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I the Sacred Act of Reading: Spirituality, Performance, And
The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature By Anne Margaret Castro Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2016 Nashville, Tennessee Approved: Vera Kutzinski, Ph.D. Ifeoma Nwankwo, Ph.D. Hortense Spillers, Ph.D. Marzia Milazzo, Ph.D. Victor Anderson, Ph.D. i Copyright © 2016 by Anne Margaret Castro All Rights Reserved To Annette, who taught me the steps. iii ACKNOWLEDGEMENTS I am deeply grateful for the generous mentoring I have received throughout my graduate career from my committee chairs, Vera Kutzinski and Ifeoma Nwankwo. Your support and attention to this project’s development has meant the world to me. My scholarship has been enriched by the support and insight of my committee members: Hortense Spillers, Marzia Milazzo, and Victor Anderson. I would also like to express my thanks to Kathryn Schwarz and Katie Crawford, who always treated my work as valuable. This dissertation is a testament to the encouragement and feedback I received from my colleagues in the Vanderbilt English department. Thanks to Vera Kutzinski’s generosity of time and energy, I have had the pleasure of growing through sustained scholarly engagement with Tatiana McInnis, Lucy Mensah, RJ Boutelle, Marzia Milazzo and Aubrey Porterfield. I am thankful to Ifeoma Nwankwo’s work with the Drake Fellowship, which gave me the opportunity to conduct oral history interviews with Dr. Erna Brodber and Petal Samuel, in Woodside, Jamaica. My experiences in Jamaica deeply affected the way I approach my scholarship. -
Dancing Postcolonialism
Sabine Sörgel Dancing Postcolonialism TanzScripte | edited by Gabriele Brandstetter and Gabriele Klein | Volume 6 Sabine Sörgel (Dr. phil.) teaches the history and theory of theatre and dance at Johannes Gutenberg-University Mainz. Her current research includes cross- cultural corporealities, contemporary performance and postcolonial theory. Sabine Sörgel Dancing Postcolonialism The National Dance Theatre Company of Jamaica Die vorliegende Arbeit wurde vom Fachbereich 05 Philosophie und Philologie der Jo- hannes Gutenberg-Universität Mainz im Jahr 2005 als Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) angenommen. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2007 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Cover illustration: Rex Nettleford, NDTC’s »moving spirit«, co-founder, princi- pal choreographer, and current Artistic Director. Here seen in lead role of »Myal«. Credits: Photographs: cover illustration and pages 100, 102, 103, 110, 112, 119, 131, 175, 176, 177 courtesy and copyright by Maria LaYacona and NDTC ar- chives; page 140 courtesy and copyright by Denis Valentine and NDTC ar- chives; page 194 courtesy and coypright by W. Sills and NDTC archives. All video stills: courtesy -
Liberated Central Africans in Nineteenth-Century Guyana1
HARRIET TUBMAN SEMINAR York University January 24, 2000 Liberated Central Africans in Nineteenth-Century Guyana1 Monica Schuler Department of History Wayne State University Statistics of the nineteenth century slave trade and liberated African immigration (1841- 1865), while incomplete, show the replacement of a West African by a Central African majority in Guyana, a country comprising the three former Dutch colonies of Demerara, Essequibo and Berbice.2 The ethnic patterns of the Dutch slave trade, which supplied the majority of enslaved Africans until British occupation in 1796, indicate that 29 percent of the Africans on Dutch West India ships and 34 percent on free traders’ ships came from the Loango hinterland in West Central Africa. Of the remainder transported by the Dutch West India Company, 45 percent originated in the Republic of Benin-western Nigeria area known as the Slave Coast, another 21 percent in the Gold Coast interior, and the rest in the Bight of Biafra region and Senegal. The Windward Coast area of present-day Liberia and Côte d'Ivoire provided 49 percent of the free traders’ cargo.3 With British occupation in 1796, Guyana obtained an infusion of capital and over 35,000 additional people from Britain’s legal African or Caribbean slave trade and from the migration of self-employed slave mechanics and hucksters. Owing to increased African importations early in the nineteenth century, Kongo came to outnumber other African groups in Berbice and probably in Demerara and Essequibo as well. To date, the Berbice slave register for 1819 provides the sole available ethnic profile for the late slave era in Guyana. -
Afro-Jamaican Religio-Cultural Epistemology and the Decolonization of Health
