Group Identity, Individual Creativity, and Symbolic Generation in a Bakongo Diaspora
P1: IZO International Journal of Historical Archaeology [jha] pp800-ijha-462452 April 2, 2003 14:24 Style file version Nov 28th, 2002 International Journal of Historical Archaeology, Vol. 7, No. 1, March 2003 (C 2003) Group Identity, Individual Creativity, and Symbolic Generation in a BaKongo Diaspora Christopher C. Fennell1 This article applies theories of group dynamics and individual agency to past ma- terial expressions of core symbols within particular African American religious beliefs. The past creation and use of such artifacts is analyzed using theories con- cerning modes of symbolic expression, the interplay of dominant and nondominant religions, formation and maintenance of social group identities, and the role of individual creativity and innovation within those processes. This analysis demon- strates the ways in which facets of the core symbolic expressions of the BaKongo people of West Central Africa evolved over time and across the trans-Atlantic region. KEY WORDS: symbolic analysis; BaKongo diaspora; group identities; stylistic innovation. INTRODUCTION Archaeologists have recovered a variety of objects which appear to have been used for religious purposes by African American occupants of sites dating to the late seventeenth through nineteenth centuries in North America. Examples include pottery bowls with crosses incised on their bases, and white clay marbles, coins, and pewter spoons with “X” marks scratched into them. In addition, archaeologists have uncovered caches of quartz crystals, polished stones, pieces of chalk, ash, iron nails, blade-like fragments, bird skulls, crab claws, coins, and bone disks that were secreted along perpendicular axes under the brick and wood floors of dwellings (see, e.g., Brown, 1994; Ferguson, 1992, 1999; Franklin, 1997; Galke, 2000; Leone and Fry, 1999; McKee, 1995; Patten, 1992; Samford, 1996; Wilkie, 1995, 1997; Young, 1996, 1997).
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