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Nilai Estetika Kain Songket Melayu Di Kabupaten Batu

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Nilai Estetika Kain Songket Melayu Di Kabupaten Batu NILAI ESTETIKA KAIN SONGKET MELAYU DI KABUPATEN BATU BARA SKRIPSI DISUSUN OLEH : RAHMI 130702011 PROGRAM STUDI BAHASA DAN SASTRA MELAYU FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA ABSTRAK Rahmi, 130702011, Judul Skripsi : Nilai Estetika Kain Songket Melayu di Kabupaten Batu Bara suatu Tinjauan Estetika. Dosen Pembimbing : Drs. Irwan M.Si. Permasalahan didalam penelitian ini adalah bagaimana penulis menemukan motif, dan estetika apa yang terdapat dalam motif kain songket Melayu di Kabupaten Batu Bara. Teori yang penulis gunakan adalah teori estetika. Metode yang penulis gunakan adalah metode kualitatif deskriptif yaitu menganalisa secara langsung fakta yang ditemukan di lapangan. Hasil yang diperoleh penulis di lapangan adalah penulis menemukan 4 bentuk motif, yaitu motif bentuk tumbuhan, motif bentuk benda alam, motif bentuk makanan, dan motif bentuk geometris. Selain tentang motif, penulis juga menemukan estetika apa yang terdapat pada motif kain songket Melayu di Kabupaten Batu Bara. Kata kunci : Motif Songket, Esetetika Songket, Teori Estetika. UNIVERSITAS SUMATERA UTARA KATA PENGANTAR Puji dan syukur penulis ucapkan kepada Allah SWT, karena berkat rahmat dan karunia-Nya penulis dapat menyelesaikan skripsi ini dengan baik.Skripsi ini berjudul Nilai Estetika Kain Songket Melayu di Kabupaten Batu Bara. Skripsi ini disusun untuk memperoleh gelar sarjana sastra. Agar memperoleh gambaran yang jelas dan menyeluruh tetntang skripsi ini, penulis akan memaparkan rincian sistematika penulisan skripsi ini sebagai berikut: Skripsi ini terdiri atas 5 bab, yaitu: Bab I berisi pendahuluan, terdiri atas latar belakang, rumusan masalah, tujuan penelitian, dan manfaat penelitian.Bab II membahas tinjauan pustaka, yang mencakup kepustakaan yang relavan dan teori yang digunakan yaitu teori estetika.Bab III membahas tentang metode penelitian, yang terdiri atas metode penelitian, lokasi penelitian, geografi wilayah penelitian, instrumen data, sumber data penelitian, metode pengumpulan data yang terdiri dari metode pustaka, metode lapangan, dan metode analisis data. Bab IV membahas hasil dan pembahasan temuan di lapangan yaitu motif kain songket, serta esetetika apa yang terdapat pada kain songket. Dan yang terakhir bab V penutup, penulis memaparkan hasil kesimpulan dan saran dari penulis. Penulis menyadari bahwa skripsi ini jauh dari kata sempurna dan masih banyak kesalahan dan kekurangan. Oleh karena itu, penulis mengharapkan kritik UNIVERSITAS SUMATERA UTARA dan saran dari pembaca yang sifatnya membangun untuk penyempurnaan skripsi ini. Medan, Februari 2018 Penulis Rahmi 130702011 UNIVERSITAS SUMATERA UTARA UCAPAN TERIMA KASIH Penyelesaian skripsi ini penulis mendapat banyak bimbingan, petunjuk saran dan bantuan dari berbagai pihak. Pada kesempatan ini, dengan kerendahan hati yang tulus dan ikhlas penulis mengucapkan terimakasih kepada : 1. Bapak Dr. Budi Agustono, M.S, selaku Dekan Fakultas Ilmu Budaya Universitas Sumatera Utara. 2. Ibu Dr. Rozanna Mulyani, M.A sebagai Ketua Departemen Bahasa dan Sastra Melayu Fakultas Ilmu Budaya Universitas Sumatera Utara. 3. Ibu Dra. Mardiah Mawar Kembaren, M.A, Ph. D, sebagai Sekretaris Departemen Bahasa dan Sastra Melayu Fakultas Ilmu Budaya Universitas Sumatera Utara. 4. Bapak Drs. Irwan, M.Si sebagai pembimbing penulis, yang telah memberikan arahan, tenaga, dan waktu dalam membibmbing penulis untuk menyelesaikan skripsi ini. 5. Bapak/Ibu Staf pengajar di lingkungan Fakultas Ilmu Budaya Universitas Sumatera Utara yang telah mendidik penulis selama proses pembelajaran di Departeman Bahasa dan Sastra Melayu Universitas Sumatera Utara. 