DOCSLIB.ORG

Ilubliohjtra Ciiii^T^Iana. I

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ilubliohjtra Ciiii^T^Iana. I mmmmm 'Eie^ ilUblioHjtra Ciiii^t^iana. I ■i:/7()7Vi. JV07ES W'X^^ ^\'(>iEV^;:!;-:.'^^;f,y;fi:.V^VA\'fi DEBRY, GRANDS ET I'ETITS VOYAGES. ^mm^sm^'^W-^!^^^'^^^' 20S: /£iZ/ Bibltotfjfra lLtni)f0tana. a 331 b 11011) e r a H i n Ir t s i a n a. COLLATIONS AND NOTES. No. 3. GRANDS ET PETITS VOYAGES OF DE BRY. BY LUDOVIC, EARL OF CRAWFORD AND BALCARRES, LL.D. F.K.S. F,R.A.S. LONDON: BERNARD QUARITCH, 15 PICCADILLY. 1884. LONDON: WYMAN AND SONS, rRINTEES, OREAT QUEEN STREET, LINCOLN'S-INN FIELDS. > 1959 .^ INTRODUCTION. INCE the commencement of last century, very many persons have interested themselves in gathering togetlier the different parts and editions of the great work of Theodor de Bry and the successive members of his family, the publication of which extended from the year 1590 until 1644. Some of these well-known collectors have written papers or essays on the subject of their copies, or with the view of showing what should be sought for for their completion. The most notable of these writings are :— 1. The " Observations " of the Abbe Louis d'Orleans de Rothelin, a little work of 44 pages in quarto, printed at Paris in 1742, and of which but few copies were struck off. It is now of excessive rarity, and I have not yet been able to attain possession of it. This was followed by 2. A description of what is required for a set of the Latin Version, published by De Biu^e le jeune in the first volume of the section " Histoire " of his " Bibliographic Instructive." This work formed the standard collation for many years. 3. In 1802 a volume was published, entitled " Memoire sur la Collection des Grands et Petits Voyages," &c. (Paris, 4to.), the work of M. A. G. de Camus, undertaken at the request of the Institut de France, and, so far as was then possible, admirably brought to light. M. de Camus gives, in addition to the collations of the Latin Version, an interesting sum- mary of the contents of each part, with notes as to the sources from whence the de Brys derived their translations. This so far, as an historical memoir, has not been surpassed. Up to this date no description in detail had been given of the German Version, and it remained for M. T. 0. Weigel to give to the world. 4. A carefully-prepared collation of these parts, under the title " Bibliographische Mittheilungen iiber die deutschen Ausgaben von de Bry's Sammlungen der Reisen nach dem abend- und morgenlandischen Indien" (40 pages. 8vo. Leipzig, 1845). This was published in the journal, "Serapeum"; to it should be added a supplement in 12 pages, which was published shortly afterwards. ii INTRODUCTION. 5. In 1860 was published the new edition of the well-known and invaluable " Manuel du Libraire" of M. J.-Ch.-Brunet, and in it we find no less than fifty-five columns devoted to de Bry, in which he brought together the essence of what had hitherto appeared. This portion of the "Manuel" received the honour of a "tirage a part" on large paper, twenty-five copies only being printed, of one of which I am the happy possessor. For certain additions and corrections (though not always correct), reference should also be made to the article on de Bry in the first volume of the Supplement to Brunet published in 1880, in which will be found an account of the copy sold at Leipzig in 1873, which had been formed by M. Serge Sobolewski with great care and attention, and which in the Sale Catalogue is termed " Tin exemplaire unique." 6. The late Mr. H. Huth published in 1880 a catalogue of his magnificent library, and devoted fifty-two pages to the description of his very fine series of de Bry, entering into many details which had been previously passed by. Of this article there was also a " tirage a part," limited to fifty copies, which is well worthy to rank with the others. In addition to these writings that I have enumerated, there are many notes, &c,, to be found in the pages of the journals and magazines devoted to Bibliography, giving inte- resting descriptions of different copies; also in Sale Catalogues information may be found. But I do not wish to expand these pages inordinately on this subject. Each writer has in turn left somewhat to be done by his successor, and yet, far from diminishing the interest in the collection, they seem to have incited to further deeds of daring the collectors of this class of literature, which appeals vividly both to those whose tastes lie in the region of