Céline and Julie Go Boating Directed by Jacques Rivette

Total Page:16

File Type:pdf, Size:1020Kb

Céline and Julie Go Boating Directed by Jacques Rivette Céline and Julie Go Boating Directed by Jacques Rivette BFI Blu-ray release on 20 November 2017 Céline and Julie Go Boating, Jacques Rivette’s biggest commercial hit, is an exhilarating examination of the themes of theatricality, paranoia and la vie Parisienne, all wrapped up in an extended and entrancing exploration of the nature of filmmaking (and film-watching). Previously released by the BFI on DVD, it now comes to Blu-ray, in a new restoration, on 20 November 2017. Special features include a new feature length commentary by Adrian Martin. Céline (Juliet Berto), a magician, and Julie (Dominique Labourier), a librarian, meet in Montmartre and wind up sharing the same flat, bed, fiancé, clothes, identity and imagination. Soon, thanks to a magic sweet, they find themselves spectators, then participants, in a Henry James-inspired ‘film-within-the-film’ – a melodrama unfolding in a mysterious suburban house with the ‘Phantom Ladies Over Paris’ (Bulle Ogier and Marie-France Pisier), a sinister man (Barbet Schroeder) and his child. Special features Presented in High Definition A newly commissioned feature length commentary by film scholar Adrian Martin (2017) Jonathan Romney on Rivette and Céline and Julie Go Boating (2006, 19 mins) Toute la mémoire du monde (Alain Resnais, 1956, 22 mins) The Haunted Curiosity Shop (WR Booth, 1901, 2 mins) Fully illustrated booklet with an essay by Jonathan Rosenbaum; a review by Tom Milne; interviews with Dominique Labourier, Juliet Berto and Jacques Rivette; Susan Seidelman’s reflections on her Rivette-inspired Desperately Seeking Susan; and full film credits Product details RRP: £19.99/ Cat. no. BFIB1290/ Cert 12 France / 1974 / colour / 194 mins / French language with English subtitles / original aspect ratio 1.37:1 / BD50: 1080p, 24fps, PCM 2.0 stereo audio (48kHz/24-bit), PCM 2.0 commentary audio (48kHz/16-bit) Press contact for more information and review copy requests: Jill Reading, BFI Press Office, E-mail: [email protected] Tel: (020) 7957 4759 Images are available to download at www.image.net > BFI > DVD & Blu-ray 25 October 2017 .
Recommended publications
  • Feature Films
    FEATURE FILMS NEW BERLINALE 2016 GENERATION CANNES 2016 OFFICIAL SELECTION MISS IMPOSSIBLE SPECIAL MENTION CHOUF by Karim Dridi SPECIAL SCREENING by Emilie Deleuze TIFF KIDS 2016 With: Sofian Khammes, Foued Nabba, Oussama Abdul Aal With: Léna Magnien, Patricia Mazuy, Philippe Duquesne, Catherine Hiegel, Alex Lutz Chouf: It means “look” in Arabic but it is also the name of the watchmen in the drug cartels of Marseille. Sofiane is 20. A brilliant Some would say Aurore lives a boring life. But when you are a 13 year- student, he comes back to spend his holiday in the Marseille ghetto old girl, and just like her have an uncompromising way of looking where he was born. His brother, a dealer, gets shot before his eyes. at boys, school, family or friends, life takes on the appearance of a Sofiane gives up on his studies and gets involved in the drug network, merry psychodrama. Especially with a new French teacher, the threat ready to avenge him. He quickly rises to the top and becomes the of being sent to boarding school, repeatedly falling in love and the boss’s right hand. Trapped by the system, Sofiane is dragged into a crazy idea of going on stage with a band... spiral of violence... AGAT FILMS & CIE / FRANCE / 90’ / HD / 2016 TESSALIT PRODUCTIONS - MIRAK FILMS / FRANCE / 106’ / HD / 2016 VENICE FILM FESTIVAL 2016 - LOCARNO 2016 HOME by Fien Troch ORIZZONTI - BEST DIRECTOR AWARD THE FALSE SECRETS OFFICIAL SELECTION TIFF PLATFORM 2016 by Luc Bondy With: Sebastian Van Dun, Mistral Guidotti, Loic Batog, Lena Sukjkerbuijk, Karlijn Sileghem With: Isabelle Huppert, Louis Garrel, Bulle Ogier, Yves Jacques Dorante, a penniless young man, takes on the position of steward at 17-year-old Kevin, sentenced for violent behavior, is just let out the house of Araminte, an attractive widow whom he secretly loves.