6. Staf pegawai kak Trida dan bang Payogo di Departemen Bahasa dan Sastra Melayu Universitas Sumatera Utara yang telah membantu penulis dalam mempersiapkan segala urusan yang berkaitan dengan akademik, baik itu selama masih sebagai mahasiswa aktif hingga penulis UNIVERSITAS SUMATERA UTARA menyelesaikan perkuliahan di Departemen Bahasa dan Sastra Melayu Universitas Sumatera Utara. 7. Terkhusus dan yang teristimewa kepada kedua orangtua penulis Diva Samudra dan Mariatun yang telah mengorbankan waktu, tenaga, pikiran, materi, serta doa-doa yang terus dipanjatkan kepada Allah SWT untuk penulis dalam penyelesaian skripsi ini. Terimakasih atas cinta dan kasih sayang yang diberi untuk penulis, kiranya Allah SWT membalas jasa-jasa kedua orangtua penulis karena telah mengiringi langkah penulis sampai meraih gelar sarjana. 8. Kepada abangda Rahmad Hakim, kakanda Intan Cahaya, serta adinda Muhammad Rizky Hamdani walaupun kini adinda telah pergi untuk selamanya pada 7 bulan yang lalu, namun penulis tak pernah lupa dengan adinda yang selalu menyemangati penulis, menaruh perhatian, memberikan kasih tulusmu kepada penulis, skripsi ini penulis persembahkan untuk adinda tercinta yang tak akan pernah hilang dalam ingatan walau kini hanya tinggal kenangan. Terimakasih kepada abangda dan kakanda atas materi maupun non materi, penulis mengucapkan terimakasih banyak atas dukungan yang diberi selama ini, hingga penulis meraih gelar sarjana sastra. 9. Kepada abang ipar Syahri Ramadhan dan kakak ipar Fitri, karena selalu mengingatkan untuk selalu semangat dalam mencapai cita-cita serta motivasi-motivasi yang diberi, jangan jadi orang pemalas kalau ingin menjadi orang sukses. Terimakasih juga kepada kak Tami adek ipar kakak UNIVERSITAS SUMATERA UTARA saya yang telah menemani saya selama penelitian, semoga cepat ke pelaminan. 10. Kepada keluarga besar atuk saya sebelah pihak ibu, Anwar Wardi dan Sahnia, juga keluarga besar atuk saya sebelah pihak ayah, Ishak dan Siti Aminah. Kalian luar biasa, selalu memberikan semangat yang tak terhingga kepada penulis, yang mebuat penulis terus bangkit dari malasnya skripsian, hehe. 11. Kepada informan Bapak Abdullah dan Ibu Hj. Ratna karena bapak dan ibu amat teramat sangat membantu dalam penyelesaian skripsi ini, terimakasih atas informasi-informasi tentang songket kepada penulis, sehingga memudahkan penulis dalam penyelesaian skripsi ini. 12. Kepada rekan-rekan seperjuangan saya stambuk 013, walau kini udah pada tamat dan yang belum tamat harus tetap semangat dalam penyusunan skripsi. Penulis mengucapkan terimakasih banyak atas dukungan yang tak pernah putus Herlin Ruliana Simorangkir, Warda Akmal Yulia, M. Alfan Alfandy, Agus Saputra, Arifin Dzikri, Fahrul Fuadi, M. Fajar Septian, Rena Anggraini, Liza Amelia, Nur Jannah, Monalisa Nainggolan, Rahmita Amalia, Nadila Amelia, Dina Dwi Mentari, May Syaroh, Fitri Handayani, Mahdatul Fadilah, Dian Dini, Abdul Haris Nasution, Andri Zainudin Harahap, Osky Novita Rizky, Khairul Abidin, Dedi Handoko, Bella Yolanda, Ariansyah Putra, Mufti, Mahripat Brutu, Juventus. Tak lupa pula kepada rekan yang sudah berhenti kuliah di Departemen Bahasa dan Sastra Melayu Universitas Sumatera Utara, namun mereka pernah ada di stambuk UNIVERSITAS SUMATERA UTARA 013 Sastra Melayu Nelly Amanda Sitompul, Rina Mariani Dalimunthe, Asima Hutasoit, Roy Anwar Dongoran, serta Hana Gloria Ginting. Semoga kita semua sukses diluar sana, aamiin ya Allah. 13. Kepada adik junior stambuk 014, 015, 016, serta 017, yang tidak bisa saya sebutkan satu persatu namanya, terimakasih atas dukungan dan telah memberikan semangat kepada penulis. 14. Kepada sahabat-sahabat saya sewaktu SMA “the joint eight community”, walau beda universitas, beda kampus, beda jurusan, beda jalan, kalian tetap di hati penulis, Nazira Ismail, Maimunah, Nur Aini, Nur Alfizar, Desy Purnama Sari, dan Fitri. 