RReeppoorrtt Douglas Stotter, editor
Spring 2000
From the Podium knowing: (1) who you are playing for, (2) what is available to I want to begin by acknowledging the invaluable work that has play, (3) where you are performing, and (4) how to instrument been done by our division presidents and region convention hosts the repertoire so that it sounds best and meets the composer’s needs. in putting together a series of regional conferences which are ev- Programming should always project what you believe in. It is easy ery bit the equal of any national CBDNA convention that I have to program if you are willing to sell out the group. If your pro- attended. In reviewing each of the schedules one finds an extraor- gram is to be educationally viable and aesthetically pleasing then dinary lineup of sessions and concerts. This speaks loudly to the you must sit down and think for a while. Of course, rotation goes vitality and depth of our organization. When any one of us suc- hand in hand with empowering individuals. The more diverse the ceeds, we all succeed and surely these valuable experiences af- musicers playing experience is, the more they assume ownership ford us all the opportunity to grow and achieve. in the ensemble. Designing the correct instrumentation to accom- This is the first of many pleas to you to get your calendars out modate all of the above has become an integral part of what we do right now and reserve February 21 to 24, 2001. These are the dates and an art in itself. Flexible instrumentation is all about individu- for our first National Convention of the 21st century. It would be alized education. Once people can participate and contribute as wonderful if we could have our largest turnout ever. All it will individuals, anonymity disappears. The act of highlighting indi- take is for each of you to make it a priority. I continue to believe viduality allows creativity to appear. Diversity allows credibility that this biannual exchange is crucial to our continuance as a vi- as well as accountability to materialize. able organization. Your attendance is essential to our future. I would like to share one other thought. At the Southwestern I was listening recently to an interview of Pierre Boulez on public Division meeting, Frank Battisti gave a moving presentation that radio and was struck by his thoughts about the orchestra of the most agreed was worth the trip to the conference, even if you had 21st century. One of his primary points in this exchange was that heard nothing else. Frank put two questions to us that stopped us “anonymity is the enemy of creativity.” He said that many or- in our tracks. “ What do you dream of doing everyday and what chestral musicians, especially strong players, loose interest in the do you do everyday?” He then said, “ When what you do every- large orchestra as a sole means of performance. He attributed this day is what you dream of doing, then you are truly living your to the number of people who are doubling their part and suggested life. At that moment, work becomes play.” For all of us who spend that can lead to the loss of individual commitment and eventually way too many hours away from what we dream of doing, it was a interest (As an aside, when accusations arise about the doubling wake-up call to re-prioritize our time so that our lives might go by that bands do, I have often noted that string sections double in far the way we want them to rather than the way that they have to. I greater numbers). hope that you are all experiencing a musical and productive spring. Boulez’s solution for this problem sounded very familiar. He May you find a way to do the things you dream of doing! advocated varying the size of the orchestra and changing the as- signments of the musicians so that the players could have varied Sincerely, experiences and be heard as individuals. What we in the wind world have come to call flexible instrumentation and part rota- tion, is beginning to look like a good idea to many orchestras as a way to highlight individuals and create a variety of playing expe- riences. These concepts were pioneered by the wind conductors in the twentieth century. In this Issue: In the first third of the last century, our predecessors spent many long hours arguing the need for standardizing the instrumentation Divisional Conferences...... 2 of the band. This was completely necessary at the time and al- Premieres ...... 6 lowed the stabilization of a number of scoring concepts. We now News ...... 8 find ourselves in a similar position to our colleagues in the or- Recording Review ...... 11 chestra. I believe the worst thing that we can do is to protect and project a single instrumentation for our medium. Flexibility is the Programs, State by State ...... 12 key to our future as a viable ensemble, just as it is for the orches- Hidden Treasures ...... 19 tra. We have to be careful about arguing for fixed, instrumenta- Commission News ...... 20 tion small bands and calling them Wind Ensembles or arguing for Survey Results ...... 21 fixed instrumentation large bands and calling them Symphonic Business...... 22 Bands. The whole process of programming involves the art of 2 - DIVISIONAL CONFERENCES North Central Division Concerts February 24-26, 2000 Drake University Wind Symphony Central Michigan University Robert Meunier, conductor John Williamson, host Clarence Padilla, clarinet Danza de los Duendes ...... Nancy Galbraith Clinics, Discussions, and Presentations Derivations for Clarinet and Band ...... Morton Gould Accumulations...... William Dougherty Original Manuscripts in the Library of Congress world premiere Martin Province, Iowa State University Ye Banks and Braes o’ Bonnie Doon...... Percy Grainger Dance of the New World...... Dana Wilson Using Multimedia Computer Technology to Assist in the Instruc- Fanfare from A Jubilee Symphony ...... Yasuhide Ito tion of Undergraduate Conducting R. Scott Adkins, Univ. of Michigan-Flint University of St. Thomas Symphonic Wind Ensemble Matthew George, conductor Gender Equity and the College Athletic Band Whirr, Whirr, Whirr ...... Ralph Hultgren David Woodley, Indiana University March Sequence from Turandot...... Puccini/Barrett Jane Meyer, Chair of Gender Equity for the NCAA Country Band March...... Charles Ives/Sinclair Two Lullabies ...... Andrew Boysen Jim’s Gems: Recommended Repertoire Bugs...... Roger Cichy Jim Cochran, Shattinger Music Co. world premiere Central Michigan University Wind Symphony Danzón No. 2...... Arturo Márquez/Boysen Works performed: Galop—Arthur Bird; Be Thou My Vision— David Gillingham; Budapest Impressions—Roland Kernen; Pas- Michigan State University time—Jack Stamp, Partita—Edward Gregson; A Tribute to Wesley Broadnax, John Madden & John Whitwell, Grainger—arr. Chal Ragsdale; My Robin is to the Greenwood conductors Gone—Grainger Chamber Winds Octet ...... Igor Stravinsky History’s Lessons for the Twenty-first Century Symphony Band Richard Hansen, St. Cloud State University Morning Star ...... David Maslanka Shenandoah ...... Frank Ticheli Detroit Chamber Winds and Strings Open Rehearsal Pastime ...... Jack Stamp H. Robert Reynolds, conductor Wind Symphony Jazzalogue No. 1 ...... Jospeh Turrin Copyright Law and You American Interlude...... Ian Krouse Paul Lavender, Hal Leonard Corp. premiere J’ai été au bal...... Donald Grantham Exploring the Potential of the Small College Band Michael Gillan, Wayne State College University of Dayton Symphonic Wind Ensemble Bruce Ammann, Augustana College Patrick Reynolds, conductor Glenn Hayes, Univ. of Wisconsin-Whitewater Sesquicentennial Fanfare ...... Scott Boerma Ken Kohlenberg, Sinclair Community College Concertino for Four Percussion ...... David Gillingham Marianne Sandstrom, College of St. Scholastica Suite Française ...... Darius Milhaud Kah! Out of Darkness ...... Dana Wilson Do You Know What We Really Ought to be Doing? Colonial Song...... Percy Grainger James Arrowood, Univ. of Wisconsin-Stevens Point, moderator Shepherd’s Hey ...... Grainger
Conductors Workshop DePaul University Wind Ensemble H. Robert Reynolds, University of Michigan Donald DeRoche, conductor Rodney Winther, Univ. of Cincinnati College Conservatory Donald Peck, flute Integrales ...... Varese Composers Forum Concerto for Flute and Wind Ensemble...... Henk Badings Mark Camphouse, Radford University Homage to Fredrico Garcia Lorca ...... Silvestre Reveultas Roger Cichy, Northern Illinois University Sinfonietta ...... Ingolf Dahl David Gillingham, Central Michigan University Ian Krouse, UCLA DIVISIONAL CONFERENCES - 3
Indiana University Wind Ensemble Ray Cramer, conductor Stephen Pratt, David Woodley and Douglas Stotter, guest Southwestern Division conductors February 16-19, 2000 Emblems ...... Aaron Copland University of Oklahoma Mosaics...... Timothy Kramer William Wakefield, host Fugue in E-flat Major (St. Anne) ...... Bach/Woodley & Cramer Beyond the Brass Gates ...... Don Freund Julian Ross, violin Clinics, Discussions, and Presentations world premiere Molly on the Shore...... Percy Grainger Conducting: Life-long Learning and Life-long Challenges Myaku...... David Dzubay Craig Kirchhoff, University of Minnesota Be Thou My Vision ...... David Gillingham Chants d’Auvergne...... Joseph Canteloube Inspired Accidents: The Role of Intuition, Musical Imagery, and Kate Van Eck, soprano Mental Rehearsal in Conducting Divertimento...... Jindrîch Feld Michael Rogers, University of Oklahoma world premiere Dance of the Jesters...... Tchaikovsky/Cramer Aaron Copland’s Western Sound Howard Pollack, University of Houston North Central Division CBDNA Intercollegiate Band Mark Camphouse, Dennis Gowan, Kristin Tjornehoj, James Expression and Emotion from the Podium: Breaking Down the McKinney, conductors Barriers Finale from Symphony No. 3...... James Barnes Craig Kirchhoff, University of Minnesota As Torrents of Summer ...... Edward Elgar/Davis OU Wind Symphony Waterdance ...... Carl Strommen Pustza...... Jan van der Roost Teaching Conducting Creatively: Thinking Outside the Box Holy God from Two Chorales...... Tschesnokov/Gilbert Michael Haithcock, Baylor University Whatsoever Things…...... Camphouse Dies Festus from Gloriosa ...... Yasuhide Ito Role Development Strategies in the Teaching of Undergraduate Conducting Stephen Paul, University of Arizona Central Michigan University Symphonic Wind Ensemble A Taste for Quality—The Quest for Good Music: The Intersec- John Williamson, conductor tion of Personal Taste and Aesthetic Criteria Symphony for Band ...... Vincent Persichetti Frank Battisti, New England Conservatory Dreamcatcher ...... Walter Mays Carmina Burana ...... Carl Orff Emblems and Copland’s Band Music Chamber Winds Howard Pollack, University of Houston When Speaks the Signal-Trumpet Tone...... David Gillingham Fred Mills, soloist Concerts Jig ...... Daniel Godfrey Truman State University Wind Ensemble Dan Peterson, conductor Early Light...... Carolyn Bremer Aria and Allegro...... Gregory Pascuzzi Randall Smith, soprano saxophone A Fallen Leaf...... Andrew Boysen In the Summer Issue Quintessence...... David Gillingham Truman Faculty Brass Quintet of the Report Michael Hooley, percussion Symphony No. 2 (Finale)...... David Maslanka Eastern and West/Northwest Divisions conference summaries 4 - DIVISIONAL CONFERENCES Texas A&M University Symphonic Band Southwestern University Wind Ensemble Timothy Rhea, conductor Lois Ferrari, conductor Marche Hongroise ...... Berlioz/Bowlin Folk Dances...... Shostakovich/Reynolds American Overture for Band ...... Joseph Wilcox Jenkins Folk Song Suite ...... Ralph Vaughan Williams Ray E. Tolar, conductor Vesuvius ...... Frank Ticheli Hell’s Gate...... David Maslanka Mediation from Thais...... Massenet/Harding&Ferrari Colonial Song...... Percy Grainger For the Weary Traveler...... Paul Etheridge Bridgewater Breeze...... Adam Gorb world premiere Symphony No. 2 (Finale)...... Malcolm Arnold/Sudduth Armenian Dances, Part I ...... Alfred Reed Radio Waves ...... Fred Jewell/Rhea Oklahoma State University Wind Ensemble Oklahoma Intercollegiate Honor Band Jospeh P. Missal, conductor Jerry Junkin, conductor Chester...... William Schuman Marche Joyeuse ...... Emmanuel Charbrier/Junkin Chester Leaps In...... Stephen Bryant Colonial Song...... Percy Grainger Music for Prague 1968 ...... Karel Husa Country Gardens ...... Grainger G-Spot Tornado ...... Frank Zappa/Raiber March: Old Ironsides ...... John Philip Sousa Concerto for Jazz Clarinet (III)...... Jorge Calandrelli/Labadorf Southern Harmony ...... Donald Grantham Babette Belter, clarinet Elsa’s Procession to the Cathedral ...... Wagner/Cailliet University of Oklahoma Wind Symphony J’ai été au bal...... Donald Grantham William Wakefield, conductor Serenade No. 10 (V, VI)...... W.A. Mozart Emblems ...... Aaron Copland Whirl...... Rob Smith Southern Division Christopher Neal, conductor February 24-26, 2000 Whatsoever Things...... Mark Camphouse University of North Carolina at Greensboro March from Symphonic Metamorphosis ...... Hindemith/Wilson John Locke, host Who’s Who in Navy Blue ...... John Philip Sousa/Byrne