Geographical History, and to the lovers of books illustrated and adorned by Engravings. To these must be added the class of those who buy books on no system or method, who care not for their contents, and whose sole object it is to possess a work because it is rare and difficult to procure. But, in addition to the literary value of the series, there is the pleasure of endeavouring to add to one's possession,—a task which demands patience, attention, and promptitude of action, and truly no work is more diffi- cult to complete in all its languages and editions. The Set which I have to describe is the outcome of thirty years' perseverance, and yet I cannot rest satisfied, but still seek to improve it. The composition of this collection is as follows :— The Latin Grands Voyages, in first, second, and third editions. The German Grands Voyages, in first, second, and third editions. The English Virginia, or Part I. Grands Voyages. The French Virginia, or Part I. Grands Voyages. The German Petits Voyages in their several editions. IN TE ODUC TIO N. iii The Latin Petits Voyages, first editions, and of the second editions in so far as the plates are concerned. The Abridgment by Zigler of the first nine parts of the Grands Voyages in German. The Abridgment by Gottfriedt of the first eleven parts of the Grands Voyages in German. The Abridgment by Fitzer of the Petits Voyages, also in German. The series of works in French and Latin which are enumerated by Brunet under the headings " Prima Pars" and "Vera" in all their several editions in folio. These last pieces it is desirable to add to the collection, because they contain a purer text, more matter, and fresher proofs of the engravings than are to be found in de Bry. Properly speaking, they do not belong to the work in question, but from the time of de Bure and Camus such has been the custom. It would be most interesting to endeavour to associate with a good copy of de Bry a series of the original editions of the travels which he reprinted; but, though I possess many of them, I recoil from inevitable failure, as such boldly stares me in the face at the very outset. I refer to the Harlots Virginia, Part I. Grands Voyages, of which only three copies are known: the one in the Grenville Library, British Museum; the second in the Bodleian Library at Oxford; and the third at present in the hands of Mr. Quaritch, who purchased it a short while ago for a sum more than I could afford to give. And now as to my own work. I said some few lines back that each in turn had left somewhat for a successor to note. In many parts that I have seen I found they were made up from copies of different editions, as in many cases the reprint is of such a nature that, without spoiling the sense, a leaf could be interpolated, the effect being to produce a false impression of perfection, painful to one who appreciates a genuine state. From the days of Camus to the present time, much attention has been devoted to the means of identifying inter se the various editions or issues of the plates, prefaces, &c., but no such care has been devoted to what is every whit as important, the text proper; and consequently, having a very large amount of material to work upon, the accumula- tion of years having brought together more than two hundred parts from which to select a best set, I determined to endeavour to place in the power of the inquirer the means of ascertaining accurately the constitution, page by page, of each separate part and edition. To this I have added such cases of variations or differences that I have become ac- quainted with; and these, where possible, I have tried to verify de visu, though not always as yet with success. Further to assist the work of reference, I have prepared photographs of those title- pages which are engraved, or on which appear vignettes, and I refer to these plates, instead iv INTRODUCTION. of saying "within an engraved border," or "same border as that used for Part II.," which presumes knowledge or possession of the part referred to. I should here state that I have taken these photographs from either the German versions or from the Latin, solely as a matter of convenience to myself, as I found it easiest to operate upon them, owing to the method of binding. It has been my object to offer means of collation as little irksome as possible. The title-pages will be found given in full for the First Editions, and where variations occur in the subsequent editions they will be found in the opposite column on a parallel line.
