Richard C. Peaslee/Hauser --conducted by Bill Stowman Commando March...... Samuel Barber Four Maryland Songs by Jack Stamp Cantus Laetus ...... David Gillingham --conducted by Phil Clements **premiere** Horizon by John Gibson The Warriors...... Percy Grainger/Pappajohn --conducted by Ray Lichtenwalter Folk Song Suite No. 2 by Frigyes Hidas --conducted by Doug Hill University of North Texas Winds Symphony Match of Hope by Nacham Yariv Eugene Migliaro Corporon, conductor --conducted by Andrew Mast Timepiece ...... Cindy McTee Poem by John Frantzen **premiere** --conducted by Jim Hansford Chamber Symphony for Marimba ...... Daniel McCarthy Pastoral Nocturne by Bruce Yurko Mark Ford, marimba --conducted by George Boulden Stomp Igor...... Robert Patterson Angel Band by Walter Hartley Bradley Genevro, guest conductor --conducted by Matthew George Canvas ...... George Walker **premiere** Vortex ...... Dana Wilson Concerts Dennis Fisher, guest conductor Pamela Mia Paul, piano United States Air Force Band Symphony in B-flat ...... Paul Hindemith Col. Lowell Graham, conductor Overture to “The Barber of Seville”. Gioacchino Rossini/Singleton The Klaxon ...... Henry Fillmore University of Calgary Wind Ensemble Harrison’s Dream ...... Peter Graham Glenn D. Price, conductor Beim Schlafengehn and Im Abendrot from “Four Last Songs” ...... Alain Trudel, trombone ...... Richard Strauss/Vosbein Circular Marches...... Dan Welcher Symphonic Metamorphosis on Themes of Carl Maria von Weber... Danceries ...... Kenneth Hesketh ...... Paul Hindemith/Wilson Colloquy ...... William Goldstein Onward – Upward March ...... Edwin Franko Goldman Hommage a l’Ami Papageno ...... Francaix Escapade...... Jack Stamp Cancion de Gesta...... Leo Brouwer **premiere** Marietta’s Lied from “Die tote Stadt” ..... Erich Korngold/Odom Prelude and Dance...... Paul Creston Oklahoma State University Wind Ensemble Ballet Suite No. 4 ...... Dmitri Shostakovich/Pappajohn Joseph P. Missal, conductor America the Beautiful ...... Traditional Laboring Songs ...... Dan Welcher Lincolnshire Posy...... Percy Grainger …and the mountains rising nowhere ...... Joseph Schwantner Keystone Winds Um Mitternacht ...... Gustav Mahler Jack Stamp, conductor earthrise ...... Richard Prior Fascinating Ribbons ...... Joan Tower **premiere** **premiere** Dionysiaques ...... Florent Schmitt Sinfonia XXI ...... Timothy Broege Concerto for Bassoon...... Bruce Yurko Northwestern University Symphonic Wind Ensemble **premiere** Mallory Thompson, conductor A Solemn Music ...... Virgil Thomson Vienna Philharmonic Fanfare ...... Richard Strauss H. Robert Reynolds, guest conductor Toccata and Fugue in D Minor...... J.S. Bach/Hunsberger The Last Days of Summer ...... Greg Wramage Winds of Nagual...... Michael Colgrass **premiere** Molly on the Shore...... Percy Grainger Partita ...... Robert Linn John Lynch, conductor Concerto for Piano and Wind Instruments...... Igor Stravinsky Ursula Oppens, piano Profanation ...... Leonard Bernstein/Bencriscutto 4 - NATIONAL CONFERENCE Texas Tech University Symphonic Wind Ensemble Sinfonia XXI by Timothy Broege John Cody Birdwell, conductor performed by the Keystone Winds, Allegro from Symphony No. 5 ...... Peter Mennin/Bencriscutto Jack Stamp, conductor Gazebo Dances ...... John Corigliano Sinfonia 21 was begun in the spring of 2000 and completed in Be Thou My Vision ...... David Gillingham November. It is the final work in the series of sinfonias begun in Downtown Diversions for Trombone ...... Adam Gorb 1971. The music attempts to mediate between the forms, gestures, **premiere** and language of Baroque music and those of the present day. Re- Don Lucas, trombone jecting a completely non-tonal/non-metrical language, I rather J’ai été au bal...... Donald Grantham chose to let the musical materials range far and wide while at the same time maintaining fairly traditional structural processes in each movement with the movement titles found in Baroque vocal Illinois State University Wind Symphony and instrumental music. Stephen K. Steele, conductor The late Horace Tapscott—composer, pianist, band leader, edu- Parable ...... Vincent Persichetti cator, community activist—spent almost all of his creative career Minton’s Playhouse ...... James Syler in Los Angeles, leading a musical and professional life of the high- Lagan Love...... Luigi Zaninelli est integrity. Co-founder of the Underground Musicians Associa- Symphony No. 5...... David Maslanka tion (later renamed the Union of God’s Musicians and Artists As- **premiere** cension) and leader of the Pan-African Peoples Arkestra, Tapscott’s work has seldom received the recognition it so richly deserves. His piano playing continued the tradition of Thelonious Monk National Small College Intercollegiate Band and Herbie Nichols, and his compositions bear comparison with Allan McMurray, conductor those of such masters as Charles Mingus, Andrew Hill, and his George Washington Bridge ...... William Schuman own student, David Murray. In paying tribute to Tapscott, I also My Jesus, Oh What Anguish...... J.S. Bach/Reed wanted to honor the unique and distinguished artist, composer, Children’s March...... Percy Grainger conductor, educator Jack Stamp, who in the early 1980’s com- An American Elegy ...... Frank Ticheli missioned by Sinfonia 12 for the Campbell University Wind En- Songs Without Words...... Dan Welcher semble, thus beginning a musical relationship and friendship which **premiere** has led to the present work. I have also written this music in an attempt, perhaps fruitless, National Conference to exorcise some of the seventeenth and eighteenth century composer ghosts that haunt me almost continually: Fresobaldi, the Premieres Gaultiers, the Couperins, Froberger, Sweelink, Elizabeth Jacquet de la Guerre, Rameau, Jaques Duphly, Sylvius Weiss, Domenico Scarlatti, J.S. and C.P.E. Bach. I have spent much of the last thirty Fascinating Ribbons by Joan Tower years playing and studying the keyboard and lute works of these performed by the Keystone Winds, masters, and the language and compositional procedures of this Jack Stamp, conductor music have become my own. No apologies are offered for my Fascinating Ribbons was commissioned by the College Band inability to shed these influences: I accept them now, and do my Directors National Association in 2000 with a consortium of thirty- best to honor my ghostly collaborators. one bands. It is dedicated to Jack Stamp, that intrepid “stalker” of -Timothy Broege composers who will not give up until he gets a band piece from them. (I should know: it took him five years to get me to write Concerto for Bassoon and Wind Ensemble one!) Since this was my first foray into the band world, I decided by Bruce Yurko that a short piece would be the wisest course. One of the rhythmic performed by the Keystone Winds, motives was taken from George Gershwin's Fascinating Rhythms and many of the contours of motives in the piece are shaped in Jack Stamp, conductor curved “ribbon” patterns—hence the title Fascinating Ribbons. I Cast in a single movement, the concerto has three sections—a am happy to finally be entering the band world—a generous and toccata-like quality, a dance, and an aria—in which the bassoon hardworking one, that has generated so many excellent wind, brass performs a senza misura cadenza over percussion ostinatos and and percussion players. It seems also to be a place of people that brass and woodwind ensemble chorales. actually love living composers! I hope that my piece will live -Bruce Yourko long enough for me to get to know this world a lot better. (You never know…) -Joan Tower NATIONAL CONFERENCE - 5 The Last Days of Summer by Gregg Wramage too have the integration and reconciliation of opposing elements performed by the Keystone Winds, become important aspects in my work: the frequent use of circu- Jack Stamp, conductor lar patterns, or ostinatos, offer both the possibility of suspended time and the opportunity for continuos forward movement; care- This work features two kinds of music and by extension, two fully controlled pitch systems and thematic manipulations pro- different ensembles. The larger of the two ensembles is comprised vide a measure of objectivity and reason, while kinetic rhythmic of all but eight of the members of the band and is used for the structures inspire bodily motion; discipline yields to improvisa- music I associate with the joyful exuberance of the last days of tion; and perhaps most importantly, humor takes its place com- summer. The second ensemble consists of the remaining eight fortably along side the grave and earnest. I wish both to enlighten members of the band and is used for the music I associate with the and to entertain, to communicate wholeness, and above all, to bittersweet sadness of the last days of summer. celebrate life! -Gregg Wramage -Cindy McTee Cantus Laetus by David Gillingham Canvas by George Walker performed by the University of Georgia Wind performed by the North Texas Wind Symphony, Symphony, Dwight Satterwhite, conductor Eugene Migliaro Corporon, conductor This is the fourth commissioned work by the University of Geor- Canvas, commissioned by the College Band Directors National gia Bands from David Gillingham. The work was inspired by Association, was completed in September of 2000. The piece is Gillingham’s deep affection for bands, winds, and percussion and dedicated to the composer’s parents. Its three movements, called the encouragement given the composer by friends and colleagues “Extracts,” offer the possibility of each being performed sepa- who thought a definitive work exploiting the attributes of a large rately. The first Extract, subtitled “Landscape,” is a purely instru- wind and percussion ensemble should be composed. mental movement that is arch-like in its formal construction. A Virtually all the melodic material is based on one of the most section from the opening material recurs at the end of the move- famous Gregorian Hymns, Veni Creator Spiritus for the Second ment. The second Extract, “Commentary,” introduces a conver- Vespers of Whitsunday. This chant, as well as the Easter sequence, sational element that ranges from the philosophical, through points Victimae Paschali Laudes, are two of the composer’s favorite of whimsy, to a declaration of social awareness from the five speak- melodies of all time. ing voices employed. It concludes with a musical quote from the The work is cast in three major sections which are framed by an popular standard, I’m Confessing That I Love You. The third Ex- introduction and a coda. The three middle sections feature the tract, “Psalm 121,” utilizes a chorus with two brief tenor solos in three families of the ensemble, woodwinds, brass, and percus- a setting of the King James Version of this text. sion. In addition to its own feature, the percussion section is in- volved on all other sections along with the piano and harp. earthrise by Richard Prior Timepiece by Cindy McTee performed by the Oklahoma State University performed by the North Texas Wind Symphony, Wind Ensemble, Eugene Migliaro Corporon, conductor Joseph Missal, conductor Timepiece was originally commissioned by the Dallas Sym- Perhaps one of the most striking photographic images of the phony Orchestra for its 100th Anniversary Season and was pre- century is that of the earth rising in the lunar sky, as captured by miered on February 17, 2000. The transcription for winds was American astronauts. Unlike the many breathtaking photographs subsequently commissioned by a consortium of ensembles and of earth taken from orbit, images of earthrise above the lunar ho- the College Band Directors National Association. This transcrip- rizon represent a far deeper and intense statement. tion is dedicated to the memory of Martin Mailman, friend and Obviously programmatic, earthrise begins with the image of colleague for many years at the University of North Texas. Dr. the barren lunar surface and moves towards the first glimpses and McTee offers the following thoughts on the composition: final full rise of the Earth above the moon’s horizon. The slow “I entitled the work, Timepiece, not only for its connection to opening of this work contains seemingly fragmented and dispar- the celebration of special events marking the Dallas Symphony ate neo-Romantic gestures. These melodic strands and gestures Orchestra’s one hundredth anniversary and the beginning of a new begin to define both musical and syntax relationships, before millennium, but also for the manner in which musical time shapes moving towards a more animated and driven section character- the work. The piece begins slowly, “before” time, in a womb- ized by a percussive ostinato. The climax of the piece is a trans- like, subjective, holding place. And then a clock-like pulse formation of earlier melodic ideas. emerges, takes control, and provides the driving force behind a -Richard Prior sustained, highly energized second section of about six minutes. Much of my recent thinking about music is informed by the writ- ings of Carl Jung who, in the words of Anthony Storr, “felt that the whole energy of mental functioning” sprang from the tension between the oppositions of conscious and unconscious, of thought and feeling, of mind and body, of objectivity and subjectivity. So 6 - NEWS AND PREMIERES The Royal Northern College of Music Monument Fanfare July 22nd. The 2001 NIB Conductor is is to receive a second Queen’s Anniver- --Philip Rothman, Buffalo, New York Colonel Bryan Shellbourne, Director of sary Prize for Higher and Further Educa- To date the Virginia CBDNA has spon- the U.S. Army Field Band in Washington, tion, in recognition of its ‘outstanding edu- sored 26 symposia; approximately 1610 D.C. The NIB will premiere our 2001 cation work.’ This time the nominated compositions have been reviewed, 159 Commissioned work by Timothy Mahr, project for which the award has been made new works have been presented, and as well as a new work by Julie Giroux is wind ensemble music: commissioning, $37,750 in awards and travel grants have which is the result of a special commis- training and performance. The success been provided to participating composers. sioning project of Tau Beta Sigma. Stu- means that the College joins the small dents wishing to audition should contact number of higher education institutions to The detailed 2001 Conference Brochure their chapter before the deadline of April 20. have secured more than one such prize, as for the 10th International WASBE Con- well as remaining the only conservatoire ference, to be held July 8 through 14, 2001 The Wake Forest University Wind En- ever to have achieved this honour. In 1998 in Lucerne, Switzerland is available now. semble, under the direction of Dr. C. the College received the same prize for its Contact Felix Hauswirth, WASBE Presi- Kevin Bowen, premiered A Pilgrim’s Lot innovative Junior Strings Project. dent at Dorfstrasse 84 B; 6332 Hagendorn, by WFU composer-in-residence Dan The citation for the RNCM’s Queen’s SWITZERLAND or email: felix.hauswirth Locklair on it fall concert December 5, Anniversary Prize 2000 reads: @swissonline.ch 2000. The following program note is from "Through a unique series of commis- the composer: sions, broadcasts, professional recordings The New England Conservatory will A Pilgrim’s Lot (A Concert Piece for and worldwide performances by its staff host a symposium, Wind Music Across the Band) was composed for my Wake Forest and students, the College has transformed Century April 26-28, 2001. This sympo- University colleague, Kevin Bowen, and the repertoire and performance standards sium is for all those interested in both wind the Wake Forest University Band Program. of wind ensemble music in this country. ensemble music and the wider world of In one movement, the composition is based Its outstanding achievements in this field music in which it lives. on a melody entitled A Pilgrim’s Lot from have brought international acclaim." Wind Music Across the Century will fea- the early American shape-note hymnal, Expressing his delight in the achieve- ture a who’s who of today’s wind ensemble The Sacred Harp, 1860. ment, RNCM Principal Professor Edward world. Composers represented include The opening of the piece, for percussion Gregson said: “This success is due entirely Warren Benson, Michael Colgrass, John alone, energetically introduces the main to Timothy Reynish and his pioneering Harbison, Karel Husa, Bernard Rands, and melodic and rhythmic ideas of the piece. work with the RNCM Wind Orchestra Gunther Schuller. Veteran conductors Soon, the full band enters to develop the over many years. His vision and tenacity Frank L. Battisti, Robert Boudreau, material. With dialogues between the di- have at last received the external recogni- Frederick Fennell, Donald Hunsberger, visions of the band abounding, the piece tion they deserve. It also, once again, dem- and Timothy Reynish will be joined by alternates contrasting rhythmic and lyrical onstrates the College’s success in encour- some of the best and brightest of the next sections before a climax is reached. After aging and developing new and innovative generation of ensemble leaders. Represen- the climax, a slow, gentle section emerges projects.” tatives from the major publishing houses, where, for the first time, the A Pilgrim’s including Carl Fischer, Boosey Hawkes, Lot hymn tune is fully heard. Following The twenty sixth annual Symposium for Theodore Presser, G. Schirmer, will con- this section, the piece repeats to the open- New Band Music, sponsored by the Vir- tribute their unique perspectives. Critics, ing material and, eventually, leads to a coda ginia chapter of CBDNA, was held Feb- authors and scholars round out this inter- where percussion solos recall the piece’s ruary 8-10, 2001, at the University of Rich- national roster of participants. dramatic and rhythmical beginning, bring- mond. The performing ensemble for the Highlights of the symposium include ing A Pilgrim’s Lot to a vibrant close. event was the Virginia Intercollegiate reading sessions of new works, perfor- A Pilgrim’s Lot, Locklair’s first work for Band, comprised of students from five Vir- mances by New England Conservatory’s winds and percussion, is available from ginia colleges and universities. Wind Ensemble, Jordan Winds and hon- Subito Presser, Inc. Five composers from across the country ors ensembles and a luncheon honoring The Wake Forest University Wind En- were selected to attend the symposium and Frank L. Battisti. The symposium will semble also participated in the joint pre- conduct their own works in open reading also feature three panel discussions: “A miere of Empire of Light by Johan de Meij. sessions. Composers and their works in- Global Perspective - Wind Music Without Empire of Light is the final movement of cluded: Borders,” “New Advocacy - Wind Music The Guggenheim Anthology, a colorful Proteus Rising from the Sea in the Professional Paradigm,” and “The suite in which de Meij depicts four differ- --Jack Gallagher, Wooster, Ohio Ensemble or the Music - Setting Priority ent paintings from the Peggy Guggenheim Restless Birds Before the Dark Moon of Message over Medium.” Museum in Venice, Italy. Empire of Light --David Kechley, Williamstown, MA was commissioned by a consortium of Tall Everlasting Light The 2001 National Intercollegiate eight university bands united in the Atlan- --Leonard Mark Lewis, Columbia, Missouri Band, held in conjunction with the KKPsi/ tic Coast Conference Band Directors As- Kicks Tau Beta Sigma National Convention in sociation. --Mitchell Ohriner, Boulder, Colorado Corpus Christi, Texas , begins on Sunday PROGRAMS - 7

