Fashion Designing and Sewing Technology
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Femininity and Dress in fic- Tion by German Women Writers, 1840-1910
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Scripts, skirts, and stays: femininity and dress in fic- tion by German women writers, 1840-1910 https://eprints.bbk.ac.uk/id/eprint/40147/ Version: Full Version Citation: Nevin, Elodie (2015) Scripts, skirts, and stays: femininity and dress in fiction by German women writers, 1840-1910. [Thesis] (Unpub- lished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Scripts, Skirts, and Stays: Femininity and Dress in Fiction by German Women Writers, 1840-1910 Elodie Nevin Thesis submitted for the degree of PhD in German 2015 Department of European Cultures and Languages Birkbeck, University of London Declaration for PhD thesis I have read and understood the regulations for students of Birkbeck, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. Signed: Date: 12/08/2015 2 Abstract This thesis examines the importance of sartorial detail in fiction by German women writers of the nineteenth century. Using a methodology based on Judith Butler’s gender theory, it examines how femininity is perceived and presented and argues that clothes are essential to female characterisation and both the perpetuation and breakdown of gender stereotypes. -
Replica Styles from 1795–1929
Replica Styles from 1795–1929 AVENDERS L REEN GHistoric Clothing $2.00 AVENDERS L REEN GHistoric Clothing Replica Styles from 1795–1929 Published by Lavender’s Green © 2010 Lavender’s Green January 2010 About Our Historic Clothing To our customers ... Lavender’s Green makes clothing for people who reenact the past. You will meet the public with confidence, knowing that you present an ac- curate picture of your historic era. If you volunteer at historic sites or participate in festivals, home tours, or other historic-based activities, you’ll find that the right clothing—comfortable, well made, and accu- rate in details—will add so much to the event. Use this catalog as a guide in planning your period clothing. For most time periods, we show a work dress, or “house dress.” These would have been worn for everyday by servants, shop girls, and farm wives across America. We also show at least one Sunday gown or “best” dress, which a middle-class woman would save for church, weddings, parties, photos, and special events. Throughout the catalog you will see drawings of hats and bonnets. Each one is individually designed and hand-made; please ask for a bid on a hat to wear with your new clothing. Although we do not show children’s clothing on most of these pages, we can design and make authentic clothing for your young people for any of these time periods. Generally, these prices will be 40% less than the similar adult styles. The prices given are for a semi-custom garment with a dressmaker- quality finish. -
Smart Army Jacket
Perspectives in Communication, Embedded-Systems and Signal-Processing (PiCES) – An International Journal ISSN: 2566-932X, Vol. 2, Issue 10, January 2019 Proceedings of National Conference on Emerging Trends in VLSI, Embedded and Networking (NC-EVEN 18), April 2018 Smart Army Jacket Bhuvaneshwari, Nipun Pradeep, Harish K Pavan Kumar, Sowmya Professor, Department of EC, Brindavan College of Engineering, Bangalore UG Students, Department of EC, Brindavan College of Engineering, Bangalore information systems are equipped with input and output Abstract: Wearable technologies are now pervading functions [1]. many applications in several fields. The aim of this review paper is to collect and summarize the actual Sensors or switches are used for input in smart smart clothing in the space and military field where clothing; they determine conditions of the surrounding conditions could be critical for health and safety, and environment (for example, temperature or humidity outline the innovation trend for innovative services to sensor) or operate and control the system (for example, police and soldiers. The aim of this paper is to consider system ON/OFF switch, volume control buttons). To keep data input methods and technologies related to wearing feeling as satisfactory as possible, it is preferable to replace data input mechanical buttons with flexible information input into electronic systems that would be switches and connections. The aim of this paper is to suitable for smart garments. An overview of recent consider data input methods and technologies related to developments in the area of flexible switches is information input into system that would be suitable for provided, describing processes used to fabricate these smart garments. -
