DOCSLIB.ORG

Anarchism and the Crisis of Representation Hermeneutics, Aesthetics, Politics

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anarchism and the Crisis of Representation Hermeneutics, Aesthetics, Politics Anarchism and the Crisis of Representation Hermeneutics, Aesthetics, Politics Jesse Cohn 2006 Contents Acknowledgments 4 Introduction: The General Form of the Crisis of Representation 5 Part I: Hermeneutics 12 1. False solutions 13 2. The Necessity of a Critique of Representation 30 LABELING REPRESENTATION .............................. 31 PATRONIZING REPRESENTATION ............................ 32 IDENTIFYING REPRESENTATION ............................. 33 FOCALIZING REPRESENTATION ............................. 34 ONTOLOGICAL JUSTIFICATIONS FOR REPRESENTATIONAL PRACTICES . 35 Representationalism as Naturalism ......................... 35 Representationalism as Naïve Realism ........................ 35 Representationalism as Reductivism ......................... 36 Representationalism as Transcendentalism ..................... 37 ANTIESSENTIALIST CRITIQUES OF REPRESENTATIONALISM . 38 THE ETHICAL CONTENT OF ANTIREPRESENTATIONALISM . 39 MARXISM AND ANTIREPRESENTATIONALISM .................... 41 3. Anarchism as a Critique of Representation 45 ANARCHISM AS SOCIAL CONSTRUCTIVIST THEORY . 46 ANARCHISM BEYOND NAÏVE REALISM ......................... 49 ANARCHIST ANTI-REDUCTIVISM ............................ 54 ANARCHISM AND POWER ................................ 55 ANARCHIST IMMANENCE ................................ 61 ANARCHISM BEYOND RELATIVISM ........................... 65 4. Anarchism Beyond Representationalism and Antirepresentationalism 68 BEYOND REPRESENTATIONALISM AND ANTIREPRESENTATIONALISM . 68 ANARCHIST THEORIES OF MEANING: MULTIPLICITY AND CREATIVITY . 69 ANARCHIST INTERPRETATION AS NON-VANGUARDIST PRACTICE . 81 5. Anarchist Hermeneutics as Ethics and Ecology 85 ONTOLOGY AND METHODOLOGY ........................... 85 RHETORICAL METHODOLOGIES ............................. 86 2 STRUCTURAL METHODOLOGIES ............................ 87 CONTEXTUAL METHODOLOGIES ............................ 90 FUNCTIONAL METHODOLOGIES ............................ 91 METHODOLOGICAL LIMITATIONS ........................... 92 TOWARD ECOLOGICAL READING ............................ 92 CONCLUSION: FROM ANARCHIST READING TO ANARCHIST WRITING . 97 Part II: Aesthetics 98 6. The Fate of Representation, the Fate of Critique 99 REFUSALS OF AESTHETIC REPRESENTATION . 100 ANARCHISM AMONG THE MODERNISTS . 102 THE IMPASSE OF ANARCHIST MODERNISM . 112 POSTMODERN ANARCHY ................................. 118 PROBLEMS WITH THE POSTMODERN PROJECT . 127 THE IMPASSE OF ANARCHIST POSTMODERNISM . 131 7. Reconstructing Anarchist Aesthetics 132 ANARCHY VERSUS DECADENCE ............................. 132 ANARCHIST ONTOLOGY, ANARCHIST AESTHETICS . 138 ‘‘CRITICAL IDEALISM’’ AS SOCIAL ANARCHIST AESTHETIC . 141 EFFECTS: EMPATHY, DISBELIEF, LAUGHTER . 148 THE LIMITS OF THE POLITICS OF STYLE . 157 8. Aesthetic Production 159 THE PROBLEM OF ALIENATION ............................. 159 THE REORGANIZATION OF CULTURE . 162 ALTERNATIVE CULTURE ................................. 167 VERNACULARIZATION .................................. 168 CONCLUSION: THE ONTOLOGY OF AESTHETIC REPRESENTATION . 170 Part III: Politics 172 9. The Critique of Democracy as Representation 173 ANARCHISM AND THE CRISIS OF REPRESENTATION . 181 10. The Critique of Economy as Representation 189 11. The Critique of History as Representation 202 12. The Critique of Identity as Representation 213 CONCLUSION: THE ONTOLOGY OF POLITICAL REPRESENTATION . 