PLEASE NOTE: University of Central Arkansas FLORIDA Fall Symphonic Band Include your STATE and DATE OF Ricky Brooks, conductor University of Miami Wind Ensemble PERFORMANCE in all submissions. Jonathan West, graduate conductor and Chorale December 5, 2000 Gary Green and Jo-Michael Scheibe, The CBDNA Executive Board and the Fanfare for a New Era...... Stamp conductors editor encourage program submissions Christmas Variants ...... Del Borgo October 10, 2000 for specific concerts in performance Greensleeves ...... Reed Fanfare for the Common Man ...... Copland order rather than repertoire lists for se- Variations on a Korean Folk Song..... Chance Stomp Your Foot ...... Copland mesters, tours, or school years. Many Jingle Bells...... Gould Long Time Ago ...... Copland The Purple Pagaent March...... King CBDNA members are as interested in Las Agachadas...... Copland Sleigh Ride ...... Anderson how their fellow members program as Zion’s Walls ...... Copland they are in what they program. Lincoln Portrait ...... Copland University of Central Arkansas William Warfield, narrator Wind Ensemble When sending email or computer disk, Symphony No. 1 “Blue” ...... Syler Ricky Brooks, conductor Maryann Kyle, soprano do not use tabs, leader characters, or Tony Baker, trombone other formatting. Submissions will be Leigh Bradley, soprano University of Miami Symphonic Winds formatted prior to publication. February 8, 2001 Gary Green, conductor New Century Dawn...... Gillingham November 15, 2000 address for submissions Amazing Grace ...... Traditional March, Op. 99 ...... Prokofieff/Yoder ...and grace will lead me home ...... Knox Michael Dressman, conductor Douglas Stotter, editor Trombone Concerto ...... Bourgeois A Nightingale and Two Sisters ...... Grainger CBDNA Report Danny Boy ...... Traditional Shepherd’s Hey ...... Grainger Department of Bands Yiddish Dances ...... Gorb Music for Prague, 1968...... Husa Merrill Hall Morning Star ...... Maslanka Salvation is Created....Tschesnokoff/Houseknecht Indiana University Suite of Old American Dances ...... Bennett Bloomington, IN 47405 CALIFORNIA Gregg Gausline, conductor [email protected] Three Revelations from the Lotus Sutra (I)...Reed Michael Dressman, conductor Pomona College Band Graydon Beeks, conductor University of Miami Wind Ensemble November 17 and 19, 2000 Gary Green, conductor ARKANSAS Flower of Youth ...... Nixon November 21, 2000 Down a Country Lane....Copland/Patterwson Octet ...... Stravinsky Variants on a Mediaeval Tune ...... Dello Joio University of Arkansas Wind Symphony Gregg Gausline, conductor An Original Suite ...... Jacob W. Dale Warren, conductor Eine Kleine Posaunenmusik ...... Schuller Mock Moris...... Grainger/Kreines October 11, 2000 Tim Conner, trombone Sun Dance ...... Ticheli Fanfare...... Bernstein Symphony No. 4 ...... Maslanka The Liberty Bell March ...... Sousa/Brion Mevagissey Tales for Tuba and Wind Band ...... Kalke University of Tampa Wind Ensemble Skip Gray, tuba DELAWARE Jeffrey L. Traster, conductor Third Symphony ...... Barnes October 26, 2000 The Impressario Overture ...... Mozart University of Delaware Wind Ensemble University of Arkansas Wind Symphony La Orejo de Oro ...... San Miguel Robert J. Streckfuss, conductor W. Dale Warren, conductor The Marine’s Hymn ...... Van Loock October 12, 2000 December 4, 2000 Esprit de Corps...... Jager Tempered Steel...... Young Second Suite in F ...... Holst Zion ...... Welcher Concerto for Horn and Wind Symphony...... Symphonic Songs for Band ...... Bennett ...... Thompson GEORGIA Brian Casey, conductor Timothy Thompson, horn Country Band March ...... Ives/Sinclair **world premiere** Emory University Wind Ensemble Suite in B-flat...... Strauss American Salute...... Gould Scott A. Stewart, conductor A Grainger Collection...... Grainger Eldon A. Janzen, conductor October 13, 2000 Hammersmith...... Holst Vortex ...... Wilson Festivo ...... Gregson John Mayer, conductor Mary Scott Spry, piano Country Gardens ...... Grainger Prelude and Dance ...... Creston Divertimento ...... Hearshen Colonial Song...... Grainger Danza Final ...... Ginastera/John Themes from Green Bushes ...... Grainger Folksong Suite for Band No. 3 ...... Stanhope Greek Dances ...... Skalkottas Aegean Festival Overture ...... Makris 8 - PROGRAMS

