A Report of Research on Critical Barriers to the Learning And

Total Page:16

File Type:pdf, Size:1020Kb

A Report of Research on Critical Barriers to the Learning And DOCUMENT RESUME -- ED 225 812 SE 039 849 AUTHOR Hawkins, D'S7.7id; And Others TITLE Report of Research on Critical Barriers to the -Learning-and-Understanding of Elementary Science. INSTITUTION Colorado Univ., Boulder. SPONS AGENCY National Science Foundation, Washington, D.C. REPORT NO NSF-SED-82021 PUB DATE [82] CCNTRACT SED-80-08581 NOTE 344p. PUB TYPE Reports - Research/Technical (143) -- Reports Descriptive (141) EDRS PRICE MF01/PC14 Plus Postage. DESCRIPTORS College Science; *Comprehension; Concept Formation; Course Descriptions; Educational Research; Elementary Secondary Education; Energy; Higher Education; *Learning; *Mathematics; *Science Education; Science History; *Science Instruction; Scientifid Concepts IDENTIFIERS *Conceptual Barriers; National Science Foundation; Science Education Research ABSTRACT Presented in this document are essays related to a research project focusing on conceptual obstacles which confine and inhibit scientific understanding (conceptual barriers). These include a short summary of research activities; research methodology;outline of a theory and summary of supporting evidence related to conceptual barriers encountered in teaching science to adults; students' views on critical barriers; a taxonomy of critical barriers(focusing on pervasive barriers, barriers recognized in narrower contexts, and barriers related to mathematics); problems with mathematics; ecological contexts of critical barriers (psychological sources of learning problems, differences in personal learning styles, and problems with pedagogenic causes); clues from science history (biographical/historical sources of critical barriers); description of a college level "Man and Nature-Energy" course, including list of difficulties students encountered; and notes and reflections on the course by a participant/observer. A list of references, annotated list of relevant psychological literature, and the proposal submitted to the National Science Foundation (NSF) are included. The NSF proposal provides the rationale/background for and significance of the research. The document is associated with five additional volumes of detailed records. Contents of these volumes are included at the beginning of this document, (Author/JN) ********************x************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *******************k*************************************************** U S. DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EDUCATION EDUCATIONAL RESOURCES INFORMATION cb JERIEmc) ITN,. doonew ha, been reproducedOS O.( el, ell If 001 Ofe fferWO Of01931111(.10011 019171.0019 11 Moor ( 1,100/0(11 f4).40. 10 anrnove fe0u0444.10444 4,Poon,(00wwwww.w,stmlow r\J moudonotrwww,mtothwINa 00,atonwpwAy REPORT OF LCN RESEARCH ON CRITICAL BARRIERS C\J TO.THE LEARNENG AND UNDERSTANDINGOF ELEMEnTARY SCIENCE C:3 # SED80-08581 14.1 National Science Foundation Contract by Maja Apelvan Ronald Coltón Abraham Flexer David Hawkins, Principal Investigator "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY with the help of .&&(hze/Yea,frze..A_ Anthony Kallett Barbara Gerety TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC)." Kristin Leofsky Connie Eppich of the Mountain View Center Campus Box 328 University of Colorado Boulder, CO. 80309 2 NSF-SED-aaaal Preface Ihis_volume_of_essays., associated with five additional volumes of _detailed records, represents a partial culmination of two years of research on science teaching. In these essays we have undertaken to abstract, analyze, and give theoretical formulation to material contained in the record (and, of course, in personal notes and memories). The record,is one of teaching sessions in two types of courses, one for undeTgraduates and one for elementary school teachers, inservice; it is also a record of teachers' commentaries and of our staff discussions along the way, plus other material which seemed appropriate to include (Table-of Contehts, below). In our original proposal (Appendix B) wg asked for financial support over a three year period. As finally granted our support from the National Science Foundation was for half of that period, with theinjunction that we were to demonstrate the feasibility of theprocedures we had proposed to use. In the matter of time we have found sufficient non-NSFfunding so that we could continue our work for an extra semester, and augmenting our staff for the last year by one half-time researcher. Our major activities, as mentioned above, have been tgo intensive teaching-observing commitments. One of these was to co-teach and observe an undergraduate course, Man and Energy, inthe Fall of 1980 and again in the Spring of 