DJ Derezon Ey! Yo! / Champion Sound Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

DJ Derezon Ey! Yo! / Champion Sound mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Ey! Yo! / Champion Sound Country: Germany Released: 2001 MP3 version RAR size: 1289 mb FLAC version RAR size: 1293 mb WMA version RAR size: 1402 mb Rating: 4.4 Votes: 109 Other Formats: MP3 AC3 AHX MPC ASF FLAC MP2 Tracklist Hide Credits Ey! Yo! (Vocal) A1 2:58 Featuring – Afrob A2 Ey! Yo! (Instrumental) 2:58 Champion Sound (Vocal) B1 2:33 Featuring – PBC B2 Champion Sound (Instrumental) 2:01 Companies, etc. Phonographic Copyright (p) – Def Jam Germany Copyright (c) – Def Jam Germany Lacquer Cut At – Optimal Media Production – B156752 Published By – Trixx Verlag Published By – BMG Ufa Published By – Trixx Musikproduktion GmbH Published By – Edition Fourplay Published By – Edition Red, Black And Green Published By – No Limits Recorded At – Trixx Studios Credits Co-producer – Mighty KK* Lacquer Cut By – HL Lyrics By – Patrick Caputula* (tracks: B1), Robert Zemichiel (tracks: A1) Mastered By, Mixed By – Mighty KK*, Tiny PF Music By – Klaus Knapp, Thomas Rüllich Producer – Derezon* Notes Side A: Verlag No Limits / Trixx / BMG Ufa, Trixx Musikproduktions GmbH · Edition Red, Black & Green/Edition Fourplay adm Bmg Ufa Side B: Verlag No Limits / Trixx / BMG Ufa, Trixx Musikproduktions GmbH Barcode and Other Identifiers Matrix / Runout (Runout Side A - Stamped): B156752-01 A1 HL Matrix / Runout (Runout Side B - Stamped): B156752-01 B1 HL Rights Society: BIEM / MCPS Label Code: LC 10812 Related Music albums to Ey! Yo! / Champion Sound by DJ Derezon Ja.One & Twizzy Feat. Ferris MC - A-Ha (Rappen Und Feiern) The Mighty Clouds Of Dust - Flowers On The Wall / Champion (The Wonder Horse) / Mr.Custer RZA - The World According To RZA Deine Quelle - Ansichtssache / Hey, Hah! ASD - Sag Mir Wo Die Party Ist! DJ Tomekk Feat. GZA • Curse • Prodigal Sunn • Stieber Twins - ••Ich Lebe Für Hip Hop•• Plattenpapzt - Full House Meli - Skills En Masse The Mighty Clouds Of Dust - Champion The Wonder Horse D - Bikaz.

Copy Link

Recommended publications

293202846.Pdf
ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ## ## ## ## ### ######## ######## ########³ ³ ## ## ## ## ## ## ## ## ## ## ## ³ ³######### ## ## ## ## ## ## ## ## ## ³ ³ ## ## ## ## ## ## ## ######## ###### ## ³ ³######### ## ## ## ######### ## ## ## ## ³ ³ ## ## ## ## ## ## ## ## ## ## ## ³ ³ ## ## ### ### ## ## ## ## ######## ########³ ³ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁÄÄÄÄÄÄÄÄÄÁÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ This site list brought to you by all of us in ³ ³ the best warez channel on FDFnet, #Warez. ³ ³ ÚÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´irc.fdfnet.netÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÙ ³ ³ Dont be a leech. Contribute! ³ ³ To add a site /msg Balthor SITE xxx.xxx.xxx.xxx /dirs L: & P: ³ ³ For posting you will be +ved until your site is removed. ³ ³ Please only post VERIFIED sites ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ . .. .:ÃNewS´: .. ³ ³ ÀÄÄÄÄÙ ³ ³ 02-15-2002 ³ ³ ³ ³ At long last the OOmpah forums are back! Go ahead, post ³ ³ something at http://oompah.tk/ ³ ³ ³ ³ The list that you are currently viewing is a 6 hour time ³ ³ delayed version of our complete list. Site posters receive ³ ³ access to the complete list which contains ALL of the sites. ³ ³ Upon verifcation of your site post, you will gain access to ³ ³ the current list, access to our !search, and you will also ³ ³ see new sites immediately after they are verified (6 hours ³ ³ before everybody else!). ³ ³ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ . .. .: Other Info : .. ³ ³ ³ ³ PSST!
