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The Social and Political Thought of Paul Goodman
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1980 The aesthetic community : the social and political thought of Paul Goodman. Willard Francis Petry University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Petry, Willard Francis, "The aesthetic community : the social and political thought of Paul Goodman." (1980). Masters Theses 1911 - February 2014. 2525. https://doi.org/10.7275/9zjp-s422 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. DATE DUE UNIV. OF MASSACHUSETTS/AMHERST LIBRARY LD 3234 N268 1980 P4988 THE AESTHETIC COMMUNITY: THE SOCIAL AND POLITICAL THOUGHT OF PAUL GOODMAN A Thesis Presented By WILLARD FRANCIS PETRY Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 1980 Political Science THE AESTHETIC COMMUNITY: THE SOCIAL AND POLITICAL THOUGHT OF PAUL GOODMAN A Thesis Presented By WILLARD FRANCIS PETRY Approved as to style and content by: Dean Albertson, Member Glen Gordon, Department Head Political Science n Digitized by the Internet Archive in 2016 https://archive.Org/details/ag:ptheticcommuni00petr . The repressed unused natures then tend to return as Images of the Golden Age, or Paradise, or as theories of the Happy Primitive. We can see how great poets, like Homer and Shakespeare, devoted themselves to glorifying the virtues of the previous era, as if it were their chief function to keep people from forgetting what it used to be to be a man. -
The Influence and Development of Coterie Poetics in American Avant
An Urban Pastoral Wedding: The Influence and Development of Coterie Poetics in American Avant-Garde Poetry by Jeremy Eisenberg A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved September 2012 by the Graduate Supervisory Committee: Elizabeth Horan, Chair Cynthia Hogue Robert Sturges ARIZONA STATE UNIVERSITY December 2012 ABSTRACT This dissertation makes the case to reclaim the typically negative term, coterie, as a literary term for poetic method (Coterie Poetics) and offers the epithalamium as a valuable object for the study of coterie conditions and values. This examination of the historical poetics of the epithalamium, or wedding poem, shows how the Classical and Early Modern form was reappropriated by gay postwar poets and those in related social circumstances. This study applies and builds on theories developed by Arthur Marotti (John Donne: Coterie Poet), and Lytle Shaw (Frank O'Hara: The Poetics of Coterie) and subsequent critics to develop a Coterie Poetics, the markers and terms for which I have arranged here to demonstrate conscious "sociable" poetics. It is thus to our advantage to study coterie conditions and methods (e.g. informal personal address and coterie dialect) to open readers to insights into twentieth-century poets that have deliberately exploited reception among those in private and public spheres, just as their Early- Modern precursors did—often as a matter of survival, but also as formative practice. The key figures in this study wrote significant epithalamia or made major theoretical claims for Coterie Poetics: John Donne (1572-1631), W. H. Auden (1907-1973), Paul Goodman (1910-1972), and Frank O'Hara (1926-1966). -
Graffiti and the Imagination: Paul Goodman in His Short Stories
Graffiti and the imagination: Paul Goodman in his short stories The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Stoehr, Taylor. 1995. Graffiti and the imagination: Paul Goodman in his short stories. Harvard Library Bulletin 5 (3), Fall 1994: 20-37. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42664025 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 20 Graffiti and the Imagination: Paul Goodman in His Short Stories TaylorStoehr he Houghton Library acquired the papers of the author and social philoso- T pher Paul Goodman from his widow, Sally Goodman, in 1989. These papers have now been cataloged, and are available to scholars. Goodman did not rou- tinely save his correspondence, but the collection does contain letters to him, be- ginning in the thirties, when he was a young man, from friends and family; and it also includes copies of his numerous open letters to newspapers and to public of- ficials during the decade of his fame as a social critic. Much more extensive mate- rials of a literary nature have been preserved, from every period and genre of his long and extremely varied career, though his working notes for only one of his thirty-odd books, Speakingand LAnguage,have survived. Typescripts exist for most TAYLOR STOEHR, professor of of his shorter published works, both fiction and essays, as well as for a good many English at the University of unpublished pieces. -