Emory University Wind Ensemble Southern Illinois University Edwardsville Indiana University Wind Ensemble Scott A. Stewart, conductor Wind Symphony Ray E. Cramer, conductor December 7, 2000 January 26, 2001 February 6, 2001 Overture in C...... Catel John Bell, conductor Symphony in B-flat...... Hindemith Serenade No. 12 ...... Mozart Illinois Music Educators Association All- Concerto for Amplified Piano ...... Hass Funeral March ...... Grieg State Conference **world premiere** Easter Monday on the White House Lawn ..Sousa Celebrations ...... Zdechlik Paul Barnes, piano Symphony No. 6 ...... Persichetti Lamb of God ...... Gillingham Colonial Song...... Grainger Morning Alleluias ...... Nelson Molly on the Shore ...... Grainger Vintage ...... Gillingham Serenade ...... Bourgeois Cyrus the Great ...... King Steven Mead, euphonium The Free Lance March...... Sousa Mercer University Wind Ensemble Southern Illinois University Edwardsville Adrian Gnam, guest conductor Concert Band Indiana University Concert and October 3, 2000 John Korak, conductor Symphonic Bands Folk Song Suite...... Vaughan Williams March 7, 2001 Douglas Stotter and Stephen Pratt, Who Puts His Trust In God Most Just . Bach/Croft Fantasy on “How Brightly Shines the Morning Star” conductors Second Suite...... Holst ...... Custer February 13, 2001 Folk Dances...... Shostakovich/Reynolds Thematic Variations on “Dona Nobis Pacem” Concert Band ...... Sudduth Eternal Father, Strong to Save ...... Smith Mercer University Wind Ensemble Old Home Days...... Ives October ...... Whitacre Adrian Gnam, guest conductor His Honor ...... Fillmore Florentiner ...... Fucik November 14, 2000 Allerseelen ...... Strauss Sea Songs ...... Vaughan Williams Southern Illinois University Edwardsville Slava!...... Bernstein Elegy For a Young American...... Lo Presti Wind Symphony Symphonic Band Do Not Go Gentle Into That Good Night...... John Bell, conductor Secular Litanies...... Mailman ...... Del Borgo March 7, 2001 After the Thunderer...... Hearshen Night Dances...... Yurko Suite in F ...... Holst Marche Joyeuse...... Chabrier First Suite ...... Holst Molly on the Shore ...... Grainger A Soldier’s Mass ...... Rautavaara A Musical Toast ...... Bernstein Ivan the Terrible ...... Prokofiev/Singleton SPQR ...... Woolfenden Folk Festival...... Shostakovich/Hunsberger Mercer University Wind Ensemble Douglas Hill, conductor INDIANA Indiana University Wind Ensemble Kelly Via, flute Ray E. Cramer, conductor February 20, 2001 Indiana University Wind Ensemble March 4, 2001 The Match of Hope ...... Yariv Ray E. Cramer, conductor Feierlicher Einzug...... Strauss/Stotter A Lindisfarne Rhapsody ...... Sparke October 31, 2000 Serenade No. 10 ...... Mozart Sinfonia IX ...... Broege The Year of the Dragon (Finale)...... Sparke The Leaves are Falling...... Benson Brasiliana ...... Ripper Medieval Suite ...... Nelson Concerto in C Major ...... Vivaldi Der Traum des Oenghus ...... Rudin Concerto in B-flat Major ...... Arutunian Kate Prestia-Schaub, piccolo Kelly ...... Hogg Edmund Cord, trumpet Little Threepenny Music...... Weill The Logic of All My Dreams ...... Bryant Alchemy in Silent Spaces (II, III) ...... Bryant Equus...... Whitacre Pines of the Appian Way...... Respighi/Duker ILLINOIS Cheerio ...... Goldman Ball State University Wind Ensemble Concordia University Wind Symphony Indiana University Concert and Joseph Scagnoli, conductor Richard Fischer, conductor Symphonic Bands October 15, 2000 Tour Program Douglas Stotter and Stephen Pratt, As the Stars Forever...... Hutchison American Salute...... Gould conductors Adagio ...... Holsinger Chester...... Schuman November 12, 2000 An Original Suite ...... Jacob Suite of Old American Dances ...... Bennett Concert Band Sun Paints Rainbows on the Vast Waves . Bedford An American Elegy...... Ticheli La Procession du Roccio ...... Turina/Reed La Sorella ...... Borel-Clerc/Thurston Espirit de Corps...... Jager Divertimento ...... Persichetti Venetian Spells...... Ellerby Methusaleh II ...... Tanaka Danses Sacred and Profane...... Hill Blessed Are They ...... Brahms/Buehlmann Scott Schleuter, graduate conductor Ball State University Wind Ensemble Salvation is Created ...... Chesnokov In Storm and Sunshine ...... Heed Joseph Scagnoli, conductor Amazing Grace ...... Himes Symphonic Band December 3, 2000 Earth and All Stars ...... Ogren Fiesta ...... Sparke Festival Sinfonia ...... Barrett The Golden Age of the Xylophone...... Werle Procession to the Cathedral ...... Wagner/Patterson Be Thou My Vision...... Gillingham The Symphonic Gershwin ...... Barker Morning Star ...... Maslanka Music for a Festival ...... Sparke Vesuvius ...... Ticehli Danh Pham, graduate conductor Guardians of Peace ...... Hosay Well Met, My Own True Love ...... Dancin’ into the ‘20 ...... Hunsberger ...... Vaughan Williams/Daehn Symphonic Songs for Band ...... Bennett PROGRAMS - 9

