Discovering Aslan in the Horse and His Boy by C
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The Great War and Narnia: C.S. Lewis As Soldier and Creator
Volume 30 Number 1 Article 8 10-15-2011 The Great War and Narnia: C.S. Lewis as Soldier and Creator Brian Melton Liberty University in Lynchburg, VA Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Melton, Brian (2011) "The Great War and Narnia: C.S. Lewis as Soldier and Creator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 30 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol30/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Looks at influence of orldW War I in Lewis’s autobiography and on war in Narnia, correcting mistaken search by some critics for deep-seated war trauma in Lewis’s life. Reinforces that Lewis and Tolkien were not psychological twins, had differing personalities going into the war, and came out of it with different approaches to dealing with war in their fiction. -
The Horse and His Boy
Quick Card: The horse and his boy The Horse and His Boy, by C. S. Lewis. Reference ISBN: 9780007588541 Shasta, a Northerner enslaved to a Calormene fisherman, dreams of escape to the free North of Archenland. With the help of a talking horse named Bree, Shasta flees, meeting another pair of fugitives along the way: Plot Aravis and her talking horse Hwin. As they journey northwards, the four uncover a plot by Rabadash, the prince of Calormene, to conquer Archenland and threaten the peace of the northern lands. They race to warn the Archenlanders and rally the Narnians to their aid. This story is set during the Golden reign of the Pevensie children: Peter, Susan, Edmund, and Lucy. Calormene- A land South of Narnia, it is home to cruel, pagan slave lords: the Tarquins. Setting Narnia- Home of the four kings and queens of legend and kingdom of the lion Aslan, the Son of the King Beyond the Sea. Archenland- Borderland between Calormene and Narnia, populated by free people whose loyalty is to Narnia and Aslan. Shasta- The protagonist of the piece is a young boy, uneducated and neglected. Though he is immature, he has an inbred longing for freedom and justice and an indomitable hope to escape to the free North. Bree recognizes at once that he must be “of true Northern stock.” Bree- Pompous and self-important, the Narnian horse brags about his knowledge of the North and plays the courageous war-horse though he is really a coward at heart. Despite his boorish tone, he is a loyal friend. -
An Introduction to Narnia - Part II: the Geography of the Chronicles
Volume 2 Number 3 Article 5 Winter 1-15-1971 An Introduction to Narnia - Part II: The Geography of the Chronicles J. R. Christopher Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christopher, J. R. (1971) "An Introduction to Narnia - Part II: The Geography of the Chronicles," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 2 : No. 3 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol2/iss3/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Part two is an overview of the geography of Narnia based on textual clues and maps. Speculates on the meaning of the geography in theological and metaphysical terms. Additional Keywords Lewis, C.S. Chronicles of Narnia—Geography This article is available in Mythlore: A Journal of J.R.R. -
The Horse and His Boy (The Chronicles of Narnia, Book 3)
THE HORSE AND HIS BOY C. S. LEWIS Book Three THE HORSE AND HIS BOY Illustrated by PAULINE BAYNES To David and Douglas Gresham Contents Map viii One How Shasta Set Out On His Travels 3 Two A Wayside Adventure 14 Three At the Gates of Tashbaan 25 Four Shasta Falls In With the Narnians 35 Five Prince Corin 45 Six Shasta Among the Tombs 56 Seven Aravis in Tashbaan 64 Eight In the House of the Tisroc 74 Nine Across the Desert 84 Ten The Hermit of the Southern March 95 Eleven The Unwelcome Fellow Traveler 105 Twelve 116 Shasta in Narnia Thirteen The Fight at Anvard 127 Fourteen How Bree Became a Wiser Horse 138 Fifteen Rabadash the Ridiculous 148 About the Author Other Books in the Narnia Series Credits Cover Copyright About the Publisher Map THE HORSE AND HIS BOY One HOW SHASTA SET OUT ON HIS TRAVELS THIS IS THE STORY OF AN ADVENTURE that happened in Narnia and Calormen and the lands between, in the Golden Age when Peter was High King in Narnia and his brother and his two sisters were King and Queens under him. In those days, far south in Calormen on a little creek of the sea, there lived a poor fisherman called Arsheesh, and with him there lived a boy who called him Father. The boy's name was Shasta. On most days Arsheesh went out in his boat to fish in the morning, and in the afternoon he harnessed his donkey to a cart and loaded the cart with fish and went a mile or so southward to the village to sell it. -
The Magician's Niece: the Kinship Between J. K. Rowling and C. S. Lewis
Volume 23 Number 2 Article 6 4-15-2001 The Magician's Niece: The Kinship between J. K. Rowling and C. S. Lewis Joy Farmer Reinhardt College, Waleska, Georgia Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Farmer, Joy (2001) "The Magician's Niece: The Kinship between J. K. Rowling and C. S. Lewis," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 23 : No. 2 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol23/iss2/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Looks at parallels between the Chronicles of Narnia and the Harry Potter books in terms of plot, structure, symbolism, theme, and purpose. Additional Keywords Lewis, C.S. Chronicles of Narnia; Rowling, J.K. -