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2020 Mystic Medicine: Afro-Jamaican Religio-Cultural Epistemology and the Decolonization of Health Jake Wumkes University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the African Studies Commons, Other Languages, Societies, and Cultures Commons, and the Religion Commons Scholar Commons Citation Wumkes, Jake, "Mystic Medicine: Afro-Jamaican Religio-Cultural Epistemology and the Decolonization of Health" (2020). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8311 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Mystic Medicine: Afro-Jamaican Religio-Cultural Epistemology and the Decolonization of Health by Jake Wumkes A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Latin American, Caribbean, and Latino Studies Department of School of Interdisciplinary Global Studies College of Arts & Sciences University of South Florida Major Professor: Bernd Reiter, Ph.D. Tori Lockler, Ph.D. Omotayo Jolaosho, Ph.D. Date of Approval: February 27, 2020 Keywords: Healing, Rastafari, Coloniality, Caribbean, Holism, Collectivism Copyright © 2020, Jake Wumkes Table of Contents Abstract ........................................................................................................................... -
Kongo Presence in Contemporary Art of the Americas Jennifer Potter College of Fine Arts, University of Florida
Across the Waters: Kongo Presence in Contemporary Art of the Americas Jennifer Potter College of Fine Arts, University of Florida The Fall 2013 international exhibition Kongo across the Waters at the Harn Museum of Art will celebrate the 500th anniversary of the beginning of African presence in the state of Florida by featuring art associated with the Kongo people of Central Africa and the later African Diaspora, including the work of several contemporary artists. These contemporary artists incorporate Kongo and Kongo- influenced spiritual and cultural concepts into their work, but they do so in different ways based on the individual relationships that they cultivate with these traditional ideas. This study will explore and analyze the distinctively Kongo aspects of pieces by specific contemporary artists featured in the exhibition. Ultimately, the presence of fundamental Kongo concepts in their art emphasizes the enduring impact of Kongo ideas on contemporary culture. The Atlantic slave trade brought about the forced when Ne Kongo came down from heaven bearing the first migration of Africans, mostly from West and Central healing medicine, called an nkisi, that was held in an Africa, to the Americas. As they physically moved across earthenware vessel. Beneath this supreme creator god was the waters, Africans inevitably brought their cultural, a pantheon of ancestors and immortal sprits called bisimbi spiritual, and artistic ideas with them, many of which that also contributed to Kongo religious practice.2 originate among the Kongo peoples. 1 These ideas and practices transformed, merged, and adapted over time, but Minkisi some still endure to the present day, although they may exist in different forms. -
J. Besson B. Chevannes the Continuity
J. Besson B. Chevannes The continuity-creativity debate : the case of Revival Argues that the attempts to polarize the debate around Caribbean culture into an African continuity versus a creole creativity position is misplaced. The authors use Revivalism as an example of both continuity in African-derived Myalim and an on-going process of re-creation. In: New West Indian Guide/ Nieuwe West-Indische Gids 70 (1996), no: 3/4, Leiden, 209-228 This PDF-file was downloaded from http://www.kitlv-journals.nl JEAN BESSON & BARRY CHEVANNES THE CONTINUITY-CREATIVITY DEBATE: THE CASE OF REVIVAL INTRODUCTION The republication of Sidney Mintz and Richard Price's classic work, An Anthropological Approach to the Afro-American Past (1976), under the new title The Birth of African-American Culture (1992), clearly indicates that the debate on the African cultural heritage is still alive. In the Preface to their republished essay, Mintz and Price (1992:viii-ix) outline this de- bate in terms of reactions to their first edition, which advanced a linguistic model of underlying African "grammatical" principles and a dynamic process of Caribbean culture-building to replace the more static approach of African cultural survivals advanced by M.J. Herskovits (e.g. 1937, 1941; Herskovits & Herskovits 1947): The argument aimed to build on the insights of Herskovits and his peers. But it was greeted in some quarters by a - for us - surprising hostility, accompanied by the charge that it denied the existence of an African heritage in the Americas. It seemed that many such reactions originated in a desire to polarize Afro-Americanist scholarship into a flatly "for" or "against" position in regard to African cultural retentions. -
Group Identity, Individual Creativity, and Symbolic Generation in a Bakongo Diaspora