Indiana State University Symphonic Band IOWA Wichita State University Concert Band and Wind Ensemble and Wind Ensemble Doug Keiser and John Boyd, conductors St Ambrose University Symphonic Band Larry Blocher and Victor Markovich, October 5, 2000 Andrew Mast, conductor conductors Courtly Airs and Dances...... Nelson Nov 11, 2000 December 5, 2000 Allerseelen ...... Strauss Sea Songs ...... Vaughan Williams Concert Band Grand Ledges ...... McCarthy Gnomon...... Duffy Spitfire Prelude ...... Walton Old Home Days...... Ives Ave Maria ...... Biebl New World Dances ...... Ellerby The New Colonial March ...... Hall Concertino ...... Chaminade Ave Maria ...... Biebl Copland Portrait ...... Copland/Grundman Symphony No. 1 ...... Bukvich Indiana State University Concert Band Old Home Days...... Ives/Elkus Ballade...... Reed Eugene Bechen, conductor America, The Beautiful...... Ward/Dragon Tribute ...... Camphouse Andrew Miller, student conductor Gallant Seventh...... Sousa Wind Ensemble Jill Moore, graduate conductor American Armed Forces Salute ...... Lowden Winds of Nagual ...... Colgrass October 8, 2000 Intrigues for Solo Clarinet ...... Makris Brighton Beach ...... Latham St Ambrose University Symphonic Band Festive Overture....Shostakovich/Hunsberger Carpathian Sketches...... Jager Andrew Mast, conductor As Summer Was Just Beginning...... Daehn March 3, 2001 Flourish for Wind Band .....VaughanWilliams Symphonie Militaire ...... Gossec LOUISIANA Kentucky 1800 ...... Grundman Chorale and Shaker Dance...... Zdechlik Coast Guards March ...... King Chad Grimm, student conductor McNeese State University Wind Ensemble Serenade ...... Persichetti Jeffrey Lemke, conductor Indiana State University Concert and Free Lance ...... Sousa October 17, 2000 Symphonic Bands Victimae Paschali Laudes ...... Hollomon Rocky Point Holiday...... Nelson Eugene Bechen and Doug Keiser, conductors Finlandia...... Sibelius/Cailliet Emblems...... Copland November 14, 2000 Folk Songs for Band, No. 3 ...... Stanhope Concert Band University of Iowa Symphony Band The Sword and the Crown ...... Gregson Visions of Flight...... Sheldon Myron Welch, conductor The Free Lance March...... Sousa Yorkshire Ballad ...... Barnes Maurita Murphy Mead, clarinet Ancient Voices ...... Sweeney February 17, 2001 McNeese State University Wind Ensemble John Pinson, conductor Overture to the Flying DutchmanWagner/Hindsley Jeffrey Lemke, conductor Balladair ...... Erickson Dreamcatcher ...... Mays November 14, 2000 Heather Moody, conductor Concertino ...... Mignone William Byrd Suite (I, II, III) ...... Jacob Fanfare, Ode, and Festival...... Margolis Yiddish Dances ...... Gorb Heroes, Lost and Fallen ...... Gillingham Cheryl Jackling, conductor J’ai été au bal ...... Grantham Tribute ...... Camphouse Overture for Winds ...... Carter Four Dances from West Side Story....Bernstein Lorena Boone, conductor Symphonic Band KANSAS MASSACHUSETTS The Purple Pageant ...... King John Boyd, conductor Wichita State University Concert Band University of Massachusetts Amherst Folksongs for Band No. 3...... Stanhope and Wind Ensemble Wind Ensemble and Symphony Band When Jesus Wept ...... Schuman Larry Blocher and Victor Markovich, Malcolm Rowell, conductor Cajun Folk Songs II ...... Ticheli conductors October 13, 2000 October 10, 2000 March Joyeuse...... Chabrier Indiana State University Concert Band Be Thou My Vision...... Gillingham Symphonic Wind Ensemble A Festival Prelude ...... Reed French Impressions ...... Woolfenden John Boyd, conductor Celebration Variations...... Curnow Southern Harmony ...... Grantham Cheryl Jackling, grad. asst. conductor Salvation is Created ...... Tschesnokoff My Robin is the the Greenwood Gone ... Grainger George Graesch, guest conductor Suite Divertimento ...... Gilbert RS-2...... Downs Chad Gayso, trombone Courtly Airs and Dances...... Nelson November 20, 2000 Easter Monday on the White House Lawn ..Sousa University of Massachusetts Amherst Festivo ...... Gregson Wind Ensemble Wind Ensemble and Symphony Band Toccata, Adagio, and Fugue ...... Bach George Washington Bridge...... Schuman Malcolm Rowell, conductor Concerto for Trombone.....Rimsky-Korsakov Hammersmith...... Holst November 19, 2000 Where the Highways Cross ...... Bright Concerto for Electric Guitar ...... Racer Postcard ...... Ticheli Japanese Suite ...... Holst Sketches on a Tudor Psalm...... Tull Solitary Dancer ...... Benson Symphony for Winds and Percussion ....Bishop …and the mountains rising nowhere.. Schwantner Circus Bee ...... Fillmore Smetana Fanfare...... Husa Fantasia in G ...... Bach Apocalyptic Dreams ...... Gillingham 10 - PROGRAMS

University of Massachusetts Amherst Northwest Mississippi Community College Truman State University Wind Symphony Chamber Winds Wind Ensemble and Concert Band Dan Peterson, conductor Malcolm Rowell, conductor John B. Ungurait and Todd E. Hill, January 26, 2001 January 31, 2001 conductors Missouri Music Educators Conference Serenade, op. 7...... Strauss April 27, 2000 Symphonic Concert March ...... Bonelli Chamber Symphony...... Bestor Concert Band Concertino ...... Gillingham Symphonies of Wind Instruments....Stravinsky Highlights from Camelot ...... Loewe Flight of the Bumblebee ...... Rimsky-Korsakov Divertimento ...... Husa Spiritual ...... Gillis Niagara Falls ...... Daugherty Charter Oak ...... Osterling Wind Ensemble Truman State University Concert Band MICHIGAN Procession of Nobles ...... Rimsky-Korsakov and Wind Symphony When Jesus Wept ...... Schuman Dan Peterson, conductor Wayne State University Wind Ensemble Guadalcanal March ...... Rodgers February 28, 2001 Douglas Bianchi, conductor Ceremonial, Song and Celebration.....Shahan Concert Band Alma Konjevod, student conductor Flourish ...... Vaughan Williams October 25, 2000 The Hounds of Spring...... Reed Fanfares from “Music for a Festival”... Jacob MISSOURI Chorale and Shaker Dance...... Zdechlik Concertino for Piano 4 hands and Winds....Masek Wind Symphony Robert Conway and Catherine Wilson, soloists Central Missouri State University Mock Morris ...... Grainger March II...... Ives Patrick F. Casey, David L. Stagg, and Gemienhardt Suite ...... Smith March III ...... Ives Christopher Knehans, conductors Willson Suite ...... Smith Little Threepenny Music...... Weill December 4, 2000 The “Stones Speak of Eternity” Symphony ... Collegiate Band ...... Gooch Wayne State University March and Procession of Bacchus ...... Delibes Wind Ensemble & Wind Symphony Agüero...... Franco/Foster Southwest Baptist University Douglas Bianchi, conductor Best Broadway Marches ...... Christensen Symphonic Winds December 6, 2000 Campus Band Brian Lamb, conductor Wind Ensemble Trois Chansons Populaires ...... LaPlante March 1, 2001 Overture for Winds ...... Catel Parade of the Wooden Warriors ...... Gorb Summer Dances ...... Balmages Wind Symphony Serenade ...... Bourgeois Symphony No. 3 ...... Kozhevnikov Flourish for Glorious ...... Vaughan Williams University Concert Band Songs of Grace and Songs of Glory .....Sousa Allerseelen ...... Strauss/Davis Fanfare and Allegro ...... Williams Ghost Train...... Whitacre Overture & March “1776” ...... Ives/Sinclair Elegy for a Young American...... Lo Presti Slava!...... Bernstein The Power of Rome and the Christian Heart . Manhattan Beach ...... Sousa ...... Grainger Combined Bands Southwest Baptist University Symphonic Polka & Fugue ...... Weinberger/Bainum America, the Beautiful...... Ward/Dragon Winds The Spirit of Orpheus ...... Smith Brian Lamb, conductor Wayne State University Wind Symphony November 16, 2000 Douglas Bianchi, conductor Southeast Missouri State University Overture for Winds ...... Mendelssohn January 29, 2001 Symphonic Wind Ensemble Lincolnshire Posy ...... Grainger Blue Shades...... Ticheli Robert Gifford, conductor Four Maryland Songs...... Stamp Polka & Fugue ...... Weinberger/Bainum October 26, 2000 Armenian Dances...... Reed New Century Dawn...... Gillingham First Suite ...... Holst Southwest Baptist University MISSISSIPPI March, Op.99 ...... Prokofiev/Yoder Symphonic Winds Yiddish Dances ...... Gorb Brian Lamb, conductor Northwest Mississippi Community College October 2, 2000 Wind Ensemble and Concert Band Southeast Missouri State University Fanfare for the Common Man ...... Copland John B. Ungurait and Todd E. Hill, Concert Band and Symphonic Wind Ensemble Shakata ...... Wilson conductors Robert Gifford, conductor Variations on a Korean Folk Song..... Chance March 2, 2000 December 7, 2000 Music for Prague 1968...... Husa Concert Band Country Gardens ...... Grainger/Sousa Cimarron ...... Harris A Symphonic Narrative ...... Sheldon A Christmas Festival...... Anderson West Side Story...... Bernstein/Bocook Twas’ the Night Before Christmas ...... Long Northwest Missouri State University Wind Toccata for Band ...... Erickson The Black Horse Troop...... Sousa Symphony Wind Ensemble Lied ohne Worte ...... Rudin Al Sergel, conductor Salvation is Created ...... Tschesnokoff Symphony ...... Persichetti Missouri Music Educators Association In Storm and Sunshine ...... Heed Vesuvius ...... Ticheli January 26, 2001 Jesu, Joy of Man’s Desiring..... Bach/Leidzen Of the Highest Note ...... Lendt Canzona ...... Mennin Molly on the Shore ...... Grainger David ...... Melillo Alissa Walters, soprano Flight ...... Smith PROGRAMS - 11