15. Kepada sahabat-sahabat “unfaedah”, yang awalnya aku tidak kenal kalian sama sekali, tiada kata selain kalian luar biasa Amalia Rahmi Simanjuntak, Tri Ramadhani, Melur, Nur Ajijah Naibaho, Yuniarsa Sri Endrika. 16. Kepada rekan-rekan satu kost 448A khususnya lantai 2 kece badai, tempat berbagi cerita, sudah penulis anggap sebagai saudara sendiri, Nazira, Ami, Nur Afni Tanjung, Ulfatun Maulida, Rika, Willy Arti, Nisa, Halimah, Ani, Pia, Asni, kak Nicky, kak Evi, Rahmi Tambunan, Tiwi, Dewinta, Intan, Yuni, Yola, Lesi, Rahma, Tasya dan lain-lain. 17. Kepada seluruh pihak yang tidak bisa penulis sebutkan satu-persatu yang telah membantu dan memberiakn semangat dalam menyelesaikan skripi ini. UNIVERSITAS SUMATERA UTARA Akhir kata atas bantuan dari semua pihak, penulis mengucapkan terimakasih yang tak terhingga kepada semuanya, karena berkat kalian skripsi ini terselesaikan dengan baik. Semoga skripsi ini bermanfaat. Medan, Februari 2018 Penulis Rahmi UNIVERSITAS SUMATERA UTARA DAFTAR ISI ABSTRAK ...................................................................................................... i KATA PENGANTAR .................................................................................... ii UCAPAN TERIMAKASIH .......................................................................... iv DAFTAR ISI ................................................................................................... ix BAB I PENDAHULUAN 1.1 LATAR BELAKANG .............................................................................. 1 1.2 RUMUSAN MASALAH ........................................................................... 4 1.3 TUJUAN PENELITIAN ............................................................................ 4 1.4 MANFAAT PENELITIAN ........................................................................ 5 BAB II TINJAUAN PUSTAKA 2.1 KESPUTAKAAN YANG RELEVAN ...................................................... 6 2.2 TEORI YANG DIGUNAKAN .................................................................
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    Advances in Social Science, Education and Humanities Research, volume 225 International Conference on Business, Economic, Social Sciences and Humanities (ICOBEST 2018) The Aesthetic Study of Traditional Cloth of North Sumatera Khairunnisa Butar-Butar Departemen of Magister Desain Universitas Komputer Indonesia Bandung, Indonesia [email protected] Abstract—This scientific work was intended for to know and there are also a variety of ornaments that adorn every part about process of Ulos Batak, the philosophical, the effort of of ulos cloth that has own color and meaning. Discussed the society in maintain the origanility of Ulos Batak and conserve to symbolic meaning of cultural communication in the traditional using in scope of tradition. By used descriptive analysis method marriage ceremony of the Batak toba tribe in Pekanbaru[4]. with main source is ulos weaver and Batak’s societies in Medan Which describes physical objects including Ulos, social City, Samosir Island in North Sumatera Province and Bandung objects in customary marriage activities that have meaning. City. The use of gedogan loom is still found and preserve. The The other research about semiotics analysis on color symbols result of field search, in both location there are some equality, in Tobanese Batak Ulos by Yose Yulius Situmorang[5]. In her such as process of stanning, manggatip, mangunggas, martonun, research, the writer wants to identify color in ulos and its ect. The weaving skills is still awake because any effort to teach meaning . There are nine ulos to be exposed. In Tobanese from ancestor and from parent to their children especially to girls. For the majority, the activities of Batak are still very well Batak culture, there are three color which are most dominant, preserve.
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