    [Show full text]
  • BARBET SCHROEDER VEGA FILM Et LES FILMS DU LOSANGE Présentent
    Un film de BARBET SCHROEDER VEGA FILM et LES FILMS DU LOSANGE présentent MARTHE KELLER MAX RIEMELT amnesia UN FILM DE BARBET SCHROEDER Avec la participation de PRESSE : TONY ARNOUX / ANDRÉ-PAUL RICCI BRUNO GANZ 6 place de la Madeleine – 75008 Paris Tel : 01 49 53 04 20 Port. Tony Arnoux : 06 80 10 41 03 assisté de Gustave Schaïmi : 06 50 05 75 35 [email protected] DISTRIBUTION : LES FILMS DU LOSANGE (RÉGINE VIAL / ALEXANDRA LEDUC / CAMILLE VERRY / GREGORY PETREL) 22 avenue Pierre 1er de Serbie - 75012 Paris Tél. : 01 44 43 87 15 / 16 / 17 www.filmsdulosange.fr Photos & dossier de presse téléchargeables sur www.filmsdulosange.fr SORTIE LE 19 AOÛT 2015 SUISSE - FRANCE • 2015 • 1H30 • 1.85 - 2K • COULEUR • SON 5.1 • VISA N°139 604 Ibiza. Début des années 90, Jo a vingt ans, il vient de Berlin, il est musicien et veut faire partie de la révolution électronique qui commence. Pour démarrer, l’idéal serait d'être engagé comme DJ dans le club L'Amnesia. Martha vit seule, face à la mer, depuis quarante ans. Une nuit, Jo frappe à sa porte. La solitude de Martha l'intrigue. Ils deviennent amis alors que les mystères s'accumulent autour d'elle : ce violoncelle dont elle ne joue plus, cette langue allemande qu'elle refuse de parler… Alors que Jo l'entraîne dans le nouveau monde de la musique techno, Martha remet en question ses certitudes… amnesia - 3 - (Les propos qui suivent sont tirés d’un entretien recueilli par Émilie Bickerton) le choix de martha omment une femme qui n’a jamais rien vu sans être une victime.
    [Show full text]
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]
  • Où Va France 2 ?
    Sophie Bramly La fondatrice du site Secondsexe.com, dédié au plaisir féminin, produit une collection de courts métrages pour 1 Canal+. Portrait. PAGE 4 Mesrine A l’occasion de la sortie en salles de « L’Instinct de mort », TV&Radio retour sur le parcours Du lundi 20 octobre de l’ex-ennemi public n˚1. PAGE 23 au dimanche 26 octobre Où va France 2 ? Dirty Sexy Money Casting prestigieux pour cette série américaine politiquement incorrecte qui débarque sur Canal+. PAGE 19 L’expédition RTL La station lance une série de grands reportages sur l’état de la planète. Première Audience destination : l’Alaska. PAGE 35 en baisse et nouveaux magazines bâclés, la chaîne vit une rentrée délicate. PAGES 2 ET 3 Dessin de Sylvie Serprix ; Michel Monteaux pour « Le Monde » ; La Petite Reine ; ABC ; RTL. - CAHIER DU « MONDE » DATÉ DIMANCHE 19 - LUNDI 20 OCTOBRE 2008, Nº 19823. NE PEUT ÊTRE VENDU SÉPARÉMENT - 2 Le Monde Dimanche 19 - Lundi 20 octobre 2008 DOSSIER Une prérentrée tumultueuse pour France 2 Bousculée par la suppression de la publicité après 20 heures annoncée pour le 5 janvier 2009, la chaîne amiral de France Télévisions a enregistré en septembre sa plus faible audience. Tandis que la plupart des nouveaux magazines, mis à l’antenne dans la précipitation, n’ont pas convaincu le public RANCE 2 «à la Courbet en remplacement de Lau- 31 octobre. Au-delà, Patrice Duha- peine ». « Vendredi rent Ruquier pour animer la case mel, parle de « changements noir » pour France 2. de l’avant-« JT» ? « Service maxi- lourds » pour une émission « qui « Dérapage » dans le mum », le magazine de consom- n’a pas tenu ses promesses ».
