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Ureceived Their Segregated Work
Larry "has flown the coop," leaving a to his bed" the day that she was born a growing number of fictional daughters black rabbit ("Satan") and "one measly "November 7, the anniversary of the who is - now that women are writing shirt" to remind Lureen of him. Lureen Bolshevik Revolution." Harris' "The more of the scripts - mis-fathered or has no interest in acting on anything she Soma Building" is the most philosophical, fatherless. It is not an entirely satisfying has learned; she wants her Larry back, polysemous of the realistic stories. In the ending because Lannie leaves too many and she dreams about him, waits for him, end the narrator becomes the creative stones unturned: we wonder what ever and reconstructs conversations with him writer about whom Hams writes, and the came of her university lover, the ''boy'' until Larry finally reappears in the middle father's wisdom initiates her own Tim, or herchildhood friend, Angela- the of the night, and they go off and make revelation, her unfinished fiction, in her only person in whom she confides. And love in the park. office in the Soma Building. Hams' narra we also expect there to be a more pro This is the only story of its kind in tive voice is complex, butnowhere is voice found reason for getting to know Barney Double Bond, but it is one of the stories as self-consciously intricate as it is in and Iris from the inside, but none which depends very much on its prairie Sharon Butala's first novel, Country of comes. -
General Fiction
GENERAL FICTION A Aciman, Andre – Enigma variations Ackerman, Marianne - Jump Addison, Corban – Garden of burning sand/Tears of dark water Ahlborn, Ania – Apart in the dark Akpan, Uwem – Say you’re one of the them Alarcon, Daniel – At night we walked in circles Albom, Mitch –First phone call from heaven/For one more day/Next person you meet in heaven Allende, Isabel – Daughter of fortune Anderson-Dargatz, Gail – Cure for death by lightning Andrews, Mary Kay –Ladies’ night Ansay, A. Manette – Vinegar Hill Arsenault, Emily –Evening spider Ashley, Phillipa – Cornish Café Series: Spring on the Little Cornish Isles Aslam, Nadeem – Maps for lost lovers Atkinson, Kate –Not the end of the world/Transcription/Started early, took my dog Atwood, Margaret –Oryx and crake/Edible woman/Alias Grace/Blind assassin/Cats eye/Madd Addam Awad, Mona – 13 ways of looking at a fat girl B Backman, Fredrik – Bear Town Baker Kline, Christina – Orphan train/Piece of the world Baker, Shannon – Stripped bare Bala, Sharon – Boat people Banville, John – Mrs Osmond Barbery, Muriel – Elegance of the hedgehog Barclay, Robert – If wishes were horses Barnes, Julian – Sense of an ending Barry, Sebastian – On Canaan’s side Beatty, Paul – Sellout Behrens, Peter – Travelling light/Law of dreams Delinsky, Barbara – Not my daughter Benedict, Marie – Carneigies’ maid Bergen, David – Retreat/Leaving tomorrow Blume, Judy – In the unlikely event Boyden, Joseph – The Orenda/Through black spruce Brackston, Paula – Lamp black, wolf grey Brashares, Ann – My name is memory Britton, Fern – Hidden treasures Brodber, Erna - Myal Brooks, Geraldine – People of the book Buckley, Carla – Deepest secret Burnard, Bonnie – Good house Bushnell, Candace – Carrie Diaries: Summer and the city Byler, Linda – Sadie’s Montana: Bk2 Keeping secrets C Caletti, Deb – Secrets she keeps Callahan Henry, Patti – And then I found you Cameron, W. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Death, Animals, and Ethics in David Bergen's the Time in Between
Document generated on 09/26/2021 1 p.m. Studies in Canadian Literature / Études en littérature canadienne Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins Volume 38, Number 1, 2013 URI: https://id.erudit.org/iderudit/scl38_1art013 See table of contents Publisher(s) The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Mullins, K. (2013). Death, Animals, and Ethics in David Bergen’s The Time in Between. Studies in Canadian Literature / Études en littérature canadienne, 38(1), 248–266. All rights reserved, ©2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins eath is a dominating presence in David Bergen’s Giller Prize-winning novel The Time in Between (2005). Although Charles Boatman’s suicide lies at the centre of the narrative, Dthe novel — and Charles himself — is also haunted by other deaths: the death of Charles’s ex-wife, Sara, the deaths of innocents in Vietnam, and the deaths of animals. It rotates around various absences and, as is frequently the case in Bergen’s fiction, highlights individual suffering and alienation within the family unit1: Charles returns to Vietnam in the hope of ascribing meaning to the “great field of nothing” that he has experienced since the war (38), while two of his children, Ada and Jon, travel to Vietnam to search for their missing father only to discover he has committed suicide. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
Bukowski Agency Backlist Highlights
