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Reading Joss Whedon. Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, and David Lavery, Eds
Please do not remove this page [Review of] Reading Joss Whedon. Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, and David Lavery, eds. Syracuse: Syracuse University Press, 2014 Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643435210004646?l#13643521470004646 Croft, J. B. (2016). [Review of] Reading Joss Whedon. Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, and David Lavery, eds. Syracuse: Syracuse University Press, 2014 [Review of [Review of] Reading Joss Whedon. Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, and David Lavery, eds. Syracuse: Syracuse University Press, 2014]. Mythlore, 34(2), 218–220. Mythopoeic Society. https://doi.org/10.7282/T3KW5J4N This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/09/25 23:49:26 -0400 Reviews Freud, in a largely non-sexual way, is on Leahy’s side. (This reviewer regrets his position, for Leahy refers to the two Mythopoeic Press volumes on Sayers with appreciation.) —Joe R. Christopher WORKS CITED Carroll, Lewis, and Arthur Rackham, ill. Alice's Adventures in Wonderland. 1907. New York: Weathervane Books, 1978. Sayers, Dorothy L. The Unpleasentness at the Bellona Club. 1928. New York: HarperPaperbacks, 1995. READING JOSS WHEDON. Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, and David Lavery, eds. Syracuse: Syracuse University Press, 2014. 9780815610380. 461 p. $29.95; also available for Kindle. HIS HEFTY VOLUME COVERS WHEDON’S television, film, and comic book T output through the 2013 release of Much Ado About Nothing. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Romance in Dollhouse Lorna Jowett
‘I love him... Is that real?’ Interrogating Romance in Dollhouse Lorna Jowett A Dollhouse Confession (not mine!), website Because of Joss Whedon’s commitment to what he regularly calls feminism in interviews and commentaries, the Whedon creations have consistently interrogated the myth of heterosexual romance. Long-running TV shows like Buffy and Angel offered wide scope for examining romance alongside other aspects of gender and sexuality. The mix of conventions in these earlier shows also lend themselves to negotiating romance from different angles, whether this is about characters growing up and changing their own ideas about romantic and sexual relationships, or what you can ‘get away with’ in a fantasy show about vampires. Firefly featured both a happily married couple and a sex-worker, neither common-place in network TV drama, allowing that shorter-lived series to move away from obvious conventions of romance. And then there’s Dollhouse, where almost all of the characters are either prostitutes or pimps. Melissa Milavec and Sharon Kaye suggest that Buffy ‘owes much of its popularity to making erotic love a dominant theme’ (2003: 174): Dollhouse may owe its lack of popularity to the way it treats much the same theme in a more disturbing fashion. ‘Like every good fairy tale, the story grows more intricate, and more divisive, every decade,’ says a reporter of Dollhouse rumours in ‘The Man on the Street’ (Dollhouse 1.6). His words are equally applicable to the myth of heterosexual romance as tackled by the Whedonverses on TV. The Whedon shows offer a sustained interrogation of gender, but are complicated by the demands of mainstream entertainment. -
Viewers, Some of Whom Were Family from Across the Globe Who Otherwise Would Not Have Been Able to See Their Loved Ones Graduate
SIDWELL Contents FRIENDS MAGAZINE Summer 2020 Volume 91 Number 3 EDITORIAL DEPARTMENTS Editor-in-Chief Sacha Zimmerman 2 REFLECTIONS FROM THE HEAD OF SCHOOL Art Director 4 ON CAMPUS Meghan Leavitt The School announces the 2020 Newmyer Award Senior Writers honorees; the robotics team tackles 3D-printed masks; Natalie Champ we ask Director of Health Services Jasmin Whitfield five THIS YEAR, Kristen Page questions; local sports maven Chad Ricardo hosts the Alumni Editors School’s Athletic Celebration; and much more. Emma O’Leary 16 THE ARCHIVIST Anna Wyeth 04 EVERYTHING Thomas Sidwell knew how to handle a plague—or three. Contributing Writers Loren Hardenbergh 36 ALUMNI ACTION Caleb Morris New grads ascend to alumni status; Founder’s Day brings CHANGED. Contributing Photographers out alumni for the Let Your Life Speak series. Kelley Lynch Susie Shaffer ’69 40 FRESH INK And when it did, the power of the collective Freed Photography Brett Dakin ’94; Laurence Aurbach ’81; generosity of the Sidwell Friends community Digital Producers Anthony Silard ’85; Ellen Hopman ’70. became even more apparent. Anthony La Fleur 43 CLASS NOTES Sarah Randall Annual Fund donors provided teachers with the ability Spoiler alert: Everyone is sheltering in place. LEADERSHIP to quickly adapt and connect with students over new 18 83 WORDS WITH FRIENDS technologies. You ensured that every student had the Head of School “A Social-Distancing Puzzle” resources to continue learning on new digital platforms. Bryan K. Garman Chief Communications Officer 84 LAST LOOK You enabled the School to quickly respond to families Hellen Hom-Diamond “Lose Yourself” who faced unprecedented financial hardship. -
