The Conception of the Unconscious with Which We Should Concern
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Phenomenology As Philosophy and Method Applications to Ways of Doing Special Education
Phenomenology As Philosophy and Method Applications to Ways of Doing Special Education JEAN C. McPHAIL ABSTRACT 1 HENOMENOLOGY IS A PHILOSOPHICAL MOVEMENT The theoretical positions of the preceding two texts THAT APPROACHES THE STUDY OF HUMAN BEINGS AND THEIR create significantly different orientations to the life worlds CULTURE DIFFERENTLY FROM THE LOGICAL POSITIVIST MODEL of people. The quote by Merleau-Ponty describes the USED IN THE NATURAL SCIENCES AND IN SPECIAL EDUCA- essential focus of the phenomenological movement in TION. PHENOMENOLOGISTS VIEW THE APPLICATION OF THE philosophy—human consciousness. The Individualized Edu- LOGICAL POSITIVIST MODEL TO THE STUDY OF HUMAN BEINGS cation Program written for a 13-year-old young man with AS INAPPROPRIATE BECAUSE THE MODEL DOES NOT ADDRESS learning disabilities characterizes the prevalent view of THE UNIQUENESS OF HUMAN LIFE. IN THIS ARTICLE, THE individuals working in the field of special education—an THEORETICAL ASSUMPTIONS AND METHODOLOGICAL orientation directed toward changing the behavior of indi- ORIENTATIONS OF PHENOMENOLOGY ARE DISCUSSED, viduals with disabilities. Whereas phenomenology privi- FOLLOWED BY THEIR APPLICATIONS TO WAYS OF DOING leges the nature of the meanings that people construct in RESEARCH IN SPECIAL EDUCATION. their lives and that guide their actions, special education focuses on the study and practice of behavioral change outside the context of the life meanings of individuals with disabilities. The shift that Bruner (1990) described in the early stages of the cognitive revolution from an emphasis on the "construction of meaning to the processing of mean- P. HENOMENOLOGY IS AN INVENTORY OF CON- ing" (p. 4) aptly characterizes the essential differences JLsciousness HEN( as of that wherein a universe resides. -
Vietnamese Existential Philosophy: a Critical Reappraisal
VIETNAMESE EXISTENTIAL PHILOSOPHY: A CRITICAL REAPPRAISAL A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Hi ền Thu Lươ ng May, 2009 i © Copyright 2009 by Hi ền Thu Lươ ng ii ABSTRACT Title: Vietnamese Existential Philosophy: A Critical Reappraisal Lươ ng Thu Hi ền Degree: Doctor of Philosophy Temple University, 2009 Doctoral Advisory Committee Chair: Lewis R. Gordon In this study I present a new understanding of Vietnamese existentialism during the period 1954-1975, the period between the Geneva Accords and the fall of Saigon in 1975. The prevailing view within Vietnam sees Vietnamese existentialism during this period as a morally bankrupt philosophy that is a mere imitation of European versions of existentialism. I argue to the contrary that while Vietnamese existential philosophy and European existentialism share some themes, Vietnamese existentialism during this period is rooted in the particularities of Vietnamese traditional culture and social structures and in the lived experience of Vietnamese people over Vietnam’s 1000-year history of occupation and oppression by foreign forces. I also argue that Vietnamese existentialism is a profoundly moral philosophy, committed to justice in the social and political spheres. Heavily influenced by Vietnamese Buddhism, Vietnamese existential philosophy, I argue, places emphasis on the concept of a non-substantial, relational, and social self and a harmonious and constitutive relation between the self and other. The Vietnamese philosophers argue that oppressions of the mind must be liberated and that social structures that result in violence must be changed. Consistent with these ends Vietnamese existentialism proposes a multi-perspective iii ontology, a dialectical view of human thought, and a method of meditation that releases the mind to be able to understand both the nature of reality as it is and the means to live a moral, politically engaged life. -
Post-Continental Philosophy: Its Definition, Contours, and Fundamental Sources
Post-continental Philosophy: Its Definition, Contours, and Fundamental Sources NELSON MALDONADO-TORRES It is no accident that the global geographical framework in use today is essentially a cartographic celebration of European power. After centuries of imperialism, the presumptions of a worldview of a once-dominant metropole has become part of the intellectual furniture of the world…. Metageography matters, and the attempt to engage it critically has only begun. Martin W. Lewis and Kären W. Wigen, The Myth of Continents.1 or several decades now the contours of legitimate philosophy have been drawn by advocates of F so-called analytic and continental philosophies. Analytic philosophy is often referred to as a style of thinking centered on the question of whether something is true, rather than, as continental philosophy, on the multiple factors that constitute meaning.2 Analytic philosophy is also said to be closer to the sciences, while continental philosophy has more affinity with the humanities.3 One of the reasons for this lies in that while analytic philosophy tends to dismiss history from its reflections, continental philosophy typically emphasizes the relevance of time, tradition, lived experience, and/or social context. Fortunately, this situation is slowly but gradually changing today. A variety of intellectuals are defying the rigid boundaries of these fields. Some of the most notable are Afro- American, Afro-Caribbean, and Latina/o scholars using the arsenal of these bodies of thought to analyze and interpret problems related to colonialism, racism, and sexism in the contemporary world.4 These challenges demand a critical analysis of the possibilities and limits of change within the main coordinates of these different styles or forms of philosophizing. -