University of Arkansas Wind Symphony Clinics, Discussions, and Presentations W. Dale Warren, conductor The Red Pony Suite...... Aaron Copland Great Literature for Small College Bands and Second or Third Bands Tribute to Foster ...... Percy Grainger/Ragsdale Bobby Adams, Stetson University; Joe Brashier, Valdosta State Concerto for Marimba & Wind Ensemble ....Ney Rosauro/McCutchen University; Scott Carter, East Carolina University; John Danza Guerresca ...... Ottorino Respighi/Suzuki Culvahouse, University of Georgia; Gary Green, University of Miami; Leslie Hicken, Furman University; Linda Moorhouse, Univsersity of Central Oklahoma Wind Ensemble Louisiana State University; Dennis Zeisler, Old Dominion Uni- Ron Howell, conductor versity. Celebration ...... Philip Sparke Bassett-Colors and Contours Masquerade for Band ...... Vincent Persichetti Benson-Daughter of the Stars, Ginger Marmalade Variation sur Le carnival de Venise ...... Arban/Hunsberger Camphouse-Tribute James Klages, cornet Chance-Elegy A Song of Moses ...... David Holsinger Dello Joio-The Dancing Sergeant, Fantasies on a Theme by Haydn UCO Chorale-Lon Denhert, conductor de Meij- Aquarium Duffy-Crystals Texas Tech University Symphonic Band Erickson-Air for Band, Overture Pastorale John Cody Birdwell, conductor Ewazen-Celtic Hymns and Dances Profanation ...... Leonard Bernstein/Bencriscutto Goosec/Goldman and Smith-Classic Overture in C Laboring Songs ...... Dan Welcher Grainger-Set/Nightingale and Three Sisters October ...... Dmitri Shostakovich/Mitchell Grainger-Bell Piece When Speaks the Signal-Trumpet Tone...... David Gillingham Grainger-Shepherd’s Hey Yiddish Dances...... Adam Gorb Grantham-Southern Harmony (I, II, III only) Hill-Sioux Variants Holst-Suite in Eb Humperdink/Erickson-Prologue, Prayer and Dream Pantomime Ives/Elkus-Old Home Days Jacob-Suite in Bb Jager-Variations on a Theme of Robert Schumann DIVISIONAL CONFERENCES - 5 Khachaturian/Hunsberger-Three Dance Episodes from Spartacus Appalachian State University Wind Ensemble Latham-Three Chorale Preludes William Gora, conductor Lentini-Angel’s Journey Motown Metal ...... Michael Daugherty Lo Presti-Elegy for a Young American Danza De Los Duende ...... Nancy Galbraith McBeth-They Hung their Harps in the Willows Leid et Scherzo...... Florent Schmitt Mahr-Daydream Intermezzo from Vanessa ...... Samuel Barber/Beller Maslanka-Golden Light Sinfonietta ...... Ingolf Dahl Mertens-Xenia Sarda Nielsen/Boyd-Prelude to Act II of “Saul and David” James Madison University Wind Symphony Nelson-Courtly Airs and Dances Pat Rooney, conductor Persichetti-Masquerade for Band, Serenade for Band Celebration ...... Philip Sparke Reed-A Jubilant Overture, A Symphonic Prelude Showdowcatcher (IV) ...... Eric Ewazen Rieger-Dance Rhythms The Sussex Mummers Christmas Carol...... Grainger/Clark Russell-Theme and Fantasia Okeanos ...... John Hilliard Shostakovich/Robert Reynolds-Folk Dances Eric Ruple, piano Smith-Eternal Father, Strong to Save The Melody Shop ...... Karl King Stamp-Gavorkna Fanfare, Pastime Stevens/Schaefer-Ukrainian Folk Songs Western Kentucky University Wind Ensemble Stone-Shadows of Eternity John Carmichael, conductor Strauss/Reynolds-Trio from Act III-Der Rosenkavalier Jig ...... Daniel Godfrey Sturm-The Chosen Place The Walk to the Paradise Garden...... Frederick Delius/Kreines Ticheli-Fortress, Shenandoah, Sun Dance, Vesuvius Concerto for Alto Saxopohone (II) ...... Karel Husa Tull-The Final Covenant, Introit, Sketches on a Tudor Psalm Michael Strautman, soloist Van der Roost-Rikudim, Suite Provencale Tunbridge Fair ...... Walter Piston Vaughan Williams-Flourish for Wind Band Ken Haddix, conductor Williams-Symphonic Suite Xylophonia ...... Joseph Green/Cahn Woolfenden-SPQR Christopher Norton, soloist Yurko-Night Dances The Passing Bell...... Warren Benson For information on publisher, availability, and composition de- Scherzo for Band...... Rossini/Shaefer scription, please contact: Gregg Gausline, University of Miami, (305)284-4273, [email protected] Virginia Commonwealth University Wind Ensemble Terry Austin, conductor The Resources of CBDNA Revival March...... John Philip Sousa/Worman Michael Haithcock, Baylor University Morning Star ...... David Maslanka Jim Croft, Florida State University Infernal Whispers ...... Peter Knell Bride of the Waves ...... Herbert L. Clarke Teaching Conducting: Thinking Outside the Box Ross Walter, euphonium Michael Haithcock, Baylor University American Guernica ...... Adolphus Hailstork Jug Blues and Fat Pickin’ ...... Don Freund Concerts University of Kentucky Wind Ensemble Columbus State University Symphonic Wind Ensemble Richard Clary, conductor Robert Rumbelow, conductor Mathis der Mahler ...... Hindemith/Duker Concerto for Wind Orchestra ...... Colin McPhee Adagio ...... Joaquín Rodrigo Sonata for Trumpet and Wind Ensemble ...... Kent Kennan J’ai été au bal...... Donald Grantham Richard Rulli, soloist Symphony in B-flat ...... Paul Hindemith University of Tennessee Wind Ensemble Gary Sousa, conductor Florida International University Wind Ensmeble Dreadnaught ...... Jeffrey Brooks Roby George, conductor O Mensch, Bewein’ Dein’ Sünde Gross ...... Bach/Grainger Aspen Jubilee ...... Ron Nelson Fugue a la Gigue ...... Bach/Holst Kim Barreto, soprano Vortex ...... Dana Wilson Huntingtower...... Ottorino Respighi/Cesarini David Northington, piano Symphonies of Wind Instruments ...... Igor Stravinsky world premiere In evening’s stillness ...... Joseph Schwantner Missouri Shindig ...... H. Owen Reed Niagara Falls ...... Michael Daugherty 6 - DIVISIONAL CONFERENCES/PREMIERES
University of North Carolina at Greensboro Wind Ensemble myself hearing a kind of quidlobet of very famous American songs. John Locke, conductor It is perhaps ironic that the quotations are not meant to be appre- Cartoon ...... Paul Hart hended, despite the fact that each is played rather loudly on brass Report ...... Lubos Fiser instruments! In my earlier work, Variations on a Theme of Ben- Nicholas Holland, conductor jamin Britten, I moved across a wide range of expressions, with Profanation ...... Leonard Bernstein/Bencriscutto many contrasting tempos and moods. In this piece, however, I Psalm 30 & The Touchstone from “David” ...... Stephen Mellilo sought to explore a simpler sort of expression, often in an under- Jody Doktor, soprano stated manner, and exclusively in slow, solemn tempos.” Internal Combustion...... David Gillingham Dana Wilson, Vortex Southern Division Intercollegiate Band University of Tennessee Wind Ensemble Timothy Reynish, conductor Gary Sousa, conductor program selected from the following: Vortex, a new work for piano, winds and percussion by Dana Marsch ...... Marcel Wengler Wilson is the second in a series of Consortium Commissions by the Marching Song of Democracy ...... Percy Grainger Band Directors of the Southeastern Conference. Dana Wilson writes: Gloriosa ...... Yasuhide Ito “A vortex is a whiling mass, such as a tornado or whirlpool, Yiddish Dances...... Adam Gorb which is created when a source of momentum causes a thick layer Samurai...... Nigel Clarke of unstable stratification to move with ever stronger tangential velocity as the medium (air or water) converges into a smaller radius. The vortex gradually gains power and momentum while, CONFERENCE PREMIERES ironically, forming a vacuum at its center. It is this image of oppo- sites “one influenced by the other” that was the genesis of this Jindrîch Feld, Divertimento piece. The piece alternates between moments of extreme stasis Indiana University Wind Ensemble and whirling energy. While the work is not a concerto, the piano Ray E. Cramer, conductor often serves as the source of momentum, with the ensemble— This divertimento has three contrasting movements (Prelude, static at first—gradually pulled into the vortex.” Intermezzo, and Rondino) and exhibits a light musical character throughout. The score is quite transparent, reflecting the cham- ber-music quality of classical divertimenti. Composed in 1997, OTHER RECENT PREMIERES the parts have only recently been extracted for the conference pre- miere. Mark Camphouse’s Pacific Commemoration was given its world premiere performance by the Pacific University Wind Ensemble William P. Dougherty, Accumulations on December 7, 1999 under the direction of Michael Burch- Drake University Wind Symphony Pesses. Commissioned by Pacific University to celebrate its ses- Robert Meunier, conductor quicentennial anniversary, Pacific Commemoration, a grade 4 Accumulations was commissioned by the Brass Band of Co- work, has been accepted for publication by TRN Music Publisher lumbus, Paul Droste, director and premiered in February, 2000. Inc. The transcription for wind ensemble, completed in December of Mr. Camphouse offers the following program information for 1999, was written for the Drake University Wind Symphony. The his new work: title of the work reflects the predominant compositional strategy: “As a life long student of American history, and as a professor textures that emerge through a process of motivic accretion. The in academe for 22 years, I have found the story of Pacific Univer- piece is marked by an intense rhythmic drive and octatonic har- sity to be an especially fascinating one. Its spirited 150-year his- monic language. tory can indeed be aptly described as one of ‘splendid audacity.’ William P. Dougherty is Professor of Music Theory and Com- While it would have been very tempting to compose a large position and Chair of the Department of Music at Drake Univer- scale, multi-movement work based on the visionary leadership of sity. pacific’s enduring founders, the commission stipulated that the work be 7 to 8 minutes in length—not nearly sufficient duration Ian Krouse, American Interlude for a musical tribute to those truly distinguished individuals. Michigan State University Wind Symphony Initial sketching of this sonorous and challenging work began John Whitwell, conductor shortly after a brief, February 1999 visit to Forest Grove. In con- American Interlude was commissioned by the Michigan State ceiving Pacific Commemoration, I thought it appropriate to focus University Wind Symphony and completed in December of 1999. on three broad and very important themes, which commemorate It comes two years after the first of the composer’s ventures in the past, primarily by way of a sturdy, originally composed hymn this medium, Variations on a Theme of Benjamin Britten. Of the which pays tribute to Pacific’s congregationalist founders who new work, the composer writes: emphasized service to the community; reflect the beauty of the “American Interlude is not a programmatic work, despite its Pacific University campus and surrounding region; celebrate what title. In fact, the title was nearly an afterthought—or mid-thought, promises to be an exciting and increasingly vibrant future for the as it turned out—chosen at a point in the piece where I found entire Pacific University community. PREMIERES - 7
I have tried to capture musically the spirit of President Faith report that the first complete cast recording (for Arsis Records) of Gabelnick’s astute remarks made during a 1997 address to the the opera is scheduled to take place at the University of Nevada University community: Las Vegas in February of 2000. Kudos and sincere thanks must go ‘As we change, we must provide space for joy, play, and cel- to Paul Kreider, both for committing the resources of the University ebration. When we lose sight of the joy of learning, we undercut of Nevada Las Vegas School of Music to the project and for prepar- our mission and our core values.’ ing the demanding chorus parts, Tom Leslie, the Director of Bands at I am grateful for the opportunity to share my sense of musical UNLV, for preparing the wind orchestra, and Robert Schuneman, joy and celebration with the entire Pacific University community president of Arsis Records, for committing his label to the project. on the occasion of the 150th anniversary of its founding.” Revisions to the staged work. The piano vocal score of the opera will be new-issued by Carl Fischer during 2001. Feedback from college-level stage directors has led me to supply ossias for BANDANNA: What Now? the more vocally-demanding portions of every major role so that by Daron Hagen (for the CBDNA Report) the piece will have greater viability when sung by younger, less- Bandanna, the opera in two acts and a prologue for six princi- developed singers. I am also supplying simplified choral ossias. pal singers, chorus of thirty, onstage mariachi band, and wind or- The vocal writing is difficult, cutting-edge, and requires singers chestra in the pit, was premiered in February of 1999 at the of a definite “sensibility” to put across. This is one of the opera’s CBDNA National Convention. The University of Texas Opera strengths as a piece of music: it pushes forward the art of Ameri- Theater, conducted by Michael Haithcock, presented the work as can opera singing through making sensible new demands on the staged by Robert DeSimone. The largest piece ever commissioned singers. The piece was written for the professional stage; I remain by the CBDNA, the process of taking Bandanna from “first con- proud of and grateful for the way the students at the University of tact” with the composer through contract, treatment, composition, Texas rose to the occasion. rehearsal, and staged maiden voyage, took nearly two years. The However, the vocal limitations of the students who were as- large consortium of universities that came together to finance the signed the very demanding principal roles rendered the archival project have a right to know what kind of life the piece that they tape of limited use in promoting the piece to professional compa- commissioned is having. nies who, in the end, only “hear what they hear.” I am delighted to As composer of the opera and recipient of the commission, I report that we have assembled a world-class cast of principals for have made every effort to make the project as useful and viable as the February cast recording — all veterans of the professional possible to the many academic institutions that commissioned it, operatic stage: Mark Thomsen, who created the role of Dorian in without in any way compromising the work itself. Michael last season’s Lowell Liebermann opera Dorian Gray in Europe Haithcock has been a forceful and persuasive guide for me in this and in the US, has agreed to sing Morales; Paul Kreider will re- effort. Each