Frederick Douglass: the Colored Orator
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The Court Theatres of the Farnese from 1618 to 1690
This dissertation has been microfilmed exactly as received 68—2969 COBES, John Paul, 1932- THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690. [Figures I-V also IX and X not microfilmed at request of author. Available for consultation at The Ohio State University Library], The Ohio State University, Ph.D., 1967 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan (S) Copyright by- John Paul Cobes 1968 THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690 DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio S tate U niversity By John Paul Cobes, B.S., M.A. ******** The Ohio State University 1967 Approved by Z. Adviser Department of Speech PLEASE NOTE: Figures I-V also IX and X not microfilmed at request of auth or. Available for consultation at The Ohio State University Library. UNIVERSITY MICROFILMS. The author wishes to acknowledge, with dee nest gratitude, the assistance, suggestions, and guidance of the following persons, all of whom were instrumental in the camnletion of this study; Dr. Row H. Bowen, adviser to this study, and all the nersonnel of the Theatre Division of the Deonrtment of Speech at the Ohio State University. Dr. John ft. McDowell and Dr. John q . Morrow, advisers to this study, a".d nil +V> -•ersonnel of the Theatre Collection of the Ohio State Universit.w, D r. A l^ent M ancini of th e I t a l i a n D iv isio n o f th e Romance La.-wn.aTes Department of the Ohio State University’. -
NL-Spring-2020-For-Web.Pdf
RANCHO SAN ANTONIO Boys Home, Inc. 21000 Plummer Street, Chatsworth, CA 91311 (818) 882-6400 Volume 38 No. 1 www.ranchosanantonio.org Spring 2020 God puts rainbows in the clouds so that each of us - in the dreariest and most dreaded moments - can see a possibility of hope. -Maya Angelou A REFLECTION FROM BROTHER JOHN CONNECTING WITH OUR COMMUNITY I would like to share with you a letter from a parent: outh develop a sense of identity and value “Dear All of You at Rancho, Ythrough culture and connections. To increase cultural awareness and With the simplicity of a child, and heart full of sensitivity within our gratitude and appreciation of a parent…I thank Rancho community, each one of you, for your concern and giving of Black History Month yourselves in trying to make one more life a little was celebrated in Febru- happier… ary with a fun and edu- I know they weren’t all happy days nor easy days… cational scavenger hunt some were heartbreaking days… “give up” days… that incorporated impor- so to each of you, thank you. For you to know even tant historical facts. For entertainment, one of our one life has breathed easier because you lived, this very talented staff, a professional saxophone player, is to have succeeded. and his bandmates played Jazz music for our youth Your lives may never touch my son’s again, but I during our celebratory dinner. have faith your labor has not been in vain. And to each one of you young men, I shall pray, with ACTIVITIES DEPARTMENT UPDATE each new life that comes your way… may wisdom guide your tongue as you soothe the hearts of to- ancho’s Activities Department developed a morrow’s men. -
Frederick Douglass in Cork
%H\RQGWKH3DOH)UHGHULFN'RXJODVVLQ&RUN $XWKRU V /HH-HQNLQV 6RXUFH7KH,ULVK5HYLHZ 1R $XWXPQ SS 3XEOLVKHGE\&RUN8QLYHUVLW\3UHVV 6WDEOH85/http://www.jstor.org/stable/29735942 $FFHVVHG Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=corkup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cork University Press is collaborating with JSTOR to digitize, preserve and extend access to The Irish Review (1986-). http://www.jstor.org Beyopo^e/rale FredericIT?ouglassin Cork LEEJENKINS . No one seemed to be shocked or disturbed at my dark presence. No one seemed to feel himself contaminated by contact with me. I think it same would be difficult to get the number of persons together in any of our some nose New England cities, without democratic growing are deformed at my approach. -
News Release
NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust. -
Curriculum Vitae John F. Quinn Present Position: Professor Of