1981. The description of this course is contained in RonCOlton's paper on the Energy course (pp. 1) and MajaApelman's papet (pp. I) and a commentary on it in the essay,Notes and' Reflections on Course by Maja Apelman. Dr. Apelman, a long-time member of thestaff of the Mountain View Center, experienced as a teacher of young childrer and as aprofessional\ advisor to elementary school teachers, describesherself as scientifically 3 - difficulties in science which areoften on naive, encountering conceptual students she is observing. This a par with, andtuned to, those of the iEr-titonce-a-tiability-and-an-assetAs_a reading_of her circumstance will oiten be that sheanticipates essay (firstreference) will show, the asset which students are and understands, in her own-person,the very difficulties experiencing. I,(David Hawkins) Ronald Colton took part inthis course both semesters, lectures, and shared alaboratory/discussion in one. We each gave occasional section. participation in this course The outstandingopportunity provided by students' struggles with ourjoint efforts was the opportunityto observe of scale: to deal simply, to expand what canbe called their horizons reliable approximation,with but meaningfully andwith some sense for nuclei. planetary affairs but also, atthe same time, with atoms and Ronald Much of our experience inthis,course is reflected in Professor "Man and Nature - Energy Colton's two essays,"Problems of Mathematics" and Courses". This major commitment of time wasvaluable to us in several ways, such a explicated in the essaysmentioned above. We would not again make in either the plan commitment, however,without a substantial alteration of the course or in our ownresearch aims. demanding of time As matters actuallydeveloped the course became too almost no time for for preparation, teachingand tutoring, affording leisurely class discussion orresearch interviews. barriers and related The major source ofevidence concerning critical semester-long courses for matters is derived, inconsequence, from our two of these courses occupiesthe greater part of teachers. A detailed record almost all of five volumes (see Contentsbelow). This record includes It excludes periods when wewere our little lecturesand discussions. t 4 in small groups for lab work, and a few other occasions. On these occasions we kept individual notes not reproduced here. The teaChers in these two courses (about 10 in each group) were selected on the basis of their responses to descriptions which we circulated. Several of them were already well known to us from their previous association with the Mountain View Centcr, and known as able and serious professional teachers. They could also be described, mainly, as scientifically naive, for the most part laaing even the rudiments of modern understanding in the physical and natural sciences. Finally, and most importantly, these teachers came forward with some understanding of our purpose.This purpose was the dual one of helping them learn more elementary science, relevant,, to their own teaching, and of enlisting their help in describing and accounting for the conceptual difficulties they had already'experienced ip learning science, or would experience under our tutelage. The topics for the first semester were Size and Scale, ahd Heat and Temperature. For the second semester the sole topic was Light and Color. The essays included in this volume are diverse in style and viewpoint. This diversity reflects the stage to which our research has advanced, a stage at which there is an embarassment of riches, a record containing far more than we have been willing, or able, to use. For such data as can be extracted from our five volumes of record there is no easy summary possible, and for most readers our samplings from them, in these essays, must be taken on faith. The original volumes are course available for scrutiny by anyone sufficiently interested. Parts of them would prove fascinating reading, while other parts (poorly transcribed, for example) would prove almost unintelligible to one not cued in by personal memory. In another year, as originally requested, wecould have sampled more widely across the range of ages, backgrounds, and subject matter_ The iv 5 r 4 difficulties to those of adults goes relation of childrens' conceptual have not been able to conductthe unexamined, for example, moreover we , social right kind of search for barrierphenomena in the biological.and sciences, a challenge we hadhoped to meet. unified account In another year we could alsohave arrived at a more ' apologia, of the several topics reportedhere. Having duly recorded this helped however, we would like to express ourconviction that we have indeed positive define a major area of educationalsearch and research, and by style of - findings in this area have demonstratedthe feasibility