225 Selected Bibliography 227 3 Acknowledgments ONE OF THE SIMPLEST AND PROFOUNDEST TEACHINGS OF ANARCHISM IS THAT IT is only with the help of many, many others that one finds oneself. I want to thank everyone who made this book possible: Darlene most of all, for the gift of time and space in which to work, and for her endless love, enthusiasm, and (by no means least) patience; my students, for allowing me to try out some of these half-baked notions on them first, and for constantly inspiring me to the effort of interpretation and writing again; Silvia Dapía, for her gracious mentorship and friendship, and Ronald Creagh for his; and a whole generation of researchers for doing the hard work of re-opening the questions I have tried to address here, including Allan Antliff, Mark Antliff, Max Blechman, Daniel Colson, Uri Eisenzweig, John Hutton, Andrew M. Koch, HowardG. Lay, Patricia Leighten, Todd May, Saul Newman, Richard Porton, Richard Sonn, Alexander Varias, David Weir, and the late David Kadlec and John Moore. Special appreciation goes to Gareth Gordon and Steve Robinson, two of my unpaid professors, and to Carol Vandeveer Hamilton, who suggested to me what eventually became the theme of this book with a single question eight years ago. Quotations from Diego Abad de Santillan, After the Revolution (Louis Frank, translator) are reprinted from After the Revolution: Economic Reconstruction in Spain Today, Pages No. 11-13, 18-19, 23, 48, 50, 58, 64, 80, 89-91, 93, and 97, Copyright 1937. My thanks to Reed Elsevier for extending permission to quote from the work. Attempts to locate the families of the authors were unsuccessful. This book is dedicated to Rosa. 4 Introduction: The General Form of the Crisis of Representation A single but complex issue defines the representational crisis. It involves the assump- tion that . there is a world out there (the real) that can be captured by a ‘‘knowing’’ author . —Norman K. Denzin, Interpretive Ethnography Consider just two of the social practices in which representation functions centrally: literature and democratic politics. Both have operated historically as practices of exclusion. If representation . always pre-supposes a distance, then . literary representations and representative democracy always seem to extend the distance under the illusion of narrowing it. —Santiago Colás, ‘‘What’s Wrong With Representation?’’ The whole system of representative government is an immense fraud resting onthis fiction: that the executive and legislative bodies elected by universal suffrage ofthe people must or even can possibly represent the will of the people. —Mikhail Bakunin, Bakunin on Anarchy IN OUR TIME, ACCORDING TO FREDERIC JAMESON, WESTERN THOUGHT HAS FALLEN under the shadow of an all-encompassing ‘‘crisis of representation’’ that calls into question the relationships between our concepts and the truths they are meant to denote, our images and the realities they are supposed to depict, our institutions and the interests they are supposed to serve.1 The broad scope and significance of the crisis are implicit in its central term. Concerns about representation cross disciplinary boundaries, straddling the realms of the sym- bolic and the practical, since ‘‘to represent’’ means both to stand for, as a symbol stands for a thing symbolized, and to speak for, as an elected official speaks for a constituency. It canbe articulated as the denial that representation is possible, or that it is what it purports to be: so Richard Rorty’s ‘‘antirepresentationalism’’ denies, in theory, that discourse can refer to some- thing nondiscursive. Antirepresentationalism can also be articulated, as Gilles Deleuze suggests, as a prescriptive opposition to practices of representing. While the first kind of claim is concerned with knowledge and the second with action, the two inevitably overlap: if you no longer accept ‘‘the notion of knowledge as accurate representation,’’ then you will oppose practices that appeal 1 Frederic Jameson, introduction to The Postmodern Condition: A Report on Knowledge, by Jean-François ly- otard, trans. Geoff Bennington and Brian Massumi (Minneapolis: University of Minnesota Press, 1984), viii-xii. 5 to the authority of such knowledge