    [Show full text]
  • Classic French Film Festival 2013
    FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series Webster University’s Winifred Moore Auditorium, 470 E. Lockwood Avenue June 13-16, 20-23, and 27-30, 2013 www.cinemastlouis.org Less a glass, more a display cabinet. Always Enjoy Responsibly. ©2013 Anheuser-Busch InBev S.A., Stella Artois® Beer, Imported by Import Brands Alliance, St. Louis, MO Brand: Stella Artois Chalice 2.0 Closing Date: 5/15/13 Trim: 7.75" x 10.25" Item #:PSA201310421 QC: CS Bleed: none Job/Order #: 251048 Publication: 2013 Cinema St. Louis Live: 7.25" x 9.75" FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series The Earrings of Madame de... When: June 13-16, 20-23, and 27-30 Where: Winifred Moore Auditorium, Webster University’s Webster Hall, 470 E. Lockwood Ave. How much: $12 general admission; $10 for students, Cinema St. Louis members, and Alliance Française members; free for Webster U. students with valid and current photo ID; advance tickets for all shows are available through Brown Paper Tickets at www.brownpapertickets.com (search for Classic French) More info: www.cinemastlouis.org, 314-289-4150 The Fifth Annual Classic French Film Festival celebrates St. Four programs feature newly struck 35mm prints: the restora- Louis’ Gallic heritage and France’s cinematic legacy. The fea- tions of “A Man and a Woman” and “Max and the Junkmen,” tured films span the decades from the 1920s through the Jacques Rivette’s “Le Pont du Nord” (available in the U.S.
    [Show full text]
  • Of Gods and Men
    A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may.
    [Show full text]
  • NEW from “Barbet Schroeder Has Made Yet Another Compelling Documentary That Demands to Be Seen.”
    NEW FROM “Barbet Schroeder has made yet another compelling documentary that demands to be seen.” “GENUINELY HORRIFYING!” – Film Comment “There’s an ever-present sense of rage and despair burbling beneath the placid surface of Barbet Schroeder’s film.” – Slant Magazine WINNER! OFFICIAL SELECTION FREEDOM AWARD CANNES, CPH:DOX BEST DOCUMENTARY LOCARNO INTERNATIONAL FILM FESTIVAL, JERUSALEM FILM FESTIVAL TELLURIDE FILM FESTIVAL Barbet Schroeder is one of the world’s most accomplished and prolific directors of our time. Some of his most popular films includeSingle White Female, Kiss of Death, and Murder by Numbers. He has been nominated for the Academy Award for Best Director, and for the Palme d’Or for his 1987 film Barfly starring Mickey Rourke and Faye Dunaway “This is an important documentary that Evil comes in many forms. In Myanmar, it manifests in the casual racism and Islamophobia of influential, charismatic Burmese Buddhist monk not only illuminates the rank underbelly Ashin Wirathu. Through interviews with international journalists and of Theravada Buddhism in Myanmar, but community leaders who protest against Wirathu’s views, activist footage also captures one of the first major tests of Rohingya persecutions, and through powerful storytelling, acclaimed faced by the new political order.” director Barbet Schroeder (Reversal of Fortune, Koko: A Talking Gorilla, and Barfly) slowly, but inexorably, builds his case. Perhaps most damning – The New York Review of Books of all are the interviews with the man himself; couching his rhetoric in nationalist fervor. THE VENERABLE W. A film by Barbet Schroeder • From Distrib Films • An Icarus Films Release Established in 2013, Distrib Films brings the latest 2017 • 100 min • Color • in English, French, Spanish, Burmese (with English subtitles) • Not Rated SRP: $26.98 • UPC # 8-545-6500316-3 French and European movies to the US.
