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PIER 34 Something Possible Everywhere Something Possible
NYC 1983–84 NYC PIER 34 Something Possible Everywhere Something Possible PIER 34 Something Possible Everywhere NYC 1983–84 PIER 34 Something Possible Everywhere NYC 1983–84 Jane Bauman PIER 34 Mike Bidlo Something Possible Everywhere Paolo Buggiani NYC 1983–84 Keith Davis Steve Doughton John Fekner David Finn Jean Foos Luis Frangella Valeriy Gerlovin Judy Glantzman Peter Hujar Alain Jacquet Kim Jones Rob Jones Stephen Lack September 30–November 20 Marisela La Grave Opening reception: September 29, 7–9pm Liz-N-Val Curated by Jonathan Weinberg Bill Mutter Featuring photographs by Andreas Sterzing Michael Ottersen Organized by the Hunter College Art Galleries Rick Prol Dirk Rowntree Russell Sharon Kiki Smith Huck Snyder 205 Hudson Street Andreas Sterzing New York, New York Betty Tompkins Hours: Wednesday–Sunday, 1–6pm Peter White David Wojnarowicz Teres Wylder Rhonda Zwillinger Andreas Sterzing, Pier 34 & Pier 32, View from Hudson River, 1983 FOREWORD This exhibition catalogue celebrates the moment, thirty-three This exhibition would not have been made possible without years ago, when a group of artists trespassed on a city-owned the generous support provided by Carol and Arthur Goldberg, Joan building on Pier 34 and turned it into an illicit museum and and Charles Lazarus, Dorothy Lichtenstein, and an anonymous incubator for new art. It is particularly fitting that the 205 donor. Furthermore, we could not have realized the show without Hudson Gallery hosts this show given its proximity to where the the collaboration of its many generous lenders: Allan Bealy and terminal building once stood, just four blocks from 205 Hudson Sheila Keenan of Benzene Magazine; Hal Bromm Gallery and Hal Street. -
Processed World
PRDCESSED Digitized by the Internet Archive in 2010 http://www.archive.org/details/processedworld30proc . PRDCESSED LUDRLD Winter/Spring 1992-93 • Issue 30 ISSN 0735-9381 footers- . ^ ^ \^ Line AT *'''*P»e6Ve ^ The material ^Processed World reflecti tbe ideas and fontasies of the spedik authors and artists, necessarily those of other ^'^ and not k5h(i contributors, editors or BACAT. Processed World is a project of the Bay Area Center for Art t Technology (BACAT), a non- profit, tax-exempt corporation. BACAT can be contacted at 1095 ?MCiSSef> Market St. »209, San Francisco, SHIT' ^i'^l CA94103;P»' or BACAT may be phoned at (415) 626-2979 or CAflTMISM, faxed at (415) 626-2685. /^ocessei/ World is collectively edited and RACISM f eNTRoPi^ 30 produced. Nobody gets paid n (except the primer, the post officey UPS and the landlord). We wel- cooK comments, letters, and sub- missions (no originals!). Write us at 41 Sutter St. #1829, San Francisco, CA 94104. Processed World is indexed in the Alter- native Press Index. J)O^JNT-; > HC / ^ CJ^ o- A /- "3' ROiTsetT AKcHieetAGo ?" Other Contributors to Processed World MO: Jennie, Aunt Muriel. Ace Back- words, Doug MinkJer, I.E. Nelson. Tom Tomorrow, Joven K., Angela Bocagc, S. Devaney, Cory Pmu, Hugh D'Andrade, Social Club, Typesetting Etc., Totally Normal, J.F. Batdlier, Solly Malulu, Komoilon for the great benefits, M.N.,—Francesca, Med-o, Bret, ' — y others. ^ S^— U<4^ blocks away from the "political" riot; in other places an orgy of looting was in SHITTINQ HEADS progress. By the next day the mood had shifted — more fear, more condemna- After two centuries of na- On April 30, 1992, San Francisco tion, more footage on the violence tionhood and four decades of underwent an abrupt sea change. -
Perspectives on Anarchist Theory
Contents Fall 1998 The Institute for I A S U p d a t e 2 Anarchist Studies Radical Theory, Academia & the IAS ... 3 (Please note our new address) The Need for Critique, the Need for Politics: An Interview with Barbara Epstein The nonviolent, anti-nuclear movements of the likely to be although one has to maintain some de M 1970's and 80's inspired thousands of people to radi gree of distance, and the capacity for criticism. When cal, leftist political action with the vision of an eco I wrote this book I thought that the movement I was logically balanced, egalitarian society. studying would be the beginning of a new surge of Barbara Epstein, in her book Political Protest progressive movements. I was wrong. Instead we are and Cultural Revolution, explores the successes and in a period in which progressive movements are on failures of these movements as a theorist and an ac the whole in decline. Under these circumstances I tivist participant, paying considerable attention to the think it is