commissioner received from my publisher Carl Fischer prise his bravura portrayal of Kane; James Demler, who has cre- a score and set of parts for two band works: Bandanna Overture, ated several roles in Hagen / Muldoon operas in the past, will sing and Wedding Dances from Bandanna. I hear only secondhand Jake; Darynn Zimmer, a stunning young rising soprano will sing about performances of them, so my information about the utility Mona. I will conduct. of these pieces is limited. They were included on the Texas State Revivals of the opera. Carl Fischer is discussing the European University Interscholastic League band contest list, which guar- premiere with presenters in both Italy and Germany. The ten ma- anteed some sales for Carl Fischer of the new issues of the works jor American professional opera companies have all been made that they were able to bring out as a gesture of support for the aware of the opera’s readiness for premiere at the professional project as a whole. I hear every week or so about a new perfor- level. The fact that there are no strings in the pit remains an ob- mance somewhere — this is deeply gratifying news. These per- stacle. The availability of the cast album will make it much easier formances keep the piece alive in people’s hearts. for Carl Fischer to promote the piece and for young singers at the New derived concert works. Since the premiere, I have com- collegiate level to learn the roles themselves. posed a new concert aria for soprano and wind ensemble called I can’t thank the CBDNA enough for the wonderful support Prelude and Prayer from Bandanna which includes a freshly-com- they have shown these past several years. As a result of these posed fantasy on several themes from the opera followed by a re- experiences, I have become a committed advocate of the creation orchestration for full wind ensemble of the climactic aria that, in by our country’s most gifted contemporary composers of impor- the opera, was accompanied only by three onstage violins. I com- tant new world-class repertoire pieces for the wind ensemble, wind posed this new piece for those members of the commissioning orchestra, symphonic band, and band. consortium who were critical of my omission (for dramatic rea- Music that isn’t heard doesn’t exist. I can definitely report that sons) of the pit ensemble from that aria in the fully-staged opera. the success of Bandanna, nay, the mere fact that it was commis- Recordings. Michael Haithcock has recorded the Bandanna sioned at all — the support that composers perceive is there in the Overture, Prelude and Prayer from Bandanna (with soprano Lynda band world because of such a commission — has sent a strong Keith McKnight), and also the free-standing Seduction Scene from message to American composers. In an industry and art form that Bandanna (with baritone Paul Kreider) with the Baylor Wind often seems to be dashing for the margins, composing excellent Ensemble for release on Arsis Records in the Spring. In addition, music for band is a practical way for composers of every age and Eugene Corporan has recorded the Wedding Dances from Ban- accomplishment to fight for relevance and viability. The message danna with the North Texas Wind Symphony for Klavier Records. is simple: if you write for band, it will get played. That’s music to The first complete recording of the opera. I am also happy to a composer’s ears. 8 - NEWS
The CBDNA Southern Division set an The National Council of Kappa Kappa The Virginia chapter of CBDNA held all-time attendance record during their di- Psi has created a Matching Funds/Grant its twenty-fifth annual Symposium for visional conference, February 24-26 at the Program to provide financial support for New Band Music on February 10-12, 2000, University of North Carolina at Greens- guest conductors and performing artists at the University of Richmond. Gene boro with 84 paid attendees. with college/university concert bands. Anderson of the University of Richmond These matching funds from the National was the host for the event. Five compos- Donald DeRoche, Director of Bands at Chapter of Kappa Kappa Psi have been ers from around the country conducted DePaul University, has been elected to the designated to promulgate the “mission” of their own works in open rehearsals with office of vice president of the North Cen- Kappa Kappa Psi promoting the advance- the Virginia Intercollegiate Band, a 60 tral Division of CBDNA. He will finish out ment of college and university bands member ensemble made up of students the term (1999-2001) which was left va- through dedicated service and support to from seven Virginia colleges and univer- cant when Paula Holcombe took a new po- bands; comprehensive education; leader- sities. sition outside of the division. ship opportunities; and recognition; for the Composers and their works included: benefit of its members and society. Warren Barker (Greenville, SC) - Concerto During the week of January 23, 2000 the This Kappa Kappa Psi Matching Funds/ for Clarinet and Band; Sue Dellinger (In- Portland, Maine Concert Association spon- Grant Program is an open process whereby diana State Univ.) – Watercolors; Paul sored a conductor residency with John all college and/or university band directors Dickinson (Central Arkansas Univ.) - Sym- Boyd, Director of Bands at Indiana State are invited to submit grant proposals that phony for Wind Ensemble; Art Gottschalk University. fulfill the guidelines and purposes of the (Rice Univ.) - Ut Queant Laxis; Rob Smith grant. Grants will be up to $500.00 and (Univ. of Houston) – Whirl. The University of Southern Maine paid to the institution upon completion of hosted Artist-In-Residence Daniel the program and submitting the final re- Frank Battisti has been appointed con- Pinkham and presented a concert of port. The guidelines and principles for this ductor of the Boston University Pinkham’s music on Thursday March 2, funding were initiated to recognize the sig- Tanglewood Institute Wind Ensemble for 2000 with the University Chamber Sing- nificance of providing guest conductors the Summer 2000 Tanglewood season. ers, University Orchestra and University and performing artists to work with our This is the first ever sustained wind en- Wind Ensemble. The USM Concert Band concert bands. These opportunities serve semble activity to take place at and Chamber Singers Spring toured to enrich, inspire and enhance our college Tanglewood. Frank will also be in resi- throughout Vermont March 22-24, 2000. band members experience. These memo- dence with the U.S. Marine Band in Wash- rable events in turn provide the public au- ington, D.C. from April 11-16 with a con- The University of New Hampshire re- dience with special musical experiences. cert on April 16. Last March, the New cently premiered a commissioned work by The Matching Funds/Grant Program of England College Band Association pre- composer Paul Dickinson of the Univer- Kappa Kappa Psi has three fundamental sented Frank with their Lifetime Achieve- sity of Central Arkansas. principles: ment Award for “commitment and dedica- 1. The funded project will include at least tion to the creation, promotion and perfor- Plymouth State College recently re- one public performance by one or more of mance of original as well as traditional ceived an anonymous donation of $50,000 the college/university concert bands fea- band literature.” for the purchase of new wind and percus- turing the guest conductor(s) and/or per- sion instruments. forming artist(s). S. O. S. Band Music Desperately In November, the Plymouth State Col- 2. The funded project will be student Needed! lege Symphonic Band, Gary Corcoran, centered with a clear focus to the improve- On October 29, 1998 Honduras was rav- conductor, hosted its annual All-New En- ment of teaching and learning through aged by Hurricane Mitch. No doubt you gland Band Festival. Guest conductors workshops, master classes and/or clinics have seen newsclips of the devastation here Jack Stamp (Indiana University of Penn- provided by the guest conductor(s) and/or in Tegucigalpa when much of the capitol sylvania) and Robert Foster (University performing artist(s). city was flooded and tens of thousands of of Kansas) conducted festival bands total- 3. The funded project will clearly dem- homes were lost. Located on the banks of ing 173 participants representing 60 high onstrate the standard of excellence and the Choloteca River in Tegucigalpa was a schools from all six New England states. musical achievements of the guest small state owned building which was the Clinicians for Plymouth State’s New En- conductor(s) and/or performing artist(s). rehearsal hall of the more than 100 year gland Band Directors Institute included If interested please contact the Kappa old Honduran National Band, known as La Gary Hill (Arizona State University), Kappa Psi national headquarters for the Banda de los Supremos Poderes. Without Robert Sheldon (East Peoria High application. 1-800-543-6505 or email rg warning the river overflowed its banks in School), Deborah Sheldon (University of [email protected] or Al Sergel, KKY a flashflood during the hurricane and Illinois), Curvin G. Farnham (University National Vice President for Professional washed most of the building away and all of Maine) and several other clinicians from Relations:(660) 562-1794, email its contents, including the library of the throughout the New England area. The 3- [email protected] National Band, all instruments, and all day institute includes upwards of 100 par- stands, furniture and equipment. ticipants annually. NEWS - 9 The band is struggling to reestablish it- Joaquin Rodrigo He studied in Paris from 1927, a student self. Some of the members lost their homes Born 22nd November, 1901, of Dukas, and good friends with Falla, in the hurricane and the band is trying to died July 6th, 1999 Honneger, Milhaud, Ravel and many oth- make sure that the bandsmen do not end ers. He was abroad during the Spanish up losing their jobs. The band has been a Parmi mi, las tres mejores cosas que hay Civil War, but returned in 1939. In 1940, fully professional group supported by the en el mundo sonm: la musica, la mujer, the world premiere of his Concierto de Honduran government which is now nearly y la paz Aranjuez was given, a masterpiece which bankrupt. Nonetheless, the band is deter- (For me, the three best things in the has overshadowed his many other works mined to continue!! The members and the world are: music, women, and peace.) for solo instrument, voice, guitar, piano and government alike have scrounged around in other forms. and borrowed instruments, solicited dona- WORKS FOR WINDS His major work for winds is the Adagio tions, and are in the process of securing a Adagio for wind instruments 9' 1966 for Wind Instruments, written for the partial set of new instruments from Japan. (3332:4331: T 2P) American Wind Symphony and its conduc- The band is far from being on its feet, but Per la Flor de Lliri Blau 17' 1934 tor, Robert Boudreau in 1966. An atmo- they could begin playing again as soon as (33672:4432232 P T) spheric beginning, with solo flute, erupts some music can be found! Sonnica, La Cortesana 20' 1975 into a violent middle section, before the The band works as a concert wind en- (22224331 P Hp) work returns to the elegiac mood of the semble, as a marching band, as a ceremo- Pasodoble para Paco Alcade 4' 1975 start. It is scored for orchestral wind, brass nial unit for all government functions (such (226 5Sax1 4 2Fl 321 P) and percussion: 3332:4331:T 3P. as state funerals), as a jazz ensemble or as La Destruccion de Sagunto 30' 1954 salsa band, depending on the occasion. (3320 4331P Hp sop chorus) EJR Edition Joaquin Rodrigo Charts and music of all styles and types Address: General Yage, 11 4 J. - 28020 TRANSCRIPTIONS FOR WINDS are wanted. Donations of music or check Madrid - Spain Homenaje a la Tempranica 4' 1939 can be sent to the US Embassy in Telephone: 34-1-555 27 28 arr. E Gomez Tegucigalpa: Dr. Berdahl, Fulbright Pro- Fax: 34-1-556 43 35 Homenaje a Sagunto 3' 1955 arr. Ribelles gram (B); Cultural Affairs Officer, USIS Website: www.joaquin-rodrigo.com Honduras, Unit 2914, APO-AA 34022- [email protected] Joaquin Rodrigo was born on St 3480. Information on Rodrigo and his music Cecilia’s day, 22nd November, 1901. As a Be sure to put our program code in the from Robert P Antecki: rob@composers. result of an epidemic of diptheria, he be- return address above your name, so that net. He runs an excellent website: hhtp:/ came blind at the age of three. the package will be delivered quickly (Dr. /www.composers.net/rob/rodrigo/ He wrote: Berdahl, Fulbright Program (B). To let us biography.htm “I believe my blindness gave me more know you will be helping, or for further insight with the inner world, the world in information on shipping or making a con- —Tim Reynish which we the blind live. While sitting on tribution, please contact Fulbright Profes-
Solving the Problems of the Small College Band CBDNA invites members working in small college band situations to share their experience and expertise in sessions devoted exclusively to positive solutions for everyday problems commonly found in the small college environment. If you are inter- ested in sharing your success with others, identify a former negative you have turned into a current positive and briefly describe how you did it. Include this information with your name, school, and years of experience in a one page proposal. Send your proposal to: Eugene M. Corporon, Director of Wind Studies, College of Music, University of North Texas, Denton, TX 76203- 0818 by mail or fax (940-565-3700) prior to August 1, 2000. All proposals accepted for presentation in Denton will receive notification by September 1, 2000.