Larry Rivers and Frank O'hara: Reframing Male Sexualities
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2006 Larry Rivers and Frank O'Hara: Reframing Male Sexualities Dong-Yeon Koh Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1659 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LARRY RIVERS AND FRANK O’HARA: REFRAMING MALE SEXUALITIES by DONG-YEON KOH A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2006 UMI Number: 3232003 Copyright 2006 by Koh, Dong-Yeon All rights reserved. UMI Microform 3232003 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ii © 2006 DONG-YEON KOH All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Anna Chave Date Chair of Examining Committee Prof. Kevin Murphy Date Executive Officer Prof. Mona Hadler Prof. Harriet Senie Prof. Sarah Schulman Supervision Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract Larry Rivers and Frank O’Hara: Reframing Male Sexualities by Dong-Yeon Koh Adviser: Professor Anna Chave In 1970, Sam Hunter complained that the distinctive persona of proto-Pop artist Larry Rivers had overshadowed his artistic achievement. -
Anarchism and the Crisis of Representation Hermeneutics, Aesthetics, Politics
Anarchism and the Crisis of Representation Hermeneutics, Aesthetics, Politics Jesse Cohn 2006 Contents Acknowledgments 4 Introduction: The General Form of the Crisis of Representation 5 Part I: Hermeneutics 12 1. False solutions 13 2. The Necessity of a Critique of Representation 30 LABELING REPRESENTATION .............................. 31 PATRONIZING REPRESENTATION ............................ 32 IDENTIFYING REPRESENTATION ............................. 33 FOCALIZING REPRESENTATION ............................. 34 ONTOLOGICAL JUSTIFICATIONS FOR REPRESENTATIONAL PRACTICES . 35 Representationalism as Naturalism ......................... 35 Representationalism as Naïve Realism ........................ 35 Representationalism as Reductivism ......................... 36 Representationalism as Transcendentalism ..................... 37 ANTIESSENTIALIST CRITIQUES OF REPRESENTATIONALISM . 38 THE ETHICAL CONTENT OF ANTIREPRESENTATIONALISM . 39 MARXISM AND ANTIREPRESENTATIONALISM .................... 41 3. Anarchism as a Critique of Representation 45 ANARCHISM AS SOCIAL CONSTRUCTIVIST THEORY . 46 ANARCHISM BEYOND NAÏVE REALISM ......................... 49 ANARCHIST ANTI-REDUCTIVISM ............................ 54 ANARCHISM AND POWER ................................ 55 ANARCHIST IMMANENCE ................................ 61 ANARCHISM BEYOND RELATIVISM ........................... 65 4. Anarchism Beyond Representationalism and Antirepresentationalism 68 BEYOND REPRESENTATIONALISM AND ANTIREPRESENTATIONALISM . 68 ANARCHIST THEORIES OF MEANING: MULTIPLICITY -
Anarchism and the Crisis of Representation
Anarchism and the Crisis of Representation ................. 15790$ $$FM 02-21-06 11:07:07 PS PAGE 1 ................. 15790$ $$FM 02-21-06 11:07:07 PS PAGE 2 Anarchism and the Crisis of Representation Hermeneutics, Aesthetics, Politics Jesse S. Cohn Selinsgrove: Susquehanna University Press ................. 15790$ $$FM 02-21-06 11:07:08 PS PAGE 3 ᭧ 2006 by Rosemont Publishing & Printing Corp. All rights reserved. Authorization to photocopy items for internal or personal use, or the inter- nal or personal use of specific clients, is granted by the copyright owner, provided that a base fee of $10.00, plus eight cents per page, per copy is paid directly to the Copyright Clearance ם Center, 222 Rosewood Drive, Danvers, Massachusetts 01923. [1-57591-105-1/06 $10.00 8¢ pp. pc.] Associated University Press 2010 Eastpark Boulevard Cranbury, NJ 08512 The paper used in this publication meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials Z39.48-1984. Library of Congress Cataloging-in-Publication Data Cohn, Jesse S., 1972– Anarchism and the crisis of representation : Hermeneutics, aesthetics, politics / Jesse S. Cohn. p. cm. Includes bibliographical references and index. ISBN-10: 1-57591-105-1 (alk. paper) ISBN-13: 978-1-57591-105-2 (alk. paper) 1. Anarchism—Philosophy. 