especially important for those who study, role of anarchism. While the book focuses on two teach or write about social movements to try to get groups, the Clamshell Alliance of New England and inside their skins, so to speak. Otherwise the study the Abalone Alliance of California, Epstein has also of social movements is likely to become one more worked to elaborate a broader radical critique and academic sub-field, of little help to the movements theory of social movements.1 In particular, she has themselves, either in terms of the analysis that is made also written extensively on post-structuralism's in or in terms of the likelihood of students in the field adequacy for a radical politics. -
Scanned Image
tr 0 O O anarchist tvrtmehflvp 25”riz';"i,'/5';0 0 20p 1 u WE WELCOME News, reviews, articles, Christiania: Write Stot Christiania, Dronning- letters, cartoons...etc. Conv deadline ensgade l4, I420 Copenhogn A for next issue, Monday 4th:.December FEDERAL RE PUBLIC or GERMANY Send to Editors, FREEDOM, 84b White- SIS'I'E RWRITE. A cooperative women's chapel High Street (Angel Alley), Baden: Karin Bauer, Info-Bliro, bookshop, 190 Upper Street, London Nl London El. Postfach 161, 717 Schwtibisch Hall (nr. Highbury tube - 359-3573). Berlin: Anarkistische Bund. Publishers of Opening to the public on 30 November NEXT DESPATCHING DATE: ixnarkistische Texts‘, c/o Libertad Verlag, Monday to Friday: ll. 00 - '7. 550. _ 'I'hur'sday 7th. December Post-Foch I53, looo Berlin 44 Saturday: 10. 00 - 6. 00. Sisterwrite 'Gewa|tFreie Aktion' (non-violent action) will be carrying a large stock of British and American feminist books, ranging groups throughout FRG, associated WRI. from Women's Studies, politics and For information write Karl-Heinz Sang, Methfesselstr.. 69, 2000 Hamburg l9 history to more general literature of particular interest to women. Posters, International Hambur : Initiative Freie Arbeiter records and journals will also be avail- Union lfnarcho-syndicalists). FAU, able. There will be a comprehensive New South Wales Bepsoldstr. 49, 'Hochpaterre links, mail order service and catalogues in Black Ram, E Box 238, Darlinghurst, NSW 2000 Hamburg 1. the near future. For more details, con- 20l0 Ostwestfalenr Anarchistische Fdder- tact: Lynn Alderson, Mary Coghill or Disintegratorl P0 Box 29l, Bondi Junction, _ aiion OsHest:falen-Lippe (Eastwest- A Kay Stirling, 139 Fieldgate Mansions, Sydney, NSW‘ failian anarchist federation). -
Revolution by the Book
AK PRESS PUBLISHING & DISTRIBUTION SUMMER 2009 AKFRIENDS PRESS OF SUMM AK PRESSER 2009 Friends of AK/Bookmobile .........1 Periodicals .................................51 Welcome to the About AK Press ...........................2 Poetry/Theater...........................39 Summer Catalog! Acerca de AK Press ...................4 Politics/Current Events ............40 Prisons/Policing ........................43 For our complete and up-to-date AK Press Publishing Race ............................................44 listing of thousands more books, New Titles .....................................6 Situationism/Surrealism ..........45 CDs, pamphlets, DVDs, t-shirts, Forthcoming ...............................12 Spanish .......................................46 and other items, please visit us Recent & Recommended .........14 Theory .........................................47 online: Selected Backlist ......................16 Vegan/Vegetarian .....................48 http://www.akpress.org AK Press Gear ...........................52 Zines ............................................50 AK Press AK Press Distribution Wearables AK Gear.......................................52 674-A 23rd St. New & Recommended Distro Gear .................................52 Oakland, CA 94612 Anarchism ..................................18 (510)208-1700 | [email protected] Biography/Autobiography .......20 Exclusive Publishers CDs ..............................................21 Arbeiter Ring Publishing ..........54 ON THE COVER : Children/Young Adult ................22 -
Ak Press Summer 2010 Catalog