Load more

Recommended publications
  • For People Who Love Early Maps Early Love Who People for 142 No
    142 INTERNATIONAL MAP COLLECTORS’ SOCIETY AUTUMN 2015 No.142 FOR PEOPLE WHO LOVE EARLY MAPS JOURNAL ADVERTISING Index of Advertisers 4 issues per year Colour B&W Altea Gallery 6 Full page (same copy) £950 £680 Half page (same copy) £630 £450 Art Aeri 4 Quarter page (same copy) £365 £270 Antiquariaat Sanderus 37 For a single issue Barron Maps 61 Full page £380 £275 Half page £255 £185 Barry Lawrence Ruderman 2 Quarter page £150 £110 Flyer insert (A5 double-sided) £325 £300 Chicago International Map Fair 6 Clive A Burden 48 Advertisement formats for print Daniel Crouch Rare Books 51 We can accept advertisements as print ready artwork Dominic Winter 37 saved as tiff, high quality jpegs or pdf files. It is important to be aware that artwork and files Frame 47 that have been prepared for the web are not of Gonzalo Fernández Pontes 40 sufficient quality for print. Full artwork specifications are available on request. Jonathan Potter 38 Kenneth Nebenzahl Inc. 4 Advertisement sizes Kunstantiquariat Monika Schmidt 43 Please note recommended image dimensions below: Librairie Le Bail 62 Full page advertisements should be 216 mm high x 158 mm wide and 300–400 ppi at this size. Loeb-Larocque 62 Half page advertisements are landscape and 105 mm The Map House inside front cover high x 158 mm wide and 300–400 ppi at this size. Martayan Lan outside back cover Quarter page advertisements are portrait and are 105 mm high x 76 mm wide and 300–400 ppi Mostly Maps 6 at this size. Murray Hudson 4 IMCoS Website Web Banner £160* The Observatory 62 * Those who advertise in the Journal may have a web The Old Print Shop Inc.
    [Show full text]
  • Motifs in Peter Paul Rubens's the Martyrdom of Saint
    113 ‘Indian’ motifs in Peter Paul Rubens’s The martyrdom of Saint Thomas and The miracles of Saint Francis Xavier* Barbara Uppenkamp Introduction In his painting for the altar of the Augustinian church in Prague representing the martyrdom of Saint Thomas in India, Peter Paul Rubens faced the difficult task of having to depict, as faithfully as possible, the unfamiliar location where the dramatic events unfurled (fig. 1).1 The legend that Thomas was an architect of Roman antiquity who went to India to build a palace might have prompted Rubens to combine elements of classical Roman architecture with others, which to him and his contemporaries would have suggested an Indian setting. The purpose of this study is to examine Rubens’s knowledge of Asian architecture and sculpture as deduced from sources that were available to him. To this end, reference will be made above all to the stock of his extensive library as documented by three sources.2 The most important of these are the journals of the Officina Plantiniana, where his book purchases are recorded. Besides this, Rubens’s wide-ranging correspondence gives an impression of the vast breadth of his erudition. Finally, the auction catalogue of the library belonging to his son Albert (1614-1657) indicates which books had probably been in Rubens’s possession, given that Albert inherited his father’s books.3 Accordingly, Rubens can be presumed to have owned the great cartographic works Civitates orbis terrarum by Georg Braun (1541-1622) and Frans Hogenberg (1535-1590), the Thesaurus geographicus by Abraham Ortelius (1527-1598), and L’histoire des Indes de Portugal by Fernão Lopes de Castanheda (c.
    [Show full text]
  • Colonial Failure in the Anglo-North Atlantic World, 1570-1640 (2015)
    FINDLEY JR, JAMES WALTER, Ph.D. “Went to Build Castles in the Aire:” Colonial Failure in the Anglo-North Atlantic World, 1570-1640 (2015). Directed by Dr. Phyllis Whitman Hunter. 266pp. This study examines the early phases of Anglo-North American colonization from 1570 to 1640 by employing the lenses of imagination and failure. I argue that English colonial projectors envisioned a North America that existed primarily in their minds – a place filled with marketable and profitable commodities waiting to be extracted. I historicize the imagined profitability of commodities like fish and sassafras, and use the extreme example of the unicorn to highlight and contextualize the unlimited potential that America held in the minds of early-modern projectors. My research on colonial failure encompasses the failure of not just physical colonies, but also the failure to pursue profitable commodities, and the failure to develop successful theories of colonization. After roughly seventy years of experience in America, Anglo projectors reevaluated their modus operandi by studying and drawing lessons from past colonial failure. Projectors learned slowly and marginally, and in some cases, did not seem to learn anything at all. However, the lack of learning the right lessons did not diminish the importance of this early phase of colonization. By exploring the variety, impracticability, and failure of plans for early settlement, this study investigates the persistent search for usefulness of America by Anglo colonial projectors in the face of high rate of
    [Show full text]
  • Mapmaking in England, Ca. 1470–1650