A Philosophical Discussion of Representation
International Visual Literacy Association, Cheyenne, 1996 A PHILOSOPHICAL DISCUSSION OF REPRESENTATION One of the most basic theoretical areas in the study of visual communication and visual literacy is the nature of representation. Much of the discussion of this topic comes from either philosophy or aesthetics. This paper reviews some of the more important writings in this area in an attempt to develop a model of representation. The primary works reviewed include: E. H. Gombrich, "The Visual Image;" "Representation and Misrepresentation" Nelson Goodman, Languages of Art: An Approach to a Theory of Symbols, "Representation Re- presented" Paul Messaris, Visual Literacy: Image, Mind & Reality David Novitz, "Picturing" Marx Wartofsky, "Pictures, Representation, and Understanding;" "Visual Scenarios: The role of Representation in Visual Perception" Richard Wollheim, "Representation: The Philosophical Contribution to Psychology;" Pictures and Language;" and "Art, Interpretation, and Perception" In describing the requirements for a general theory of representation, Wollheim says it must answer two questions: What is it to represent? (what is the relationship between the representation and the something that it is of?) What, in the narrow sense of the term, is a representation? Using his two questions to guide our analysis, we find that the major theoretical issues that need to be investigated include: Is pictorial representation based on natural resemblance or convention? What is the relationship between pictures and reality? Finally, as part of this review, we are investigating if it is possible to develop an overriding theory of representation that accommodates the various issues and viewpoints. What is the relationship between pictures and reality? In beginning this discussion, let's first look at Wollheim's second question about what is a representation. -
Paintings and Photographs, Introduction to "William Wegman" Curtis Carter Marquette University, [email protected]
Marquette University e-Publications@Marquette Philosophy Faculty Research and Publications Philosophy, Department of 1-1-2002 Paintings and Photographs, Introduction to "William Wegman" Curtis Carter Marquette University, [email protected] Published version. "Introduction," in William Wegman. Roman Zenner, 2002: 1-5. Permalink. © 2002 Roman Zenner. Used with permission. WILLIAM WEG MAN Roman Zenner 2002 PAINTINGS AND PHOTOGRAPHS When William Wegman began his career in the late 1960s, he like many young artists of his generation decided to abandon painting preferring instead to use pho tography and video to explore contemporary issues in art. Why abandon painting at this point? Painting, after all, had been under attack since the invention of photogra phy in the mid-nineteenth century. Still its output has continued for centuries virtu ally without interruption. Perhaps it was because painting in the 60s seemed less exciting or less flexible than the new media and unable to satisfy the needs of artists and the public in a technological post-modem society. Against the aesthetics of post modernism, painting as a medium affirms the values of originality and uniqueness. But these values had already been called into question decades earlier by Marcel Duchamp, Man Ray, and others. The decision to abandon painting overlooks certain facts about its resiliency. Painting has had a long history of success as an art form within a broad range of diverse cultures. As Richard Wollheim has argued," If artists over the centuries had not succeeded in putting across what they wished to convey, they would have turned to some other activity .... Or their public would have asked them to do SO."1 At the conclusion of a lengthy book on pain~ing, Wollheim's strongest argument for the continuation of painting is its survival as an art form. -
Continental Philosophies of the Social Sciences David Teira