[Show full text]
Diplomarbeit
Diplomarbeit Titel der Diplomarbeit „Entstehung und Entwicklung von HipHop in Österreich“ - Etablierung der HipHop-Kultur in Österreich am Beispiel der vier wichtigsten Pioniere der dazugehörigen Musikrichtung Verfasser Frederik Dörfler angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin / Betreuer: Univ.-Prof. Dr. Michele Calella i Inhaltsverzeichnis 1 Anmerkungen ................................................................................................................................. iv 2 Einleitung ........................................................................................................................................ iv 2.1 Vorhaben und Zielsetzung ........................................................................................................ v 2.2 Forschungsfragen und Erläuterungen ...................................................................................... v 2.3 Forschungsstand, Vorkenntnisse und Motivation................................................................... vi 2.4 Methoden ............................................................................................................................... vii 1 HipHop in den USA 1.1 Der Cross-Bronx Expressway, Gangs und Arbeitslosigkeit ...................................................... 1 1.2 HipHop und seine Gründungsväter ........................................................................................
[Show full text]
6 Nice Girl Wrong Place GANG STARR FEAT. BOY BIG Virgin
KW 25/26/2003 Plz LW WoC Title Artist Distribution PP 1 s 2 6 Nice Girl Wrong Place GANG STARR FEAT. BOY BIG Virgin/VIRGIN/EMI 1 2 s 9 10 I Can NAS Ill Will/SONY MUSIC 2 3 s 4 2 Rock Your Body JUSTIN TIMBERLAKE Jive/ZOMBA 3 4 s 11 2 Music Monks SEEED EastWest/WARNER 4 5 s 15 8 21 Questions 50 CENT FT. NATE DOGG Shady/Aftermath/UNIVERSAL 5 6 s NEW 0 Breathe BLU CANTRELL FT. SEAN PAUL Arista/BMG ARIOLA 6 7 s 8 10 Come Close (RMX) COMMON FT. E.BADU,PHARRELL&Q-TIP MCA/UNIVERSAL 7 8 t 7 8 The Hustle COMMON MCA/UNIVERSAL 7 9 s 17 2 Double Shots MOBB DEEP FT. BIG NOYD Landspeed/MUSICA 9 10 t 3 8 Saian RZA FEAT. SAIAN SUPA CREW & GHOSTFACE KILLA Virgin/VIRGIN/EMI 3 11 s 39 2 Magic Stick LIL’KIM FT. 50 CENT Atlantic/WARNER 11 12 s 21 8 Play That Beat MISSY ELLIOT Eastwest/WARNER 12 13 s NEW 0 What Happened To That Boy BABY AKA BIRDMAN FT. CLIPSE Cash Money/UNIVERSAL 13 14 s NEW 0 Konexion / Paine BUMPY KNUCKLES Rapster/BBE/SOUL SEDUC. 14 15 t 12 10 The Jump Off LIL KIM FT. MR. CHEEKS Atlantic/WARNER 12 16 s 18 8 Seed 2.0 THE ROOTS MCA/UNIVERSAL 14 17 s 30 6 Ready 2 Rock With Us RASCO FT. KUTMASTA KURT Treshold/IMPORT 17 18 s 25 8 Edie Brickell DJ VADIM Ninja Tune/ZOMBA 11 19 t 10 8 Get By TALIB KWELI Rawkus/UNIVERSAL 8 20 s NEW 0 Ya’ll Stay Up YOUNGBLOOD BRASS BAND Ozone Music/n.a.