“Chosen Gems” Conducting Opportunities The Denton conference program will once again include a session on “Chosen Gems” and all CBDNA members are encour- aged to submit a proposal for repertoire to be included in this session. To submit a piece for consideration, the prospective conductor should submit a one page proposal which includes your name, school, years of experience, title of the composition, specific timing of the work as a whole and movements as appropriate, as well as a brief description of why the work should be considered a “Chosen Gem”. Send your proposal to: Eugene M. Corporon, Director of Wind Studies, College of Music, University of North Texas, Denton, TX 76203-0818 by mail or fax (940-565-3700) prior to August 1, 2000. All proposals accepted for presentation in Denton will receive notification by September 1, 2000.
Tape Submissions Those wishing to perform at the Denton conference are encouraged to send tapes to Past President, Alan McMurray, no later than April 1, 2000. We will do our best to notify the selected groups by May 1, 2000.
1999 YOUNG BAND COMPOSITION CONTEST $10,000 FIRST PRIZE WINNER ANNOUNCED
Walls of Zion by Greg Danner has been selected as the 1999 Performing Arts “Performing Arts Centers and Schools” program. winner of the CBDNA Young Band Composition Contest. His articles on diverse music subjects have been published in Dr. Greg Danner is professor of theory/composition in the De- Music Perception, Interface-Journal for New Music Research, partment of Music and Art at Tennessee Technological Univer- Journal of Musicological Research, Journal of Music Theory Peda- sity. He holds degrees from Southeast Missouri State University, gogy, and Journal of Band Research. Dr. Danner performs on Eastman School of Music and Washington University. He has re- French horn with the Cumberland Wind Quintet, Tennessee Tech ceived annual ASCAP composition awards since 1989, as well as Brass Quintet, the Bryan Symphony Orchestra, and free-lances in the Louisiana State MTNA composer Commission Award. He has the Nashville area. won composition contests sponsored by the Taghkanic Chorale CBDNA is proud of its commitment to the creation of outstand- and Sigma Alpha Iota music fraternity. He has received commis- ing wind band works for young musicians. The Young Band Com- sions for compositions from the International Brass Festival, New position Contest is a prestigious competition that encourages out- York Brass Conference, International Trumpet Guild, College standing composers to write for young band. The second bian- music Society, National Flute Association, and CBDNA. He was nual contest will be held in 2001. The winner will be announced a resident composer at the Charles Ives Center for American Mu- at the 2001 Midwest Clinic in Chicago. Contact Richard Floyd, sic and has served as a consultant in the Kennedy Center for the CBDNA Secretary for details. RECORDING REVIEW - 11
Here are the latest CD releases. Please Concordia University Wind Symphony Royal Northern College of Music Wind note that there is one new piece of in- What Child is This? Orchestra formation included in the listing. To Richard Fischer, conductor Percy Grainger Edition, Volume 8: Works help recoup some of the costs of pro- Sussex Mummers Christmas Carol ...... for Wind Orchestra duction, several bands sell their record- ...... Grainger/Simpson Timothy Reynish and Clark Rundel, Sleigh Ride ...... Anderson conductors ings “in house.” Therefore, phone num- A Christmas Festiva ...... Anderson The Power of Rome and the Christian Heart bers for each band is listed when avail- Greensleeves ...... Alfred Reed Bell Piece able. You are invited to call for avail- Christmas Intrada ...... Reed Blithe Bells ability information. Jesus Jesus Rest Your Head ...... Tom Wallace The Immovable Do If you would like to have your most Adeste Fidelis...... Harris/Silvester Hill Song I recent disc listed email or regular mail Joy to the World ...... Harris/Silvester Hill Song II the following information: First Noel...... Harris/Silvester Irish Tune from County Derry The performing ensemble Hark the Herald Angels Sing Harris/Silvester (chromatic version) The conductor O Tannenbaum ...... Harris/Silvester Marching Song of Democracy Deck the Halls...... Harris/Silvester Label: CHAN-9630 The disc title [if any] Label: Mark, MCD-3178 Information: 441619075265 The works recorded with composers Information: (708) 203-3070 The record label and catalog number Rutgers Wind Ensemble [if any] Keystone Wind Ensemble Dance Rhythms Phone Number Cornerstones of the British Band Repertoire William Berz, conductor Anything special about the disc [world Jack Stamp, conductor Chester Leaps in...... Steven Bryant premier, farewell recording, etc.] Toccata Marziale ...... Vaughan Williams Blue Shades...... Frank Ticheli English Folksong Suite .....Vaughan Williams Sun Dance ...... Ticheli This information should be sent to: First Suite in E-flat...... Holst Dance Rhythms ...... Wallingford Riegger Second Suite in F ...... Holst Bushdance ...... Ralph Hultgren Ed Powell; Director of Bands, MCC; Hammersmith...... Holst Masada ...... Hultgren 1400 College Dr.; Waco TX 76708 An Original Suite ...... Jacob Satiric Dances ...... Norman Dello Joio email: [email protected] Fantasia for Euphonium...... Jacob Night Dances...... Bruce Yurko Label: Citadel, CTD-88127 Label: Mark MCD-2887 An electronic format is preferred with Information: (724) 357-4403 Information: (732) 932-8860 email being the best. You may send a floppy disc but please make sure you Marine Band of the Royal Netherlands St. Olaf Band send it in a simple text file only. Wait of the World On Tour Maurice Hamors, conductor Timothy Mahr, conductor Godspeed...... Steven Melillo Procession of the Nobles ...... In the Beginning...... Melillo ...... Rimsky Korsakov/Leidzen Atsugi Nishi High School David ...... Melillo Elegy...... John Barnes Chance A Crescent Still Abides The Chosen ...... Melillo Children’s March ...... Grainger/Rogers Tetsuya Nakayama, conductor The Speech of Angels ...... Melillo Musica Boema...... Zdenek Lucas A Light unto the Darkness ... David Gillingham Wait of the World ...... Melillo Without Warning ...... Stephen Melillo Courtly Airs and Dances...... Ron Nelson Label: BANDCD023 Passages for Solo Piano and Band ...... Mahr The Soaring Hawk ...... Timothy Mahr A Sobering Sea Shanty ...... Eikenberry/Mahr Galactic Empires...... Gillingham Philharmonia a Vent Jug Blues and Fat Pickin'...... Donald Freund In Evening’s Stillnes ...... Joseph Schwantner Basically British Alabama Jubilee..... Cobb/Yellen/Schoenfeld A Crescent Still Abide ...... Gillingham John Boyd, conductor Label: WCD-29859 Label: CACG-0002 Flourish for Glorious John...... Information: (507) 646-3285 ...... Vaughan Williams/Boyd Atsugi Nishi High School Original Suite ...... Jacob Southern Methodist University Meadows Child’s Garden of Dreams Japanese Suite ...... Holst/Boyd Wind Ensemble Tetsuya Nakayama, conductor Illyrian Dances ...... Woolfenden Shadow Wood sol solator ...... Timothy Mahr A Moorside Suite ...... Holst/Wright Jack Delaney, conductor Hymn of St. Francis ...... Daniel Bukvich Second Suite from Pineapple Poll ...... Danzon-Memory ...... Warren Benson Concertino for Four Percussion... Gillingham ...... Sullivan/Mackerras/Duthoit Shadow Wood ...... Benson A Light Unto the Darkness ...... Gillingham Fiesta ...... Phillip Sparke Six Poems by Tennessee Williams .... Benson Child’s Garden of Dream.... David Maslanka Label: ELFCD-1007 Dawn’s Early Light ...... Benson Label: CACG-0003 Information: (812) 237-2752 Label: GAS-342 Information: (214) 768-2936 12 - RECORDINGS/PROGRAMS
Southern Methodist University PLEASE NOTE: CALIFORNIA Meadows Wind Ensemble The Drums of Summer Include your STATE and DATE OF Cal Poly Wind Orchestra Jack Delaney, conductor PERFORMANCE in all submissions. William Johnson, conductor Integrales ...... Varese May 15, 1999 Oiseaux Exotiques ...... Messiaen The CBDNA Executive Board and the Dance of the Jesters ...... Tchaikovsky/Cramer The Drums of Summer ...... Warren Benson editor encourage program submissions Tears ...... Maslanka At the White Edge of Phrygia...... Montague for specific concerts in performance Quiet City ...... Copland Label: GAS-1017 order rather than repertoire lists for se- Rhapsody for Baritone Saxophone .... Watters Information: (214) 768-2936 mesters, tours, or school years. Many Continental Overture...... de Meij CBDNA members are as interested in Symphony No. 4 ...... Schmidt The University of Georgia Wind Symphony how their fellow members program as **premiere** When the Trumpets Call Overture to Reinzi...... Wagner/Hindsley H. Dwight Satterwhite and they are in what they program. John N. Culvahouse, conductors When sending email or computer disk, California State University, Sacramento Festive Overture...... Shostakovich do not use tabs, leader characters, or Symphonic Wind Ensemble Symphony for Band ...... Morton Gould Robert Halseth, conductor other formatting. Submissions will be When Speaks the Signal-Trumpet Tone ...... October 6, 1999 ...... David Gillingham formatted prior to publication. Octet ...... Stravinsky W. Fred Mills, soloist Tunbridge Fair...... Piston Southern Harmony ...... Donald Grantham address for submissions Trauersinfonie ...... von Weber/Wagner The Gridiron Club March ...... Sousa Pageant ...... Persichetti Douglas Stotter, editor Rock Point Holiday...... Nelson Emblems...... Copland Label: Summit DCD-247 CBDNA Report Department of Bands Information: (706) 542-1505 California State University, Sacramento Merrill Hall Concert Band Indiana University New England Conservatory Wind Ensemble Robert Halseth and Paul Everts, conductors Bloomington, IN 47405 Frank L. Battisti, conductor October 27, 1999 Ceremonial ...... Rands [email protected] Fantasia for Seven Trumpets ...... Ewazen Olympic Dances...... Harbison Original Suite ...... Jacob Concerto for Four Solo Percussion ...... Kraft Fanfare, Ode and Festival ...... Margolis Les Couleurs Fauves...... Husa Dichotomy...... White Label: Albany Records TROY 340 ARKANSAS Dedicatory Overture ...... Williams A Slavonic Woman’s Farewell...... Agapkin DePaul University Wind Ensemble Donald DeRoche, conductor University of Arkansas Wind Symphony California State University, Sacramento Larry Combs, clarinet and W. Dale Warren, conductor Symphonic Wind Ensemble soprano saxophone October 11, 1999 Robert Halseth, conductor Concerto for Clarinet and Saxophone .... Beal Variations for Wind Band ...Vaughn Williams November 14, 1999 recorded at premiere performance Chester...... Schuman Jubilant Prelude...... Colonna Children’s Overture...... Bozza Chester Leaps In ...... Bryant and the mountains rising nowhere . Schwantner Concerto for Wind Orchestra...... Lopatnikoff Marche Joyeuse...... Chabrier/Junkin Divertimento ...... Cichy Homenagem a Villa-Lobos ...... Guarnieri Bacchanale ...... Rudin Symphony #5 (Dixtour) ...... Milhaud Vesuvius ...... Ticheli California State University, Sacramento Suite from “Comedy on the Bridge”....Martinu Concert Band and Label Albany Records TROY 334 University of Arkansas Wind Symphony Symphonic Wind Ensemble W. Dale Warren, conductor Robert Halseth, Jeff Edom and Charles Vernon, trombone November 22, 1999 Paul Everts, conductors Night School: 8 Miuntes to the Loop First Suite ...... Holst December 8, 1999 DePaul University Wind Ensemble Llwyn Onn ...... Hogg Overture for Band ...... Mendelssohn Donald DeRoche, conductor Southern Harmony ...... Grantham Sinfonia IX ...... Broege DePaul Jazz Ensemble Star Wars Trilogy ...... Williams Night Dances...... Yurko Bob Lark, director Visiting Old Arbat (III) ...... Trotsuk Variations on a Korean Folk Song..... Chance Eine Kleine Posaunenmusik ...... Schuller