P1: IZO International Journal of Historical Archaeology [jha] pp800-ijha-462452 April 2, 2003 14:24 Style file version Nov 28th, 2002 International Journal of Historical Archaeology, Vol. 7, No. 1, March 2003 (C 2003) Group Identity, Individual Creativity, and Symbolic Generation in a BaKongo Diaspora Christopher C. Fennell1 This article applies theories of group dynamics and individual agency to past ma- terial expressions of core symbols within particular African American religious beliefs. The past creation and use of such artifacts is analyzed using theories con- cerning modes of symbolic expression, the interplay of dominant and nondominant religions, formation and maintenance of social group identities, and the role of individual creativity and innovation within those processes. This analysis demon- strates the ways in which facets of the core symbolic expressions of the BaKongo people of West Central Africa evolved over time and across the trans-Atlantic region. KEY WORDS: symbolic analysis; BaKongo diaspora; group identities; stylistic innovation. INTRODUCTION Archaeologists have recovered a variety of objects which appear to have been used for religious purposes by African American occupants of sites dating to the late seventeenth through nineteenth centuries in North America. Examples include pottery bowls with crosses incised on their bases, and white clay marbles, coins, and pewter spoons with “X” marks scratched into them. In addition, archaeologists have uncovered caches of quartz crystals, polished stones, pieces of chalk, ash, iron nails, blade-like fragments, bird skulls, crab claws, coins, and bone disks that were secreted along perpendicular axes under the brick and wood floors of dwellings (see, e.g., Brown, 1994; Ferguson, 1992, 1999; Franklin, 1997; Galke, 2000; Leone and Fry, 1999; McKee, 1995; Patten, 1992; Samford, 1996; Wilkie, 1995, 1997; Young, 1996, 1997). -
Jamaican Folk Religion, 1919-1929
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/71099 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Shadow worlds and “superstitions”: an analysis of Martha Warren Beckwith’s writings on Jamaican folk religion, 1919-1929 by Hilary Ruth Sparkes A thesis submitted in partial fulfilment of the requirements for the degree of PhD in History University of Warwick, Department of History February 2015 Contents Acknowledgements and Declaration and Inclusion of Material from a Prior i Thesis Abstract ii Introduction 1 i.) Martha Warren Beckwith in the academic scholarship 5 ii.) Her methodology 7 iii.) Secondary literature 16 iv.) My methodology 19 v.) My terminology 26 vi.) Chapter plan 28 Chapter 1: Jamaica: folk culture, race and identity 32 i.) Jamaica as it was 33 ii.) Growing radicalisation 39 iii.) Religion and resistance 45 iv.) The black middle classes 47 v.) Evolution of a national identity 49 vi.) Jamaica and the United States 53 vii.) Race and anthropology in the United States 57 viii.) Folk culture and national identity 65 Chapter 2: Obeah: ‘religion of the shadow world’ 73 Obeah and Obeah lore 73 i.) Obeah: questions of etymology and origins 74 ii.) Obeah practice 78 iii.) -
The Jamaican Marronage, a Social Pseudomorph: the Case of the Accompong Maroons
THE JAMAICAN MARRONAGE, A SOCIAL PSEUDOMORPH: THE CASE OF THE ACCOMPONG MAROONS by ALICE ELIZABETH BALDWIN-JONES Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of The Graduate School of Arts and Sciences Columbia University 2011 8 2011 Alice Elizabeth Baldwin-Jones All Rights Reserved ABSTRACT THE JAMAICAN MARRONAGE, A SOCIAL PSEUDOMORPH: THE CASE OF THE ACCOMPONG MAROONS ALICE ELIZABETH BALDWIN-JONES Based on ethnography, oral history and archival research, this study examines the culture of the Accompong Maroons by focusing on the political, economic, social, religious and kinship institutions, foodways, and land history. This research demonstrates that like the South American Maroons, the Accompong Maroons differ in their ideology and symbolisms from the larger New World population. However, the Accompong Maroons have assimilated, accommodated and integrated into the state in every other aspect. As a consequence, the Accompong Maroons can only be considered maroons in name only. Today’s Accompong Maroons resemble any other rural peasant community in Jamaica. Grounded in historical analysis, the study also demonstrate that social stratification in Accompong Town results from unequal access to land and other resources, lack of economic infrastructure, and constraints on food marketeers and migration. This finding does not support the concept of communalism presented in previous studies. Table of Contents Page Part 1: Prologue I. Prologue 1 Theoretical Resources 10 Description of the Community 18 Methodology 25 Significance of the Study 30 Organization of the Dissertation 31 Part II: The Past and the Present II. The Political Structure – Past and Present 35 a. -
Engaging Origins, Tradition and Sovereignty Claims of Jamaican Maroon Communities