Curriculum Vitae John F. Quinn Present Position: Professor of History, Salve Regina University, Newport, RI Education Ph. D. University of Notre Dame, History, 1992 M.A., University of Notre Dame, History, 1988 A.B., Georgetown University, magna cum laude, 1986 Publications Book: Father Mathew's Crusade: Temperance in Nineteenth Century Ireland and Irish-America (University of Massachusetts Press, 2002). Articles: “From Dangerous Threat to “Illustrious Ally’: Changing Perceptions of Catholics in Eighteenth Century Newport,” Rhode Island History 75 (Summer/Fall 2017): 56-79. “Irish Influence in Gilded Age Newport,” in Peter Benes, ed., The Irish in New England (Concord, MA: The Dublin Seminar for New England Folklife, 2016), 42-53. “Jilted: Parnell and the American Heiress,” History-Ireland 23 (January-February 2015): 26-28. “We Hold These Truths at Fifty: John Courtney Murray’s Contested Legacy,” in American Catholic Studies 122 (Fall 2011): 31-51. “’Where Religious Freedom Runs in the Streams’: Catholic Expansion in Newport, 1780-1855,” Newport History 80 (Spring 2011): 1-29. “Expecting the Impossible?: Abolitionist Appeals to the Irish in Antebellum America,” New England Quarterly 82 (December 2009): 667-710. “The New Underground Railroad and the Old: Abolitionists’ Perspectives on Abortion,” Human Life Review 33 (Fall 2007): 46-53. “The Rise and Fall of Repeal: Slavery and Irish Nationalism in Antebellum Philadelphia,” Pennsylvania Magazine of History and Biography 130(January 2006): 35-68. "'The Nation's Guest?': The Struggle between Catholics and Abolitionists to Control Father Mathew's American Tour, 1849-1851," U.S. Catholic Historian 24 (Summer 2004): 19-40. "'Three Cheers for the Abolitionist Pope!': American Reaction to Gregory XVI's Condemnation of the Slave Trade, 1840-1860," Catholic Historical Review 90 (January 2004): 67-93. -
The Shiloh Letters of George W. Lennard
“Give Yourself No Trouble About Me”: The Shiloh Letters of George W. Lennard Edited by Paul Hubbard and Christine Lewis” Hoosiers were stout defenders of the Union in the Civil War, and one who came forward willingly to serve and die was George W. Lennard. When the Thirty-sixth Indiana Volunteer Infantry regiment was organized in September, 1861, Lennard joined its ranks as a private soldier but was immediately elected lieutenant and named as adjutant. His duty with the Thirty-sixth was short-lived, however, because within weeks he was made a captain and assigned as aide-de-camp to Brigadier General Thomas J. Wood, who in the Shiloh campaign com- manded the Sixth Division of Major General Don Carlos Buell’s Army of the Ohio. Shortly before the battle of Murfreesboro, or Stone’s River, December 31, 1862-January 2, 1863, Lennard was commissioned lieutenant colonel of the Fifty-seventh Indi- ana Volunteer Infantry, and at that battle he was wounded while fighting with his regiment. After convalescing in the spring of 1863, he rejoined his unit for the campaign against Chattanooga under Major General William S. Rosecrans. When the Federal forces occupied that city in September, 1863, Len- nard was detailed as provost marshal, and he had no part in the Battle of Chickamauga. The Fifty-seventh Indiana, how- ever, did participate in the storming of Missionary Ridge in November, and Lennard escaped unscathed in that dramatic assault. In the spring of 1864 fortune deserted him, and as the Army of the Cumberland marched toward Atlanta, he was wounded at Resaca, Georgia, on the afternoon of May 14 and died that evening.’ * Paul Hubbard is professor of history, Arizona State University, Tempe, Arizona. -
Copyright by Cameron Blair Strang 2013
Copyright by Cameron Blair Strang 2013 The Dissertation Committee for Cameron Blair Strang Certifies that this is the approved version of the following dissertation: Entangled Knowledge, Expanding Nation: Science and the United States Empire in the Southeast Borderlands, 1783-1842 Committee: Jorge Cañizares-Esguerra, Supervisor James Sidbury, Co-Supervisor Bruce Hunt Robert Olwell Christopher Morris Entangled Knowledge, Expanding Nation: Science and the United States Empire in the Southeast Borderlands, 1783-1842 by Cameron Blair Strang, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2013 Acknowledgements I have worked hard to finish this dissertation and earn a Ph.D. But mostly I’ve just been really lucky. I’ve been lucky to work with wonderful supervisors in a wonderful department. Jorge Cañizares and Jim