[Show full text]
Die Offiziellen Deutschen Charts
Die Offiziellen Deutschen Charts Die kompletten Listen – Woche für Woche basierend auf den offiziellen Charts von „Der Musikmarkt“ und „Media Control“ aufbereitet von Volker Dörken, Wuppertal Deutschland - Die Offiziellen Single-Charts Pos Vorwochen Woc BP 1 07.01.2002 1 1 1 4 1 4 I Believe ... Bro'sis 2 2 2 8 1 3 From Sarah With Love ... Sarah Connor 3 5 5 5 3 Wonderful Dream ... Melanie Thornton 4 3 3 5 3 Wir Kiffen ... Stefan Raab 5 4 4 3 4 Somethin' Stupid ... Robbie Williams & Nicole Kidman 6 7 7 11 3 Hero ... Enrique Iglesias 7 6 6 6 5 Atlantis ... No Angels & Donovan 8 9 9 7 8 What If ... Kate Winslet 9 8 8 11 1 1 Because I Got High ... Afroman 10 10 10 17 5 Moi ... Lolita ... Alizée . 11 11 11 8 10 Free (I Wish I Knew How It Would Feel To Be) ... Lighthouse Family 12 15 15 7 12 Paid My Dues ... Anastacia 13 12 12 15 1 1 Can't Get You Out Of My Head ... Kylie Minogue 14 13 13 20 1 6 Only Time ... Enya 15 16 16 3 15 Ramp ‐ The Logical Song ... Scooter 16 14 14 12 3 L'Amour Toujours ... Gigi D'Agostino 17 19 19 4 15 Die Längste Single Der Welt Teil 3 ... Wolfgang Petry 18 17 17 9 11 I'm Real ... Jennifer Lopez 19 21 21 13 7 How It's Got To Be ... Jeanette 20 20 20 18 15 Deutschland ... Die Prinzen . 21 64 64 9 21 Emotion ... Destiny's Child 22 18 18 11 8 Something ..
[Show full text]
Dokument 1.Pdf
»DAS LEBEN EINES GS« — AKTUELLE SCHNITTMUSTER IM DEUTSCHEN HIPHOP Dietmar Elflein Die wissenschaftliche Beschäftigung mit bundesdeutschem HipHop kreist um mehrere thematische Schwerpunkte: Erstens ist deutscher HipHop eine Straßen- und Jugendkultur mit einem hohen Anteil von Migranten unter den Aktiven und Konsumenten und einer eigenen, mindestens zwanzigjährigen Geschichte. Deutscher HipHop in allen seinen Facetten wird zweitens greif- bar als künstlerischer Ausdruck (nicht nur) dieser Kultur. Diese beiden Aspekte werden häufig mit Hilfe von Begriffen wie »Reterritorialisierung« (z.B. Androutsopoulos 2003; Solomon 2005) verhandelt, verstanden als eine Art lokale und/oder nationale Gegenbewegung zur globalisierten Populär- kultur, oder der Fokus der Beobachtung liegt auf der Ausbildung hybrider migrantischer Identitäten der Aktiven unter den gesellschaftlichen Bedin- gungen der Bundesrepublik Deutschland, die mit Begriffen wie »Diaspora« (z.B. Kaya 2001) fassbar gemacht werden sollen. Drittens wird deutscher HipHop über kommerzielle Veröffentlichungen, deren Vermarktung sowie eine Szene-Infrastruktur, die (potentielle) Teil- haber der Kultur mit den notwendigen Accessoires versorgt, zum Geschäft und oszilliert hier zwischen Untergrund-Kleinunternehmertum und den glo- balen Konzernen der Musikindustrie. Die DVD Rap City Berlin (Gumpert et al. 2005) versammelt beispielsweise allein für Berlin 40 HipHop-orientierte, unabhängige Plattenfirmen und ist dabei nicht einmal vollständig. Viertens schließlich scheint deutscher HipHop nicht denkbar ohne den Blick nach Übersee. »African-derived aesthetics, social norms, standards, and sensibilities are deeply embedded in the form, even when it is being performed by individuals who are not themselves of African descent« (Schloss 2004: 3). Als Teil des glokalen Phänomens HipHop ist dessen deut- scher Ableger also immer auch Kopie und/oder Aneignung US-amerikani- scher Genre-Archetypen.