    54 • Mapmaking in England, ca. 1470 –1650 Peter Barber The English Heritage to vey, eds., Local Maps and Plans from Medieval England (Oxford: 1525 Clarendon Press, 1986); Mapmaker’s Art for Edward Lyman, The Map- world maps maker’s Art: Essays on the History of Maps (London: Batchworth Press, 1953); Monarchs, Ministers, and Maps for David Buisseret, ed., Mon- archs, Ministers, and Maps: The Emergence of Cartography as a Tool There is little evidence of a significant cartographic pres- of Government in Early Modern Europe (Chicago: University of Chi- ence in late fifteenth-century England in terms of most cago Press, 1992); Rural Images for David Buisseret, ed., Rural Images: modern indices, such as an extensive familiarity with and Estate Maps in the Old and New Worlds (Chicago: University of Chi- use of maps on the part of its citizenry, a widespread use cago Press, 1996); Tales from the Map Room for Peter Barber and of maps for administration and in the transaction of busi- Christopher Board, eds., Tales from the Map Room: Fact and Fiction about Maps and Their Makers (London: BBC Books, 1993); and TNA ness, the domestic production of printed maps, and an ac- for The National Archives of the UK, Kew (formerly the Public Record 1 tive market in them. Although the first map to be printed Office). in England, a T-O map illustrating William Caxton’s 1. This notion is challenged in Catherine Delano-Smith and R. J. P. Myrrour of the Worlde of 1481, appeared at a relatively Kain, English Maps: A History (London: British Library, 1999), 28–29, early date, no further map, other than one illustrating a who state that “certainly by the late fourteenth century, or at the latest by the early fifteenth century, the practical use of maps was diffusing 1489 reprint of Caxton’s text, was to be printed for sev- into society at large,” but the scarcity of surviving maps of any descrip- 2 eral decades.
    [Show full text]
  • Paintings and Prints of the Women of Virginia from John White to Joan Blaeu Ann Rosalind Jones
    Early Modern Women: An Interdisciplinary Journal 2012, vol . 7 American Beauties, or What’s Wrong with this Picture? Paintings and Prints of the Women of Virginia from John White to Joan Blaeu Ann Rosalind Jones his essay discusses European pictorial representations of North TAmerica women in six prints from sixteenth- and seventeenth- century books. By analyzing the shifting forms in which European artists presented two women of Virginia, I hope to raise some questions about cultural history. What do these related images reveal about the gendered eye of the Europeans who made them and for whom they were intended? What did an artist on the spot think was significant? What does the reworking of previous images by European print artists tell us about the way they imagined women of the Americas? Or about the way their pub- lishers calculated what would appeal to their readers? And why might all this matter now? Two of these images were engravings printed in the first volume of Theodore de Bry’s America (Frankfurt, 1590), well known now in Early Modern transatlantic studies.1 For the 1590 book the German publisher commissioned Carolus Clusius to write a Latin translation of Thomas Harriot’s 1588 English account of his countrymen’s settlement in Roanoke. De Bry illustrated this book with his own engravings, based on 1 For an in-depth study of de Bry’s America volumes and an extensive bibliography, see Michiel van Groesen, The Representations of the Overseas World in the De Bry Collection of Voyages (1590–1634) (Leiden and Boston: Brill, 2008).
    [Show full text]
  • Theodor De Bry's Voyages to the New and Old Worlds
    a Theodor De Bry’s Voyages to the New and Old Worlds Maureen Quilligan Duke University Durham, North Carolina Illustrated by more than six hundred plates and comprising twenty- seven vol- umes published over a span of nearly half a century by Theodor de Bry and his two sons, the Collectiones peregrinatiorum in Indiam orientalem et Indiam occidentalem (1590 – 1634) is a collection of European travels to the rest of the world that has offered a goldmine to scholars seeking visual material for the study of Europe’s attitudes toward foreign others. Only quite recently, how- ever, has any study been devoted to the compilations’ complicated history as a book in and of itself. Michiel van Groesen’s 2008 volume, The Representa- tions of the Overseas World in the De Bry Collection of Voyages, 1590 – 1634, is the first in English to undertake a discussion of the entire collection, focusing not only on the better- known representations of travel to the Americas, but also on the voyages to the worlds of Africa, India, and the Far East.1 Usually De Bry’s work has been used to illustrate various specific points in individual scholar’s arguments about European understandings of the Native American other. In 1981, for example, Bernadette Bucher wrote a provocative structural- ist argument about gender and cannibalism, Icon and Conquest: A Structural Analysis of the Illustrations of de Bry’s Great Voyages.” 2 One thinks of a number of studies which appeared around the quincentennial of Columbus’s “discov- ery” of America in 1992, such as Anthony Pagden’s The Fall of Natural Man (1982) or Stephen Greenblatt’s Marvelous Possessions (1991), both of which fea- ture plates from De Bry’s America series for their covers.