Southern Tier Suite ...... Hartley Barnacle Bill the Sailor...... arr. Hafner Morning Star ...... Maslanka You’re My Everything Dixon, Young, Warren Handel in the Strand ...... Grainger It Never Entered My Mind ...... Rogers Blue Shades...... Ticheli When I Look In Your Eyes ...... Bricusse American Overture for Band ...... Jenkins The Nearness of You...... Carmichael Sleigh Ride ...... Anderson My One and Only Love ...... Mellin, Wood available through Shattinger Music Co. PROGRAMS - 13 Pomona College Band George Washington University GEORGIA Graydon Beeks, conductor Wind Ensemble and Symphonic Band November 12 and 14, 1999 Benno P. Fritz, conductor Emory University Wind Ensemble Orient et Occident ...... Saint-Saens November 2, 1999 Scott A. Stewart, conductor Concerto for Bass Tuba ...... Jager Wind Ensemble October 16, 1999 Stephen Klein, soloist Overture to Russlan and Ludmilla...... Glinka Fanfare for a New Era...... Stamp Blue Shades...... Ticheli The Lord of the Rings...... de Meij Merry Music...... Hidas Blithe Bells...... Bach/Grainger/Jager The Hounds of Spring...... Reed Shenandoah ...... Ticheli Second Suite in F ...... Holst Symphonic Band Fugue in G Minor...... Bach/Kimura The Pathfinder of Panama ...... Sousa Carmina Burana ...... Orff Serenade, op. 7...... Strauss Children’s March ...... Grainger Whatsoever Things...... Camphouse Overture to Nabucco...... Verdi Fairest of the Fair ...... Sousa DELAWARE Commando March ...... Barber After Fairest of the Fair ...... Hearshen Emory University Wind Ensemble University of Delaware Wind Ensemble FLORIDA Scott A. Stewart, conductor Robert J. Streckfuss, conductor November 19, 1999 October 12, 1999 Aquarium...... de Meij Rocky Point Holiday...... Nelson University of Miami Symphonic Winds Petite Symphonie ...... Gounod Two Brahms Chorales...... Brahms/Boyd Gary Green, conductor Australian Up-Country Tune ...... Grainger Huldigungsmarsch ...... Wagner/Schaeffer November 17, 1999 Molly on the Shore ...... Grainger Symphony for Band ...... Persichetti First Suite ...... Holst Third Symphony ...... Barnes Yiddish Dances ...... Gorb Three Chorale Preludes...... Latham As Summer Was Just Beginning...... Daehn Michael Mann, conductor Georgia State University Vesuvius ...... Ticheli Divertimento ...... Persichetti Symphonic Winds Gregg Gausline, conductor Thomas Wubbenhorst, conductor The Angel’s Journey ...... Lentini October 13, 1998 University of Delaware Wind Ensemble Excerpts from Manzoni Requiem...... Liturgical Dances ...... Holsinger Robert J. Streckfuss, conductor ...... Verdi/Mollenhauer Ghost Train Triptych...... Whitacre December 5, 1999 Vesuvius ...... Ticheli Passacaglia and Fugue in C Minor ...... Georgia State University ...... Bach/Hunsberger University of Miami Wind Ensemble Symphonic Winds Chorale and Alleluia ...... Hanson Gary Green, conductor Thomas Wubbenhorst, conductor Symphony in B-flat...... Hindemith November 22, 1999 November 20, 1998 Ghost Train...... Whitacre Celebration ...... Gregson Early Light ...... Bremmer Spring Divertimento ...... Mahr March in F ...... Beethoven Epinicion ...... Paulson Jessica Raczinski, conductor Geschwindmarsche ...... Hindemith Salvation is Created ...... Tschesnokov Shenandoah ...... Ticheli Gregg Gausline, conductor Sun Paints Rainbows on the Vast Waves...... Galactic Empires...... Gillingham Divertissement d’ete ...... Casterede ...... Bedford Child’s Garden of Dreams ...... Maslanka Zion ...... Welcher DISTRICT OF University of Miami Wind Ensemble Georgia State University Gary Green, conductor Symphonic Winds COLUMBIA February 23, 2000 Thomas Wubbenhorst, conductor Pastime ...... Stamp March 5, 1999 Michael Mann, conductor Sea Dreams ...... Maslanka George Washington University George Washington Bridge...... Schuman Country Band March ...... Ives Wind Ensemble and Symphonic Band Gregg Gausline, conductor Children’s March ...... Grainger Benno P. Fritz, conductor S’isch Abe-n-e Monsch Uf Arde ...... Ruedi The Purple Carnival ...... Alford February 10, 2000 Crystals...... Duffy Liberty Bell ...... Sousa Premiere of 5 commissioned works: Gregg Gausline, conductor Midway March...... Williams Wind Ensemble Yiddish Dances ...... Gorb Pas Redoublé...... Saint-Saëns Millennium Fanfare ...... Fritz Sweet Light Reflecting ...... Spaniola University of Miami Wind Ensemble Georgia State University Festive Overture...... McKenzie Gary Green, conductor Symphonic Winds Symphonic Band March 2, 2000 Thomas Wubbenhorst, conductor Tales from the Wild Man ...... Schmidt Masquerade for Band...... Persichetti April 23, 1999 Parable ...... Del Borgo Hill-Song No. 2...... Grainger Lord of the Rings ...... de Meij Gregg Gausline, conductor Concerto for Viola and Winds ....Sapieyevski Concerto for Marimba ...... Rosauro Tania Maxwell, soloist Ney Rosauro, soloist Concert Overture in A Minor... Bird/Dunham Equus...... Whitacre Variants on a Medieval Tune ...... Dello Joio world premiere Star Wars Trilogy ...... Williams/Hunsberger 14 - PROGRAMS
Mercer University Wind Ensemble Symphony Band Boise State University Symphonic Winds Douglas Hill, conductor Masquerade ...... Persichetti Marcellus B. Brown, conductor October 1, 1999 Danse Bacchana ...... Saint Saëns/Steiger November 14, 1999 Flourish for Glorious John...... W. David Richardson, conductor Folk Song Suite...... Vaughan Williams ...... Vaughan Williams/Boyd Clintonian Sketches ...... Spears Symphony No. 3 ...... Giannini English Country Setting...... LaPlante Chester...... Schuman Septet for Winds and Brass...... Baksa The University of Georgia Wind Symphony Incantation and Dance ...... Chance Ghost Train...... Whitacre H. Dwight Satterwhite and Symphonic Songs for Band ...... Bennett Simple Song ...... Boysen John N. Culvahouse, conductors Semper Fidelis ...... Sousa Dance Movements ...... Sparke Thomas Lee and Stanley F. Michalski, March Indienne ...... Sellenick/Bourgeois guest conductors January, 21, 2000 Mercer University Wind Ensemble Celebration Overture...... Creston ILLINOIS Douglas Hill, conductor Jupiter ...... Holst November 1, 1999 Vintage ...... Gillingham Northern Illinois University Cajun Folk Songs I ...... Ticheli Jason Ham, euphonium soloist Wind Symphony Tam o’Shanter ...... Arnold/Paynter The Melody Shop...... King Ronnie Wooten, conductor Quatuor...... Francaix Dance Movements ...... Sparke November 22, 1999 El Abanico...... Javaloyes/Fennell The Southerner ...... Alexander/Bainum Bacchanale ...... Rudin And Grace Will Lead Me Home...... Knox Mercer University Wind Ensemble The University of Georgia Symphony Band Amazing Grace ...... arr. Himes Douglas Hill, conductor John N. Culvahouse, Danza de los Duendes...... Galbraith Robert Levy, guest conductor H. Dwight Satterwhite, and Komm Susser Tod...... Bach/Leidzen February 18, 2000 R. Sue Samuels, conductors Symphony for Band ...... Gould Fanfare for the Common Man ...... Copland November 23, 1999 Children’s March ...... Grainger Tempered Steel...... Young Western Illinois University Concert Band Bandanna Overture ...... Hagen Fantasies on a Theme by Haydn....Dello Joio Rodney Schueller, conductor Nocturne ...... Peeters Overture from La Belle Hélène ...... October 13, 1999 Saxema ...... Wiedoeft/Hegvik ...... Offenbach/Odom Gavorkna Fanfare...... Stamp Variations On a Shaker Melody...... Copland Scherzo for Band...... Rossini/Schafer Chorale and Shaker Dance...... Zdechlik with brightness round about ...... Galbraith Vesuvius ...... Ticheli Australian Up-Country Tune ...... Grainger The Little Ripper March ...... Stanhope Colossus of Columbia ...... Alexander Satiric Dances ...... Dello Joio Semper Fidelis ...... Sousa A Movement for Rosa...... Camphouse The University of Georgia Wind Symphony Black Horse Troop ...... Sousa H. Dwight Satterwhite and The University of Georgia Wind Symphony John N. Culvahouse, conductors H. Dwight Satterwhite and Brett D. Bawcum, graduate cond. assoc. John N. Culvahouse, conductors February 23, 2000 October 12, 1999 INDIANA Serenade in D minor ...... Dvorak Celebration Overture...... Creston Symphony No. 9 ...... Hodkinson The Wild Rumpus ...... Beck Ball State University Jug Blues & Fat Pickin’ ...... Freund Jupiter ...... Holst Concert and Symphony Bands Allen Crowell, guest conductor Maggie Helms and Christian Zembower, The University of Georgia Symphonic Band Country Gardens ...... Grainger conductors Sue Samuels and H. Dwight Satterwhite, Dance Movements ...... Sparke February 17, 2000 conductors The Southerner ...... Alexander/Bainum Concert Band February 22, 2000 Visions of Flight...... Sheldon Bravura ...... Duble Chorale and Shaker Dance II...... Zdechlik Incantation and Dance ...... Chance IDAHO Midway March...... Williams American Overture for Band ...... Jenkins Symphony Band Into the Light...... Bocook Boise State University Symphonic Winds Esprit de Corps...... Jager March Slave ...... Tchaikovsky Marcellus B. Brown, conductor Elegy for a Young American...... Lo Presti April 18, 1999 Folk Song Suite...... Vaughan Williams The University of Georgia Fanfare...... Richard Monaco Ye Banks & Braes O’ Bonnie Doon Grainger Concert Band and Symphony Band Heroes Lost and Fallen ...... Gillingham Country Gardens ...... Grainger W. David Richardson and John N. Toccata Marziale ...... Vaughan Williams Liturgical Dances ...... Holsinger Culvahouse, conductor A Sea of Glass Mingled with Fire ...... Jager February 21, 2000 Invincible Eagle ...... Sousa Concert Band March and Procession of Bacchus...... Delibes/Osterling The Lord of the Rings (V) ...... de Meij Selections from Les Misèrables.... arr. Barker PROGRAMS - 15
Ball State University Wind Ensemble Indiana University Wind Ensemble IOWA Joe Scagnoli, conductor Ray Cramer, conductor February 18, 2000 February 8, 2000 St. Ambrose University Symphonic Band American Overture...... Jenkins Myaku...... Dzubay Andrew Mast, conductor An Irish Farewell ...... Daehn Fugue in E-flat Major ...... Bach/Woodley Nov. 11, 1999 Godspeed...... Melillo David Woodley, conductor The Chimes of Liberty...... Goldman La Virgen da la Macarena ...... Mendez/Koff Sinfonietta ...... Dahl Symphony No. 1 ...... Bukvich Paul Everett, soloist Totus Tuus ...... Górecki/Cramer Suite of Old American Dances ...... Bennett Van Gogh Portraits...... Forte Mosaics ...... Kramer Variations on a Shaker Melody...... Copland Divertimento ...... Feld Elegy for a Young American...... LoPresti Indiana State University Symphonic Band **premiere** On an American Spiritual ...... Holsinger and Wind Ensemble Molly on the Shore ...... Grainger March of the Belgian Paratroopers..Leemans Doug Kaiser and John Boyd, conductors American Armed Forces Salute ...... Lowden October 4, 1999 Indiana University Ballo del Granduca ...... Sweelink Concert and Symphonic Bands Canterbury Chorale ...... van der Roost Douglas Stotter and Stephen Pratt, KANSAS Miniature Set...... White conductors Chorale and Shaker Dance...... Zdechlik February 15, 2000 Fort Hays State University Symphonic Winds First Suite ...... Holst Concert Band Michael C. Robinson, conductor Concertino for Marimba ...... Creston Tempered Steel...... Young December 10, 1999 Southern Harmony ...... Grantham My robin is to the greenwood gone...... Cenotaph ...... Stamp ...... Grainger/Sturm Shenandoah ...... Ticheli Indiana State University Wind Ensemble The Promise of Living ...... Copland/Stotter Scenes from the Louvre ...... Dello Joio John Boyd, conductor Liturgical Music ...... Mailman Waking Angels ...... Gillingham November 16, 1999 Steven Kessler, conductor Danzon ...... Bernstein Fantasia and Fugue ...... Bach/Hunsberger Gallop ...... Reed Symphonic Suite ...... Williams Rhapsody in Blue ...... Gershwin/Hunsberger Symphonic Band Treatise for Two ...... Bennett Venetian Spells...... Elleby Roulades ...... Gottschalk The Pathfinder