as erroneous or malicious. Thus, the critique of representation appears simultaneously in ‘‘two registers’’—the ‘‘epistemic’’ and the ‘‘political.’’2 It is not for nothing that Jonathan Arac has pointed to this issue as ‘‘one of the most vexed ar- eas in contemporary theory.’’Postmodern critiques of representation extend modernist suspicion of representational art and literature by questioning whether even high-modernist abstraction ever, in fact, constituted a successful exit from representation.3 At the same time, antirepresenta- tionalists have turned modernist attacks on ‘‘mimesis’’ into an assault on the representationalist underpinnings of interpretation.4 Not only has this undermined the claims of social researchers to produce a scientific discourse that accurately represents its object, it also places the represen- tative status of any political discourse in question. To represent, it would appear, is to dominate; there is no escape from representation; ergo, there is no end to domination. Here, the moral zeal animating the postwar generation of French theorists converges, paradoxically, with the prevailing cynicism of the post-sixties era, for the cri- tique of representation produces cynical conclusions incompatible with its own ethical premises. As Nancy Fraser has argued, the position that sees representations as indistinguishable from ‘‘power plays’’ puts in question the very possibility, let alone the content, of any kind of ethical engagement: ‘‘How, after all, can one argue against the possibility of warranted claims whileone- self making such claims as that sexism exists and is unjust?’’ In this way, the very ‘‘opposition between totalitarianism and democracy’’ has been placed under the sign of radical doubt.5 This reluctance to defend democracy and discourses of human rights as universal normshas raised alarms. While antihumanist critiques of representation have usefully called
Load more

Recommended publications
  • The Continuum Companion to Anarchism
    The Continuum Companion to Anarchism 9781441172129_Pre_Final_txt_print.indd i 6/9/2001 3:18:11 PM The Continuum Companion to Anarchism Edited by Ruth Kinna 9781441172129_Pre_Final_txt_print.indd iii 6/9/2001 3:18:13 PM Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York, NY 10038 www.continuumbooks.com © Ruth Kinna and Contributors, 2012 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitt ed, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the permission of the publishers. E ISBN: 978-1-4411-4270-2 Library of Congress Cataloging-in-Publication Data A catalog record of this title is available from the Library of Congress. Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India Printed and bound in the United States of America 9781441172129_Pre_Final_txt_print.indd iv 6/9/2001 3:18:13 PM Contents Contributors viii Acknowledgements xiv Part I – Research on Anarchism 1 Introduction 3 Ruth Kinna Part II – Approaches to Anarchist Research 2 Research Methods and Problems: Postanarchism 41 Saul Newman 3 Anarchism and Analytic Philosophy 50 Benjamin Franks 4 Anarchism and Art History: Methodologies of Insurrection 72 Allan Antliff 5 Participant Observation 86 Uri Gordon 6 Anarchy, Anarchism and International Relations 96 Alex Prichard Part III – Current Research in Anarchist Studies 7 Bridging the Gaps: Twentieth-Century Anglo-American Anarchist Thought 111 Carissa Honeywell 8 The Hitchhiker as Theorist: Rethinking Sociology and Anthropology from an Anarchist Perspective 140 Jonathan Purkis 9 Genders and Sexualities in Anarchist Movements 162 Sandra Jeppesen and Holly Nazar v 9781441172129_Pre_Final_txt_print.indd v 6/9/2001 3:18:13 PM Contents 10 Literature and Anarchism 192 David Goodway 11 Anarchism and the Future of Revolution 212 Laurence Davis 12 Social Ecology 233 Andy Price 1 3 Leyendo el anarchismo a través de ojos latinoamericanos : Reading Anarchism through Latin American Eyes 252 Sara C.