Missouri Western State College The College of Saint Rose Wind Ensemble NORTH CAROLINA Symphonic Winds Robert S. Hansbrough, conductor Jeff Hinton, conductor April 30, 2000 Chowan College Band Spring Tour, February 4-7, 2001 Sokol Fanfare ...... Janacek Dave Shaw, conductor Flourish ...... Mahr Emblems...... Copland February 18, 2001 Serenade ...... Bourgeois Ave Maria ...... Biebl/Cameron Flashing Winds...... van der Roost Folk Dances...... Shostakovich/Reynolds Kevin Buno, tenor They Led My Lord Away...... Gordon/Allen Festive Overture....Shostakovich/Hunsberger Yiddish Dances ...... Gorb Sea Songs ...... Vaughan Williams Variants on a Mediaeval Tune ...... Dello Joio Stephanie Schwenk, violin Down Longford Way ...... Grainger/Osmon The Universal Judgment...... De Nardis/Cafarella The Sound of Music...... Rogers/Buckley Moorside March...... Holst/Curnow Variations on a Bach Chorale ...... Stamp The Mission...... Williams/Lavender The Crosley March ...... Filmore The College of Saint Rose Symphony Band At a Dixeland Jazz Funeral...... Spears Napoli ...... Bellstedt Robert S. Hansbrough, conductor West Side Story, Symphonic Dance Music ...... October 9, 2000 Elon College Wind Ensemble ...... Bernstein/Polster Hands Across the Sea...... Sousa Thomas Erdmann, conductor La Forza Del Destino...... Verdi/Rogers November 20, 2000 NEW JERSEY Tripoli...... D’anna Adeste Fideles ...... Kenton Italian In Algiers ...... Rossini/Calliet O Holy Night...... Carmichael Washinton Grays ...... Grafulla Daughter of the Stars ...... Benson Princeton University Wind Ensemble Manzoni Requiem...... Verdi/Mollenhauer Suite from the Nutcracker ...... Tchaikowsky/Lake Bruce Yurko, conductor Recorded By Sinatra ...... Barker Concertino ...... von Weber November 30, 2000 Funiculi, Funicula ...... Denza/Reed Viginia Novine-Whitaker, oboe Overture for Wind Band ...... Mendelssohn Russian Christmas Music ...... Reed Pageant ...... Persichetti The College of Saint Rose Wind Ensemble Shepherd’s Hey ...... Grainger Robert S. Hansbrough, conductor Wake Forest University Wind Ensemble Earle of Oxfords Marche ...... Byrd/Jacob December 9, 2000 C. Kevin Bowen, conductor Vesuvius ...... Ticheli Liturgical Music ...... Mailman December 5, 2000 Puszta ...... van der Roost Zion ...... Welcher Festivo ...... Gregson La Boutique Fantastique ...... Rossini Down a Country Lane...... Copland Montclair State University Greensleves ...... Traditional A Pilgrim’s Lot...... Locklair Symphonic Band and Wind Symphony Angels We Have Heard On High.....Bachorik **world premiere** Mary Ann Craig, conductor Festive Adorations ...... Nelhybel Children’s March ...... Grainger December 3, 2000 Empire of Light...... de Meij American Overture for Band ...... Jenkins Nazareth College of Rochester Concert Band **world premiere** A Lincoln Portrait ...... Copland/Beeler Mary C. Carlson, conductor Cartoon ...... Hart Niagara Falls ...... Daugherty November 12, 2000 Folk Dances...... Shostakovich Divertimento ...... Persichetti Sun Dance ...... Ticheli Pantomime...... Sparke Incidental Suite ...... Smith Barnum and Bailey’s Favorite ...... King Resting in the Peace of His Hands .....Gibson NORTH DAKOTA Tuba Concerto...... Ellerby Three Sketches for Winds...... Grundman Perspectives...... Forbes Blue Bells of Scotland ...... Pryor University of North Dakota American Civil War Fantasy ...... Bilik Douglas Mark, trombone Wind Ensemble and University Band Broadway Spectacular! ...... Higgins James Popejoy, conductor NEW YORK Wendy McCallum, guest conductor Nazareth College of Rochester Concert Band October 10, 2000 Mary C. Carlson, conductor University Band The College of Saint Rose Wind Ensemble April 6, 2001 American Fanfare...... Wasson Robert S. Hansbrough, conductor On a Hymnsong of Philip Bliss ...... Holsinger Regenesis: Song of the Planet ...... Higgins March 17, 2000 Variations on a Korean Folksong ...... Chance Three London Miniatures ...... Camphouse Celtic Hymns and Dances...... Ewazen The Thunderer ...... Sousa Chicago Tribune March ...... Chambers Irish Tune from County Derry ...... Grainger After The Thunderer ...... Hearshen Wind Ensemble A Longford Legend...... Sheldon Quiet City ...... Copland Esprit de Corps...... Jager Jennifer Champlin, conductor Armenian Dances...... Reed Chorale and Alleluia ...... Hanson An Irish Rhapsody ...... Grundman Divertimento ...... Persichetti Amazing Grace ...... Dawson Vesuvius ...... Ticheli Ireland ...... Barker The Irish Washerwoman ...... Anderson 12 - PROGRAMS

University of North Dakota OKLAHOMA Furman University Symphonic Band Wind Ensemble and University Band and Wind Ensemble James Popejoy, conductor Oklahoma City University Symphonic Band Leslie W. Hicken, conductor Wendy McCallum, guest conductor Matthew Mailman, conductor February 15, 2000 December 5, 2000 November 12, 2000 Sea Songs ...... Vaughan Williams University Band Liturgical Music ...... Mailman Daydream ...... Mahr Star Puzzle March ...... Konagaya Urban Divertimento ...... Tucker The Seventh Seal...... McBeth Themes from Green Bushes ....Grainger/Daehn **world premiere** The Empire Strikes Back ...... Williams Tryptich II ...... Del Borgo Bouquets...... Mailman Bandanna Overture ...... Hagen Lassus Trombone ...... Fillmore/Schissel Rocky Point Holiday...... Nelson Concertino for Trombone and Band ... Ticheli Wind Ensemble For precious friends hid in death’s dateless night... Mark Britt, trombone Courtly Airs and Dances...... Nelson ...... Mailman Apocalyptic Dreams ...... Gillingham Symphonic Dance No. 3 ...... Williams Emblems...... Copland University of Oklahoma Wind Symphony Furman University Symphonic Band Slava!...... Bernstein/Grundman William K. Wakefield, conductor and Wind Ensemble October 3, 2000 Leslie W. Hicken, conductor OHIO New Century Dawn...... Gillingham April 18, 2000 Colonial Song...... Grainger Symphonic Band Blue Shades...... Tichelli Valdres...... Hanssen Youngstown State University Suite in F ...... Holst Symphonic Dance No. 3 ...... Williams Symphonic Wind Ensemble Southern Harmony ...... Grantham Scenes from The Louvre...... Dello Joio Steven Gage, conductor John R. Locke, conductor October 23, 2000 University of Oklahoma Symphony Band Folk Festival...... Shostakovich American Overture for Band ...... Jenkins Chris Neal and William Wakefield, Wind Ensemble Candide Suite ...... Bernstein/Grundman conductors Occident Et Orient ...... Saint-Saens Aspen Jubilee ...... Nelson October 10, 2000 Colonial Song...... Grainger Rhapsody in Blue ...... Gershwin/Grofe Morning Alleluias ...... Nelson La Fiesta Mexicana ...... Reed Caroline Oltmanns, piano Handel in the Strand ...... rainger/Goldman John R. Locke, conductor Salute to the Chief March ...... Brooks Ye Banks and Braes ...... Grainger Shenandoah ...... Ticheli George Washington Bridge...... Schuman Furman University Symphonic Band Stars and Stripes Forever ...... Sousa Bullets and Bayonets ...... Sousa/Fennell Leslie W. Hicken, conductor May 10, 2000 Youngstown State University Concert Band Rejouissance...... Curnow John E. Veneskey, conductor PENNSYLVANIA Valdres...... Hanssen Stephen L. Gage, guest conductor Air for Band ...... Erickson Ryan Hays, graduate conductor Westminster College Wind Ensemble Greg Hall, student conductor Aaron Smith, graduate conductor R. Tad Greig, conductor Clarinet on the Town...... Hermann November 29, 2000 February 18, 2000 Jennifer Bailey, Jessica Walsh, Mandy Toccata ...... Frescobaldi/Bainum Symphonie...... Jadin Beutell, clarinet soloists Armenian Dances...... Khachaturian Subway Soldier ...... Kellitt Suite No. 2...... Holst I Am...... Boysen William Byrd Suite ...... Jacob Symphonic Suite ...... Williams Hebrides Suite ...... Grundman A Movement for Rosa...... Camphouse Jay Bocook, guest conductor Blessed Are They ...... Brahms/Buehlmann The Big Red One ...... Kellitt The Daughters of Texas ...... Sousa Variations on a Korean Folk Song..... Chance Liberty Bell ...... Sousa Westminster College Symphonic Band University of South Carolina R. Tad Greig, conductor Wind Ensemble I Youngstown State University March 17, 2000 James K. Copenhaver, conductor Symphonic Wind Ensemble Music for a Festival ...... Sparke November 6, 2000 Stephen L. Gage, conductor In the Bleak Mid-Winter...... Vaughan Williams Symphony for Band ...... Persichetti Robert Matchett, Sr., guest composer/ Caccia and Chorale ...... Williams Trombone Concerto ...... Bourgeois conductor Move Out ...... Kellitt Bradley Edwards, faculty soloist December 4, 2000 Cajun Folk Songs II ...... Ticheli J’ai été au bal ...... Grantham Short Ride on a Fast Machine .Adams/Odom Internal Combustion ...... Gillingham La Fiesta Mexicana ...... Reed Kathleen Mavourneen...... Matchett SOUTH CAROLINA University of South Carolina March of the Belgian Paratroopers..Leemans Wind Ensemble II Irish Tune from a County Derry ...... Grainger Furman University Chamber Winds David A. O’Shields, conductor Russian Christmas Music ...... Reed Leslie W. Hicken, conductor November 6, 2000 Sleigh Ride ...... Anderson January 25, 2000 Polonaise from Christmas Night...... Octet ...... travinsky ...... Rimsky-Korsakov/Duthoit Symphonies of Wind Instruments Stravinsky First Essay ...... Barber/Levey Concerto for Piano and Wind Instruments ..... Van Gogh Portraits...... Forté ...... Stravinsky The Pride of the Wolverines ....Sousa/Fennell Derek Parsons, piano PROGRAMS - 13