    [Show full text]
  • Theodore De Bry's Timucua Engravings
    “Timucua Technology” - A Middle Grade Florida Curriculum Theodore de Bry’s Timucua Engravings – Fact or Fiction? Students discover how an inaccurate interpretation of historical documents can have far-reaching consequences. STUDENT LEARNING GOAL: Students will review and understand evidence that indicates that de Bry’s engravings of native peoples in the New World were intended as exciting travel tales and religious propaganda, not as reflections of reality. SUNSHINE STATE STANDARDS ASSESSED: Social Studies • SS.8.A.1.2 Analyze charts, graphs, maps, photographs and timelines; analyze political cartoons; determine cause and effect. • SS.8.A.1.7 View historic events through the eyes of those who were there as shown in their art, writings, music, and artifacts. • SS.8.A.2.1 Compare the relationships among the British, French, Spanish, and Dutch in their struggle for colonization of North America. Language Arts • LA.7.1.6.2 The student will listen to, read, and discuss familiar and conceptually challenging text. • LA.7.4.2.2 The student will record information (e.g., observations, notes, lists, charts, legends) related to a topic, including visual aids to organize and record information, as appropriate, and attribute sources of information. • LA.8.1.6.2 The student will listen to, read, and discuss familiar and conceptually challenging text. • LA.8.4.2.2 The student will record information (e.g., observations, notes, lists, charts, legends) related to a topic, including visual aids to organize and record information, as appropriate, and attribute sources of information. • LA.8.6.4.1 The student will use appropriate available technologies to enhance communication and achieve a purpose (e.g., video, digital technology).
    [Show full text]
  • The Puocession Poutuait of Queen Elizabeth I
    7KH3URFHVVLRQ3RUWUDLWRI4XHHQ(OL]DEHWK,$1RWHRQD7UDGLWLRQ $XWKRU V 'DYLG$UPLWDJH 6RXUFH-RXUQDORIWKH:DUEXUJDQG&RXUWDXOG,QVWLWXWHV9RO SS 3XEOLVKHGE\The Warburg Institute 6WDEOH85/http://www.jstor.org/stable/751357 . $FFHVVHG Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=warburg. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Warburg Institute is collaborating with JSTOR to digitize, preserve and extend access to Journal of the Warburg and Courtauld Institutes. http://www.jstor.org PROCESSION PORTRAIT OF ELIZABETH I 301 scape on the companion Hercules and the visual mysteries of the Elizabethan age',2 not Hydra plate. least because previous commentators have The intarsia and the plate must go back to largely ignored its place in traditions of the same original design, and the suppo- representation by treating it solely as a sition that this was Pollaiuolo's Palazzo document rather than an artefact.
    [Show full text]
  • The New World Mythology in Italian Epic Poetry: 1492-1650
    THE NEW WORLD MYTHOLOGY IN ITALIAN EPIC POETRY: 1492-1650 by CARLA ALOÈ A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Italian Studies School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT My thesis explores the construction of the New World mythology as it appears in early modern Italian epic poems. It focuses on how Italian writers engage with and contribute to this process of myth-creation; how the newly created mythology relates to the political, social and cultural context of the time; and investigates extent to which it was affected by the personal agendas of the poets. By analysing three New World myths (Brazilian Amazons, Patagonian giants and Canadian pygmies), it provides insights into the perception that Italians had of the newly discovered lands in the Sixteenth and Seventeenth Centuries, as well as providing a greater understanding of the role that early modern Italy had in the ‘invention’ of the Americas.