Daily Iowan (Iowa City, Iowa), 1943-03-14
Ration Calendar Light Snow OA8 "AU o01lpoa • ulol... ,..,••• 1/ FllEL OIL OOUpGD • oxpl,.. April 1,8, IOWA: Licbt.Dow In north 00,.,.B8 o.u,.n 25 ...plr.. Mar•• 11/ liDd t porUou 8UOAIC .oupon II 'ICpl". ~r.. "b 161 THE DAILY IOWAN HROIIN, •• ",..n 17 upl'lI Iv.. J(' cold., loda,. Iowa City's Morning Newspaper fIVE CENTS IOWA CITY, IOWA SUNDAY, MARCH 14, 1943 VOLUME XLID NUMBER 144 e I e al 5 n, 1 U.S.·TRAINED CHINESE AIRMEN NOW FIGHT SIDE BY SIDE WITH YANKS Visiting Eden Warns Allies of Long Road Ador Very III To Victory as Talks With F.D.R. Begin Unloads 1,000 • War, Global Security Tons of Bombs Germans Gain Will Be Chief Points Of Vital Conferences Upon Railways WASHINGTON (AP) - Warn- On Kharkov ing that "we'vc gol a long way yct to go" on the road to victory, Pummels Supply Route Reds Admit Situation Anthony Eden, British foreign sec To Coastline Troops l retary, ha tened to get tOGether AJong Somme, Seine ISerious as Enemy Iwith President Roosevelt last night on the vast problcrru of war Advances New Units I LO 'DO~ (AP)-Thc RAF llnd global. ecurity. • h'oPP d mor thlln 1, ton LONDON, Sunday (AP)-Gcr The president invited Eden for J[ bomb on E "pn Frid , man troops gained fresh ground in a dinner and a lalk. the White the flaming right for Kharkov. a Housc announced. Anothcr guest night, and y . t rdllY 11ft rnoo;, midnight Moscow bulletin an was John G. Winant, the Ameri whil fil't' till w re l'1Il>ing nounced today, and Russian field can ambas. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Tate: Arizona County: Yavapai
Annual Report of Home Demonstration Agent, Yavapai County 1950 Item Type text; Report Authors University of Arizona. Agricultural Extension Service. Home Demonstration Agents; Hughes, Lucinda E. Publisher University of Arizona Rights Public Domain: This material has been identified as being free of known restrictions under U.S. copyright law, including all related and neighboring rights. Download date 27/09/2021 01:38:29 Item License http://creativecommons.org/publicdomain/mark/1.0/ Link to Item http://hdl.handle.net/10150/637321 ANNUAL NARRATIVE REPORT �TATE: ARIZONA COUNTY: YAVAPAI REPORT OF: LUCINDA E. HUGHES FROM: DECEMBER 1, 1949 to NOVEMBER .30, 1950 TABLE OF CONTENTS ------- Page Cover and Title Page ••••••••••••••••••••••••••••• o - Table of Contents •••••••••••••••••••••••••••••••• 1 2 Preface ••••••••' •••••••••••••••••••••••••••••••••• .3 Highlight s ••••••••••••••••••••••••••••••••••••••• 4 Projects: Organizati on 'and P'lanning ••.••••••••••••••••• 5 16 Pzogram and Progress Report ••••••••••••• '6 11 House Furnishings and Surroundings •••••••••• 17 21 Cloth ing and Texti les ••••••••••••••••••••••• 22 24 Nutrition Food Preservation and Storage •••••••••• 25 34 Freezing Demon strati on not es ••••••• 28 33 Food Selection and Preparation ••••••••• 34 ,38 Health and Safety ••••••••••••••••••••••••••• 41 42 Recreation and Community Life ••••••••••••••• 43 Extension Information ••••••••••••••••••••••• 44 Page 4-H Club Program: County S ituat ion . 45 Statistical Summary •••••••••••••••••••••••• 46 Summary by Projects •••••••••••••••• -
Retro House Dress Apron
MS. DIOR’S Retro House Dress Apron by Trish Vernazza 1952 was the year of “double-duty” fashion. !is was a reflection of the economy, the drab aftermath of the deprivations of World War II, and the need for practically. Women desired fashionable, flirty, and sophisticated styles in their wardrobe. !ere was a need for a combination of sweaters, skirts, and blouses to create a larger wardrobe along with a staple of day dresses. !e housedress served both as a cover-up and a dressing gown. Worn in the day and removed before early evening, they were a necessary staple for household chores or running out to do daily errands. Made out of simple, washable fabrics, they still needed to be feminine, stylish, and easy to put on and remove. Some housedresses even came with a matching oven glove! Ultra-feminine designs abounded that showcased tiny waists, huge skirts, and rounded shoulders. Christian Dior was, at the time, the most famous couturier that established Paris as the leader of world fashion. On a Paris street, a well-dressed young woman in a copy of Dior’s New Look had the clothes nearly torn off her body by enraged housewives. When it was time to create a new collection, Christian Dior had a ritual: He would retreat to his garden and sit among the flowers. !is is where he would sketch out his designs, inspired by what was blooming. As Dior once said, “Elegance must be the right combination of distinction, naturalness, care, and simplicity.” Other designers wanted to shock, to impress, to dress the working woman, or to pursue an artistic ideal. -