Neoliberalism, Violence, and the Body: Dollhouse and the Critique of the Neoliberal Subject
Davies M, Chisholm A. Neoliberalism, Violence, and the Body: Dollhouse and the Critique of the Neoliberal Subject. International Political Sociology 2018 DOI: https://doi.org/10.1093/ips/oly001 Copyright: This is a pre-copyedited, author-produced version of an article accepted for publication in International Political Sociology following peer review. The version of record is available online at: https://doi.org/10.1093/ips/oly001 Date deposited: 12/01/2018 Embargo release date: 16 May 2020 This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License Newcastle University ePrints - eprint.ncl.ac.uk Neoliberalism, Violence, and the Body 1 NEOLIBERALISM, VIOLENCE, AND THE BODY: DOLLHOUSE AND THE CRITIQUE OF THE NEOLIBERAL SUBJECT Forthcoming in International Political Sociology Matt Davies – Newcastle University and PUC-Rio Amanda Chisholm – Newcastle University Abstract What is the relationship between neoliberal subjectivities and sexual violence? Prevailing accounts of neoliberalism assert a particular notion of subjectivity, reflected in the notion of homo oeconomicus as an entrepreneur of the self, embedded in social relations of competition, with characteristics to enable behaviours that affirm or reproduce neoliberal rationality. This article, drawing upon the television series Dollhouse, argues for a contrary understanding of subjectivity as concretely embodied, emerging from lived experience shaped by violence. We examine theoretical critiques of neoliberalism, which have not sufficiently explored the integral role of violence in neoliberalism’s subject forming process. Dollhouse, read as a theoretically informed diagnosis of neoliberal subjectivity, shows how subjects are produced in embodied, everyday lived experience and how violence – in particular sexual and racial violence – is integral to the inscription of neoliberal subjectivity. -
Artificial Subjectivity As a Posthuman Negotiation of Hegel's Master/Slave Dialectic
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Spring 5-2011 "Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/Slave Dialectic Casey J. McCormick Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation McCormick, Casey J., ""Now There's No Difference": Artificial Subjectivity as a osthumanP Negotiation of Hegel's Master/Slave Dialectic." Thesis, Georgia State University, 2011. https://scholarworks.gsu.edu/english_theses/105 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “NOW THERE’S NO DIFFERENCE”: ARTIFICIAL SUBJECTIVITY AS A POSTHUMAN NEGOTIATION OF HEGEL’S MASTER/SLAVE DIALECTIC by CASEY J. MCCORMICK Under the Direction of Dr. Chris Kocela ABSTRACT This thesis examines the theme of robot rebellion in SF narrative as an incarnation of Hegel’s Master/Slave dialectic. Chapter one analyzes the depiction of robot rebellion in Karel Capek’s R.U.R. Chapter two surveys posthuman theory and offers close readings of two con- temporary SF television series that exemplify ontologically progressive narratives. The thesis concludes that posthuman subjectivity sublates the Master/Slave dialectic and encourages practical posthuman ethics. INDEX WORDS: Artificial subjectivity, Hegel, Master/Slave, Posthuman, Capek, Battlestar Galac- tica, Dollhouse “NOW THERE’S NO DIFFERENCE”: ARTIFICIAL SUBJECTIVITY AS A POSTHUMAN NEGOTIATION OF HEGEL’S MASTER/SLAVE DIALECTIC by CASEY J. -
Dollhouse De Joss Whedon (FOX, 2009-2010) : Écho, Un « Corps-Marchandise » Posthumain Au Service De La Sérialité Audiovisuelle