of Panama ...... Sousa Barnum and Bailey’s Favorite ...... King Cradle Song...... Barton Wichita State University Concert and Indiana State University Concert and Seventeen Come Sunday ..... Grainger/Daehn Symphonic Bands Symphonic Bands Themes from Green Bushes Grainger/Daehn Larry Blocher and Victor Markovich, Doug Kaiser, conductor Joseph Allen, conductor conductors November 21, 1999 The Alcotts ...... Ives October 12, 1999 Prelude to Die Meistersinger ...... Wagner Son of a Gambolier ...... Ives Concert Band Autralian Up-Country Tune...... Grainger Fiesta del Pacifico...... Nixon Concert Prelude...... Sparke Renaissance Suite ...... Susato Indiana University Four Colonial Country Dances ...... Curnow Tricycle...... Boysen Concert and Symphonic Bands Shenandoah ...... Ticheli Shenandoah ...... Ticheli David Woodley and Stephen Pratt, Chorale and Shaker Dance...... Zdechlick United Nations ...... King conductors Africa...... Smith Chorale and Toccata...... Stamp March 7, 2000 Gallop ...... Reed Elegy...... Chance Concert Band Symphonic Band Variants on a Medieval Tune ...... Dello Joio Canzona ...... Mennin Overture to School for Scandal ...... Barber Circus Bee ...... Fillmore Scott Schleuter, conductor Concerto for Saxopone ...... Dahl Four Scottish Dances ...... Arnold/Paynter Indiana University Catalog Aria ...... Mozart/Woodley University and Symphonic Bands Dr. Dulcamara's Monologue Donizetti/Woodley Wichita State University Douglas Stotter and Stephen Pratt, Roger Havranek, bass Concert and Symphonic Bands conductors Symphony No. 2 ...... Chance Larry Blocher and Victor Markovich, November 2, 1999 Symphonic Band conductors University Band Suite from The Red Pony ...... Copland December 7, 1999 Symphony No. 3 (I)....Kozhevnikov/Bourgeois Down a Country Lane...... Copland Concert Band Le bal de Béatrice d’Este ...... Hahn Lincolnshire Posy (I, II, V, VI) ...... Grainger Festivo ...... Gregson Color...... Bob Margolis Darrin Schmidt, conductor Southern Harmony ...... Grantham Joseph Allen, conductor Awayday...... Gorb Rhosymedre ...... Vaughan Williams Gallimaufrey ...... Woolfenden Aquarium...... de Meij Symphonic Band Scenes from the Louvre ...... Dello Joio March No. 1 in F...... Beethoven Symphonic Band Geschwindmarsch ...... Hindemith Fanfare Celestius...... Mason A Movement for Rosa...... Camphouse Concertino for Oboe ...... von Weber Prelude and Fugue in D Minor ...... Trauersinfonie ...... Wagner ...... Handel/Hazelman Children’s March ...... Grainger Yoshiaki Tanno, conductor Second Prelude...... Gershwin/Krance Zion ...... Welcher Fantasy Variations...... Grantham Galop ...... Bird Cartoon ...... Hart 16 - PROGRAMS KENTUCKY University of Massachusetts Amherst Symphonic Band Wind Ensemble and Symphony Band Overture in B-flat...... Giovannini Campbellsville University Concert Band Malcolm Rowell, conductor Of Sailors and Whales ...... McBeth David M. McCullough, conductor February 27, 2000 The Walking Frog ...... King/Foster March 2, 1999 Tempered Steel...... Young Alleluia! Laudamus Te...... Reed Hillandale Waltzes ...... Babin Evangel University Symphonic Band Folk Song Suite...... Vaughan Williams Walking Tune ...... Grainger John Shows, conductor Amazing Grace ...... Ticheli J’ai ete au bal ...... Grantham November 2, 1999 Manhattan Beach ...... Sousa March from Symphonic Metamorphosis...... Corcoran Cadets...... Sousa Gathering of the Ranks at Hebron.... Holsinger ...... Hindemith Elsa’s Procession...... Wagner/Calliet Lagan Love ...... Zaninelli Concerto No. 3 (III) ...... Mozart/Bardeen Campbellsville University Wind Ensemble The Hound of Heaven...... Syler Enigma Variations ...... Elgar/Slocum David M. McCullough, conductor Guardians of Peace ...... Hosay April 19, 1999 First Suite ...... Holst Without Warning ...... Melillo MICHIGAN Celebration Variations...... Curnow Irish Tune From County Derry ...... Grainger Malagueña ...... Lecuona/Nestico Overture to Candide...... Bernstein Der Traum des Oenghus ...... Rudin Wayne State University Concert Band & Southwest Baptist University March Slav ...... Tchaikovsky/Daehn Wind Symphony Symphonic Winds Douglas Bianchi, conductor Brian Lamb, conductor Campbellsville University Concert Band James E. Rodgers and Patti Hopper, October 4, 1999 David M. McCullough, conductor graduate conductors Four Scottish Dances ...... Arnold/Paynter April 26, 1999 December 9, 1999 Geschwindmarsch ...... Hindemith Fantasia On A Southern Folk Song ...Curnow Concert Band Country Gardens ...... Grainger Amazing Grace ...... Ticheli Army of the Nile ...... Alford When Jesus Wept ...... Schuman The Sea Treaders...... McBeth On a Hymnsong of Lowell Mason .Holsinger Divertimento ...... Persichetti Caribbean Hideway...... Barnes Sinfonia VI ...... Broege Celebration ...... Sparke My Old Kentucky Home...... Foster/Cowherd I Am...... Boysen America, The Beautiful...... Ward/Dragon Spoon River...... Grainger/Sheldon Southwest Baptist University The Stars and Stripes Forever...... Sousa Wind Symphony Symphonic Winds Children’s March ...... Grainger Brian Lamb, conductor Watchman, Tell Us of the Night . Camphouse December 2, 1999 MASSACHUSETTS Armenian Dances, Part 1 ...... Reed Toccata Marziale ...... Vaughan Williams Trauersinfonie ...... Wagner University of Massachusetts Amherst Wayne State University Wind Symphony Ballo del Granduca ...... Sweelink/Walters Wind Ensemble and Symphony Band Douglas Bianchi, conductor Second Suite...... Holst Malcolm Rowell, conductor Quincy Hilliard, guest conductor Passacaglia and Fugue in C minor ...... November 14, 1999 January 31, 2000 ...... Bach/Hunsberger Wind Ensemble Watchman, Tell Us of the Night..... Camphouse 4/4 for Four ...... Cirone Ultima Fantasia ...... Stern The Unknown Soldier ...... Hilliard La Fiesta Mexicana ...... Reed Serenade Romantic ...... Turrin Motown Metal...... Daugherty Southwest Baptist University Morning Star ...... Maslanka MISSOURI Concert Band Symphony Band Brian Lamb, conductor Dance Movements ...... Sparke December 6, 1999 Shenandoah ...... Ticheli Culver-Stockton College Wind Ensemble Windjammer Overture ...... Wasson Glory of the Yankee Navy ...... Sousa R. Joseph Dieker, conductor The Old Hundredth Psalm Tune ...... October 3, 1999 ...... Vaughan Williams/Washburn University of Massachusetts Amherst Defendam March ...... Herbert/Dieker Elegy for a Young American...... Lo Presti Chamber Winds Folk Song Suite...... Vaughan Williams Alleluia, Laudamus Te ...... Reed Steven Bodner, conductor Elegy for a Young American...... LoPresti Faces of Kum Ba Yah ...... Zdechlik January 30, 2000 Die Meistersinger Excerpts Wagner/Osterling Army of the Nile ...... Alford Serenade No. 1 ...... Persichetti Willow Blossoms ...... Sousa/Brion/Schissel Scherzo alla Marcia ...... Vaughan Williams March in F ...... Beethoven Culver-Stockton College Wind Ensemble MONTANA Geschwindmarsch ...... Hindemith and Symphonic Band The Good Soldier Schweik...... Kurka R. Joseph Dieker, conductor November 14, 1999 Montana State University Wind Orchestra Wind Ensemble Jonathan E. Good, conductor Fanfare for the Great Hall...... Stamp February 16, 1999 Folk Song Suite...... Vaughan Williams New England Triptych ...... Schuman Symphonic Dances #2 & #3 ...... Williams The Alcotts ...... Ives/Thurston Defendam March ...... Herbert/Dieker Whatsoever Things ...... Camphouse Comrades of the Legion...... Sousa PROGRAMS - 17
Montana State University Wind Orchestra NEW MEXICO Hartwick College Band Jonathan E. Good, conductor Brian S. Wilson, conductor April 22, 1999 New Mexico State University Band Fall 1999 Tour Repertoire Awayday...... Gorb Martin C. Reynolds, conductor Sun Paints Rainbows on the Vast Waves...... Satiric Dances ...... Dello Joio October 31, 1999 ...... Bedford Masquerade ...... Persichetti Jubilee Overture ...... Sparke Concertino for Flute...... Chaminade/Wilson With Quiet Courage ...... Daehn Canterbury Chorale ...... van der Roost Kathleen Brennan, flute Serenade ...... Bourgeois Fantasies on a Theme by Haydn....Dello Joio Irish Tune From County Derry ...... Grainger Ghost Train...... Whitacre Aubrey Fanfare ...... Stamp Jupiter ...... Holst Second Suite in F ...... Holst Montana State University Wind Orchestra The Chimes of Liberty...... Goldman/Schissel Tunbridge Fair...... Piston My Fair Lady ...... LernerBennett Jonathan E. Good, conductor Folk Song Suite...... Vaughan Williams November 16, 1999 A Passing Fantasy ...... Tull First Suite in E-flat...... Holst Irish Tune from County Derry ...... Grainger New Mexico State University Suite Francaise ...... Milhaud Symphonic Winds NORTH CAROLINA Pageant ...... Persichetti Ken Van Winkle, conductor Symphonic Movement ...... Nelhybel December 7, 1999 Lauds ...... Nelson Chowan College Concert Band Morning Star ...... Maslanka David Shaw, conductor Blue Shades...... Ticheli Postcard ...... Ticheli Theatre Music ...... Sparke November 11, 1999 Montana State University Wind Orchestra Tangents ...... Wasson Seventeen Come Sunday ....Vaughn Williams Jonathan E. Good, conductor Martin C. Reynolds, conductor As Summer was Just Beginning ...... Daehn Robert Ortman, euphonium As the Stars Forever...... Hutchison Concert Variations...... Smith An Evening with John Philip Sousa The Battle of Shiloh...... Barnhouse Cajun Folk Songs...... Ticheli Semper Fidelis ...... Sousa Valdrez March ...... Hanssen/Curnow Overture to Die Fledermaus ..Strauss/Cailliet New Mexico State University Salvation is Created Tschesnekoff/Houseknecht Symphonic Winds I Elon College Wind Ensemble I’ve Made My Plans for the Summer ...Sousa Ken Van Winkle, conductor Thomas Erdmann, conductor The Liberty Bell March ...... Sousa Richard Castiglione, guest conductor November 22, 1999 America the Beautiful...... Ward/Dragon February 15, 2000 Impresario Overture ...... Mozart/Barnes Introduction to Act III, Lohengrin...... Early Light ...... Bremer Trauersinfonie ...... Wagner ...... Wagner/Cailliet Yiddish Dances ...... Gorb Concert Dances ...... Larsen Believe Me If All Those Enduring Young Charms The Immovable Do ...... Grainger Pavane and Galliard ...... arr. LaBauve ...... Mantia Divertimento ...... Persichetti Prelude and March ...... Bloch Good Ole Days Sing-A-Long ...... Ployhar Chester...... Schuman Symphony No. 3 ...... Reed Nearer My God To Thee ...... Mason/Clarke Chester Leaps In ...... Bryant Stars and Stripes Forever ...... Sousa Spartacus ...... Van der Roost OHIO
NEW JERSEY NEW YORK Oberlin Conservatory of Music College Community Winds Montclair State University Wind Symphony C.W. Post Symphonic Band Barry R. White, conductor Mary Ann Craig, conductor James McRoy, conductor November 16, 1999 December 1, 1999 April 21, 1999 The Inferno/The Ascension ...... Smith Candide ...... Bernstein Maduradam ...... de Meij Canzona ...... Mennin Variations on a Korean Folk Song..... Chance Rhosymedre ...... Vaughan Williams Chester...... Schuman Dance of the Jesters ...... Tchaikovsky/Cramer Washigton Grays ...... Grafulla Symphonic Dance No. 3 ...... Williams Folk Dances...... Shostakovich/Reynolds Morning Star ...... Maslanka Incantation and Dance ...... Chance Children’s March ...... Grainger A Longford Legend...... Sheldon Apocolyptic Dreams ...... Gillingham Handel in the Strand ...... Grainger Youngstown State University The Thunderer ...... Sousa Pageant ...... Persichetti Symphonic Wind Ensemble After The Thunderer ...... Hearshen Mannin Veen ...... Wood Stephen Gage, conductor Slava ...... Bernstein November 22, 1999 C.W. Post Symphonic Band Festive Overture...... Shostakovich James McRoy, conductor Mars...... Holst December 8, 1999 Liebestod ...... Wagner/Bainum Illyrian Dances ...... Wollfenden Excursions ...... Boughton A Light Unto the Darkness ...... Gillingham The Chosen ...... Melillo Hornascope...... Bennett Star Wars Trilogy ...... Williams/Hunsberger Elsa’s Procession to the Cathedral..... Wagner Stars and Stripes Forever ...... Sousa Vesuvius ...... Ticheli Crucifixus...... Lotti/Daehn Festivo ...... Gregson 18 - PROGRAMS