the bukowski agency backlist highlights 2010 www.thebukowskiagency.com CONTENTS Anita Rau Badami . 2 Judy Fong Bates . 4 Alan Bradley . 6 Catherine Bush . 8 Abigail Carter . 9 Wayson Choy . 10 Austin Clarke . 12 George Elliott Clarke . 14 Anthony De Sa . 15 John Doyle . 16 Liam Durcan . 17 Anosh Irani . 18 Rebecca Eckler . 20 Paul Glennon . 21 Ryan Knighton . 22 Lori Lansens . 24 Sidura Ludwig . 26 Pearl Luke . 27 Annabel Lyon . 28 D .J . McIntosh . 30 Leila Nadir . 31 Shafiq Qaadri . 32 Adria Vasil . 32 Eden Robinson . 33 Kerri Sakamoto . 34 Sandra Sabatini . 36 Cathryn Tobin . 37 Cathleen With . 38 CLIENTS . 39 CO-AGENTS . 40 Anita RAu BadamI Can You Hear the Nightbird Call? Can You Hear the Nightbird Call? traces the epic trajectory of a tale of terrorism through time and space 95,000 words hardcover / Finished books available RIGHTS SOLD Canada: Knopf, September 2006 Italy: Marsilio, Spring 2008 France: Éditions Philippe Rey, India: Penguin, January 2007 March 2007 Australia: Scribe, March 2007 Holland: De Geus, Spring 2008 • Longlisted for the 2008 IMPAC Dublin Literary Award • Shortlisted for the Ontario Library Association 2007 Evergreen Awards The Hero’s Walk The Hero’s Walk traces the terrain of family and forgiveness through the lives of an exuberant cast of characters bewildered by the rapid pace of change in today’s India 368 pages hardcover / Finished books available RIGHTS SOLD US: Algonquin, 2001 Canada: Knopf, 2000 US: Paperback: Ballantine Greece: Kastaniotis Editions UK: Bloomsbury, 2002 Poland: Wydawnictwo Dialog France: -
The Municipal Reform Movement in Montreal, 1886-1914. Miche A
The Municipal Reform Movement in Montreal, 1886-1914. Miche LIBRARIES » A thesis submitted in conformity with the requirement for the degree of Master of Arts in the University of Ottawa. 1972. Michel Gauvin, Ottawa 1972. UMI Number: EC55653 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55653 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis will prove that the Montreal reform movement arose out of a desire of the richer wards to control municipal politics. The poorer wards received most of the public works because they were organized into a political machine. Calling for an end to dishonesty and extravagance, the reform movement took on a party form. However after the leader of the machine retired from municipal politics, the movement lost its momentum. The reform movement eventually became identified as an anti-trust movement. The gas, electricity, and tramway utilities had usually obtained any contracts they wished, but the reformers put an end to this. -
World Literature
Ministry of Scince and Education of Ukraine Kharkiv H.S. Skovoroda National Pedagogical University Vedernikova T.V. Soloshenko-Zadniprovska N.K. WORLD LITERATURE Course of Lecture Kharkiv 2014 Міністерство освіти і науки України Харківський національний педагогічний університет імені Г.С. Сковороди Т.В. Вєдєрнікова, Н.К. Солошенко-Задніпровська Світова література Курс лекцій для слухачів інституту післядипломної освіти Галузь знань 0203 – Гуманітарні науки Спеціальність: 7.02030302 мова і література (англійська) Харків 2014 2 Рецензенти: Кононова Ж.O. кандидат філологічних наук, доцент кафедри англійської філології Харківського національного педагогічного університету імені Г.С. Сковороди Гончарова О.А. кандидат філологічних наук, доцент кафедри теорії та практики англійської мови Харківського національного педагогічного університету імені Г.С. Сковороди Затверджено засіданням кафедри теорії та практики англійської мови Харківського національного педагогічного університету імені Г.С.Сковороди Протокол № 1 від 29 серпня 2014 р. Вєдєрнікова Т.В., Солошенко-Задніпровська Н.К. Світова література: Курс лекцій – Харків: ХНПУ ім. Г. С. Сковороди, 2014. – 68 с. В запропонованому курсі лекцій «Світова література» висвітлюється широке коло актуальних питань з історії американської, канадської та австралійської літератури, розглядаються основні закономірності розвитку національної літератури англомовних країн з періоду зародження до сучасності, узагальнюються загальні проблеми походження різних літературних напрямків та течій, визначаються їх специфічні -
Dissenting in the First World War: Henri Bourassa and Transnational Resistance to War Geoff Keelan
Document generated on 09/26/2021 6:07 p.m. Cahiers d'histoire Dissenting in the First World War: Henri Bourassa and Transnational Resistance to War Geoff Keelan Paix, pacifisme et dissidence en temps de guerre, XX-XXIe siècles Article abstract Volume 35, Number 2, Spring 2018 This article discusses the connection between French Canadian nationalist, the journalist Henri Bourassa, and other international voices that opposed the First URI: https://id.erudit.org/iderudit/1047868ar World War. It examines common ideas found in Bourassa’s writing and the DOI: https://doi.org/10.7202/1047868ar writing of the Union of Democratic Control in Britain and the position of Pope Benedict XV about the war’s consequences, militarism and the international See table of contents system. This article argues that Bourassa’s role as a Canadian dissenter must also be understood as part of a larger transnational reaction to the war that communicated similar solutions to the problems presented by the war. Publisher(s) Cahiers d'histoire ISSN 0712-2330 (print) 1929-610X (digital) Explore this journal Cite this article Keelan, G. (2018). Dissenting in the First World War: Henri Bourassa and Transnational Resistance to War. Cahiers d'histoire, 35(2), 43–66. https://doi.org/10.7202/1047868ar Tous droits réservés © Cahiers d'histoire, 2018 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