Recommended publications
  • Album Review: Bon Iver's 22, a Million
    Album Review: Bon Iver’s 22, a Million 22, a Million, the newest album by American indie folk band Bon Iver, leaves the listener with an overarching question: Is there any border left between acoustic and electronic music? Although ambiguous as to which category it falls into, Bon Iver manages to respect both genres with a rich, homogenous mixture of experimental and traditional instrumentation. However, the album is a motley of songs that—both individually and as a group—build to nowhere, like a fleeting thought that crosses the mind at one point, but leaves no lasting impression. Founded in 2007 by singer/songwriter Justin Vernon, Bon Iver has been the vanguard of the indie folk/experimental genre. Vernon—a Wisconsin native with deep ties to the American wilderness—is undeniably influenced by a guitar-and-voice acoustic sound that is reminiscent of childhood campfires, roasting s’mores, and long silences between experienced fishermen. Tracks like “29 #Strafford APTS” and “00000 Million” have obvious connections to the folk genre: banjo, acoustic guitar, three and four-part vocal harmonizing, and chatter and laughter among musicians before the start of the song. These elements anchor the album, preventing it from straying too far from the group’s previous releases. During the five-year gap between the album Bon Iver and 22, a Million, Bon Iver evidently delved into the uncharted territory of experimental music. The use of synthesizers, vocal filtration, extensive sampling, and static-ridden beats establishes a distinctive atmosphere of digital haziness, a complementary frame for Vernon’s midwestern accent-tinged voice.
    [Show full text]
  • "Erase Me": Gary Numan's 1978-80 Recordings
    Ought: The Journal of Autistic Culture Volume 2 Issue 2 Article 4 June 2021 "Erase Me": Gary Numan's 1978-80 Recordings John Bruni [email protected], [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/ought Part of the Critical and Cultural Studies Commons, Disability Studies Commons, and the Music Commons Recommended Citation Bruni, John (2021) ""Erase Me": Gary Numan's 1978-80 Recordings," Ought: The Journal of Autistic Culture: Vol. 2 : Iss. 2 , Article 4. Available at: https://scholarworks.gvsu.edu/ought/vol2/iss2/4 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Ought: The Journal of Autistic Culture by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. “Erase Me”: Gary Numan’s 1978-80 Recordings John Bruni ary Numan, almost any way you look at him, makes for an unlikely rock star. He simply never fits the archetype: his best album, both Gin terms of artistic and commercial success, The Pleasure Principle (1979), has no guitars on it; his career was brief; and he retired at his peak. Therefore, he has received little critical attention; the only book-length analysis of his work is a slim volume from Paul Sutton (2018), who strains to fit him somehow into the rock canon. With few signposts at hand—and his own open refusal to be a star—writing about Numan is admittedly a challenge. In fact, Numan is a good test case for questioning the traditional belief in the authenticity of individual artistic genius.
    [Show full text]
  • Louder Than War Favourites
    Albums of the Year 2018 : The Top 25 Ged Babey 9 December, 2018 As voted for by 30 of our writers, here are the Top 25 Albums of 2018. The Number One received more than twice the votes as the second place. The next ten were hotly contested with the narrowest of margins, and the rest got the same number of votes -so are in random order to be frank. But… Every one is a winner! 2018 was a great year for music and the Number 1 is no surprise… ONE IDLES Joy As An Act of Resistance (Partisan) Punk Rock reinvented and not wearing a mask of masculinity or yoke of tradition, but a wicked smile and its broken heart exposed but still beating in its chest. Punk rock which instead of calling for Anarchy and saying I Don’t Care is shouting UNITY! and LOVE IS ALL. Reviewed here by Ged Babey IDLES - DANNY NEDELKO TWO The Blinders Columbia (Modern Sky) This power trio, this band of very modern troubadours, this enlightened youth, deliver an album so explosive, so perfect, it defies any attempt at categorisation. There are odd time signatures, indefinite song structures but the tracks ebb and flow beautifully. Columbia as an album is a single piece of art as a concept. Listen, track by track, join up the dots, get the message loud and clear – England is indeed dreaming. Reviewed here by Nigel Carr The Blinders - L’etat C’est Moi [Music Video] THREE ILL : We Are ILL (Box Records) All-woman five-piece… currently based in Manchester, who highlight that quality music does not have to mean an emulation of that which has gone before.