TV/Series 14 | 2018 Posthumains en séries Dollhouse de Joss Whedon (FOX, 2009-2010) : Écho, un « corps-marchandise » posthumain au service de la sérialité audiovisuelle Julien Achemchame Édition électronique URL : http://journals.openedition.org/tvseries/3139 DOI : 10.4000/tvseries.3139 ISSN : 2266-0909 Éditeur GRIC - Groupe de recherche Identités et Cultures Référence électronique Julien Achemchame, « Dollhouse de Joss Whedon (FOX, 2009-2010) : Écho, un « corps-marchandise » posthumain au service de la sérialité audiovisuelle », TV/Series [En ligne], 14 | 2018, mis en ligne le 31 décembre 2018, consulté le 22 avril 2019. URL : http://journals.openedition.org/tvseries/3139 ; DOI : 10.4000/tvseries.3139 Ce document a été généré automatiquement le 22 avril 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Dollhouse de Joss Whedon (FOX, 2009-2010) : Écho, un « corps-marchandise » po... 1 Dollhouse de Joss Whedon (FOX, 2009-2010) : Écho, un « corps- marchandise » posthumain au service de la sérialité audiovisuelle Julien Achemchame 1 Créée par Joss Whedon en 2009, Dollhouse est une série de science-fiction diffusée durant deux saisons sur le réseau FOX. Dollhouse est le nom d’une entreprise clandestine qui, grâce à une technologie futuriste, transforme temporairement (généralement pour une durée contractuelle prédéfinie de cinq années) des individus « volontaires », à qui l’on promet une importante somme d’argent et une félicité retrouvée après la fin du contrat, en « poupées humaines », véritables êtres posthumains. En modifiant leur architecture neuronale et en effaçant leurs personnalités originelles, l’entreprise transforme ainsi les individus en « systèmes d’exploitation » vivants capables de recevoir à l’infini de nouvelles personnalités (au préalable stockées sur des disques durs). -
Alexa, What Should We Do About Privacy? Protecting Privacy for Users of Voice-Activated Devices
Washington Law Review Volume 93 Number 1 3-1-2018 Alexa, What Should We Do about Privacy? Protecting Privacy for Users of Voice-Activated Devices Anne Pfeifle Follow this and additional works at: https://digitalcommons.law.uw.edu/wlr Part of the Privacy Law Commons Recommended Citation Anne Pfeifle, Comment, Alexa, What Should We Do about Privacy? Protecting Privacy for Users of Voice- Activated Devices, 93 Wash. L. Rev. 421 (2018). Available at: https://digitalcommons.law.uw.edu/wlr/vol93/iss1/9 This Comment is brought to you for free and open access by the Law Reviews and Journals at UW Law Digital Commons. It has been accepted for inclusion in Washington Law Review by an authorized editor of UW Law Digital Commons. For more information, please contact [email protected]. 15 - Pfeifle.docx (Do Not Delete) 3/18/2018 7:51 PM ALEXA, WHAT SHOULD WE DO ABOUT PRIVACY? PROTECTING PRIVACY FOR USERS OF VOICE- ACTIVATED DEVICES Anne Pfeifle* Abstract: Alexa, Amazon’s digital voice assistant, and devices like it, are increasingly common. With this trend comes growing problems, as illustrated by a murder investigation in Bentonville, Arkansas. Police wanted Amazon to turn over data associated with the suspect’s Echo device, hoping it had overheard something on the night of the murder. The case sparked wide-spread interest in the privacy implications of in-home devices that record audio of users. But the biggest threat to user privacy is not that Alexa may overhear a crime—it is that law enforcement will use such devices in new ways that users are not prepared for during investigations. -
Florida State University Libraries
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Into the Screenscape: Screens, Bodies, and the Biopolitics of the Population Katheryn Wright Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES INTO THE SCREENSCAPE: SCREENS, BODIES, AND THE BIOPOLITICS OF THE POPULATION By KATHERYN WRIGHT A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2010 Copyright © 2010 Katheryn Wright All Rights Reserved The members of the committee approve the dissertation of Katheryn Wright defended on March 26, 2010. ________________________________ Amit Rai Professor Directing Dissertation ________________________________ Andy Opel University Representative ________________________________ Leigh Edwards Committee Member ________________________________ Kathleen Yancey Committee Member Approved: ___________________________________ John Kelsay, Director, Interdisciplinary Humanities The Graduate School has verified and approved the above-named committee members. ii For my sponsors: Clinton Bryant James and Barbara Wright iii ACKNOWLEDGEMENTS Many people have helped me in the completion of this dissertation. First and foremost I want to thank my major professor and good friend, Amit Rai. He encouraged me to be daring and creative in my work, and to think big in the hope that something exciting might happen. Amit gave me confidence when I needed it, and for that I owe him my gratitude. I want to thank the members of my committee for their encouragement and generosity over the past three years: Andy Opel, Leigh Edwards, and Kathleen Yancey. -
An Epitaph for Raphael Lemkin