[Show full text]
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
[Show full text]
Analyse Deutschsprachiger Rap-Titel 1990 - 2014
MASTERARBEIT Titel der Masterarbeit „HipHop als Instrument politischer Partizipation – Rap als Sprache derer, denen keiner zuhört“ Verfasser Maximilian Hecke BA angestrebter akademischer Grad Master of Arts (MA) Wien, 2015 Studienkennzahl lt. Studienblatt: A 066 824 Studienrichtung lt. Studienblatt: Masterstudium Politikwissenschaft Betreut von: Univ.-Prof. Dr. Roman Horak Masterarbeit Politikwissenschaft Maximilian Hecke „HipHop ist nichts Ethnisches, Geographisches oder Öknomisches. Es ist deine eigene Entscheidung, ob du die Kultur erforschst, bevor du Teil davon wirst. (…) Gibst du dich aber als HipHopper aus, mußt du auch die Kultur anerkennen, seine Geschichte kennen, die Gegenwart verstehen und kämpfen, daß seine Zukunft besser wird.“ (Iriscience in Klein, Friedrich 2011, S. 52) 2 Masterarbeit Politikwissenschaft Maximilian Hecke Inhaltsverzeichnis Abbildungsverzeichnis...........................................................................................................5 Einleitung................................................................................................................................6 Forschungsfragen und Hypothesen.....................................................................................10 These:..........................................................................................................................10 Forschungsfrage:.........................................................................................................10 Methode: .....................................................................................................................11
[Show full text]
Hip Hop and Literacy in the Lives of Two Students in a Transitional English Course
Running head: HIP HOP AND LITERACY 1 Hip hop and Literacy in the Lives of Two Students in a Transitional English Course A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Education (Ed.D.) in the College of Education, Criminal Justice and Human Services Literacy and Second Language Studies University of Cincinnati Deborah M. Sánchez, M.Ed. Dr. Susan Watts-Taffe (Chair) Dr. Chester Laine (Co-chair) Dr. Carmen Kynard (Member) Dr. Gulbahar Beckett (Member) HIP HOP AND LITERACY 2 Abstract This qualitative dissertation study investigated the following research question: How does Hip hop influence the literate lives, i.e., the connections of Hip hop to readings, writings and other communicative practices, of students who placed into transitional college English courses? The impetus for the study came from the importance that Hip hop has in the lives of young people (Smitherman, 1997). The participants in this study, Dionne and Mike, were students placed into a 1st year non-credit bearing English course, also known as a transitional course (Armstrong, 2007), at a 4-year university. The study employed tools of ethnography (Heath & Street, 2008), such as interviews, classroom observations and textual analysis of students‘ language and literacy practices in spaces inside and outside of the classroom. This study is conceptually framed within cultural studies (Hicks, 2003, 2005, 2009; Nelson, Treichler, & Grossberg, 1992) and sociocultural studies (Dyson & Smitherman, 2009; Street, 2001). Data were analyzed using linguistic analysis (Alim, 2006) and textual analysis (Kellner, 2009).