    [Show full text]
  • Satya 13 Ram Gopal Varma, 1998
    THE CINEMA OF INDIA EDITED BY LALITHA GOPALAN • WALLFLOWER PRESS LO NOON. NEW YORK First published in Great Britain in 2009 by WallflowerPress 6 Market Place, London WlW 8AF Copyright © Lalitha Gopalan 2009 The moral right of Lalitha Gopalan to be identified as the editor of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transported in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owners and the above publisher of this book A catalogue record for this book is available from the British Library ISBN 978-1-905674-92-3 (paperback) ISBN 978-1-905674-93-0 (hardback) Printed in India by Imprint Digital the other �ide of 1 TRUTH l Hl:SE\TS IU\ffi(W.\tYEHl\"S 1 11,i:1111111,1:11'1111;1111111 11111111:U 1\ 11.IZII.IH 11.1\lli I 111 ,11 I ISll.lll. n1,11, UH.Iii 236 24 FRAMES SATYA 13 RAM GOPAL VARMA, 1998 On 3 July, 1998, a previously untold story in the form of an unusual film came like a bolt from the blue. Ram Gopal Varma'sSatya was released all across India. A low-budget filmthat boasted no major stars, Satya continues to live in the popular imagination as one of the most powerful gangster filmsever made in India. Trained as a civil engineer and formerly the owner of a video store, Varma made his entry into the filmindustry with Shiva in 1989.
    [Show full text]
  • Maurice Merleau-Ponty: Phenomenology of Perception
    Phenomenology of Perception ‘In this text, the body-organism is linked to the world through a network of primal significations, which arise from the perception of things.’ Michel Foucault ‘We live in an age of tele-presence and virtual reality. The sciences of the mind are finally paying heed to the centrality of body and world. Everything around us drives home the intimacy of perception, action and thought. In this emerging nexus, the work of Merleau- Ponty has never been more timely, or had more to teach us ... The Phenomenology of Perception covers all the bases, from simple perception-action routines to the full Monty of conciousness, reason and the elusive self. Essential reading for anyone who cares about the embodied mind.’ Andy Clark, Professor of Philosophy and Director of the Cognitive Science Program, Indiana University Maurice Merleau-Ponty Phenomenology of Perception Translated by Colin Smith London and New York Phénomènologie de la perception published 1945 by Gallimard, Paris English edition first published 1962 by Routledge & Kegan Paul First published in Routledge Classics 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1945 Editions Gallimard Translation © 1958 Routledge & Kegan Paul All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
    [Show full text]
  • THE SEMINAR of JACQUES LACAN the Logic of Phantasy
    16.11.1966 I 1 THE SEMINAR OF JACQUES LACAN BOOK XIV The logic of phantasy 1966-1967 Translated by Cormac Gallagher from unedited French manuscripts FOR PRIVATE USE ONLY 16.11.1966 I 2 Seminar 1: Wednesday 16 November 1966 Today I am going to throw out some points that are rather in the nature of a promise. “Logic of phantasy”, I entitled, this year, what I count on being able to present to you about what is required at the point that we are at on a certain path. A path which implies, I will recall it forcefully today, this sort of very special return that we have already seen, last year, inscribed in the structure and which is properly speaking fundamental in everything that Freudian thinking uncovers. This return is called repetition. To repeat is not to find the same thing again, as we will articulate later, and contrary to what is believed, it is not necessarily to repeat indefinitely. We will come back then to themes that I have in a certain fashion already situated for a long time. It is, moreover, because we are at the moment of this return and of its function, that I believed I could no longer put off presenting to you in a unified way what up to now I thought necessary as a minimal indication of this journey, namely, this volume that you already find within hand‟s reach. It is because this year it will no doubt be possible for us to study in depth the function of this relation to writing - which after all, in a certain way, I forced myself up to the present if not to avoid, at least to delay - that here again I believed I could take this step.