Contact Details Transportation
New York Athletic Club RECIPROCAL CLUB INFORMATION CONTACT DETAILS Name: The New York Athletic Club Address: 180 Central Park South, New York, NY 10019 Telephone: 212-247-5100 or 212-767-7130 Front Desk Room Reservations 800-699-3293 Fax: 212-767-7137 Web site: www.nyac.org Front Desk E-mail: [email protected] General Manager: Roger Simon TRANSPORTATION INFORMATION Parking: Icon Parking 888 7th Avenue Garage Enter on 7th Ave. between 56th & 57th St. Or 56th St. between Broadway & 7th Ave. (212) 586-3665 Quik Park 125 West 58th St. (212) 977-7422 GMC 200 Central Park South (212) 265-1078 Valet: Yes; $50 per 24 hours; Oversized vehicles are $60 per 24 hours. restrictions apply. Please contact the Concierge for more details. Airport: 60-75 minutes from JFK; 30-60 minutes from LaGuardia CLUB INFORMATION Maximum Visits: 14 nights in a 3 month period. See reciprocal guest policy below. Reciprocal Club Policy: A reciprocal club member may use the NYAC's facilities up to a total of 14 days in any three month period. (Subject to items below) i. A reciprocal club member may not use any NYAC facilities if they have a residence or a business address within 100 miles of the City House. (Overnight guests are accepted. See item, ii.) Club must get proof of address from reciprocal club member. ii. Reciprocal club members staying in an overnight room at the City House may make use of all NYAC facilities for up to a total of 14 days in any three month period. Reciprocal Guest Card Fees: Reciprocal Club members are subject to Guest Card fees in addition to all athletic, social and food and beverage fees when utilizing the NYAC facilities (City House and Travers Island). -
Nelly Don's 1916 Pink Gingham Apron Frock: an Illustration of the Middle
Whang and Haar Fashion and Textiles 2014, 1:18 http://link.springer.com/article/10.1186/s40691-014-0018-1 RESEARCH Open Access Nelly Don’s 1916 pink gingham apron frock: an illustration of the middle-class American housewife’s shifting role from producer to consumer Mikyoung Whang1* and Sherry Haar2 * Correspondence: [email protected] Abstract 1Communication and Fine Arts, Centenary College, 400 Jefferson St., Nelly Don created a stylish, practical, affordable pink gingham housedress in 1916, Hackettstown, NJ 07840, USA quickly selling out her first order of 216 dresses at Peck’s Dry Goods Company in Full list of author information is Kansas City. This study investigated the reasons behind the success of her dress, available at the end of the article and found that during the early 20th century, women’s roles shifted from that of producer to consumer, and that clothing was a visible reflection of this shift. Specific design attributes and social appeal contributed to the success of the housedress. Integrating trendy design elements into an affordable housedress along with the growing demand for a stylish, yet practical housedress induced by consumption culture in the early 20th century facilitated the success of Nelly Don’s pink gingham housedress. As such, Nelly Don’s 1916 housedress reflected social and cultural change in this transitional period, and exemplified the shifting role of the middle-class American housewife by offering an alternative to the traditional Mother Hubbard housedress as well as a lifestyle free of long hours spent sewing. Keywords: Nelly Don; Housedress; Consumerism; Housewife; Women’sroles Introduction Nell Donnelly Reed (maiden name, Ellen Quinlan) (1889–1991) (Figure 1), often called “The grand lady of the garment industry,” established the Donnelly Garment Company (DGC) in 1919 in Kansas City, Missouri, with her first husband, Paul Donnelly (Snider 1991). -
GURPS+-+4Th+Edition+-+High-Tech
Written by SHAWN FISHER, MICHAEL HURST, and HANS-CHRISTIAN VORTISCH Additional Material by DAVID L. PULVER, SEAN PUNCH, GENE SEABOLT, and WILLIAM H. STODDARD Edited by SEAN PUNCH Cover Art by ABRAR AJMAL and BOB STEVLIC Illustrated by BRENT CHUMLEY, IGOR FIORENTINI, NATHAN GEPPERT, BRENDAN KEOUGH, and BOB STEVLIC ISBN 978-1-55634-770-2 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES 5. WEAPONRY. 78 FIREARMS . .78 Dirty Tech: Full-Auto Conversions . 79 How to Treat Your Gun . 79 CONTENTS Drawing Your Weapon . 81 Immediate Action. 81 INTRODUCTION . 4 PERSONAL DEVICES AND Shooting. 82 Publication History. 4 CONSUMER GOODS . 30 Reloading Your Gun . 86 About the Authors. 4 Personal Accessories. 31 Careful Loading . 86 Appliances . 