University of South Carolina Temple College Wind Symphony VIRGINIA Chamber Winds Stephen Crawford, conductor James K. Copenhaver, William J. Moody, November 19, 2000 Longwood College Concert Band and David A. O’Shields, conductors Folk Dances...... Shostakovich Gordon Ring, conductor November 20, 2000 On a Hymnsong of Philip Bliss ...... Holsinger November 1, 2000 Octet ...... Beethoven Tempered Steel...... Young Military March ...... Beethoven More Old Wine in New Bottles ...... Jacob Courtly Airs and Dances...... Nelson Prelude, Siciliano, and Rondo ...... Arnold Chamber Symphony for Winds ...... Ripper SANG!...... Wilson Children’s March ...... Grainger I’m Seventeen Come Sunday ...... Grainger Introduction and Capriccio ...... Chance Winthrop University Symphonic Band Lisa Kinzer, piano William Malambri, conductor Texas Tech University Band Concert Variations on “Deo Gracias”.....Ring April 12, 2000 John Cody Birdwell, conductor Liturgical Music for Band ...... Mailman Radetsky March ...... Strauss Michael Boone, guest conductor American We...... Fillmore Colloquy...... Goldstein May 1, 2000 Symphony ...... Persichetti Moorside March...... Holst Radford University Concert Band Prelude and Fugue in B-flat Major...... Handel in the Strand ...... Grainger Mark Camphouse, conductor ...... Bach/Moehlmann In evening’s stillness…...... Schwantner October 3, 2000 Dance Movements ...... Sparke Sinfonietta ...... Dahl American Overture...... Jenkins The Long Grey Line ...... Barnes Southern Harmony ...... Grantham Elegy for a Young American...... Lo Presti Washington’s Grand March ...... Anonymous Winthrop University Wind Ensemble Texas Tech University Band Three American Portraits...... Wilson William Malambri, conductor John Cody Birdwell, conductor American Salute...... Gould April 25, 2000 Kathy McNeil, soprano Sweet Land of Liberty ...... Sochinski Alleluia, Laudamus Te ...... Reed Sunday, October 8, 2000 Manhattan Beach March...... Sousa Symphonic Movement ...... Nelhybel New Century Dawn...... Gillingham America, the Beautiful...... Ward/Dragon Folk Dances...... Shostakovich/Reynolds Three American Gospel Songs ...... Zaninelli Hounds of Spring ...... Reed The Invincible Eagle ...... Sousa Radford University Wind Ensemble Caccia and Chorale ...... Williams Folksongs for Band, Set II ...... Stanhope Mark Camphouse, conductor Boys of the Old Brigade ...... Chambers Colonial Song...... Grainger October 18, 2000 Postcard ...... Ticheli Fanfare for a Festive Day ...... Cichy Winthrop University Symphonic Band Patime...... Stamp William Malambri, conductor Texas Tech University Band Nimrod ...... Elgar/Reed November 17, 2000 Sunday, November 12, 2000 Celtic Hymns and Dances...... Ewazen Mutanza ...... Curnow John Cody Birdwell, conductor Liturgical Music ...... Mailman Sketches on a Tudor Psalm...... Tull Alan Shinn, percussion Galop ...... Shostakovich/Hunsberger Black Granite Symphonic March ...... Hosay H.R.H The Duke of Cambridge ...... Arnold A Hymn to New England...... Williams Symphony for Band ...... Persichetti A Movement for Rosa...... Camhouse J’ai ete’ au bal ...... Grantham WASHINGTON The Silver Quill...... Harpham It Takes a Village...... Yuponce University of Washington Wind Ensemble Winthrop University Wind Ensemble Trinity University Symphonic Wind Ensemble and Concert Band William Malambri, conductor James Worman, Conductor Conny Chen and Christopher Koch, November 28, 2000 October 27, 2000 conductors Americans We ...... Fillmore Divertimento ...... Persichetti November 28th, 2000 Suite Francaise ...... Milhaud Godzilla Eats Las Vegas ...... Whitacre Concert Band Four Scottish Dances ...... Arnold Incredible Flutist ...... Piston/Erickson Three Chorale Preludes...... Latham Canterbury Chorale ...... van der Roost Dances from the Morning of the Year ...... Harvest Hymn ...... Grainger Celebrations ...... Zdechlik ...... Holst/Brand Russian Christmas Music ...... Reed Charlatan March...... Sousa/Worman Wind Ensemble TEXAS Fanfare for the Comman Man ...... Copland UTAH Dies Natalis ...... Hanson Postcard ...... Tichelli Temple College Wind Symphony Lincolnshire Posy ...... Grainger Stephen Crawford, conductor College of Eastern Utah Wind Ensemble October 8, 2000 Gregory Benson, conductor Three Preludes ...... Bruckner November 16, 2000 Petite Symphonie ...... Gounod Toccata ...... Frescobaldi/Slocum The Hounds of Spring...... Reed Pageant ...... Persichetti Sinfonia VI ...... Broege Courtly Airs and Dances...... Nelson Variations on a Shaker Melody...... Copland March of the Belgian Paratroopers...... Leemans/Wiley Circus Days ...... King/Schissel 14 - PROGRAMS

University of Washington Symphonic and University of Wisconsin-Eau Claire University of Wisconsin-Eau Claire Concert Bands Symphony Band and Wind Symphony Wind Symphony Christopher Koch and J. Bradley Rodney B. Hudson, conductor Richard Heidel, conductor McDavid, conductors October 12, 2000 November 19, 2000 February 20, 2001 Northwestern Wisconsin Education Procession of the Nobles ...... Concert Band Association Teachers Convention .....Rimsky-Korsakov/Leidzen/Ragsdale Suite Francaise ...... Milhaud Symphony Band Pie Jesu...... arr. Sudduth Symphonic Band Fanfare, Hymn, and Dedication...... Huckeby Zion ...... Welcher Sedona ...... Reideke Songs of Heritage...... Williams Fanfare for the Common Man ...... Copland My Jesus, Oh What Anguish ...... Bach/Reed Symphonic Celebration ...... Moss Rodney B. Hudson, conductor With Trump & Wing ...... Stamp Danza Festiva ...... Lopez Quiet City ...... Copland Old Comrades March...... Teike Chorale and Shaker Dance...... Zdechlik Robert Baca, trumpet Wind Symphony Ivar Lunde, English horn University of Washington Fantasy on Psalm 100 ...... Kopetz Lincoln Portrait ...... Copland Symphonic Band, Variations on America...... Ives/Rhodes Ted Wendt, narrator Concert Band and Wind Ensemble From Where the Sun Now Stands ...... Hill Conny Chen, Tim Salzman, and J. Bradley Incidental Suite ...... Smith University of Wisconsin-Eau Claire McDavid, conductors Incantation and Dance ...... Chance Symphony Band March 6, 2001 Rodney B. Hudson, conductor Concert Band University of Wisconsin-Eau Claire December 3, 2000 Walking Tune ...... Grainger Symphony Band and Wind Symphony March with Trumpets...... Bergsma Rikudim...... van der Roost Rodney B. Hudson, conductor English Waltz ...... Grainger Symphonic Band October 15, 2000 Kaddish ...... McBeth The Patriots ...... Williams Symphony Band Greensleeves ...... Reed Lincoln Portrait ...... Copland/Beeler Pastime ...... Stamp Morning Star ...... Maslanka Wind Ensemble Plymouth Trilogy ...... Iannaccone Sonata for Marimba ...... Tanner Smetana Fanfare...... Husa Alleluia ...... Thompson/Buckley David Kile, marimba Concerto for Alto Saxophone ...... Maslanka March of the Belgian Parachutists...... Variations on a Shaker Melody...... Copland Michael Brockman, soloist ...... Leemans/Wiley Old Home Days...... Ives Prelude, Siciliano and Rondo ...... Arnold/Paynter Wind Symphony UW-Whitewater WEST VIRGINIA Rocky Point Holiday...... Nelson Symphonic Wind Ensemble Elegy...... Chance Glenn C. Hayes, conductor Alderson-Broaddus College Concert Band Mock Morris ...... Grainger October 7, 2000 Jeffrey S. Steiner, conductor Divertimento ...... Persichetti Rhapsody in Blue ...... Gershwin/Hunsberger Thomas E Caneva, guest conductor Dance of the Jesters ...... Tchaikovsky/Cramer Leon Bates, soloist November 14, 2000 Centennial March...... Hanson University of Wisconsin-Eau Claire UW-Whitewater An Outdoor Overture ...... Copland Symphony Band and Wind Symphony Symphonic Wind Ensemble Down a Country Lane...... Copland/Patterson Rodney B. Hudson, conductor Glenn C. Hayes, conductor Finale from Symphony No. 3 ...... November 4, 2000 Sunday, November 19, 2000 ...... Saint-Saens/Slocum Symphony Band Aubrey Fanfare ...... Stamp March with Trumpets...... Bergsma Ghostdance ...... Hilliard Alderson-Broaddus College Concert Band English Waltz ...... Grainger Der Traum des Oenghus ...... Rubin Jeffrey S. Steiner, conductor Old Home Days...... Ives Yiddish Dances ...... Gorb March 30, 2001 Wind Symphony George Washington Bridge...... Schuman Procession of the Nobles ...... UW-Whitewater Irish Tune from County Derry ...... Grainger .....Rimsky-Korsakov/Leidzen/Ragsdale Symphonic Wind Ensemble Catoctin Fantasie...... Bracey Diversion ...... Heiden Glenn C. Hayes, conductor **world premeire** Eugene Rousseau, saxophone J. Kimo Williams, composer-in-residence On the Mall ...... Goldman Alleluia! Laudamus Te...... Reed February 17, 2001 Vesuvius ...... Ticheli From the Delta ...... Still An American Elegy...... Ticheli Driftwood Patterns ...... Work Buffalo Soldiers ...... Williams Indigo Run...... Adderley WISCONSIN Summerland ...... Still Forever Free ...... Kay Lakeland College Wind Ensemble Michael Gill, conductor October 22, 2000 March Omega Lamda Chi ...... Ives/Brion Down a Country Lane...... Copland Shenandoah ...... Ticheli Ghost Train...... Whitacre PROGRAMS - 15