    [Show full text]
  • And the Ship Sails On
    And The Ship Sails On by Serge Toubiana at the occasion of the end of his term as Director-General of the Cinémathèque française. Within just a few days, I shall come to the end of my term as Director-General of the Cinémathèque française. As of February 1st, 2016, Frédéric Bonnaud will take up the reins and assume full responsibility for this great institution. We shall have spent a great deal of time in each other's company over the past month, with a view to inducting Frédéric into the way the place works. He has been able to learn the range of our activities, meet the teams and discover all our on-going projects. This friendly transition from one director-general to the next is designed to allow Frédéric to function at full-steam from day one. The handover will have been, both in reality and in the perception, a peaceful moment in the life of the Cinémathèque, perhaps the first easy handover in its long and sometimes turbulent history. That's the way we want it - we being Costa-Gavras, chairman of our board, and the regulatory authority, represented by Fleur Pellerin, Minister of Culture and Communication, and Frédérique Bredin, Chairperson of the CNC, France's National Centre for Cinema and Animation. The peaceful nature of this handover offers further proof that the Cinémathèque has entered into a period of maturity and is now sufficiently grounded and self-confident to start out on the next chapter without trepidation. But let me step back in time. Since moving into the Frank Gehry building at 51 rue de Bercy, at the behest of the Ministry of Culture, the Cinémathèque française has undergone a profound transformation.
    [Show full text]
  • Mise En Page 1
    THE CULT MOVIE FROM 1969 FOR THE FIRST TIME IN RESTORED VERSION! tefan is a young student looking for adventure and hoping to find himself. SMaking his journey towards the sun he hitch-hikes from Germany to Paris, where he meets a young American drifter, Estelle, who introduces him to drugs. In their pursuit of powerful emotions and experiences, the young lovers go to Ibiza where they live out their dangerous passion. As prisoners of their hopeless love affair and also of drug addiction and a former friend of Estelle’s, the only end possible for them is a tragic one... 2015 A film by BARBET PRESS QUOTES ON THE FILM’S RELEASE IN 1969 CAST SCHROEDER Estelle MIMSY FARMER • Stephan KLAUS GRUNBERG • Charlie MICHEL CHANDERLI “EXTRAORDINARY BRILLANCE IN Wolf HEINZ ENGELMAN • Cathy LOUISE A POWERFUL COMPELLING TRAGEDY.” WINK • Salesman GEORGES MONTANT “NEW YORK HERALD TRIBUNE” “AN EXTRAORDINARILY INTELLIGENT AND BEAUTIFUL FILM. CREW THE FILMMAKER’S EYE HAS TAKEN INTO ACCOUNT THE INCREDIBLE INTERPLAY OF SURFACE AND DEPTH, USING THE IRONY OF SETTING Screenplay and dialogue PAUL GEGAUFF, AND SITUATION WITH RARE COMPASSION.” BARBET SCHROEDER • From a original story 6 2 “THE EAST VILLAGE OTHER” by BARBET SCHROEDER • Music PINK FLOYD 1 4 5 9 D.O.P NESTOR ALMENDROS • Editor DENISE 9 3 1 0 “A FILM OF INTELLIGENCE AND, EVEN RARER, GRACE. DE CASABIANCA • Script MONIQUE c i h p a M A VERY BEAUTIFUL, VERY ROMANTIC MOVIE.” GIRAUDY • Sound effects ROBERT POURET r G u n si o i “THE NEW YORK TIMES” Production crew CARLOS DURAN, MICHEL t c s P e G I CHANDERLI,
    [Show full text]
  • Pressbook Vénérablew. ENGLISH 2017-Compressed
    A FILM BY BARBET SCHROEDER LES FILMS DU LOSANGE and BANDE À PART FILMS present CREDITS Director of photography VICTORIA CLAY MENDOZA Editing NELLY QUETTIER Music JORGE ARRIAGADA A FILM BY Small Buddhist voice BULLE OGIER Mix FLORIAN EIDENBENZ BARBET SCHROEDER Produced by MARGARET MENEGOZ (Paris) and LIONEL BAIER (Lausanne) A Swiss-French coproduction LES FILMS DU LOSANGE ET BANDE À PART FILMS In coproduction with ARTE FRANCE CINEMA, RTS – RADIO TÉLÉVISION SUISSE, SRG SSR France, Switzerland • 1h40 • Color • 1.85 • Sound 5.1 With the participation of ARTE FRANCE, CINE + With the support of CENTRE NATIONAL DU CINEMA ET DE L’IMAGE ANIMEE, OFFICE FEDERAL DE LA CULTURE (DFI- SUISSE), CINEFOROM, LOTERIE ROMANDE Photos and press pack can be downloaded at Distribution France & International sales LES FILMS DU LOSANGE www.filmsdulosange.fr SYNOPSIS n Burma, the “Venerable Wirathu” is a highly respected and influential IBuddhist monk. Meeting him amounts to traveling to the heart of everyday racism and observing how Islamophobia and hate speech lead to violence and destruction. Yet this is a country in which 90% of the population has adopted Buddhism as a faith: a religion based on a peaceful, tolerant and non-violent way of life. 4 5 BARBET SCHROEDER (In conversation with Emilie Bickerton) THE ORIGIN OF THE FILM. lurches into fanaticism and extremism. In fact, For me, Buddhism is an atheist religion, Buddhist beliefs and ideas have touched without a God, and which allows for Western minds since a few philosophers in pessimism. This idea has always fascinated the middle of the nineteenth century read its me, so much so that in 1961 when I was 21, I went key texts, such as Schopenhauer, who was one of on a long trip to the historic locations of the Buddha, all the first to discover them, in 1814, during his time staying the way to Sri Lanka.