Christianity in Narnia
Christianity in Narnia Dominique Wilson Readers around the world, young and old, have enjoyed C S Lewis’ Narnia Chronicles since the first publication of The Lion, the Witch and the Wardrobe in 1950. Combining timeless elements of fairy tale, medievalism and Christian allegory, Lewis created a fantasy world, Narnia, which rivals J R R Tolkien’s Middle Earth and Ursula K Le Guin’s Earthsea.1 But Lewis’s series is more than a children’s fairy tale; its seven books contain a deeper meaning, introducing children to Christian morality and belief, and presenting numerous characters representing Christian believers of different types, at different stages of their journey towards a relationship with God. There can be no mistaking the theological undertone of the series, written by an artist of immense talent and imagination, who also was ‘a Christian, dedicated to the purpose of making his faith both seen and heard’.2 The religious symbolism and motifs threaded through The Lion, the Witch and the Wardrobe series is extensive. The vast amount of scholarly and literary research completed on the series to date makes it clear that the religious interpretation of the Chronicles is only limited by the amount of time and effort one has to spend. Lewis uses the fantasy genre to convey his messages because the different beings within the fantasy realm – ‘giants and dwarfs and talking beasts’ – offer an ‘admirable hieroglyphic which conveys psychology, types of character, more briefly than novelistic presentation’.3 Like many fantasy writers, Lewis sets Narnia in a 1 Tolkien’s The Hobbit and The Lord of the Rings take place in the world of Middle Earth; Earthsea is the setting for Le Guin’s Earthsea quintet: A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, Tehanu: the Last Book of Earthsea and The Other Wind. -
The Way Into Narnia: a Reader’S Guide, by Peter J
Book Review by Dr. Art Lindsley Review of The Way Into Narnia: A Reader’s Guide, by Peter J. Schakel, (Grand Rapids, MI, Eerdmanns) 2005. Peter Schakel is a professor at Hope College and a specialist in the Chronicles of Narnia, having two previous books on the subject (Imagination and the Arts in C.S. Lewis, and Reading with the Heart). This book, The Way Into Narnia, is a great contribution to the subjects. The core of the book contains a background and discussion of each book in the series. These are very helpful chapters. But, the most helpful sections for me were the introductory chapters and the annotations at the end of the book. Two introductory chapters deal with “Controversies over Texts and Reading Order” and a discussion of the form of the stories, “The Storytelling: The Fairy Tale, Fantasy, and Myth.” The concluding annotations deal with difficult words, concepts, or passages in the Chronicles. Significant insights in the book include: • Lewis’s first class honors at Oxford were in Greek and Latin, classical philosophy, and English language and literature. (p. 8-9) • Lewis and Tolkien spent a morning each week with each other during the 1930’s (in addition to “Inklings” meetings). (p. 9) • Perelandra was one of Lewis’s favorite books. One night when walking with friend Roger Green, they saw Venus shining brightly, and Lewis said with a sense of passionate longing, “Perelandra!” (p. 11) • Lewis made a number of revisions in the text that have not been included in most versions of Narnia available today. -
The Chronicles of Narnia</Em>, and How CS Lewis Created Christian
Linfield University DigitalCommons@Linfield Senior Theses 5-29-2015 The Chronicles of Narnia, and How C.S. Lewis Created Christian Fantasy Fiction Amanda Callow Linfield College - Online and Continuing ducationE Follow this and additional works at: https://digitalcommons.linfield.edu/dcestud_theses Part of the Literature in English, British Isles Commons, and the Modern Literature Commons Recommended Citation Callow, Amanda, "The Chronicles of Narnia, and How C.S. Lewis Created Christian Fantasy Fiction" (2015). Senior Theses. 3. https://digitalcommons.linfield.edu/dcestud_theses/3 This Thesis (Open Access) is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Thesis (Open Access) must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. The Chronicles of Narnia, and How C.S. Lewis Created Christian Fantasy Fiction By Amanda Callow Thesis submitted to the Department of Art and Humanities, Linfield College 05/27/2015 Signature redacted Signature redacted The Narnia series by C.S. Lewis is a shining example of twentieth-century childrens’ fiction. Many children (and adults) have fallen in love with the books, without ever knowing that it was not ultimately intended to solely be a work of fantasy. The genius of C.S. Lewis's The Chronicles of Narnia was to artfully combine traditional Christian themes and iconography, with symbols from other mythic traditions, and narrative elements of his own. -
The Chronicles of Narnia The