October 2013\Adult Book List.Wpd
This is the published version: Mackey, Margaret, De Vos, Gail, Ganshorn, Heather, Johnston, Ingrid, McClay, Jill Kedersha and Moruzi, Kristine 2012, Contemporary Canadian adult books for strong teen readers, Resource links: connecting classrooms, libraries & Canadians learning resources, vol. 18, no. 1, pp. 58‐66. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30062208 Reproduced with the kind permission of the copyright owner. Copyright : 2012, Resource Links Contemporary Canadian Adult Books for Strong Teen Readers by Margaret Mackey with Gail de Vos, Heather Ganshorn, Ingrid Johnston, Jill Kedersha McClay, and Kristine Moruzi With this column, our eighteenth in an ongoing annual series, we present our pick of contemporary Canadian adult publishing that we believe has the potential to appeal to strong teenage readers. We began this work in 1996 believing that good teen readers were seriously under-served when it came to reading advice. Where should they go when they begin to come to the end of the road with young adult literature (as wonderful as much of that literature undoubtedly is)? Who provides guidance on the kinds of adult materials that might speak to a teenager? We saw a vacuum, and we have made efforts to step into that empty space ever since. As usual, our main selection criterion is that the book should have some kind of youth appeal. Middle-age crises need not apply to appear on these pages. We do not screen for strong language or graphic sex or violence; we assume that a confident teenage reader will not hesitate to put down a book if it does not appeal, for whatever reason. -
On Deformity: Bodies in Contemporary Canadian Fiction
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-25 On Deformity: Bodies in Contemporary Canadian Fiction Ram, Véronique Dorais Ram, V. D. (2012). On Deformity: Bodies in Contemporary Canadian Fiction (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27175 http://hdl.handle.net/11023/312 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY On Deformity: Bodies in Contemporary Canadian Fiction by Véronique Dorais Ram A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA October, 2012 © Véronique Dorais Ram 2012 Abstract This dissertation ponders how deformity acts as an index of resistance to the conventional family saga; it challenges the authority of the genre, which perpetuates conformity to affirm the existence of a national identity. I open with a history of the trope of deformity and a theory on its applicability to questions of the nation in Canadian fiction. Bonnie Burnard’s A Good House begins the literary analysis and considers how Daphne’s asymmetrical face exemplifies the novel’s overarching deformation of the domestic realist text. -
Quality Journalism: How Montreal's Quality Dailies
Quality Journalism: How Montreal’s Quality Dailies Presented the News During the First World War by Gregory Marchand A Thesis submitted to the Faculty of Graduate Studies of the University of Manitoba in partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of History Joint-Masters Program University of Manitoba/ University of Winnipeg Winnipeg, Manitoba Copyright © 2014 by Gregory Marchand Marchand i Abstract A careful examination of reporting during the First World War by Montreal’s two most respected daily newspapers shows that these newspapers articulated divergent messages about the war and domestic events. Each newspaper had its own political affiliations, and even though they were not always apparent, they were always present, influencing the ways in which each paper approached the war. Each paper’s editorial staff had previously tailored their output to what they perceived to be the tastes and interests of their middle class and elite readerships. This thesis argues that during the First World War, Le Devoir refused to be limited by the traditional impassive reporting style of Montreal’s managerial class newspapers, but the Montreal Gazette did not. Where Le Devoir became more defiant and aggressive in its defence of Francophone rights, the Gazette managed to appear more detached even as it reported the same events. This divergence is important because it represents a larger pattern of wartime change taking place as quality dailies gambled their reputations on the ideals of their owners and editors. Each newspaper carefully constructed their attempts to influence public opinion, but where Le Devoir was responding to what it considered a crisis, the Gazette’s interests and alliances mandated loyalty and a calmer tone.