    [Show full text]
  • The History and Philosophy of the Postwar American Counterculture
    The History and Philosophy of the Postwar American Counterculture: Anarchy, the Beats and the Psychedelic Transformation of Consciousness By Ed D’Angelo Copyright © Ed D’Angelo 2019 A much shortened version of this paper appeared as “Anarchism and the Beats” in The Philosophy of the Beats, edited by Sharin Elkholy and published by University Press of Kentucky in 2012. 1 The postwar American counterculture was established by a small circle of so- called “beat” poets located primarily in New York and San Francisco in the late 1940s and 1950s. Were it not for the beats of the early postwar years there would have been no “hippies” in the 1960s. And in spite of the apparent differences between the hippies and the “punks,” were it not for the hippies and the beats, there would have been no punks in the 1970s or 80s, either. The beats not only anticipated nearly every aspect of hippy culture in the late 1940s and 1950s, but many of those who led the hippy movement in the 1960s such as Gary Snyder and Allen Ginsberg were themselves beat poets. By the 1970s Allen Ginsberg could be found with such icons of the early punk movement as Patty Smith and the Clash. The beat poet William Burroughs was a punk before there were “punks,” and was much loved by punks when there were. The beat poets, therefore, helped shape the culture of generations of Americans who grew up in the postwar years. But rarely if ever has the philosophy of the postwar American counterculture been seriously studied by philosophers.
    [Show full text]
  • Brill's Companion to Anarchism and Philosophy
    Brill’s Companion to Anarchism and Philosophy Edited by Nathan Jun LEIDEN | BOSTON For use by the Author only | © 2018 Koninklijke Brill NV Contents Editor’s Preface ix Acknowledgments xix About the Contributors xx Anarchism and Philosophy: A Critical Introduction 1 Nathan Jun 1 Anarchism and Aesthetics 39 Allan Antliff 2 Anarchism and Liberalism 51 Bruce Buchan 3 Anarchism and Markets 81 Kevin Carson 4 Anarchism and Religion 120 Alexandre Christoyannopoulos and Lara Apps 5 Anarchism and Pacifism 152 Andrew Fiala 6 Anarchism and Moral Philosophy 171 Benjamin Franks 7 Anarchism and Nationalism 196 Uri Gordon 8 Anarchism and Sexuality 216 Sandra Jeppesen and Holly Nazar 9 Anarchism and Feminism 253 Ruth Kinna For use by the Author only | © 2018 Koninklijke Brill NV viii CONTENTS 10 Anarchism and Libertarianism 285 Roderick T. Long 11 Anarchism, Poststructuralism, and Contemporary European Philosophy 318 Todd May 12 Anarchism and Analytic Philosophy 341 Paul McLaughlin 13 Anarchism and Environmental Philosophy 369 Brian Morris 14 Anarchism and Psychoanalysis 401 Saul Newman 15 Anarchism and Nineteenth-Century European Philosophy 434 Pablo Abufom Silva and Alex Prichard 16 Anarchism and Nineteenth-Century American Political Thought 454 Crispin Sartwell 17 Anarchism and Phenomenology 484 Joeri Schrijvers 18 Anarchism and Marxism 505 Lucien van der Walt 19 Anarchism and Existentialism 559 Shane Wahl Index of Proper Names 583 For use by the Author only | © 2018 Koninklijke Brill NV CHAPTER 10 Anarchism and Libertarianism Roderick T. Long Introduction
    [Show full text]
  • 2019 Company of Ideas Forum on Art and Moral Conscience 24-26 June 2019 the Company of Ideas Forum
    2019 Company of Ideas Forum on Art and Moral Conscience 24-26 June 2019 THE COMPANY OF IDEAS FORUM The Company of Ideas was established by Jeffrey Rubinoff in 2008 to discuss major issues relating to art and society. Of Rubinoff’s many concerns, the most fundamental related to morality and conscience. Rubinoff believed that a ‘mature individual conscience’ was not only the basis for original art but also for sustained social engagement. He was convinced that serious artists were obliged to address the biggest issues of their time, which in his view were the ‘existential threats’ of nuclear weapons and human genetic engi- neering. In doing so, they could influence their audience’s thinking and contribute to historical change. J. Rubinoff Series 6 – Andromeda 9 | Photo by J. Rubinoff J. Rubinoff Series 6 – Andromeda 9 | Photo by J. Rubinoff, of course, was not alone. The the course of two days academics and students moral duties of artists have been debated will interrogate a cluster of questions that since antiquity, and amid the unprecedented were of fundamental importance to Jeffrey violence of the twentieth century those roles Rubinoff. These include, but are not limited to: became more necessary than ever. From • To what extent are artists able to follow Otto Dix’s eviscerating critiques of World their own moral consciences? War One to the anti-Vietnam protests by the Fluxus Group, modern artists consistently • Are artists obliged to hold up a mirror to their society? took a stand against the prevailing politics of their time. This moral positioning is now a • Can art address social issues without dominant feature of contemporary art, with being representational? artists tackling issues like the refugee crisis • What audiences can the morally com- (e.g.