    [Show full text]
  • Methodological Considerations
    Deacy / Theology and Film 9781405144377_4_001 Page Proof page 1 10.7.2007 11:26am Compositor Name: PAnanthi Part I Methodological Considerations Deacy / Theology and Film 9781405144377_4_001 Page Proof page 2 10.7.2007 11:26am Compositor Name: PAnanthi Deacy / Theology and Film 9781405144377_4_001 Page Proof page 3 10.7.2007 11:26am Compositor Name: PAnanthi Theology and Film Chris Deacy No serious theological activity can take place without a consideration of the social, economic, political, and cultural matrix within which it is practiced. The distrust of human judgment that permeates Karl Barth’s The Humanity of God, for instance – with the concomitant understanding that God is Wholly Other, we can only know God through God’s own revelation, and theology should thus be self-validating (cf. Barth, 1967, pp. 39, 47) – cannot be dissociated from what Barth witnessed at first hand as the folly of World War I, and the sincerely held belief that humanity was utterly lost before God. For Dietrich Bonhoeffer, similarly, the rise of Nazi Germany played an instrumental role in the formation of his program of theological ethics, whereby just ‘‘as Christ bears our burdens, so ought we to bear the burdens of other human beings’’ (in Floyd, 2005, p. 51). Bonhoeffer believed that the Church had forgotten the ‘‘costliness’’ of God’s bearing our flesh, and his own experiences in a German prison camp, where he died in 1945, led to the writing of his Letters and Papers from Prison, where he argued, in correspondence with his friend Eberhard Bethge, that in order to respond authentically to the challenge of the Gospel one must be a person for other persons – ‘‘It is not some religious act which makes a Christian what he is, but participation in the suffering of God in the life of the world’’ (Bonhoeffer, 1963, p.
    [Show full text]
  • 10771.Ch01.Pdf
    © 2007 UC Regents Buy this book University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activi- ties are supported by the UC Press Foundation and by phil- anthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Kramer, Lawrence, 1946–. Why classical music still matters / Lawrence Kramer. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-520-25082-6 (cloth : alk. paper), 1. Music—Philosophy and aesthetics. I. Title. ML3800.K72 2007 781.6'8—dc22 2006026454 Manufactured in the United States of America 16 15 14 13 12 11 10 09 08 07 10987654321 This book is printed on New Leaf EcoBook 50, a 100% recycled fiber of which 50% is de-inked post-consumer waste, processed chlorine-free. EcoBook 50 is acid-free and meets the minimum requirements of ANSI/ASTM D5634-01 (Permanence of Paper). CONTENTS In Lieu of a Preface vii Chapter One Classical Music and Its Values 1 Chapter Two The Fate of Melody and the Dream of Return 35 Chapter Three Score and Performance, Performance and Film: Classical Music as Liberating Energy 71 Chapter Four But Not for Me: Love Song and the Heartache of Modern Life 110 Chapter Five The Ghost in the Machine: Keyboard Rhapsodies 134 Chapter Six Crisis and Memory: The Music of Lost Time 171 Chapter Seven Persephone’s Fiddle: The Value of Classical Music 205 References 227 Index 239 chapter one Classical Music and Its Values Classical music has people worried.