INTERNATIONAL Royal Northern College of Music Royal Northern College of Music Wind Orchestra Wind Orchestra Baden-Württemberg John Reynolds and Glenn Price, conductors Clark Rundell, conductor Youth Wind Ensemble, Germany Charlotte Bradburn, saxophone Gary Farr, trumpet Felix Hauswirth, conductor March 22, 2000 June 28, 2000 Baldur Brönnimann, guest conductor Sun Paints Rainbows ...... Bedford Symphony in C...... Gorb Repertoire 2000 Concerto for Alto Saxophone ...... Ball **world premiere** Early Light ...... Bremer Serenade ...... Bourgeois Amphion...... Carroll Canyons...... McCabe Funeral Music ...... Purcell/Stucky **world premiere** From a Dark Millennium ...... Schwantner Some Assembly Required...... Kucharsyk Trumpet Concert ...... Jolivet Three American Icons...... Bingham Niagara Falls ...... Daugherty Sailing with Archangels...... Poole L‘Heure du Berger ...... Françaix Lincolnshire Posy ...... Grainger Yiddish Dances ...... Gorb Royal Northern College of Music Awayday...... Gorb Wind Orchestra Royal Northern College of Music Concertino for Piano, Winds, Harp & Percussion.. Clark Rundell, conductor Wind Orchestra ...... Lendvay April 14, 2000 Tim Reynish, conductor Dorothea Slavik, piano Waste Land Music...... Stephen McNeff Alan Hacker, clarinet Al Fresco ...... Husa **world premiere** November 22, 2000 Salsa Verde ...... Fiser Wine Lands ...... Blake Emblems...... Copland Danseries 1 ...... Hesketh Three American Icons...... Bingham Royal Northern College of Music (UK) **world premiere** The Four Seasons...... Bennett Wind Orchestra Clarinet Concerto ...... Grange Tim Reynish & Clark Rundell, conductors Royal Northern College of Music **world premiere** February 9, 2000 Wind Orchestra Gazebo Dances...... Corigliano Fanfare & Chorale ...... Hovland Tim Reynish, conductor Reflections ...... Bennett May 11, 2000 Paris Sketches ...... Ellerby Occident et Orient ...... Saint-Saens Suite Française ...... Poulenc Children’s Overture...... Bozza Captivity...... Firsova Suite Française ...... Milhaud **world premiere** Dionysiaques...... Schmitt Suite Française ...... Darius Milhaud Symphonie Funebre et Triomphale ....Berlioz

Submissions to the Report Send all materials to: Format preferences: The CBDNA Executive Board and Douglas Stotter, editor •1st: email: [email protected] the editor encourage program submis- CBDNA Report •2nd:Disk (MAC or PC) sions for specific concerts in perfor- Department of Bands •3rd: hard copies mance order rather than repertoire lists Merrill Hall for semesters, tours, or school years. Indiana University For programs: Many CBDNA members are as inter- Bloomington, IN 47405 Please include your STATE and DATE ested in how their fellow members pro- OF PERFORMANCE in all submissions. gram as they are in what they program. Submission deadlines: Please note: •June 1 for the Summer issue When sending email or computer disk, •October 1 for the Fall issue do not use tabs, leader characters, boldface, •March 1 for the Spring issue italics, centering, justification, or other formatting. Submissions will be formatted prior to publication. 16 - FORUM

REPORToire: is a fifteen minute work for twelve winds available from Theodore I took advantage of a recent sabbatical to search for new reper- Presser. This work will offer a challenge to any chamber winds toire by composers unknown to me and become better acquainted ensemble but is no more difficult than the standard repertoire. with a body of literature written by composers whose music I re- While a very attractive piece, it will be difficult to program in spect in genres other than wind band. A profile of the music I place of the standard repertoire. Maggio also has two works for examined is included below in hopes that each member of CBDNA full band that will be attractive to a wide variety of ensembles. can find something useful. Psychedelic Circus is a three movement work written for a high school band in Pennsylvania. The composer worked thematic My first goal was to become better acquainted with the wind material composed by students in the ensemble into a very attrac- music written by the most respected composers of Europe. As a tive piece. While I find the third movement particularly entertain- result, I am astonished at how few performances Triumph by ing, I think the entire work is an excellent addition to the reper- Michael Tippet and Robin Holloway’s, Entrance, Carousing, and toire for the non-music major or young music major ensemble. Embarkation, have received. While both of these works are diffi- Another work, South Mountain Echoes, was written for Robert cult, they provide a length, breadth, and depth not found in most Zellner and the Gettysburg Bicentennial Band but commissioned band repertoire. Both also possess a dramatic level that I find en- by the American Composers Forum as part of the Continental gaging. I wonder if we lack a communication mechanism to suffi- Harmony Progam. The three movements “extensively qoute and ciently promote pieces like these that are not part of the American vary past music which relates to the county’s (Adams County, mainstream or not commercially promoted in this country. Do we PA.) history, sometimes literally and sometimes through meta- know or program Holloway’s Divertimento, No. 2 for Wind Nonet, phor.” The extensive program notes outline these quotations in Opus 18, Arvo Parts’ version of Fratres for wind octet and per- detail. A real history lesson is available through this piece as well cussion, two pieces available to us from the pen of Einojuhani as an interesting musical journey through the past. To find out Rautavaara (Annunciations for Organ, Brass Quintet and Wind more about these last two pieces, contact the composer at: Orchestra and Octet for Winds), a work by Sofia Gubaidulina [email protected]. (Hour of the Soul for Mezzo-Soprano and Large Wind Orches- tra), Aulis Sallinen’s Palace Rhapsody and Double Quartet or the Finally, a new piece from England that will please everyone. new work (Grand Duo) by Magnus Linberg commissioned by Sir Danceries by Kenneth Hesketh is a twelve minute work with four Simon Rattle? The music of Mark-Anthony Turnage is the rage in movements. This is the only piece I have heard by Hesketh and I much of Europe. Turnage has produced a suite from Blood on the have found no biographical information to be available from Faber Floor which contains several movements that stand-alone and are Music, the publisher. In fact, their web site does not acknowledge scored only for winds. While I have not had enough time with the "Faber Wind Band Series", an omission they hope to correct. each of these works to offer a review, I hope our profession will Danceries consist of original and old music drawn from Playford's thoroughly examine these pieces and these composers. New mu- Dancing Master, a collection of folk and popular tunes of the sev- sic festivals around the world already are doing so! enteenth century. The scoring is sturdy but not redundant. The parts are interesting for everyone with the melody spread through- In this country a host of new music awaits our review. An out- out the ensemble in a Grainger like fashion. The percussion parts standing young composer, Steven Burke, has prepared a wind are challenging without being impossible or bombastic. As a re- version of his piece, Clockwise. The orchestral version was com- sult, this wonderful old music is cast in a refreshing style that will missioned and premiered by the Seattle Symphony as a tribute to remind you of Malcolm Arnold's work and Gordon Jacob's Old Jacob Druckman. It is a very substantial piece and one that I rec- Wine in New Bottles. At the grade four/five level this will be fun! ommend highly! Daron Hagen recently scored a song cycle (Heart of the Stranger) for orchestral winds from the original for piano Happy Hunting! - - Michael Haithcock and baritone voice. Daron is also creating a wind version of a cantata (Light Fantastic) which utilizes tenor voice and children’s chorus. The Burke and Hagen works are available from Carl Fischer. Daniel Asia’s orchestral fanfare, Gateways, now exists in a wind version and is available from Theodore Presser. Several of the concertos written for Evylnn Glennie have been transcribed Tell Us! in wind ensemble versions. Daugherty’s work, UFO is being prepared by the composer and will soon be available from Peer. What do you think? Your thoughts are always CBDNA member Andrew Boysen transcribed a similar work by welcome in the pages of the Report. Any topic, Joseph Schwantner under the composer’s supervision and it is any time! available from Helicon. Both are excellent concertos written for a Send your Forum submissions to dstotter@ superb artist. indiana.edu

While searching on the web, I discovered a composer I had never heard of. Robert Maggio, however, has heard of the wind band genre and already has three pieces that might interest you. River Song was commissioned by the Detroit Chamber Winds and BUSINESS - 17 2001 GENERAL BUSINESS MEETING tion of electronic delivery of these kinds of materials will result February 24, 2001 in significant savings and free up funds for other projects of ben- 9:00 AM efit to the membership. Radisson Hotel CONSTITUTIONAL AMENDMENT Austin, TX Richard Floyd explained the constitutional amendment submitted by the board intended to guarantee a minimum rebate of $2,500 President Eugene Corporon called the meeting to order at 9 AM. each biennium to each division. Language will read as follows:

The meeting opened with the following acknowledgements: The National Office shall return a minimum sum in the amount of U.of North Texas Band Faculty/Staff/Students – Conference Hosts $2,500 to each division during the first year of the biennium (the Gary Hill – Chair of Commissioning Panel two-year period immediately following a National Conference). Jeff Lemke – State Chair Coordinator Doug Stotter – Report Editor MOTION:To place the amendment on the national ballot. (Moved Mike Votta – Journal Editor by Jerry Junkin and seconded by Charles Peltz.) Motion Passed. Cheryl Fryer – Web Site Paula Holcomb – Gender and Ethnic Diversity Committee Chair NEW BUSINESS FROM THE FLOOR Jack Stamp – Service to the Commissioning Panel MOTION: To invite a major American composer to each future Gary Speck - Service to the Commissioning Panel national conference. (Moved by Jack Stamp and seconded by Ed Harris – Service to the Commissioning Panel Melvin Miles) Motion Passed.

Richard Floyd and Pat Hoy presented the Secretary/Treasurer re- ANNOUNCEMENTS port including an overview of current operations. Both were ac- The next National Conference will take place in Minneapolis, MN, knowledged for their service to CBDNA. March 25-29, 2003.

OUTGOING BOARD MEMBERS PRESENTATIONS Bill Nichols announced that he was developing a video archive of Eugene Corporon presented outgoing Divisional Presidents with a Frederick Fennell. He requested that anyone who might have video plaque acknowledging their two years of leadership and service. footage of Fennell contact him.

REPORT OF THE NOMINATING COMMITTEE Charles Peltz announced that the New England Wind Ensemble Bob Reynolds reported that the past presidents nominating com- Symposium would take place on April 26-28, 2001. mittee had met on Friday, February 23. The names of Tom Duffy and Jerry Junkin are being placed in nomination for national vice The Young Band Composition Competition will be held again this president. year. The cash prize will be $5,000.

OLD BUSINESS RECOGNITION OF EUGENE CORPORON None Eugene Corporon was acknowledged from the floor for his two years of inspired leadership and hosting the National Conference NEW BUSINESS at the University of North Texas. ELECTION OF COMMISSIONING PANEL NATIONAL CHAIR Meeting adjourned at 9:45 AM. Eugene Corporon announced that Gary Hill had resigned his position as chair of the Commissioning Panel. The floor was opened for nominations to fill this vacancy. Jack Stamp was nominated by Bob Ponto with a second from Tim Mahr. There being no further nominations. Jack Stamp was elected by acclamation.