Sidbury have challenged and supported me since my first semester at the University of Texas. Their generosity, knowledge, and wisdom have made me a far better historian and, I’d bet, a better human being. I simply can’t thank them enough, and I hope they know how proud I am to be their student. Many thanks as well to the other members of my dissertation committee—Bruce Hunt, Robert Olwell, and Christopher Morris—for devoting their time and expertise to this project. Jim Sidbury and Jackie Jones never let me down in their capacities as departmental Graduate Advisers, and Dr. Jones helped support me financially by hiring me as a graduate assistant right after we both arrived at UT in 2008. -
The Phantom on Film: Guest Editor’S Introduction
The Phantom on Film: Guest Editor’s Introduction [accepted for publication in The Opera Quarterly, Oxford University Press] © Cormac Newark 2018 What has the Phantom got to do with opera? Music(al) theater sectarians of all denominations might dismiss the very question, but for the opera studies community, at least, it is possible to imagine interesting potential answers. Some are historical, some technical, and some to do with medium and genre. Others are economic, invoking different commercial models and even (in Europe at least) complex arguments surrounding public subsidy. Still others raise, in their turn, further questions about the historical and contemporary identities of theatrical institutions and the productions they mount, even the extent to which particular works and productions may become institutions themselves. All, I suggest, are in one way or another related to opera reception at a particular time in the late nineteenth century: of one work in particular, Gounod’s Faust, but even more to the development of a set of popular ideas about opera and opera-going. Gaston Leroux’s serialized novel Le Fantôme de l’Opéra, set in and around the Palais Garnier, apparently in 1881, certainly explores those ideas in a uniquely productive way.1 As many (but perhaps not all) readers will recall, it tells the story of the debut in a principal role of Christine Daaé, a young Swedish soprano who is promoted when the Spanish prima donna, Carlotta, is indisposed.2 In the course of a gala performance in honor of the outgoing Directors of the Opéra, she is a great success in extracts of works 1 The novel was serialized in Le Gaulois (23 September 1909–8 January 1910) and then published in volume-form: Le Fantôme de l’Opéra (Paris: Lafitte, 1910). -
Maryland Historical Magazine, 1940, Volume 35, Issue No. 3
Volume XXXV Number 3 The Maryland Historical Magazine A SEPTEMBER • 1940 Baltimore as Seen by Moreau de St. Mery in 1794 Translated and Hdited by Fillmore Nor fleet 221 George Beck, an Early Baltimore Landscape Painter . J, Hall Pleasants 241 Presbyterians of Old Baltimore John H. Gardner, Jr. 244 First Presbyterian Church Membership, 1766-1783 256 Buchanan Family Reminiscences . Amy Hutton 262 Richard Malcolm Johnston in Maryland, Continued Francis T. Long 270 The Log of the Rossie J. P. Cranwell and W. B. Crane 287 Egerton Family . Francis B. Culver 292 Book Reviews, Notes and Queries . 303 Published Quarterly by the MARYLAND HISTORICAL SOCIETY BALTIMORE $3.00 the Year Single copy 75 c. ZZS NORTH CHARLES STREET BALTIMORE Una ravers and utationers PERSONAL CHRISTMAS CARDS - That are distinctive and different. Their character, smart- ness and quality are a tribute to one's good taste. Ten percent discount for orders placed prior to October thirty- first. WEDDING STATIONERY- Fine papers including the new Petal White by Crane, careful hand engraving and correct current styles are the essentials of fine wedding stationery. They de- scribe faithfully every wedding invitation or an- nouncement that bears the name of " Downs." FOR THE WRITING DESK - Fine correspondence papers in a great variety of colors, " Engraved by Downs." Desk sets, writ- ing folios, library sets, scrap books and many other fine leather accessories that make Christ- mas gift buying a pleasure. VIEW OF BALTIMORE FROM HOWARDS PARK Painted by George Beck about 1796. From the painting owned by the Maryland Historical Society. Landmarks prominent in this view are described in J. -
MAGIC=, >WONDER= and a WHOLE LOT MORE in THIS TRAVERS