ak press summer 2010 catalog AK PRESS 674-A 23rd Street Oakland, CA 94612 www.akpress.org WELCOME TO THE 2010 SUMMER SUPPLEMENT! Hello dear readers, About AK Press. ............................ 3 History .......................................... 17 Acerca de AK Press ..................... 4 Kids ............................................... 19 Thanks for picking up the most recent AK Friends of AK Press ...................... 28 Labor ............................................ 19 Press catalog! This is our Summer 2010 Media ........................................... 19 supplement; in it, you’ll find all of the new AK Press Publishing Non-Fiction.................................. 19 items we’ve received (or published) in the New Titles....................................... 5 Poetry ........................................... 21 past six months ... it’s all great stuff, and Politics/Current Events ............. 21 you’re sure to find a ton of items you’ll want Forthcoming ................................... 6 Recent & Recommended ............. 8 Prisons/Policing ......................... 22 to grab for yourself or for your friends and Punk.............................................. 22 family. But, don’t forget: this is only a small AK Press Distribution Race ............................................. 22 sampling of the great stuff we have to offer! Situationist .................................. 23 For our complete and up-to-date listing of Spanish ........................................ 23 thousands more books, CDs, pamphlets, -
“Freedom Without Socialism Is Privilege and Injustice
“Freedom without socialism Revolution Individual & Collective is privilege and injustice. Anarchists assert that a truly free and equal Anarchists believe in the inherent dignity and society can only be achieved through humanity of the individual. But this dignity can revolution: meaning a complete transformation only be fully realised in a co-operative, egalitarian Socialism without freedom of society. This transformation cannot be ‘given’ society. This is why we are in favour of working to the people by politicians or bureaucrats. together collectively and being organised. is slavery and brutality.” It must be built and enacted from below. Anarchism is not individualism or chaos. – Mikhail Bakunin, 1867 Freedom and Equality Fundamentally, anarchism is the struggle for freedom and equality. Freedom from the rulers and corporations who dominate our lives and are destroying our earth. Freedom for workers, women, Aborigines and all oppressed people in all parts of the world. Anarchists believe that this sort of freedom can only be achieved together with equality and a fair distribution of resources. More info libcom.org zcomm.org anarchistfaq.org jura.org.au What might an anarchist society be like? • In an anarchist society, the world’s resources would be held in common and shared with all the diverse Direct Action life on Earth. Anarchists oppose the violence which is an integral part • People would manage their own lives, communities of capitalism and the State (this violence comes in many and workplaces, and everyone would have a say forms: war, work, patriarchy etc). We also oppose the use in decision-making through decentralised forms of violence by militants against civilian populations (which of organisation. -
Strike!! to the Picket Lines at Sydney University What's
image: screenshot from from screenshot image: The Bridge The by Ty Taylor and Mario Castañeda Mario and Taylor Ty by Strike!! To the Picket Lines at Sydney University What’s happening with Income Management in Bankstown? Imprisonment, Deaths in Custody & the NT Intervention Conversations with Anarchists in Madrid Beyond Chávez: Some thoughts on the Western left’s presentation of Venezuela Mutiny is a free publication, it is available online in both web and print format at jura.org.au/mutiny and all our articles are posted separately at mutinyzine.blog.com You can pick up a copy of Mutiny Zine in print at most anarchist infoshops/ libraries around australia and some zine shops, maybe in your friends living rooms, being handed out at pickets, protests and fundraiser events, in workers’ break rooms and in school playgrounds. You can subscribe to Mutiny Zine if you help us pay for postage. $10 for 6 issues. If you distribute in your area, extra copies are no charge. Subscriptions are free for Prisoners. To contact us for subscriptions, submissions or to tell us what you think of our 5+ year publication mail c/-PO BOX 4 Enmore NSW 2042 The Mutiny Zine Collective does not necessarily agree with all the opinions of the contributors. Contributors do not necessarily agree with the opinions of the Mutiny Zine Collective. The Mutiny Zine Collective doesn’t agree with all the opinions of the Mutiny Zine Collective. 2 Welcome to the 69th issue of Mutiny Zine. Atop the shifting sands of a changed editorial team we have once again (thanks endlessly to the dedication of our contributors) compiled a zine covering inspiring and enraging events and struggles. -
Street Art: Lesson What Is Street Art? 9 How Is It Diferent from Grafti? Why Can It Be Perceived As Controversial?