The Chronicles of Narnia The Chronicles of Narnia Chronicling the Chronicles Beyond the Narnia The focal point of the books in the Prince Caspian series, the world of Narnia was created by Out of This World Aslan. It is a peaceful, welcoming, beautiful Wardrobe Prince Caspian’s evil uncle Miraz has murdered There are two main settings in The Chronicles. The first is our world, land full of forests, flowers, rivers, animals, and Caspian’s father—the true king of Narnia—and where the earth is round, animals don’t speak, and magic rarely all sorts of magical beasts that one would never The Chronicles of Narnia is a series of find in our world. Narnia is ruled from Cair taken the throne for himself.Most of the happens.All of the scenes in our world take place in England, which Paravel, the castle on the eastern shore. seven fantasy novels written by C.S. enchanted beasts and creatures of Old Narnia is part of Europe. have been killed or are in hiding.Fearing that Archenland Directly south of the country Lewis.As chronicles, the novels give a The other setting in The Chronicles is the world beyond the wardrobe. his uncle will murder him next,Prince Caspian of Narnia, the country of Archenland is full of C. S. Lewis imagined dozens of places beyond our world and described rolling hills and streams, and is the home of history of the magical world of Narnia, uses the help of the Pevensies to regain his them in vivid detail. Here are some of the most important ones: King Lune. -
C.S. Lewis' Passages: Chronological Age and Spiritual Development in Narnia
Volume 11 Number 3 Article 10 Winter 2-15-1985 C.S. Lewis' Passages: Chronological Age and Spiritual Development in Narnia Doris T. Myers Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Myers, Doris T. (1985) "C.S. Lewis' Passages: Chronological Age and Spiritual Development in Narnia," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 11 : No. 3 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol11/iss3/10 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Admires the ways the Chronicles balance the idea that chronological age of characters is relatively unimportant with the concept of “spiritual age”—tasks of spiritual development associated with particular stages in life. Additional Keywords Lewis, C.S.—Characters—Chronological age; Lewis, C.S.—Characters—Spiritual development; Lewis, C.S. -
Visions/Versions of the Medieval in C.S. Lewis's the Chronicles of Narnia
VISIONS/VERSIONS OF THE MEDIEVAL IN C.S. LEWIS’S THE CHRONICLES OF NARNIA by Heather Herrick Jennings A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature Boise State University Summer 2009 © 2009 Heather Herrick Jennings ALL RIGHTS RESERVED v TABLE OF CONTENTS LIST OF ABBREVIATIONS .................................................................................... vii CHAPTER ONE: INTRODUCTION ........................................................................ 1 Lewis and the Middle Ages ............................................................................ 6 The Discarded Image ...................................................................................... 8 A Medieval Atmosphere ................................................................................. 10 CHAPTER TWO: THE HEAVENS OF NARNIA .................................................... 13 The Stars above Narnia ................................................................................... 15 The Narnian Planets ........................................................................................ 18 The Influence of the Planets ........................................................................... 19 The Moon and Fortune in Narnia ................................................................... 22 An Inside-Out Universe .................................................................................. 24 CHAPTER THREE: THE LONGAEVI OF NARNIA .............................................. -
Chapter 9: Faith and Discipleship in Narnia 157
Chapter 9 Faith and Discipleship in Narnia In This Chapter ᮣ Recognizing the power of a transformed life ᮣ Finding the Christian life in Narnia ᮣ Discovering the power of the “little guys” ᮣ Seeing Joy, Narnia-style ᮣ Receiving highest praise in Narnia .S. Lewis trekked a rocky spiritual journey in his first 33 years. He went Cdown many dead-end paths searching for answers to the major ques- tions of life. In the end, he discovered what he was looking for — truth, mean- ing, and Joy — in Jesus Christ. Because Lewis was an academic type, you may think that when he resolved these issues intellectually, he moved on with his everyday life as usual with the sense of satisfaction that he’d figured every- thing out. Yet, after Lewis began to really understand the implications of his newfound faith, “business as usual” was the one thing that Lewis couldn’t go back to. He realized that one’s belief in Jesus Christ has a ripple effect. If Christ’s message is true, your faith isn’t just something you take out of your closet for one hour on Sunday; instead, it’s a 24/7 deal because true faith means you surrender your entire life to Jesus Christ. Lewis presents the all-encompassing nature of the Christian faith in The Chronicles of Narnia. There are no “Sunday Narnians” — living for Aslan on one day, and for themselves and the White Witch the rest of the week. In the good versus evil world of Narnia, everyone understands that following Aslan is more than a lifestyle; it’s a life choice.