    [Show full text]
  • The Social and Political Thought of Paul Goodman
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1980 The aesthetic community : the social and political thought of Paul Goodman. Willard Francis Petry University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Petry, Willard Francis, "The aesthetic community : the social and political thought of Paul Goodman." (1980). Masters Theses 1911 - February 2014. 2525. https://doi.org/10.7275/9zjp-s422 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. DATE DUE UNIV. OF MASSACHUSETTS/AMHERST LIBRARY LD 3234 N268 1980 P4988 THE AESTHETIC COMMUNITY: THE SOCIAL AND POLITICAL THOUGHT OF PAUL GOODMAN A Thesis Presented By WILLARD FRANCIS PETRY Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 1980 Political Science THE AESTHETIC COMMUNITY: THE SOCIAL AND POLITICAL THOUGHT OF PAUL GOODMAN A Thesis Presented By WILLARD FRANCIS PETRY Approved as to style and content by: Dean Albertson, Member Glen Gordon, Department Head Political Science n Digitized by the Internet Archive in 2016 https://archive.Org/details/ag:ptheticcommuni00petr . The repressed unused natures then tend to return as Images of the Golden Age, or Paradise, or as theories of the Happy Primitive. We can see how great poets, like Homer and Shakespeare, devoted themselves to glorifying the virtues of the previous era, as if it were their chief function to keep people from forgetting what it used to be to be a man.
    [Show full text]
  • Playground of Violence: Mennonites and Makhnovites in the Time of War and Revolution
    International Relations and Diplomacy, July 2015, Vol. 3, No. 7, 439-447 D doi: 10.17265/2328-2134/2015.07.001 DAVID PUBLISHING Playground of Violence: Mennonites and Makhnovites in the Time of War and Revolution Mikhail Akulov The Kazakh-British Technical University, Almaty, Kazakhstan Focusing on the relationship between the German Mennonite colonists and the self-professed followers of Nestor Makhno, this paper attempts to present a view of the Revolution in which participants are seen primarily through the framework of competition, rather than through binary narrative structures of victims vs. perpetrators, bourgeoisie vs. proletariat, revolutionaries vs. counterrevolutionaries, etc.. Always with an eye at a real or an imagined opponent, the Mennonites and the avowed adherents of the fabled bat’ko ended up profoundly influencing one another, conditioning one’s moves and limiting one’s latitude as does the omnipresent other vis-a-vis the unfolding self. In that light, violence, which both sides had on their record, functioned to cement such ongoing dialects, carrying the protagonists of these turbulent times well beyond their original intentions. Keywords: Russian Civil War, violence, Makhno, Mennonites, revolution Introduction The Russian Revolution, a subject relegated from the top priorities of the scholarly scrutiny in the late 1990s and early 2000s, is now making a comeback. The multiple jubilees are certainly working in its favor. Thus, pouncing upon the opportunity proffered last year by the centennial anniversary of the Great
    [Show full text]
  • Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H
    Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H. Haworth Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H. Haworth © 2012 PM Press All rights reserved. ISBN: 978–1–60486–484–7 Library of Congress Control Number: 2011927981 Cover: John Yates / www.stealworks.com Interior design by briandesign 10 9 8 7 6 5 4 3 2 1 PM Press PO Box 23912 Oakland, CA 94623 www.pmpress.org Printed in the USA on recycled paper, by the Employee Owners of Thomson-Shore in Dexter, Michigan. www.thomsonshore.com contents Introduction 1 Robert H. Haworth Section I Anarchism & Education: Learning from Historical Experimentations Dialogue 1 (On a desert island, between friends) 12 Alejandro de Acosta cHAPteR 1 Anarchism, the State, and the Role of Education 14 Justin Mueller chapteR 2 Updating the Anarchist Forecast for Social Justice in Our Compulsory Schools 32 David Gabbard ChapteR 3 Educate, Organize, Emancipate: The Work People’s College and The Industrial Workers of the World 47 Saku Pinta cHAPteR 4 From Deschooling to Unschooling: Rethinking Anarchopedagogy after Ivan Illich 69 Joseph Todd Section II Anarchist Pedagogies in the “Here and Now” Dialogue 2 (In a crowded place, between strangers) 88 Alejandro de Acosta cHAPteR 5 Street Medicine, Anarchism, and Ciencia Popular 90 Matthew Weinstein cHAPteR 6 Anarchist Pedagogy in Action: Paideia, Escuela Libre 107 Isabelle Fremeaux and John Jordan cHAPteR 7 Spaces of Learning: The Anarchist Free Skool 124 Jeffery Shantz cHAPteR 8 The Nottingham Free School: Notes Toward a Systemization of Praxis 145 Sara C.