Continental philosophies of the social sciences David Teira 1. Introduction In my view, there is no such thing as a continental philosophy of the social sciences. There is, at least, no consensual definition of what is precisely continental in any philosophical approach. 1 Besides, there are many approaches in the philosophy of the social sciences that are often qualified as continental , but there is no obvious connection between them. The most systematic attempt so far to find one is Yvonne Sherratt’s (2006) monograph, where continental approaches would be appraised as different branches of the Humanist tradition. According to Sherratt, philosophers in this tradition draw on the ideas and arguments of the ancient Greek and Roman thinkers, since they understand philosophy as an accumulative endeavor, where the past is a continuous source of wisdom. Unlike empiricist philosophers in the analytic tradition, humanists see the world as an intrinsically purpose-laden, ethically, aesthetically, and spiritually valuable entity . However, once you adopt such a broad definition in order to encompass such different thinkers as Marx, Nietzsche, Heidegger or Foucault, it seems difficult not to see humanistic traits in analytic philosophers as well. Moreover, when it comes to the philosophical study of actual social sciences, it is not clear whether adopting a humanistic stance makes, as such, any difference in the analysis: as we will see below, the arguments of the continental philosophers discussed here do not presuppose a particular commitment with, e.g., ideas from classical Antiquity. Certain Greeks named those who did not speak their language Barbarians , but it was never clear who counted as a proper speaker of Greek. -
RICHARD WOLLHEIM Copyright © British Academy 2001
RICHARD WOLLHEIM Copyright © British Academy 2001 – all rights reserved Richard Arthur Wollheim 1923–2003 RICHARD ARTHUR WOLLHEIM was born on 5 May 1923 in London, the younger son of Eric Wollheim, of a German Jewish family, and Constance Baker, whose family came from the West Country and for centuries were peasants. His father was a theatrical impresario, who from 1918 acted as the Diaghilev ballet’s London manager. His mother was a Gaiety show- girl, who performed as an actress playing to the troops during the First World War, but at her husband’s insistence left the stage when she married. In his posthumously published memoir of his childhood, Germs (2004), which begins with his tottering out through the front door into the light at the age of two, Richard traces the roots in childhood of a variety of emotions he experienced in later life—resentment against calm, quiet places, the lure of danger, shame at the unreliability of his body, certain fears of inundation—and paints vivid pictures of his parents’ opinions, routines, behaviour and character. His father was emancipated and although he embraced no religious faith—indeed, considered all religion to be folly, he insisted that Richard was brought up as a Christian, an encumbrance Richard freed himself from when he grew up, from then on regarding all religions as harmful illusions, and, like Hume and Nietzsche, believing that religions tend to be worse the further they stray from polytheism. At the age of 13 he went to Westminster School as a King’s Scholar. It was the first time that he had been away to boarding-school, something he had been looking forward to but which turned out to be very different from what he had expected. -
PHI 516/GER 566/REL 516 Special Topics In
PHI 516/GER 566/REL 516 Special Topics in History of Phil: Knowledge & Belief in Kant, Fichte, Hegel Instructor: Andrew Chignell ([email protected]) Spring 2020, Marx 201, Th 1:30-4:20 Office: 232 1879 Hall; Office Hours: Tues 4-5:30 and by appt A seminar on Kantian epistemology and pistology (the theory of faith or acceptance). Topics include: the nature and ethics of assent (holding-for-true); the nature of knowledge; fallibilism and infallibilism about epistemic justification; cognition and spontaneity; noumenal ignorance; opinion and common sense; epistemic autonomy; and the structure of practical arguments, both pragmatic and moral. In the final weeks of the seminar we will consider how some of these themes are treated by two of Kant’s most influential successors – J.G. Fichte and G.W.F. Hegel. Along the way, we will look at some broadly Kantian efforts in contemporary epistemology by authors like Mark Schroeder and Kurt Sylvan. Assignments: 1. Short reflections: Everyone taking the course for credit is asked to submit five 1-2 page reflections. Often these will simply elaborate a question about the reading, but they can also involve criticism or constructive work. These are due on Wednesday night before class at 11.59pm, and should focus on the readings for the following day’s class. Graded on a satisfactory/unsatisfactory basis, they are worth (combined) 30% of the grade. As long as you’re doing the required reading, it shouldn’t be hard to achieve full credit for this. 2. Presentation: Ph.D. students have the opportunity (but not the obligation) to give a short presentation to the seminar. -
What Is Philosophy.Pdf