Youngstown State University University of South Carolina TEXAS Symphonic Band University Band John Venesky and Ryan Hays, conductors William Bishop, Phil Golson and Temple College Wind Symphony Espirit de Corps...... Jager Jason Harvey, conductors Stephen Crawford, conductor Salvation is Created ...... Tschesnokoff February 18, 2000 October 10, 1999 Four Scottish Dances ...... Arnold Strike Up the Band...... Gershwin/Barker Flourish for Glorious John...... Williams George Washington Bicentennial ...... Sousa A Jubilant Overture ...... Reed Fugue in G minor ...... Bach/Cailliet They Hung Their Harps in the Willows McBeth Serenade in E-flat...... Strauss Thunder and Lightning Polka ... Strauss/Reed Fervent is My Longing ...... Bach/Cailliet PENNSYLVANIA Variations on a Korean Folk Song..... Chance Beowulf ...... McBeth The Thunderer ...... Sousa/Jurrens Children’s March ...... Grainger Swarthmore College Wind Ensemble Shenandoah ...... Tatgenhorst Michael Johns, conductor Fandango ...... Perkins/Werle Temple College Wind Symphony Emperata Overture ...... Smith Stephen Crawford, conductor Trauersinfonie ...... Wagner/Leidzen University of South Carolina Concert Band November 21, 1999 Music for Winds and Percussion ...Del Borgo David A. O’Shields, conductor Variations on a Korean Folk Song..... Chance Fantasia and Fugue ...... Bach/John Boyd February 19, 2000 Suite Francaise ...... Milhaud Satiric Dances ...... Dello Joio Russlan and Ludmilla Overture...... Irish Tune from County Derry ...... Grainger Folk Song Suite...... Vaughn Williams ...... Glinka/Hindsley Variations on a Scottish Folk Song ..... Fraser Et exspecto resurrectionem mortuorum ...... When Honor Whispers and Shouts....McBeth Tales of a Traveler...... Sousa ...... Messiaen A Symphonic Prelude ...... Reed Grand Tarantelle...... Gottschalk/Gowan Galactic Empires...... Gillingham SOUTH CAROLINA The Circus Bee...... Fillmore VIRGINIA Longwood College Band University of South Carolina TENNESSEE Gordon Ring, conductor Wind Ensemble I November 9, 1999 James K. Copenhaver, conductor Kirkpatrick Fanfare...... Boysen November 8, 1999 East Tennessee State University Chester...... Schuman Washington Post March ...... Sousa Wind Ensemble Folk Song Suite...... Vaughan Williams After Washington Post ...... Hearshen Paul Hinman, conductor Kakkazan...... Bulow Southern Harmony ...... Grantham November 2, 1999 Tribute to Rudy Wiedoeft ...... Schuller Godspeed! ...... Melillo Moorside Suite ...... Holst Charles Kinzer, alto sax Children’s March ...... Grainger Cajun Folk Songs...... Ticheli University of South Carolina Blue Bells of Scotland ...... Pryor/Pearson American Salute...... Gould Wind Ensemble II Riverdance ...... Whelan/Strommen David A. O’Shields, conductor British Eighth ...... Elliott November 8, 1999 Four Scottish Dances ...... Arnold/Paynter Fanfare for a New Era...... Stamp WASHINGTON Fantasies on a Theme by Haydn....Dello Joio East Tennessee State University Concert Band Four Scottish Dances ...... Arnold/Paynter Whitworth Wind Ensemble Matthew Inkster, conductor Tempered Steel...... Young Richard Strauch, conductor November 23, 1999 MENC Northwest Division Conference Havendance ...... Holsinger University of South Carolina Portland, Oregon Military Symphony ...... Gossec Chamber Winds February 14, 1999 Spoon River...... Grainger/Sheldon James K. Copenhaver, William J. Moody, Sonoran Desert Holiday...... Nelson Russian Christmas Music ...... Reed and David A. O’Shields, conductors Bell Piece ...... Grainger/Duffy Homage ...... van der Roost November 22, 1999 Blue Shades...... Ticheli Overture for Winds ...... Catel/Garafolo Two Grainger Melodies ..... Grainger/Kreines Espirit de Corps...... Jager Nocturno, Op. 24...... Mendelssohn/Garofalo Whitworth Chamber Winds Old Wine in New Bottles...... Jacob Richard Strauch, conductor East Tennessee State University Konzertmusik für Blasorchester ... Hindemith March 14, 1999 Wind Ensemble Serenade in E-flat, op. 7 ...... Strauss Paul Hinman, conductor University of South Carolina York’scher Marsch ...... Beethoven December 7, 1999 Symphonic Band Geschwindmarsch ...... Hindemith James K. Copenhaver, conductor Fanfare and Allegro ...... Williams February 18, 2000 Symphony No. 3 ...... Giannini Awayday...... Gorb Sonoran Desert Holiday...... Nelson Rienzi Overture ...... Wagner/Hindsley Early Light ...... Bremer Third Symphony (III, IV) ...... Barnes Star Wars Trilogy ...... Williams/Hunsberger 76 Trombones...... Wilson/Iwai PROGRAMS/HIDDEN TREASURES - 19
Whitworth Wind Ensemble HIDDEN TREASURES Richard Strauch, conductor from John Culvahouse, University of Georgia Margaret Wilds, horn April 20, 1999 Formations Fanfare for a New Era...... Stamp somewhat dated. But nearing the perfor- Lincolnshire Posy ...... Grainger by Morton Gould mance, most players began to appreciate Salvation is Created ...... Tchesnekov After a rather long respite, this column the composition, especially some of Fred Alliances...... Warnaar of gems returns. Morton Gould provided Mills' trumpet students who became appre- Serenade in E-flat, op. 7 ...... Strauss the band world a wonderful collection of ciative of the music and the technical de- Gloriosa ...... Ito works for winds and percussion. His For- mands. This work provided a refreshing mations, written for marching band, is a musical experience and was well received. Whitworth Wind Ensemble One recording worth mention is a 1995 Richard Strauch, conductor delightful pastiche of "toe-tappers" and Delos International, Inc. recording with the November 21, 1999 tuneful contrasts. As with other of Gould's Danza de los Duendes...... Galbraith "novelty" works and arrangements, like the Seattle Symphony players and Gerard William Byrd Suite ...... Jacob "Holiday Music," one can denote a certain Schwarz conducting. The CD is entitled Desi ...... Daugherty measure of sarcasm or "tongue-in-cheek" The Music of Morton Gould. So much Dance Movements ...... Sparke sounds in some of the movements of For- music yet so little time. Enjoy! mations. Gould provides suggested forma- WISCONSIN tions and movements as well as a descrip- tive usage for "flip folders." The work was Lakeland College Wind Ensemble actually commissioned by Richard Bowles Michael Gill, conductor and the "Gator Band" at the University of October 24, 1999 Florida and was published in 1964 by G&C Duke of Marlborough Fanfare ...... Grainger Music Corporation with Chappell & Co., Blithe Bells...... Grainger Inc. as the sole selling agent by 1965. Amazing Grace ...... Newton Claude T. Smith Memorial Amazing Grace ...... Ticheli The work exists is six movements, of Band Composition Commando March ...... Barber which, one can program all or parts of the Contest composition. Most of the movements call sponsored by the Lambda chapter of WYOMING on trumpets to perform fanfare-like pas- Phi Beta Mu sages, some of which requiring multiple Entries are solicited for the Claude Northwest College Wind Band tonguing from the entire section. Actually, T. Smith Memorial Band Composition Neil Hansen, conductor the brasses are divided into sections A and Contest, the purpose of which is to en- November 16, 1999 B for exciting antiphonal effects if staged courage composers under the age of 26 America the Beautiful...... Ward/Dragon appropriately. The technical demands in to compose for concert band. The win- Third Suite...... Jager the score are quite reminiscent of Gould's ner will receive a prize of $1000 and Sheep May Safely Graze ...... Bach/Reed Symphony for Band, Santa Fe Saga and the expenses to attend the annual meet- Pastorale ...... Williams Jericho Rhapsody. The movements are España Cañi...... Marquina/Longfield ing of the fratternity at the Missouri aptly named to represent the various Music Educators Association Confer- sounds created by the composer. "March ence/Clinic, January 24-27, 2001. Ev- On," "Rally," "Twirling Blues," "Strut," ery effort will be made to have thne Submissions to the Report Slink," "Waltzing Alumni," Alma Mater," composition performed at the conven- and "March Off" offer players and audi- tion, however it cannot be guaranteed. Send all materials to: ences a refreshing contrast with an element Entries are due September 1, 2000. For Douglas Stotter, editor of nostalgia. complete information, contact Dr. CBDNA Report Russell Coleman, Committee Chairman, Department of Bands We performed the work on a Chamber 601 S. Main, Warrensburg, MO 64093 Merrill Hall Winds and Percussion program and, in- or email [email protected]. Indiana University stead of a marching band or even full sym- Previous winners include Andrew Bloomington, IN 47405 phonic band instrumentation, we used one Boysen (1992, 1995), David Gorham on each part except for double on Bb clari- (1985), Darren Jenkins (1989) and Ken DEADLINE: net parts. The humor found in the music Hakoda (1998). June 1 for the Summer issue was not initially well liked by the players who considered the sounds in the work Format preferences: •1st: email: [email protected] •2nd: Disk (MAC or PC) •3rd: hard copies 20 - UPCOMING CBDNA COMMISSIONS
Dear Colleagues, Walker has accepted our invitation to compose a piece for wind band and voice soloist, noting that “this comes at a wonderful Following the tradition of past years, each of us once again has time because I am at a place in life where I am ready to create an opportunity to become a partner in one of CBDNA’s most es- something very special.” The work will likely be ten-fifteen min- sential missions: the commissioning of significant composers to utes in length and will probably comprise wind orchestra instru- write for the wind band. After perusing this note, I hope you agree mentation. that this biennium’s projects, determined in large part by last year’s membership survey, are well-worth investing in! Don’t let this opportunity to contribute to our field’s future in a meaningful way pass you by: become a consortium member to- CBDNA members that participated in last year’s National Com- day! missioning Committee survey offered many terrific suggestions regarding future commissions. Of these, three ideas were consis- Cordially, tently articulated by a majority of survey participants. First, Gary Hill, Chair CBDNA must continue to initiate consortia, helping advance the CBDNA National Commissioning Committee cause of great literature for wind bands. Second, CBDNA should invite a noted composer to write for wind band and a soloist. Third, Those wishing to become consortium members should CBDNA’s decisions encompassing national commissioning make note of the following: projects should reflect greater sensitivity to the limits (e.g., tech- nical facility and instrumentation) encountered within ensembles 1. CBDNA’s commitment to the Welcher commission totals conducted by a majority of CBDNA’s members. $23,000, including all copying costs.
After careful consideration of these points, the CBDNA Na- 2. CBDNA’s commitment to the Walker commission totals a tional Commissioning Committee invited two composers to con- maximum of $25,000 (the exact amount determined by the final tribute to our ever-burgeoning repertoire. Both Pulitzer winner, length of the piece and copying costs). George Walker, and internationally-known composer, Dan Welcher have agreed to write a work for band; these pieces will receive 3. The contributor’s scale for the Welcher project has been set premiere performances at our next national conference in Denton, slightly lower than that of the Walker project, more readily allow- Texas, February 2001. ing programs with smaller budgets to become partners.