    [Show full text]
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
    [Show full text]
  • CS-29) (Amendment 4)
    29 - CS (Amendment 4) Easy Access Rules for Large Rotorcraft (CS-29) (Amendment 4) EASA eRules: aviation rules for the 21st century Rules and regulations are the core of the European Union civil aviation system. The aim of the EASA eRules project is to make them accessible in an efficient and reliable way to stakeholders. EASA eRules will be a comprehensive, single system for the drafting, sharing and storing of rules. It will be the single source for all aviation safety rules applicable to European airspace users. It will offer easy (online) access to all rules and regulations as well as new and innovative applications such as rulemaking process automation, stakeholder consultation, cross-referencing, and comparison with ICAO and third countries’ standards. To achieve these ambitious objectives, the EASA eRules project is structured in ten modules to cover all aviation rules and innovative functionalities. The EASA eRules system is developed and implemented in close cooperation with Member States and aviation industry to ensure that all its capabilities are relevant and effective. Published June 20181 1 The published date represents the date when the consolidated version of the document was generated. Powered by EASA eRules Page 2 of 221| Jun 2018 Easy Access Rules for Large Rotorcraft (CS-29) Disclaimer (Amendment 4) DISCLAIMER This version is issued by the European Aviation Safety Agency (EASA) in order to provide its stakeholders with an updated and easy-to-read publication. It has been prepared by putting together the certification specifications with the related acceptable means of compliance and guidance material. However, this is not an official publication and EASA accepts no liability for damage of any kind resulting from the risks inherent in the use of this document.
    [Show full text]
  • The Art of Being Human First Edition
    The Art of Being Human First Edition Michael Wesch Michael Wesch Copyright © 2018 Michael Wesch Cover Design by Ashley Flowers All rights reserved. ISBN: 1724963678 ISBN-13: 978-1724963673 ii The Art of Being Human TO BABY GEORGE For reminding me that falling and failing is fun and fascinating. iii Michael Wesch iv The Art of Being Human FIRST EDITION The following chapters were written to accompany the free and open Introduction to Cultural Anthropology course available at ANTH101.com. This book is designed as a loose framework for more and better chapters in future editions. If you would like to share some work that you think would be appropriate for the book, please contact the author at [email protected]. v Michael Wesch vi The Art of Being Human Praise from students: "Coming into this class I was not all that thrilled. Leaving this class, I almost cried because I would miss it so much. Never in my life have I taken a class that helps you grow as much as I did in this class." "I learned more about everything and myself than in all my other courses combined." "I was concerned this class would be off-putting but I needed the hours. It changed my views drastically and made me think from a different point of view." "It really had opened my eyes in seeing the world and the people around me differently." "I enjoyed participating in all 10 challenges; they were true challenges for me and I am so thankful to have gone out of my comfort zone, tried something new, and found others in this world." "This class really pushed me outside my comfort
    [Show full text]
  • Sunset Studies" One Song Per Day in a Fortnight Period, with a Few Additional Songs Subsequently Added
    The album was recorded in fairly quick and sporadic sessions Augie March between March and September 2000, in nine different studios, with six different engineers. The bulk of it was tracked at a pace of "Sunset Studies" one song per day in a fortnight period, with a few additional songs subsequently added. Some of it was recorded at home by the band themselves. Some of it was plain sailing – first takes, happy accidents – some of it was more considered – multiple "Sunset Studies" is Augie March's debut album. mixes, overdubs and the occasional re-working. Don't bother looking for 'fast food' on the "Sunset Studies" menu, It has fifteen songs on it, and weighs in at a hefty 76 minutes. The album has a beginning, a middle and an end – the closing the fare consists more of sumptuous gourmet, exotic cuisine and This shouldn't surprise Augie March fans; they would know that track "Owen's Lament" is of epic proportions and tells a tale that subtle blends which don't cause indigestion no matter how much this band have a penchant for giving a song or a tune its full the very best screenwriters would kill for. you eat. They don't fill you up with bread at this restaurant. length and breadth. Two previous five-track releases have both It's a fifteen course banquet for fans of beautiful original music. been around 25 minutes long. Turn up to an Augie March show Although the band's make up is nominally comprised of two and you won't hear a collection of three minute throwaway ditties guitars, bass and drums, you will find songs on here that are There's no point 'explaining' the songs.
    [Show full text]