    [Show full text]
  • Cassidy GS August 13Th, 2020
    Hope An Issue in Revolutionary Struggle Cassidy G. S. August 13th, 2020 Contents The Background ....................................... 3 The Issue ........................................... 3 The Solutions ......................................... 4 2 The Background I was once talking with two people, a post leftist and a Marxist Leninist (who I will be calling U and S respectively). While the debate covered many topics from past, present, and future revolu- tionary struggles, one bit from it stuck with me the most. U said that “All Anarcho-Communists either become post leftists or Marxist Leninist” To my surprise, S agreed, relating it to theirand their friends evolution as leftists. What both seemed to agree on is that the lack of successful anarcho communists revolutions leads to most of them either becoming a flavor of post leftism (which rejects the idea of revolutions entirely in favor of impermanent insurrections) or a flavor of Marxist Leninism (which provides a solution to the permanence of revolution by calling for a strong centralized state that protects the revolution from external and internal threats (Though the validity of this claim is up for debate)). Now I have no interest of proving if this claim is accurate, that in itself is borderline impossible, but I do have an interest in outlining a solution of sort for any comrades who are struggling with this dilemma. but before we can describe the solution, we must outline the issue. The Issue The most clear issue that causes this crisis is the lack of successful long lasting Revolutions for anarcho communism. The big two revolutions that one thinks of when it comes to Anarchist Revolutions are Revolutionary Catalonia and Makhnovia (Rojava and the ELZN are up for debate if they count as Anarchist or Libertarian Left leaning communities, and the Korean People’s Association in Manchuria is rarely if ever brought up), and even those two are under constant scrutiny and critique (as any leftist community or movement should be).
    [Show full text]
  • Mitl58 Pages.V3 Web.Indd
    leonardo reviews editor-in-chief Michael Punt associate editors Hannah Drayson, Dene Grigar, Jane Hutchinson A full selection of reviews is published monthly on the Leonardo website: <leonardoreviews.mit.edu>. EXHIBITIONS ambivalent “moral autonomy” with work of artists such as Jasper Johns, respect to historical relations with Robert Rauschenberg and Andy LEON GOLUB POWERPLAY: both capitalism and modern (mass) Warhol—did much to undermine THE POLITICAL PORTRAITS society. A self-critique of the arts as a the dominance of formalist theory. curated by Jon Bird. National Portrait form of essentialism frequently took Others have joined critics such as Gallery, London, U.K., 18 March–25 the form of an opposition between Rosalind Krauss and Carol Duncan, September 2016. Exhibit website: representation and abstraction. Inter- who attacked modernism’s myths of <www.npg.org.uk/whatson/display/2016/ woven into the canonical narrative originality and “centeredness” and its leon-golub-powerplay-the-political was a belief in the expressive and position of “privileged” and gendered -portraits.php>. existential capacity of art to operate as hegemony in dismantling Greenberg’s Reviewed by Giovanna Costantini. a method of individuation along with paradigm. Email: <costantini.giovanna.l@ a set of other features. These include There are reasons to regard the gmail.com>. the pursuit of effects of detachment “historic moment” as relevant in and depersonalization, mechaniza- reconstructing a definition of mod- doi:10.1162/LEON_r_01363 tion and technology; an emphasis on ernism and to confront the role of Suppose someone comes along surface reflexivity; a tendency toward history as the canyon (versus the who does not know “bridge,” and transcendentalism; and attention to canon) of art’s operative field.