Street Art: Lesson What is Street Art? 9 How is it diferent from Grafti? Why can it be perceived as controversial? LESSON OVERVIEW/OBJECTIVES Students will learn about Street Art, its history and evolution. They will explore the differences between Street Art and Graffti and talk about why Street Art can be controversial. Students will learn about a well known street artist named Banksy and his work and style as well as look at samples of street art from aroud the world. Students will use stencils, paints and pens to create their own personal brand in the form of street art. KEY IDEAS THAT CONNECT TO VISUAL ARTS CORE CURRICULUM: Based on Utah State Visual Arts Core Curriculum Requirements (3rd Grade) Standard 1 (Making): The student will explore and refne the application of media, techniques, and artistic processes. Objective 1: Explore a variety of art materials while learning new techniques and processes. b. Use simplifed forms, such as cones, spheres, and cubes, to begin drawing more complex forms. d. Make one color dominant in a painting. e. Create the appearance of depth by drawing distant objects smaller and with less detail than objects in the foreground. Objective 3: Handle art materials in a safe and responsible manner. a. Ventilate the room to avoid inhaling fumes from art materials. b. Dispose and/or recycle waste art materials properly. c. Clean and put back to order art making areas after projects. d. Respect other students’ artworks as well as one’s own. Standard 2 (Perceiving): The student will analyze, refect on, and apply the structures of art. -
Woodward Gallery Established 1994
Woodward Gallery Established 1994 Richard Hambleton 1954 Born Vancouver, Canada. 1975 BFA, Painting and Art History at the Emily Carr School of Art, Vancouver, BC 1975-80 Founder and Co-Director “Pumps” Center for Alternative Art, Gallery, Performance and Video Space; Vancouver, BC; The Furies: Western Canada’s first punk band played their first gig at Richard Hambleton’s Solo Exhibition, May, 1976. Lives and works in New York City’s Lower East Side. SOLO EXHIBITION S 2013 “Beautiful Paintings,” Art Gallery at the Rockefeller State Park Preserve, Sleepy Hollow, NY 2011 “Richard Hambleton: A Retrospective,” presented by Andy Valmorbida and Vladimir Restoin Roitfeld in collaboration with Phillips de Pury and Giorgio Armani at Phillips de Pury & Company, New York 2010 “Richard Hambleton New York, The Godfather of Street Art,” presented by Andy Valmorbida and Vladimir Restoin Roitfeld in collaboration with Giorgio Armani at The Dairy, London “Richard Hambleton New York,” presented by Andy Valmorbida and Vladimir Restoin Roitfeld in collaboration with Giorgio Armani at the State Museum of Modern Art of the Russian Academy of Arts, Moscow “Richard Hambleton New York,” presented by Andy Valmorbida and Vladimir Restoin Roitfeld in collaboration with Giorgio Armani, Milan “Richard Hambleton New York,” presented by Andy Valmorbida and Vladimir Restoin Roitfeld in collaboration with Giorgio Armani, amFAR Annual Benefit, May 20, 2010 2009 “Richard Hambleton New York,” presented by Andy Valmorbida and Vladimir Restoin Roitfeld in collaboration with -
Iarvest/982. Continued on Page 2 FREE[DM 2
anarchist ivrhliehflzv _ I111 I 1 '*_ _1~_fl 1 _ _ __ _ _ _- _ - _ _- __ - __ 26 June 1982 V0143 No 12 _ 1._ -IIZT1. orst THE human species, to which so many of to destroy itself. However the symptoms in the twentieth century, because they our readers belong, has managed during of this disease appear — as intolerance or were weaker than the military regime; but the million or so years of its existence to persecution or violence,as church or nation it was ineffective against the British settlers eliminate all the threats to its biological or state — we are almost powerless to treat in the offshore islands, because what was survival, except one. We have learnt to them because to do so we must treat our- once the greatest imperialist power of all tame or hunt all the large species which selves. And this summer we are is still prepared to send an armada half- are bigger and stronger than us, because a veritable epidemic of the human disease. way round the world if the risks don’t seem we are more brainy and handy than them. It is true that the absurd war in the too large. We have learnt to control and even to South Atlantic seems to be over, at least Of course this lesson applies to Britain destroy almost all the microscopic organ- for a time. Unlike most wars, it has caused as well. We needn’t expect to see British isms which make us ill, because we have fewer deaths than the population it was armadas sent to rescue the Greek Cypriots invented science and medicine. -
Annualreport2011-2012 Executivedirector's Report
AnnualReport 2011-2012 ExecutiveDirector’s Report The 2011 – 2012 program year was marked by many ex- ceptional projects, programs and events; once again I am MissionStatement so pleased by the excellent work our superlative staff has The Print Center supports printmaking and photog- presented to our community. Indicative of our intention to raphy as vital contemporary arts and encourages the provide more deeply considered exhibitions to our audi- appreciation of the printed image in all its forms. ence, this year we mounted three exhibitions – a distinct change from our usual eight! To Scale, a group exhibition of works created in a one-to-one ratio to reality, explored a trend in contemporary art which has been enthusiastically embraced in print. Ranging from very small etchings rec- reating the most mundane objects to large scale sculptural works representing architectural and natural forms, the show touched on both the humor and complex concep- tual questions these works reveal. Robert Asman: Silver Mine was a retrospective exhibition of innovative works by one of the most intriguing photographers of our time. In concert with the show, we presented artist lectures at The Print Center; Tyler School of Art, Temple University; and, the University of the Arts, where Asman also conducted a full day hands-on workshop. We continue to work on the publication of a monograph dedicated to this outstanding artist. Our exhibition year ended with Where it Falls, a solo Artist Emma Wilcox giving a gallery talk for Where it Falls. show of photographic work by emerging artist Emma Wil- cox accompanied by Promesas, an exhibition of related Last year was also an excellent year for our Artists-in- works co-curated by Wilcox and our Jensen Bryan Curator Schools Program (AISP).