SATURDAY, AUGUST 25, 2018 >MAGIC=, >WONDER= AND SARATOGA: GRAVEYARD OF CHAMPIONS OR BIRTHPLACE? By Christie DeBernardis A WHOLE LOT MORE IN SARATOGA SPRINGS, N.Y.--Saratoga is arguably the most highly regarded racing venue in the country. Its prestige, history and THIS TRAVERS level of competition are just about unmatched. Part of that history, however, is a reputation as AThe Graveyard of Champions.@ One of the most famous examples of that is the mighty Secretariat=s loss to Onion in the 1973 Whitney S., which was a Grade II at the time. More recently, Triple Crown winner American Pharoah (Pioneerof the Nile)=s perfect sophomore season came to a halt at the Spa when Keen Ice (Curlin) surged past the champion late in the 2015 GI Travers S. However, an argument can be made that Saratoga has made as many champions as it has claimed, if not more. Cont. p4 IN TDN EUROPE TODAY Leading trainer Chad Brown talks Saratoga and STARS ALIGN FOR NUNTHORPE LONGSHOT his two Travers contenders in this TDN video Alpha Delphini provided trainer Bryan Smart with a career by Joe Bianca highlight in Friday’s G1 Nunthorpe S. while favoured Battaash checked in fourth. Click or tap here to go straight to TDN It may not have the box-office appeal that it would have had Europe. Triple Crown winner Justify (Scat Daddy) shown up, but there remains plenty of intrigue and an array of storylines in Saturday=s 11-horse GI Travers S. at Saratoga. And whoever leaves with their colors being painted on that famous canoe will have wholly earned it. -
Horse Racing During the Civil War: the Perseverance of the Sport During a Time of National Crisis Danael Christian Suttle University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2019 Horse Racing During the Civil War: The Perseverance of the Sport During a Time of National Crisis Danael Christian Suttle University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Cultural History Commons, Social History Commons, Sports Studies Commons, and the United States History Commons Recommended Citation Suttle, Danael Christian, "Horse Racing During the Civil War: The eP rseverance of the Sport During a Time of National Crisis" (2019). Theses and Dissertations. 3348. https://scholarworks.uark.edu/etd/3348 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Horse Racing During the Civil War: The Perseverance of the Sport During a Time of National Crisis A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History by Danael Suttle University of Arkansas Bachelor of Science in Agriculture, Food, and Life Sciences, 2010 University of Arkansas Bachelor of Arts in History, 2016 August 2019 University of Arkansas This thesis is approved for recommendation to the Graduate Council. _________________________________ Daniel E. Sutherland, Ph.D. Thesis Director _________________________________ _______________________________ Patrick Williams, Ph.D. James Gigantino, Ph.D. Committee Member Committee Member Abstract Horse racing has a long and uninterrupted history in the United States. The historiography, however, maintains that horse racing went into hiatus during the Civil War. -
©[2018] Joy Cox ALL RIGHTS RESERVED
©[2018] Joy Cox ALL RIGHTS RESERVED NEGOTIATING IDENTITY AND TAKING POLITICAL ACTION IN THE FAT LIBERATION MOVEMENT By JOY ARLENE RENEE COX A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies Written under the direction of Bernadette Gailliard And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey May 2018 ABSTRACT OF THE DISSERTATION NEGOTIATING IDENTITY AND TAKING POLITICAL ACTION IN THE FAT LIBERATION MOVEMENT by JOY ARLENE RENEE COX Dissertation Director: Bernadette Gailliard Abstract This dissertation used an interdisciplinary approach to examine facilitators and barriers of the Fat Liberation Movement (FLM). Drawing on scholarship related to identity, organizational identification, social movements, and public policy, this study examined four research questions about how issues of discourse, identity, political action, and internal routines impact the progress of the FLM. Through content, thematic, and frame analysis, the researcher analyzed 3 viral Facebook posts; 27 episodes of The Biggest Loser, My 600 lb. Life, and My Big Fat Fabulous Life; and 27 blog posts from the blogs The Militant Baker and Dances with Fat as well as the online magazine My Body is not an Apology. In addition, the researcher