    [Show full text]
  • The Politics of Anarchy in Anarcho­ Punk,1977-1985
    No Compromise with Their Society: The Politics of Anarchy in Anarcho­ Punk,1977-1985 Laura Dymock Faculty of Music, Department of Music Research, McGill University, Montréal September, 2007 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Master of Arts, Musicology © Laura Dymock, 2007 Libraryand Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-38448-0 Our file Notre référence ISBN: 978-0-494-38448-0 NOTICE: AVIS: The author has granted a non­ L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell theses le monde, à des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Anarchism in Hungary: Theory, History, Legacies
    CHSP HUNGARIAN STUDIES SERIES NO. 7 EDITORS Peter Pastor Ivan Sanders A Joint Publication with the Institute of Habsburg History, Budapest Anarchism in Hungary: Theory, History, Legacies András Bozóki and Miklós Sükösd Translated from the Hungarian by Alan Renwick Social Science Monographs, Boulder, Colorado Center for Hungarian Studies and Publications, Inc. Wayne, New Jersey Distributed by Columbia University Press, New York 2005 EAST EUROPEAN MONOGRAPHS NO. DCLXX Originally published as Az anarchizmus elmélete és magyarországi története © 1994 by András Bozóki and Miklós Sükösd © 2005 by András Bozóki and Miklós Sükösd © 2005 by the Center for Hungarian Studies and Publications, Inc. 47 Cecilia Drive, Wayne, New Jersey 07470–4649 E-mail: [email protected] This book is a joint publication with the Institute of Habsburg History, Budapest www.Habsburg.org.hu Library of Congress Control Number 2005930299 ISBN 9780880335683 Printed in the United States of America CONTENTS INTRODUCTION 1 PART ONE: ANARCHIST SOCIAL PHILOSOPHY 7 1. Types of Anarchism: an Analytical Framework 7 1.1. Individualism versus Collectivism 9 1.2. Moral versus Political Ways to Social Revolution 11 1.3. Religion versus Antireligion 12 1.4. Violence versus Nonviolence 13 1.5. Rationalism versus Romanticism 16 2. The Essential Features of Anarchism 19 2.1. Power: Social versus Political Order 19 2.2. From Anthropological Optimism to Revolution 21 2.3. Anarchy 22 2.4. Anarchist Mentality 24 3. Critiques of Anarchism 27 3.1. How Could Institutions of Just Rule Exist? 27 3.2. The Problem of Coercion 28 3.3. An Anarchist Economy? 30 3.4. How to Deal with Antisocial Behavior? 34 3.5.
    [Show full text]
  • Ukraine, L9l8-21 and Spain, 1936-39: a Comparison of Armed Anarchist Struggles in Europe
    Bucknell University Bucknell Digital Commons Honors Theses Student Theses Fall 2020 Ukraine, l9l8-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe Daniel A. Collins Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the European History Commons Recommended Citation Collins, Daniel A., "Ukraine, l9l8-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe" (2020). Honors Theses. 553. https://digitalcommons.bucknell.edu/honors_theses/553 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Ukraine, 1918-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe by Daniel A. Collins An Honors Thesis Submitted to the Honors Council For Honors in History 12/7/2020 Approved by: Adviser:_____________________________ David Del Testa Second Evaluator: _____________________ Mehmet Dosemeci iii Acknowledgements Above all others I want to thank Professor David Del Testa. From my first oddly specific question about the Austro-Hungarians on the Italian front in my first week of undergraduate, to here, three and a half years later, Professor Del Testa has been involved in all of the work I am proud of. From lectures in Coleman Hall to the Somme battlefield, Professor Del Testa has guided me on my journey to explore World War I and the Interwar Period, which rapidly became my topics of choice.
    [Show full text]