FUTURE TECHNOLOGY Mike Haithcock provided an overview of plans to study the electronic delivery of the Report, Journal and CBDNA Directory. A committee comprised of Gary Corcoron, Doug Stotter, Cheryl Fryer and Mike Votta will prepare a report for the December board meeting. As a first step, this year’s directory will be published and distributed in a revised, more cost effective format and the web site directory will be expanded to include all member information so that it can be retrieved electronically. The implementa- 18 - BUSINESS

COLLEGE BAND DIRECTORS NATIONAL ASSOCIATION SUMMARY BOARD OF DIRECTORS MEETING DECEMBER 22, 2000 Checking Account Balance 9/30/99 44,711.51 HILTON HOTEL – CHICAGO, ILLINOIS Total Deposits 10/1/99 – 9/30/00 48,629.00 Interest 10/1/99 – 9/30/00 603.31 NATIONAL SECRETARY-FINANCIAL REPORT Royalty from Gordon Jacob Project 74.89 Debit for bad checks (340.00) I ACCOUNT 0440008944, BANK ONE – AUSTIN Total Disbursements 10/1/99 – 9/30/00 (45,623.70) 1617 10/99 EAM (member services) 668.41 1618 10/99 Mark Hindsley Memorial 100.00 Checking Balance 9/30/00 48,055.01 1619 11/7 Patty Esfandiari (clerical) 50.00 1620 12/10 Eastern Division Rebate 1,300.00 II Dreyfus Liquid Assets, Inc. 039 03227479-7 1621 12/10 Southern Division Rebate 1,300.00 1622 12/10 North Central Division Rebate 1,300.00 Balance 10/1/99 12,479.90 1623 12/10 Southwestern Division Rebate 1,300.00 Interest 10/1/99 – 9/30/00 693.32 1624 12/10 Western Division Rebate 1,300.00 Balance 9/30/00 13,173.22 1625 12/10 Northwestern Division Rebate 1,300.00 1626 12/10 Patty Esfandiari (clerical) 50.00 III. Total Operating Account Assets 61,228.23 1627 1/8 Richard Floyd (Chicago Expenses for Composition Competition) 418.24 1628 1/8 Patty Esfandiari (clerical) 50.00 --Richard L. Floyd, National Secretary 1629 1/8 John Paul Williams (build website data base) 250.00 1630 1/8 MyComputer.com (website services) 50.00 COLLEGE BAND DIRECTORS NATIONAL ASSOCIAITON 1631 1/8 Pat Hoy (Treasurer Operating Expenses) 2,400.00 1999-2000 SUMMARY OF INCOME AND EXPENSES 1632 1/8 Richard Floyd (Secretary Operating Expenses) 600.00 OCTOBER 1, 1999 – SEPTEMBER 30, 2000 1633 1/20 John Paul Williams (build website data base) 250.00 INCOME 1634 1/20 EAM (Fall Report – 1,880.53, Services 1,943.66) 3,824.19 1635 2/8 Eastern Division Rebate 1,300.00 ACTIVE MEMBERSHIP DUES 35,820.00 1636 2/8 Southern Division Rebate 1,400.00 RETIRED MEMBERSHIP DUES 1,210.00 1637 2/8 North Central Division Rebate 1,400.00 PROFESSIONAL ASSOCIATE DUES 4,750.00 1638 2/8 Southwestern Division Rebate 1,350.00 MUSIC INDUSTRY MEMBERSHIP DUES 1,300.00 1639 2/8 Western Division Rebate 1,300.00 STUDENT MEMBERSHIP DUES 1,300.00 1640 2/8 Northwestern Division Rebate 1,250.00 INSTITUTIONAL MEMBERSHIP DUES 1,800.00 1641 2/13 Chicago Hilton (meeting expenses) 610.97 LIFE MEMBERSHIP DUES 300.00 1642 2/18 Patty Esfandiari (clerical) 50.00 LABELS 1,440.00 1643 2/29 Minute Man Press (envelopes) 88.44 JOURNAL SUBSCRIPTIONS 519.00 1644 3/6 Michael Haithcock (travel) 305.29 DIRECTORY 0.00 1645 3/14 Instrumentalist (Ad to announce composition competition winner) 718.34 GORDON JACOB ROYALTIES 75.00 1646 3/15 Pat Hoy (travel) 643.90 MISC. INCOME 10.00 1647 3/15 Internet Global (website services) 180.00 INTEREST 1,297.00 1648 3/27 Eugene Corporon (travel) 465.00 1649 4/16 Michael Haithcock (travel) 850.57 TOTAL INCOME 49,821.00 1650 Void 1651 4/16 Eugene Corporon (travel) 988.10 EXPENSES 1652 4/24 Patty Esfandiari (clerical) 50.00 1653 6/10 EAM (member services) 365.45 POSTAGE (not including publications and dues notices) 373.00 1654 6/10 Chris Adams CPA (tax return) 625.00 PRINTING (not including JOURNAL and REPORT) 410.00 1655 6/10 Stan DeRusha (U. of Colorado Conducting Symposium) 2,500.00 MEMBER SERVICES 5,075.00 1656 6/10 H. Robert Reynolds (U. of Colorado Conducting Symposium) 250.00 TRAVEL 3,253.00 1657 6/10 Thomas Partell (U. of Colorado Conducting Symposium) 250.00 CBDNA JOURNAL 0.00 1658 6/10 Patty Esfandiari (clerical) 50.00 CBDNA REPORT (three issues) 5,058.00 1659 6/20 Brenton Austin (G/E Diversity Scholarship) 350.00 WEB SITE 948.00 1660 6/26 Jennifer Ferrell (G/E Diversity Scholarship) 350.00 SECRETARY OFFICE 1,050.00 1661 7/20 Network Solutions (website services) 35.00 TREASURER OFFICE 2,400.00 1662 8/3 Patty Esfandiari (clerical) 50.00 CHICAGO MEETINGS 611.00 1663 Void DIVISION REBATES 15,800.00 1664 8/3 EAM (services) 258.50 COMMISSIONS 0.00 1665 8/3 EAM (Spring Report – 1,324.37, services – 379.49) 1,703.86 DIRECTORY 0.00 1666 8/3 EAM (Summer Report 0 1,853,46, services – 16.27 1,869.73 NATIONAL CONFERENCE 5,000.00 1667 8/31 Internet Global (website services) 182.48 CONDUCTING SYMPOSIUM 3,000.00 1668 8/31 Minute Man Press (stationary and membership cards) 321.85 GENDER/ETHNICITY COMMITTEE 785.00 1669 8/31 Patty Esfandiari (clerical) 50.00 YOUNG BAND COMPOSITION COMPETITION COMMITTEE 1,136.00 1670 9/11 U. of North Texas Wind Studies (National Conference) 5,000.00 MISC EXPENSES (CPA, dues refunds, Hindsley Memorial) 725.00 1671 9/14 U. of Dayton – Music Department (G/E Diversity project) 84.30 1672 9/14 Patty Esfandiari (clerical) 50.00 TOTAL EXPENSES 45,624.00 1673 9/14 U. of Texas (postage) 372.65 1674 9/30 EAM (services) 1,443.43

TOTAL 45,623.70 SURVEY - 19 CBDNA On-Line Publications Survey

The CBDNA Executive Board will be making decisions over the next two years that pertain to the electronic delivery of some of CBDNA’s publications. It would be very helpful if you would take just a very few minutes to complete and return this brief survey to: Dr. Gary Corcoran; Dept. of Music & Theatre, MSC 37; Plymouth State College; Plymouth, NH 03264 OR FAX: 603-535-2645

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2. Do you use email? YES NO

3. Do you access it yourself? YES NO DOES NOT APPLY

4. If yes, how often? DAILY EVERY FEW DAYS OCCASIONALLY

5. Where do you use Internet access? AT OFFICE AT HOME BOTH NEITHER

6. What kind of computer do you use? PC MAC WebTV OTHER

7. Have you visited the CBDNA web site (www.cbdna.org)? YES NO

8. If yes, how often? FREQUENTLY OCCASIONALLY NOT VERY OFTEN

9. Have you used the online membership directory located at the web site? YES NO

10. Which Internet browser do you use? EXPLORER NETSCAPE AOL DON’T KNOW

11. Does your computer have “Adobe Acrobat Reader” installed? YES NO DON’T KNOW

12. If you received an electronic version of the “CBDNA Report” via your computer, do you think you would read it:

MORE OFTEN JUST AS OFTEN NOT AS OFTEN I’LL HAVE TO WAIT AND SEE

13. If you received an electronic version of the “CBDNA Journal” via your computer, do you think you would read it:

MORE OFTEN JUST AS OFTEN NOT AS OFTEN I’LL HAVE TO WAIT AND SEE

14. If electronic versions of the association’s publications were provided “free,” and there was an added cost for hard copies, which would you prefer to receive?

ELECTRONIC ONLY HARD COPY ONLY BOTH Submissions to the Report Change of Address

Send all materials to: Please send changes of address to: Douglas Stotter, editor Richard Floyd CBDNA Report University of Texas Department of Bands Box 8028 Merrill Hall Austin, TX 78713 Indiana University Bloomington, IN 47405 Old Address: Name ______Submission deadlines: •June 1 for the Summer issue School______•October 1 for the Fall issue Address______•March 1 for the Spring issue City ______State ___ Zip ______Format preferences: •1st: email [email protected] ***** •2nd:Disk (MAC or PC) •3rd: hard copies New Address: Name of School ______For programs: School Address ______Please include your STATE and DATE OF PERFOR- MANCE in all submissions. City ______State ___ Zip ______The CBDNA Executive Board and the editor encourage Office Phone______program submissions for specific concerts in performance order rather than repertoire lists for semesters, tours, or school e-mail ______years. Many CBDNA members are as interested in how their fellow members program as they are in what they program. Home Address ______Please note: When sending email or computer disk, do not City ______State ___ Zip ______use tabs, leader characters, boldface, italics, centering, justification, or other formatting. Submissions will be formatted Home Phone ______prior to publication.

Report 823 Congress Ave Suite 1300 Austin, TX 78701-2429