32 Black-Powder Fouling . 86 1. THE EQUIPMENT AGE . 5 Foodstuffs . 33 Air Guns . 88 Ranged Electric Stunners . 89 TIMELINE . 6 Luxuries . 34 TL5: The Industrial Revolution . 6 Non-Repeating Pistols . 90 COMMUNICATIONS . 35 Revolvers . 92 TL6: The Mechanized Age . 6 Mail and Freight . 35 TL7: The Nuclear Age. 6 Dirty Tech: Improvised Guns . 92 Telegraph . 36 Semiautomatic Pistols . 97 TL8: The Digital Age . 6 Telephone. 36 Dirty Tech . 6 Automatic Revolver . 97 Radio . 37 Disguised Firearms . 98 BUYING EQUIPMENT . 7 Radio in Use. 38 Rocket Pistol. 99 You Get What You Pay For . 7 Other Communications . 40 Shotguns . 103 The Black Market . 7 MEDIA . 40 Muskets and Rifles . 107 New Perk: Equipment Bond . 7 Audio Storage, Recording, Drilling . 108 Legality and Antiques. 8 and Playback . 40 Minié Balls . 109 WEAR AND CARE . 9 Video Storage, Recording, The Kalashnikov . -
Scheme of Instruction and Evaluation I - Viii Semester of B.Tech
SCHEME OF INSTRUCTION AND EVALUATION I - VIII SEMESTER OF B.TECH. DEGREE PROGRAMME Branch-Fashion & Apparel Technology First Year Engineering First Semester Theory Practical Code Course Name Hours/ Credit University Internal Hours/ Credit Marks Week Theory Marks Evaluation Week Practical L/T L/T BS Mathematics-I 3-1 4 100 50 - - - BS Chemistry/ Physics 3-0 3 100 50 2 1 50 ES Basics of Electronics / 3-0 3 100 50 2 1 50 Basic Electrical Engineering ES Mechanics/ 3-0 3 100 50 Thermodynamics ES Programming in ‘c” 3-0 3 100 50 2 2 50 HS English Communication 3-0 2 100 50 2 1 50 Skill ES Engineering Workshop/ 4 2 100 Engineering Drawing Total 16 18 600 300 18 7 300 Total Marks: 1200 Total Credits: 25 Second Semester Theory Practical Code Course Name Hours/ Credit University Internal Hours/ Credit Marks Week Theory marks Evaluation Week Practical L/T L/T BS Mathematics-II 3-1 4 100 50 - - - BS Chemistry/ Physics 3-0 3 100 50 2 1 50 ES Basics of Electronics / 3-0 3 100 50 2 1 50 Basic Electrical Engineering ES Mechanics/ 3-1 3 100 50 Thermodynamics ES Data Structure Using 3-0 3 100 50 2 2 50 ‘C” HS Business 3-0 2 100 50 2 1 50 communication ES Engineering Workshop/ 4 2 100 Engineering Drawing MC NSS/NCC - - - - Total 17 18 600 300 14 7 300 Total Marks: 1200 1 Total Credits: 25 Page 4 Year B.Tech Program (Fashion & Apparel Technology) Structure for admission batch of 2015-16 Second Year Engineering Third Semester Theory Practical Code Course Name Hours/ Credit University Internal Hours/ Credit Marks Week Theory Marks Evaluation Week Practical L/T L/T PC Elements of Fashion 3-0 3 100 50 2 1 50 PC Fundamental of Textile- 3-0 3 100 50 2 1 50 I PC Elements of Design 3-0 3 100 50 2 1 50 &Colour PC Traditional Textile 3-0 3 100 50 2 1 50 PC Polymer Chemistry & 3-1 4 100 50 Fiber Science HS Engineering Economics/ 2-1 3 100 50 Organizational Behavior Total 19 19 600 300 8 4 200 Total Marks: 1100 Total Credits: 23 For Honours and Minor 4 4 100 50 Specialization Laboratories : 1. -
Accompanying Label Information for Respect the Dress Exhibit
Accompanying Label Content for Virtual Tour of Respect the Dress: Clothing and Activism In U.S. Women’s History Section I: Introduction R.E.S.P.E.C.T. the Dress: Clothing and Activism in U.S. Women’s History The year 2020 marks the 100th anniversary of the ratification of the 19th Amendment. It took many decades for advocates to reach the successful passage of federal-level suffrage for women in the United States. In the century that followed, challenges toward women’s right to vote, to hold office, and to participate fully and completely in American society remain. Advocates for and against women’s expanded rights have used clothing to define or support their mission. From bloomer costumes to bra burning, the story of women’s rights activism in the United States is filled with references to how women dress. Radical fashion choices are often given as examples revealing the equally radical behaviors of activists. Yet few women adopted the dress reform style known as bloomers in the 1850s or burned their bras during the women’s liberation movement protests in the 1970s. The 19th Amendment legally prohibited voter discrimination based on sex. Suffragists, the name U.S. activists advocating for women’s voting rights called themselves, played on and influenced the 1910s fashion for white lacy dresses, allowing them to express affiliation with women’s rights advocacy while also maintaining a less radical choice in dress. Suffragists used the three colors of white, purple, and yellow for sashes, buttons, and flags. Feminists in the 1970s and in the new millennium continue to wear these colors as a signal of support to earlier activists.