By Dr. William Korey m publication of the Jacob Blaustein Institute for the Advancement of Human Rights AN EPITAPH FOR RAPHAEL LEMKIN William Korey Executive Editor, Stephen Steinlight THE JACOB BLAUSTEIN INSTITUTE FOR THE ADVANCEMENT OF HUMAN RIGHTS OF THE AMERICAN JEWISH COMMITTEE Foreword "The life of the law," as Oliver Wendell Holmes, Jr., famously taught, "has not been logic: it has been expe- rience." The most searing experience of the century just closed was the discovery that the modern nation state, in which so much hope for the progress of civilization had been invested, could itself become a force for uninhibited barbarism. The 20th Century was but 15 years old when Sigmund Freud, writing in Vienna, expressed the apprehen- sion that "the state has forbidden to the individual the prac- tice of wrong-doing, not because it desired to abolish it, but because it desires to monopolize it, like salt and tobacco." By the middle of the century this appalling reality had be- come too plain to ignore. That experience energized the effort to find legal mechanisms to restrain at least the more extreme manifes- tations of state barbarism. The Convention on the Preven- tion and Punishment of the Crime of Genocide is one of the first fruits of that effort. To move from particular experiences to general principles of law requires a high order of imagination, his- torical knowledge and persuasive skill. This monograph constitutes a case study of that process and an homage to the man who was both father and midwife to the word genocide, and brought into being the Genocide Convention: Raphael Lemkin. -
Womanhandling Ibsen's a Doll's House
Document generated on 09/30/2021 4:03 a.m. Meta Journal des traducteurs Translators’ Journal Womanhandling Ibsen’s A Doll’s House: Feminist Translation Strategies in a Spanish Translation from 1917 Iris Muñiz Volume 63, Number 2, August 2018 Article abstract This article analyzes a 1917 indirect translation of Ibsen’s A Doll’s House (1879) URI: https://id.erudit.org/iderudit/1055146ar by María Lejárraga (1874-1974) as an example of early feminist translation. DOI: https://doi.org/10.7202/1055146ar Relying on the existing theoretical outcomes at the intersection of gender and translation studies, it proposes a way of analyzing diverse translation See table of contents strategies as a means for womanhandling the literary text, and thus making the most of the prevailing feminist interpretation of its international reception while reinforcing the budding feminist debate in Silver Age Spain and Publisher(s) facilitating a specific understanding of the play. The importance of this case study as an example of early feminist translation is based on several factors: Les Presses de l’Université de Montréal (a) this theatre text had a symbolic value in first wave feminism; (b) this Spanish translation was widespread due to Ibsen’s international fame and the ISSN national fame of the (overt) mediator Gregorio Martinez Sierra; (c) the feminist activism of the (covert) translator that made her select the text to spread a 0026-0452 (print) “thesis” she deemed necessary in Spain at that time for the developing of 1492-1421 (digital) feminism; and (d) the numerous interventions at different levels (textual, contextual and paratextual) traceable in the translation. -
Neoliberal Eugenics in Joss Whedon's Dollhouse (2009
Neoliberal Eugenics in Joss Whedon’s Dollhouse (2009- 2010) LESLEY VERBEEK Published in: Vol. 4, Issue 2 (2020), pp. 1-16. Section: Articles © Copyright The Author, 2020. Except where otherwise noted, this work has been licensed under a Creative Commons 4.0 NC-BY-ND license. Full terms of use at www.digressions.nl/terms. Neoliberal Eugenics in Joss Whedon’s Dollhouse (2009-2010) LESLEY VERBEEK* Abstract: In this paper, Joss Whedon’s science fiction series Dollhouse (2009-2010) is argued to contain an implicit exploration of the taboo around “neoliberal eugenics,” afforded by its genre-specific use of speculative technologies, and to therefore serve as a reflection of and addition to public discourse concerning the ethical dangers of free market genetic modification. This is done by drawing parallels, through discourse analysis, between themes and events in the series and arguments from prominent bioethicists and philosophers in widely read newspapers. Keywords: neoliberal eugenics, Dollhouse, genetic modification, bioethics, science fiction ollhouse is a science fiction television series that ran from 2009 until 2010, when it was cancelled due to low ratings. It was created by Joss Whedon, D known for creating the cult television series Buffy the Vampire Slayer (1997-2003), the cult hit Firefly (2002-2003), the Avengers franchise (2012 and 2015), and Agents of S.H.I.E.L.D. (2013-2020). Dollhouse is the name of a Los Angeles based corporation that remains hidden from the public as it deals in ethically questionable and illegal practices. The corporation employs people on a five-year contract during which they are hired out to rich individuals.