    [Show full text]
  • Download Figures
    Figure 1. Woodcut image in Sebastian Brant, Narrenschiff, Basel: Johann Figure 2. Thomas Hobbes Elementa Bergmann von Olpe, 1497. philosophica de cive, Amsterdam: Elzevir, 1647 A1.B735nL JC153 .H65deL Satire and mockery fill the pages of this much cited and justly renowned work. Thomas Hobbes’s highly influential The theme of the fool is pervasive, and work on “the citizen” was published in shows in the use of fools caps on English translation in 1651 as human figure throughout. The image of Philosophical Rudiments Concerning the Ship of Fools was a popular motif Government and Society. The edition th th in the 15 and 16 centuries, though shown here was published in originally drawn from Plato’s republic, Amsterdam by the distinguished and used to mock many aspects of Elzevir Press, known for their pocket- perceived human folly. sized books. Figure 3. Theodor de Bry, Admiranda Figure 4. Rene Descartes Opera narration, fida tamen, de commodis et Philosophica, Amsterdam: Elzevir, incolarum ritibus Virginiae, Frankfurt: 1664 Johann Wechel, 1590. *G159.B84a pt.1 SCB 120955 This “report of the new found land of Virginia” written by Thomas Hariot René Descartes is one of the founding contains copperplate illustrations by figures of Rationalism. This book Theodor de Bry (after original watercolors contains the “Discourse on Method of by John White). Though filled with cross- Rightly Conducting One’s Reason and cultural mis-understandings and colonial Seeking Truth in the Sciences,” which projections, it is also a source of is considered one of the crucial works observations about the life of indigenous in establishing a philosophical peoples cooking, fishing, and other foundation for modern scientific activities of daily life and ritual.
    [Show full text]
  • The De Bry Collection of Voyages (1590-1634) Editorial Strategy and the Representations of the Overseas World
    UvA-DARE (Digital Academic Repository) The De Bry collection of voyages (1590-1634) : editorial strategy and the representations of the overseas world van Groesen, M. Publication date 2007 Document Version Final published version Link to publication Citation for published version (APA): van Groesen, M. (2007). The De Bry collection of voyages (1590-1634) : editorial strategy and the representations of the overseas world. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 The De Bry collection of voyages (1590-1634) Editorial strategy and the representations of the overseas world I Text Michiel van Groesen THE DE BRY COLLECTION OF VOYAGES (1590-1634) EDITORIAL STRATEGY AND THE REPRESENTATIONS OF THE OVERSEAS WORLD ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof.
    [Show full text]
  • Antiquariaat Junk B.V. Natural History & Travel Old and Rare Books
    Antiquariaat Junk b.v. Natural History & Travel Old and Rare Books Offered for sale at the Stuttgarter Antiquariatsmesse 2019, stand 66, January 25th – 27th Friday 12 am - 7.30 pm, Saturday and Sunday 11 am – 6pm Books may also be ordered from: Antiquariaat Junk Allard Schierenberg & Jeanne van Bruggen Van Eeghenstraat 129/ 1071 GA Amsterdam The Netherlands Telephone: +31-20-6763185/ Telefax: +31-20-6751466 Email: [email protected] Website: www.antiquariaatjunk.com NATURAL HISTORY BOOKSELLERS SINCE 1899 Frontcover illustration: 4 Dietzsch * Please visit our website www.antiquariaatjunk.com With thousands of colour pictures of fine Natural History books * The prices in this catalogue include 9% VAT. Customers outside the EU will not be charged the 9% VAT. * Die Katalogpreise beinhalten die Mehrwertsteuer. Die mit einem* vor der Nummer angegebenen Bücher stehen im Messekatalog der Stuttgarter Antiquariatsmesse und können nicht vor der Messe verkauft werden. Die andern Bücher jedoch können sofort bestellt werden oder auf der Messe besichtigt werden. * Stand 66 Stuttgarter Antiquariatsmesse 2019 Württembergischer Kunstverein Schlossplatz 2 70191 Stuttgart [1] BAER, K.E. VON. Über Entwicklungsgeschichte der Thiere. Beobachtung und Reflexion. Königsberg, Gebrüder Bornträger, 1828. 2 volumes. 4to (243 x 215mm). pp. xxii, (2, Verbesserungen), 271, (1); (4), 315, (1), with 1 fold. table and 7 (4 handcoloured) engraved plates and a few diagrams in the text. Contemporary marbled boards. € 5.450 First edition of the 'foundation treatise on the embryology of the higher animals' (Horblit 9a). "Continuing the work of his friend and collaborator Christian Heinrich Pander (to whom the 'Über Entwicklungsgeschichte der Thiere' is dedicated), Baer observed the formation of the germ layers and established the germ layer theory.
    [Show full text]