[Show full text]
DJ Tomekk Black Club Grooves Mp3, Flac, Wma
DJ Tomekk Black Club Grooves mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Black Club Grooves Country: Germany Released: 1998 Style: RnB/Swing, Thug Rap, Gangsta, Cut-up/DJ MP3 version RAR size: 1657 mb FLAC version RAR size: 1179 mb WMA version RAR size: 1857 mb Rating: 4.3 Votes: 710 Other Formats: AC3 MP1 WAV FLAC AHX VQF ADX Tracklist 1.1 –DJ Tomekk Club Groovin' Intro 1.2 –Jay-Z Feat. Foxy Brown & Babyface Sunshine 1.3 –AZ Feat. SWV Hey AZ 1.4 –Common Reminding Me (Of Sef) 1.5 –Oran 'Juice' Jones Feat. Stu Large & Camp Lo Poppin' That Fly 1.6 –Rakim Guess Who's Back 1.7 –Lost Boyz Me & My Crazy World 1.8 –Missy Elliott Feat. Da Brat Sock It 2 Me 1.9 –Total Feat. Notorious B.I.G. Can't You See 1.10 –K.C. Da Rookee* Chemistry 1.11 –Lil' Kim Feat. Puff Daddy No Time 1.12 –Gravediggaz The Night The Earth Cried 1.13 –MC Lyte Have U Ever 1.14 –Big Punisher Feat. Joe I'm Not A Player 1.15 –Spice 1 Playa Man 1.16 –Mobb Deep Rare Species 1.17 –Delinquent Habits Here Come The Horns 1.18 –Busta Rhymes Dangerous 1.19 –Rampage Feat. Billy Lawrence Take It To The Streets 1.20 –Foxy Brown Feat. Jay-Z I'll Be 2.1 –Somethin' For The People My Love Is The Shhh! 2.2 –Mary J. Blige Everything 2.3 –Myron We Can Get Down 2.4 –Davina So Good 2.5 –Bootsy Collins Feat.
[Show full text]
DIE OFFIZIELLE SCHWEIZER HITPARADE - TOP 100 SINGLES - 17.11.2002 # Vorw Interpret Titel Label Woche 1 (1) Nelly Feat
DIE OFFIZIELLE SCHWEIZER HITPARADE - TOP 100 SINGLES - 17.11.2002 # Vorw Interpret Titel Label Woche 1 (1) Nelly feat. Kelly Rowland Dilemma UNI 019 445-2 4 2 (2) Las Ketchup The Ketchup Song (Aserejé) SME 672 960 2 15 3 (3) Christina Aguilera feat. Redman Dirrty BMG 74321961252 4 4 (4) Madonna Die Another Day WMS 9362424942 2 5 (7) Truth Hurts feat. Rakim Addictive UNI 497 752-2 9 6 (5) Avril Lavigne Complicated BMG 74321945772 12 7 (8) P!nk Just Like A Pill BMG 74321962072 7 8 neu Johnny Hallyday Marie UNI 063 871-2 1 9 (6) U2 Electrical Storm UNI 063 909-2 3 10 neu Shania Twain I'm Gonna Getcha Good! UNI 172 269-2 1 11 (14) Ozzy Osbourne Dreamer SME 672 341 2 4 12 (12) t.A.T.u. All The Things She Said UNI 019 331-2 3 13 (20) Craig David What's Your Flava WMS 2467800382 2 14 (9) Eminem Cleanin' Out My Closet UNI 497 793-2 7 15 (11) Kate Ryan Désenchantée UNI 108 439-2 16 16 neu Star Academy 2 Musique UNI 063 883-2 1 17 (10) Eve feat. Alica Keys Gangsta Lovin' UNI 497 790-2 7 18 (15) Shakira Underneath Your Clothes SME 672 547 2 22 19 (18) Shaggy Hey Sexy Lady UNI 113 960-2 3 20 (22) Missy Elliott Work It WMS 7559673442 2 21 (17) Justin Timberlake Like I Love You MV ZOM 79254313 4 22 neu Shakira Objection (Tango) SME 673 061 2 1 23 (13) Céline Dion I'm Alive SME 672 728 2 13 24 (27) Plüsch Häbs guet SME 673 035 1 9 25 (16) Atomic Kitten The Tide Is High (Get The Feeling) EMI 54 6712 0 8 26 (23) Phil Collins Can't Stop Loving You WMS 0927493272 2 27 (26) Santana feat.