The Work of Diaspora: Engaging Origins, Tradition and Sovereignty Claims of Jamaican Maroon Communities By Mario Nisbett A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in African American Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Percy C. Hintzen, Chair Professor Na’ilah Suad Nasir Professor Laurie A. Wilkie Summer 2015 © 2015 by Mario Nisbett All Rights Reserved Abstract The Work of Diaspora: Engaging Origins, Tradition and Sovereignty Claims of Jamaican Maroon Communities by Mario Nisbett Doctor of Philosophy in African American Studies University of California, Berkeley Professor Percy C. Hintzen, Chair This dissertation examines the concept of the African Diaspora by focusing on four post-colonial Maroon communities of Jamaica, the oldest autonomous Black polities in the Caribbean, which were established by escapees from slave-holding authorities during the seventeenth and eighteenth centuries. In exploring the Maroons as a Black community, the work looks at how they employ diaspora in making linkages to other communities of African descent and for what purposes. Maroons are being positioned in relation to the amorphous concept of diaspora, which is normally used to refer to people who have been dispersed from their place of origins but maintain tradition and connections with kin in other countries. However, I complicate the definition, arguing that diaspora, specifically the African Diaspora, is the condition that produces the collective consciousness of sameness rooted in the idea of common African origins based on a common experience of Black abjection. This understanding of diaspora opens the way to see that the uses of the concept are varied. -
From the Sacred Sound of the Conch Shell to the Cemetery Dance: Reimagining an Africana Festival Created in a Southern Appalachian City
religions Article From the Sacred Sound of the Conch Shell to the Cemetery Dance: Reimagining an Africana Festival Created in a Southern Appalachian City Marcus L. Harvey Department of Religious Studies, University of North Carolina at Asheville, 138 Zageir Hall, CPO 2860, One University Heights, Asheville, NC 28804, USA; [email protected]; Tel.: +1-828-251-6177 Received: 2 June 2017; Accepted: 8 August 2017; Published: 14 August 2017 Abstract: To contemplate African American experience and its many racialized contours is to invoke a tensive quandary concerning the reconstruction of African American cultural identity in a dynamic network of historically assailed African diasporas. Utilizing a transdisciplinary approach that deploys historical analysis as well as cross-cultural and epistemological reflection, this article gestures in such a reconstructive direction from the local vantage point of Asheville, North Carolina’s “African and Caribbean” Goombay Festival. One detects in the festival an exotifying, ambiguously celebratory quality that deprioritizes Affrilachian cultural memory in southern Appalachia in favor of consumable public entertainment. The ensuing argument culminates in a preliminary epistemological reimagining of the Asheville Goombay Festival by way of constructive intercourse with the ancestral spirit-based African Jamaican ritual institution of Gumbay Play, an institution that facilitates processes of identity formation through mnemonically engaged ritual performance. Further, it is argued that this reimagining can amplify the ancestral mnemonic potential of Goombay in Asheville to incorporate more fully the varied Affrilachian lifeworlds of western North Carolina, thereby making possible a reexamination of African American cultural identity in Asheville capable of producing substantive responses to the epistemological challenge of Affrilachian cultural identity formation within western North Carolina’s greater social landscape. -
The Force of Re-Enslavement and the Law of “Slavery” Under the Regime of Jean-Louis Ferrand in Santo Domingo, 1804-1809
New West Indian Guide Vol. 86, no. 1-2 (2012), pp. 5-28 URL: http://www.kitlv-journals.nl/index.php/nwig/index URN:NBN:NL:UI:10-1-101725 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 0028-9930 GRAHAM NESSLER “THE SHAME OF THE NATION”: THE FORCE OF RE-ENSLAVEMENT AND THE LAW OF “SLAVERy” UNDER THE REGIME OF JEAN-LOUIS FERRAND IN SANTO DOMINGO, 1804-1809 On October 10, 1802, the French General François Kerverseau composed a frantic “proclamation” that detailed the plight of “several black and colored children” from the French ship Le Berceau who “had been disembarked” in Santo Domingo (modern Dominican Republic).1 According to the “alarms” and “foolish speculations” of various rumor-mongers in that colony, these children had been sold into slavery with the complicity of Kerverseau.2 As Napoleon’s chief representative in Santo Domingo, Kerverseau strove to dis- pel the “sinister noises” and “Vain fears” that had implicated him in such atrocities, insisting that “no sale [of these people] has been authorized” and that any future sale of this nature would result in the swift replacement of any “public officer” who authorized it. Kerverseau concluded by imploring his fellow “Citizens” to “distrust those who incessantly spread” these rumors and instead to “trust those who are charged with your safety; who guard over 1. In this era the term “Santo Domingo” referred to both the Spanish colony that later became the Dominican Republic and to this colony’s capital city which still bears this name. In this article I will use this term to refer only to the entire colony unless otherwise indicated.