Dan Welcher needs little introduction to band conductors. 4. The financial parameters of the Welcher commission are as Among his numerous works for band, Ostwald Award-winning follows- Zion and Symphony No. 3 have become staples in the repertoire •for $250, the name of the ensemble and conductor will be in- from the last decade. Welcher has written for virtually every mu- cluded in the score; sical medium, has garnered numerous awards—Guggenheim, •with a $500 contribution, a set of parts will be added to the NEA, ASCAP, and Meet the Composer, to name a few—and has preceding; received commissions from many orchestras including Chicago, •$750 will include all of the above plus a composer-autographed St. Louis, Dallas and the Boston Pops. For more extensive bio- score. graphical information, jump on the web: www.presser.com/ welcher.html. 5. The financial parameters of the Walker commission are as follows- Welcher has agreed to compose a work “specifically conceived •for $500, the name of the ensemble and conductor will be in- and crafted to be accessible to the vast majority of college and cluded in the score; university bands.” Instrumentation, range of the parts, and tech- •with a $1,000 contribution, a set of parts will be added to the nical demands will be modest. preceding; •$1500 will include all of the above plus a composer- George Walker was recently elected into membership of The autographed score. American Academy of Arts and Letters. He was awarded the Pulitzer Prize for his 1996 commission from the Boston Sym- 6. To make a commitment to one or both projects, please e- phony, Lilacs, for voice and orchestra. Walker’s numerous orches- mail, call, or write Gary Hill, chair, CBDNA National Commis- tral works have been played and recorded by many of the world’s sioning Committee: major orchestras. A graduate of Oberlin, Curtis, and Eastman, he [email protected] served on the faculties of Smith College, the University of Colo- 480.965.4392 rado, Peabody Conservatory, the University of Delaware, and as School of Music, Arizona State University, PO Box 870405, Distinguished Professor at Rutgers. For further, information go Tempe, AZ 85287-0405. to: www.mmbmusic.com/geo_walker.html or www.ascap.com/ playback/1996/april/walker.html. 7. After making a commitment to become a consortium mem- ber, you or your school will receive an invoice for payment from CBDNA. CHAMBER WINDS SURVEY RESULTS - 21 CHAMBER WINDS SURVEY (1998-1999)
Total Returns: CBDNA = 201; WASBE = 59; Total = 260 Question #3: If you do not conduct a separate chamber winds group, how often do you perform chamber wind literature with Question #1: Do you conduct a chamber winds group? members of your band or wind ensemble? Yes No CBDNA: 32 169 Never Rarely Occas- Often Very Totals WASBE 21 38 ionally Often Question #2: If yes, please answer the following questions: CBDNA 2 23 90 30 14 159 a. How often does the group rehearse? WASBE 3 11 15 9 1 39 once per week - 12 Totals 5 34 105 39 15 198 once or twice per week - 7 twice per week - 17 rehearse as needed for upcoming concert (varies) - 13 NOTES (Note: Time varied from 1 to 3 hours for each rehearsal.) by Robert J. Garofalo b. How much credit does the course receive? Design and distribution of the survey: 0 (no credit or N/A) - 5 .5 (1/2) credit - 2 1. Jim Croft and I jointly designed the chamber winds survey/ 1 credit - 26 questionnaire last fall (1998) by e-mail. credit given as part of large ensemble - 4 2. I then e-mailed the survey to around 150 addresses provided by CBDNA with good results. c. How many concerts does the group perform during the year? 3. Jim Croft distributed the survey at the CBDNA meeting in No. of Concerts Groups Responding Chicago (Mid-West Clinic) in December 1998. Again, the response 1 2 was good. 1 to 2 1 4. Finally, at my request, Doug Stotter agreed to publish the 2 15 survey in the March ’99 issue of REPORT; and Leon Bly agreed 2 to 3 5 to publish the survey in the March ’99 issue of the WASBE News- 3 3 letter. Both of these efforts were fruitful. In fact, I was still getting 3 to 4 3 WASBE replies by mail, fax, and e-mail right up to the time I left 2 to 4 2 for California to attend the WASBE conference. 4 9 4 to 5 2 Additional comments: 3 to 6 2 6 to 8 2 Some USA College Wind Band Conductors are also members 10 to 15 (or more) 3 of WASBE. Hence, the dichotomy-WASBE or CBDNA member- is not always specific. e. Do you conduct the ensemble? Yes - 46 WASBE has high school band directors as members. Surpris- No - 6 ingly, some of these people returned the survey and indicated that they regularly played chamber wind music. f. If no, who conducts the group? Not conducted (coached) - 1 Some surveys were completed by WASBE members who are Other faculty member - 5 (often applied woodwind faculty) independent musicians/conductors and do not regularly conduct Sometimes coached - 1 a performing ensemble. Graduate students/assistants - 3 Finally, the credit question did not apply to many foreign con- ductors who work with amateur or profession groups. Hence, the indication N/A (not applicable) on the survey report. 22 - BUSINESS
COLLEGE BAND DIRECTORS NATIONAL ASSOCIATION 1610 9/3 Richard Floyd (meals long range planning sess.) 117.59 BOARD OF DIRECTORS MEETING 1611 9/3 EAM (services) 11.48 DECEMBER 17, 1999 1612 9/3 EAM (10,448.67-Directory) (1,663.30-Report) 12,111.97 HILTON HOTEL - CHICAGO, ILLINOIS 1613 9/12 Eugene Corporon (meals long range planning sess.)280.00 1614 9/29 U. of Texas (postage) 563.52 NATIONAL SECRETARY-TREASURER REPORT 1615 9/29 Patty Esfandiari (clerical) 50.00 1616 9/29 Postmaster (stamps) 99.00 1551--ACCOUNT 0440008944, BANK ONE – AUSTIN TOTAL $44,035.74 1547 10/3 Binary Net (web site) 93.73 1548 10/3 EAM (services) 729.98 SUMMARY 1549 10/3 Patty Esfandiari (clerical) 50.00 1550 10/9 Baylor University (copy Hagen scores) 48.00 Checking Account Balance 9/30/98 18,746.28 1551 10/9 void Total Deposits 10/1/98 -9/30/99 69,816.63 1552 10/9 Bank One (open CBDNA Nat’l Conf. account) 5,000.00 Interest 10/1/98 - 9/30/99 460.09 1553 11/13 Minute Man Press (stationery) 73.90 Debit for bad checks (210.00) 1554 11/13 Patty Esfandiari (clerical) 50.00 New supply of checks (65.75) 1555 11/30 Jeff Lemke (state chair materials) 51.04 Total Disbursements 10/1/98 - 9/30/99 (44,035.74) 1556 11/30 Allan McMurray (travel for nat'l conf. plan session)273.70 Checking Balance 9/30/99 44,711.51 1557 11/30 Greg Benson (’99 Intercollegiate Band) 356.05 1558 11/30 Westark College (’99 Intercollegiate Band) 99.00 II. Dreyfus Liquid Assets, Inc. 039 03227479-7 1559 12/3 EAM (Fall Journal) 3,583.48 1560 12/3 Patty Esfandiari (clerical) 50.00 Balance 10/1/97 11,937.91 1561 12/3 Ebsco (Journal subscription refund) 15.00 Interest 10/1/97 - 9/30/98 541.99 1562 12/5 EAM (services) 730.27 Balance 9/30/98 12,479.90 1563 12/23 Minute Man Press (envelopes) 73.90 1564 12/23 EAM ($181.54–services) ($1,521.51–Fall Report) 1,703.05 III. Total Assets 9/30/99 57,191.41 1565 1/5 Chicago Hilton and Towers (meetings) 541.34 1566 1/5 Patty Esfandiari (clerical) 50.00 Richard L. Floyd, National Secretary 1567 1/22 Mike Haithcock (travel – opera) 137.35 COLLEGE BAND DIRECTORS NATIONAL ASSOCIATION 1568 1/22 ASCAP (convention music fees) 260.00 1569 1/22 Richard Floyd (honorarium) 600.00 1997-98 SUMMARY OF INCOME AND EXPENSES 1570 1/31 Patty Esfandiari (clerical) 50.00 OCTOBER 1, 1997 - SEPTEMBER 30, 1998 1571 1/31 Richard Floyd (Chicago Hilton Meeting Charges) 237.00 1572 2/11 EAM (services including V.P. Ballot) 1,577.60 INCOME 1573 2/11 Tom Duffy (ethnic/gender comm. expenses) 67.07 ACTIVE MEMBERSHIP DUES 42,360.00 1574 2/11 Linda Hartley (ethnic/gender comm. expenses) 35.00 RETIRED MEMBERSHIP DUES 1,170.00 1575 2/11 Paula Holcomb (ethnic/gender comm. expenses) 367.42 PROFESSIONAL ASSOCIATE DUES 5,300.00 1576 2/19 Mike Haithcock (travel exp. for opera reh.) 1,200.00 MUSIC INDUSTRY MEMBERSHIP DUES 2,900.00 1577 2/19 Internet Global Services (web site) 105.00 STUDENT MEMBERSHIP DUES 1,500.00 1578 2/19 Ginny’s Printing (Bandanna Overture parts) 967.00 INSTITUTIONAL MEMBERSHIP DUES 2,550.00 1579 2/23 Longhorn Trophy (president’s plaque) 91.41 LIFE MEMBERSHIP DUES 3,150.00 1580 3/1 Ginny’s Printing (Wedding Dances parts) 1,084.12 LABELS 2,630.00 1581 3/1 Jeff Lemke (state chair materials) 128.95 DIRECTORY 4,800.00 1582 3/1 Allan McMurray (plane ticket for Tim Broege) 450.00 HARBISON COMMISSION 0.00 1583 3/1 Greg Benson (’99 Intercollegiate Band) 185.63 BIG 12 COMMISSION 0.00 1584 3/15 Ginny’s Printing (VP ballot) 155.08 JOURNAL ACCOUNT TRANSFER 0.00 1585 3/29 Internet Global (web site) 180.00 MISC. INCOME 237.31 1586 4/13 EAM (services) 644.65 GORDON JACOB ROYALTIES 104.32 1587 4/13 Patty Esfandiari (clerical) 50.00 INTEREST 1,002.08 1588 4/13 Chris Adams (CPA-Tax Return) 445.00 1589 4/13 Martha Synowka (ethnic/gender comm. expenses) 30.00 TOTAL INCOME 67,703.71 1590 4/13 Linda Hartley (ethnic/gender comm. expenses) 52.24 1591 5/10 Paula Holcomb (ethnic/gender comm. expenses) 57.12 EXPENSES 1592 5/11 EAM (173.54 – services) (1,581.80 – Report) 1,755.34 POSTAGE (not including publications and dues notices) 830.06 1593 6/3 Martha Synowka (ethnic/gender comm. expenses) 10.00 PRINTING (not including JOURNAL or REPORT) 990.32 1594 6/3 Patty Esfandiari (clerical) 50.00 TRAVEL 2,122.14 1595 6/3 Tom Lee (U. of Colo.–CBDNA Cond. Symp.) 2,000.00 CBDNA JOURNAL 3,583.48 1596 6/3 Frank Ticheli (U. of Colo.– CBDNA Cond. Symp.) 1,000.00 CBDNA REPORT 4,766.61 1597 6/22 Minute Man Press (stationery) 582.90 WEB PAGE 593.73 1598 6/22 Richard Floyd (mail env. for opera scores/parts) 49.70 CLERICAL 500.00 1599 7/6 John Trowbridge (mailing serv.-opera scores/parts) 50.00 CHICAGO MEETINGS 778.34 1600 7/6 EAM (services) 255.65 DIVISION REBATES 0.00 1601 7/20 Richard Floyd (printing extra opera scores/parts) 280.58 COMMISSIONS 3,816.75 1602 7/20 Patty Esfandiari (clerical) 50.00 DIRECTORY (production and mailing) 10,448.67 1603 7/20 Network Solutions (web site) 35.00 MEMBERSHIP SERVICES 4,304.71 1604 8/2 U. of Texas (postage) 167.54 NATIONAL CONFERENCE 5,450.00 1605 8/23 Internet Global (web site) 180.00 CONDUCTING SYMPOSIUM 3,000.00 1606 9/2 Pat Hoy (travel for long range planning session) 633.85 MISC EXPENSES (CPA, dues refunds, etc.) 2,232.08 1607 9/2 Gary Hill (travel for long range planning session) 817.00 ETHNIC/GENDER COMMITTEE 618.85 1608 9/2 Minute Man Press (membership cards) 104.54 1609 9/3 Patty Esfandiari (clerical) 50.00 TOTAL EXPENSES $44,035.74 BUSINESS - 23 Submissions to the Report Change of Address
Send all materials to: Please send changes of address to: Douglas Stotter, editor Richard Floyd CBDNA Report University of Texas Department of Bands Box 8028 Merrill Hall Austin, TX 78713 Indiana University Bloomington, IN 47405 Old Address: Name ______Submission deadlines: •June 1 for the Summer issue School______•October 1 for the Fall issue Address______•March 1 for the Spring issue City ______State ___Zip ______Format preferences: •1st: email [email protected] ***** •2nd:Disk (MAC or PC) •3rd: hard copies New Address: Name of School ______For programs: School Address ______Please include your STATE and DATE OF PERFOR- MANCE in all submissions. City ______State ___Zip ______The CBDNA Executive Board and the editor encourage Office Phone______program submissions for specific concerts in performance or- der rather than repertoire lists for semesters, tours, or school e-mail ______years. Many CBDNA members are as interested in how their fellow members program as they are in what they program. Home Address ______Please note: When sending email or computer disk, do not City ______State ___Zip ______use tabs, leader characters, boldface, italics, centering, justi- fication, or other formatting. Submissions will be formatted Home Phone ______prior to publication.
MARK YOUR CALENDARS NOW! CBDNA National Convention February 21 to 24, 2001 Denton, Texas Report 823 Congress Ave Suite 1300 Austin, TX 78701-2429