    [Show full text]
  • Juliette Binoche Charles Berling Jérémie Renier Olivier Assayas
    MK2 presents Juliette Charles Jérémie BINOCHE BERLING RENIER A film by Olivier ASSAYAS photo : Jeannick Gravelines MK2 presents I wanted, as simply as possibly, to tell the story of a life-cycle that resembles that of the seasons… Olivier Assayas a film by Olivier Assayas Starring Juliette Binoche Charles Berling Jérémie Renier France, 35mm, color, 2008. Running time : 102’ in coproduction with France 3 Cinéma and the participation of the Musée d’Orsay and of Canal+ and TPS Star with the support of the Region of Ile-de-France in partnership with the CNC I nt E rnationa L S A LE S MK2 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 55 / fax : + 33 1 43 07 29 63 [email protected] PRESS MK2 - 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 11 / fax : + 33 1 43 07 29 63 SYNOPSIS The divergent paths of three forty something siblings collide when their mother, heiress to her uncle’s exceptional 19th century art collection, dies suddenly. Left to come to terms with themselves and their differences, Adrienne (Juliette Binoche) a successful New York designer, Frédéric (Charles Berling) an economist and university professor in Paris, and Jérémie (Jérémie Renier) a dynamic businessman in China, confront the end of childhood, their shared memories, background and unique vision of the future. 1 ABOUT SUMMER HOURS: INTERVIEW WITH OLIVIER ASSAYAS The script of your film was inspired by an initiative from the Musée d’Orsay. Was this a constraint during the writing process? Not at all. In the beginning, there was the desire of the Musée d’Orsay to associate cinema with the celebrations of its twentieth birthday by offering «carte blanche» to four directors from very different backgrounds.
    [Show full text]
  • Bamcinématek Presents the US Theatrical Premiere of Jacques Rivette’S Through-The-Looking Glass Thriller Le Pont Du Nord, Mar 22—28
    BAMcinématek presents the US theatrical premiere of Jacques Rivette’s through-the-looking glass thriller Le Pont du Nord, Mar 22—28 One week only! New 35mm print! “The most alive movie I saw at the festival. Leaves me with a whole album of indelible images and unnerving emotions.”—Jonathan Rosenbaum, 1981 New York Film Festival The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Feb 28, 2013—From Friday, March 22, through Thursday, March 28, BAMcinématek presents the US theatrical premiere run of Jacques Rivette’s Le Pont du Nord (1981), screening in a new 35mm print. A puzzle, a hallucinatory cinephilic fever dream, and a spellbinding, through-the-looking glass thriller as only French New Wave titan Rivette could make, Le Pont du Nord plays like the darker, conspiracy theory-obsessed cousin of the director’s beloved Céline and Julie Go Boating. This tale of two women follows ex-con Marie (Bulle Ogier), just out of prison, and Baptiste (Ogier’s real-life daughter Pascale, who died two years later at the age of 25), who embark on a surreal, labyrinthine odyssey through a wintry Paris. The film is replete with mysterious clues, codes, traps, and spies and unfolds as “underworld and wonderland merge in the open air; joyous whimsy blurs with justified worry; and Rivette risks exploring the scarifying powers of fantasy and paranoia with a panning, punning documentary eye” (Paul Taylor, Time Out London). Rivette, in collaboration with Bulle and Pascale Ogier as well as Oscar-nominated screenwriter Suzanne Schiffman, made Le Pont du Nord on a shoestring budget with a largely improvised script.
    [Show full text]