2. Representation (Philosophy) I. Title. HX833.C57 2006 335Ј.83—dc22 2006000679 PRINTED IN THE UNITED STATES OF AMERICA ................. 15790$ $$FM 02-21-06 11:07:08 PS PAGE 4 Contents Acknowledgments 7 Introduction: The General Form of the Crisis of Representation 11 Part I: Hermeneutics 1. -
The Graded Direct Method of IA Richards
Bull. Minamikyushu Univ. 44B: 29-46 (2014) 29 Research Material Understanding English Through Pictures: The Graded Direct Method of I.A. Richards Brian Small Liberal Arts Department, Minami-Kyushu University, Miyakonojo, Miyazaki 885-0035 Japan Received October 11, 2013; Accepted January 27, 2014 With the Graded Direct Method (GDM) learners explore the four skills of language: listening, speaking, reading, and writing. The Language Through Pictures (LP) materials provide an or- ganic sequence of situations with which learners discover the language. Students learn verbal and pictorial literacies while observing sentences and pictures change together in developing situa- tions. GDM teachers and learners create situations that exemplify the use of words in statements. The statements explored in GDM classrooms have the same structure as the sentences illustrated in English Through Pictures (EP) materials. These sentence choices result from decades of work in language teaching. For the beginning learner these sentences exhibit the greatest lucidity and offer the widest utility. In properly designed situations learners see the needs for, senses in, and uses of the language’s key words and structures. There is no need for the mother tongue or ad- hoc explanations. I will argue that the EP materials and GDM techniques (EP/GDM) facilitate a worthy (and necessary) education appropriate for the twenty-first century media environment. Understanding EP/GDM frees English instruction from the clutches of Commercial Coursebooks (CC) and the Communicative Approach (CA, CC/CA) and directs the venture towards an educa- tion of value in the humanities. Due to journal length constraints illustrations from EP learning materials and CC page layouts will have to wait for inclusion in following papers. -
Paul Goodman's Empire City: Genre and Epistemology
PAUL GOODMAN’S EMPIRE CITY: GENRE AND EPISTEMOLOGY Dissertation for the Degree of Ph. D. MICHIGAN STATE UNIVERSITY HUGH MORGAN STILLEY W 1974 \Imnnu4nzuwlwmluguWW w E Liam-2y W g Michig: .1111: UfliVL ty ‘ ABSTRACT PAUL GOODMAN'S EMPIRE CITY: GENRE AND EPISTEMOLOGY By Hugh Morgan Stilley IV Paul Goodman, one of our most acute and prolific social critics is generally valued for his essays and books on education. Yet Goodman himself often declared that his artistic and aesthetic efforts were his primary concern. By focusing on his fiction this dissertation aims to redress the imbalance of considering Goodman solely a social critic. Indeed, he wrote numerous volumes of poetry, plays, short stories, and five book-length works of fiction, four of which consti- tute The Empire City, a mammoth epic which received scant critical attention. Only a handful of critics have ventured beyond the common denominator of its being a ”bad novel" to argue that it might be a "good" representative of some other genre. This dissertation addresses that problem. Using Northrop Frye's taxonomy of fictional genre, we concede that it is a "bad novel" and examine its possible claims to being a romance, a confessional, or an anatomy. Although Goodman called it an "educational romance," and although it very obviously contains ,Q) Hugh Morgan Stilley IV Air. “ ( II " elements of the "confessional," The Empire City is, we believe, best £0 M understood as an exemplar of Frye's "anatomy" category. Or, rather, to understand it as an anatomy is to defend it in two meaningful