[Show full text]
4 in Da Club 50 CENT Interscope/UNIVERSAL 1 10
KW 13/14/2003 Plz LW WoC Title Artist Distribution PP 1 ➔ 1 4 In Da Club 50 CENT Interscope/UNIVERSAL 1 2 ▲ 6 10 Made You Look NAS Epic/SONY MUSIC 2 3 ▲ NEW 0 Thin Line JURASSIC 5 FT. MYA Interscope/UNIVERSAL 3 4 ▲ 7 2 Gossip Folks MISSY ELLIOT Elektra/WARNER 4 5 ▼ 4 4 Live On Stage (Rmx) DILATED PEOPLES FT. TALIB KWELI ABB/IMPORT 4 6 ▼ 2 6 Love Iz ERICK SERMON J Records/BMG ARIOLA 2 7 ▲ 14 8 Wanksta 50 CENT Interscope/UNIVERSAL 4 8 ▼ 5 4 Beautiful SNOOP DOGG Capitol/VIRGIN/EMI 5 9 ▲ NEW 0 I Know What You Want/Call The Ambulance BUSTA RHYMES AND MARIAH CAREY J-Rec/BMG ARIOLA 9 10 ▲ 17 4 X Gon Give It To Ya DMX Ruffryders/UNIVERSAL 10 11 ▲ 28 8 Street Life BEENIEMAN Empire/VIRGIN/EMI 11 12 ▲ 22 10 Come Close To me COMMON FT. MARY J. BLIGE MCA/UNIVERSAL 11 13 ▲ 31 6 Buying Out The Bar BEATNUTS FT. LARGE PROFESSOR Landspeed/PIAS/MUSICA 12 14 ▲ 18 8 Bump Bump Bump B2K FT. P.DIDDY Epic/SONY MUSIC 14 15 ▲ 39 8 Miss you AALIYAH n.a./EDEL 5 16 ▲ NEW 0 Sing For The Moment EMINEM Interscope/UNIVERSAL 16 17 ▼ 12 10 I Got A Right Ta COMMON FEAT. PHARRELL WILLIAMS MCA/UNIVERSAL 12 18 ▲ 30 8 Symphony In X Major XZIBIT Loud/SONY MUSIC 18 19 ▲ 34 2 Like This Anna J - LIVE Coup ‘ D Etat/IMPORT 19 20 ▲ 21 6 Looptroopland LOOPTROOP David vs. Goliath Rec./PIAS/MUSICA 20 21 ▲ NEW 0 Temperature Rising LES NUBIANS FT.
[Show full text]
I Am a Screenwriter Who Has Written Several Scripts
My first real encounter with actual German hip-hop was in late July 2003 at Germany’s MTV Hip Hop Open at Stuggard, Germany. Johannes "Strachi" Strachwitz runs 711hiphop.com. Strachi and Alex Ritcher are the co-promoters of the MTV Hip-Hop Open. Alex also runs a major German talent agency called Four Artists. Some of Germany's top hip-hop groups are on Four Artists. MTV was broadcasting the live one-day hip-hop concert that drew around 10,000 German teenagers. I hadn’t arrived but a minute and was interviewing some German lowriders at the MTV Hip-Hop Open Fairgrounds. I started paying attention to a German hip-hop song blaring on the loud speakers. The beat was forgettable, but the hook was not. I barely bopping my head to the beat when the hook jumped in saying, “We Das Niggas!” “We Das Niggas!” I thought it was funny hearing the N-word in German and then I realized I was the only “Das Nigga” around a sea of white and unfamiliar faces. But why should I be surprised to see thousands of foreign white folks shouting out “Where My Nigga At?” Or “Nigga Who” or dozens and dozens of “Nigga” hooks on practically every major hit hip-hop song or music video. Our hood or urban culture is everywhere in Germany--the good and the bad. So I laughed off my “We Das Niggas” experience and enjoyed the concert. The acts at the MTV Open were all popular German hip-hop stars and the only noticeable US performer was RZA of the Wu Tang Clan.
[Show full text]