I N T R O D U C T I O N What Is Philosophy? CHAPTER 1 The Task of Philosophy CHAPTER OBJECTIVES Reflection—thinking things over—. [is] the beginning of philosophy.1 In this chapter we will address the following questions: N What Does “Philosophy” Mean? N Why Do We Need Philosophy? N What Are the Traditional Branches of Philosophy? N Is There a Basic Method of Philo- sophical Thinking? N How May Philosophy Be Used? N Is Philosophy of Education Useful? N What Is Happening in Philosophy Today? The Meanings Each of us has a philos- “having” and “doing”—cannot be treated en- ophy, even though we tirely independent of each other, for if we did of Philosophy may not be aware of not have a philosophy in the formal, personal it. We all have some sense, then we could not do a philosophy in the ideas concerning physical objects, our fellow critical, reflective sense. persons, the meaning of life, death, God, right Having a philosophy, however, is not suffi- and wrong, beauty and ugliness, and the like. Of cient for doing philosophy. A genuine philo- course, these ideas are acquired in a variety sophical attitude is searching and critical; it is of ways, and they may be vague and confused. open-minded and tolerant—willing to look at all We are continuously engaged, especially during sides of an issue without prejudice. To philoso- the early years of our lives, in acquiring views phize is not merely to read and know philoso- and attitudes from our family, from friends, and phy; there are skills of argumentation to be mas- from various other individuals and groups. -
New Oracles from Delphi - a 'Crucial Experiment' for Positivism in Archival History
University of Wollongong Research Online Faculty of Commerce - Papers (Archive) Faculty of Business and Law 1-1-2009 New oracles from Delphi - a 'crucial experiment' for positivism in archival history Aida Sy Manhattan College, [email protected] Tony Tinker Baruch College at the City University of New York, [email protected] George M. Mickhail University of Wollongong, [email protected] Fahrettin Okcabol Mercy College Follow this and additional works at: https://ro.uow.edu.au/commpapers Part of the Business Commons, and the Social and Behavioral Sciences Commons Recommended Citation Sy, Aida; Tinker, Tony; Mickhail, George M.; and Okcabol, Fahrettin: New oracles from Delphi - a 'crucial experiment' for positivism in archival history 2009, 1-30. https://ro.uow.edu.au/commpapers/2397 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] New oracles from Delphi - a 'crucial experiment' for positivism in archival history Abstract Empiricism has reigned supreme as an episteme for mainstream accounting research for some 25 years. In accounting, the Empiricist doctrine has assumed various guises. Positive Accounting is one of Empiricism's generic forms. It exists both in its own right, and in various incarnations such as Market Studies, Agency Theory and Historical Archivalism (in accounting history). In the U.S, these manifestations of Empiricism emerged in the mainstream literature in response to attacks on the then Big 8 accounting firms and their corporate clients. In the 1970's, Abraham Briloff's assaults in Barrons were costing the firms and their clients millions of dollars in law suits. -
Philosophy of Perception As a Guide to Aesthetics
OUP UNCORRECTED PROOF – FIRSTPROOFS, Fri Jan 31 2014, NEWGEN 5 Philosophy of Perception as a Guide to Aesthetics Bence Nanay 5.1 The Provocative Claim The aim of this paper is to argue for a provocative claim: that many, maybe even most traditional problems in aesthetics are in fact about philosophy of perception and can, as a result, be fruitfully addressed with the help of the conceptual apparatus of the philosophy of perception. I will spend much of the paper clarifying and qualifying this claim, which after all the qualifications may not sound so provocative after all. I need to clarify the following aspects of this claim: (a) What is meant by aesthetics. (b) What is meant by philosophy of perception. (c) Why should we accept that it is a promising avenue of research to consider prob- lems in aesthetics to be really about the philosophy of perception. I will take these in turn. But before we begin, it needs to be emphasized that on the face of it, the claim I make does not sound crazy, at least if we consider the etymology of the term ‘aesthetics’. The Greek word ‘aesthemi’ means perception and when Alexander Baumgarten introduced the concept of ‘aesthetics’ in 1750, what he meant by it was precisely the philosophy of perception: the study of sense perception (scientia cogni- tionis sensitivae). My claim is that, regardless of etymology, this connection can also be made today. It is important that my aim is not to argue that aesthetics should be a subdiscipline of philosophy of perception or that any approach that does not consider aesthetics to be philosophy of perception is doomed or should be considered inferior. -
Monism and Pluralism: the History of Aesthetics and the Philosophy of Architecture - Part I Paul Guyer
Monism and Pluralism: The History of Aesthetics and the Philosophy of Architecture - Part I Paul Guyer I. Monism and Pluralism in the Early History of Aesthetics One way to think about the history of aesthetics since its inception as a properly named subdiscipline of philosophy in the early eighteenth century is to think of it as a debate about the right way to understand the relations among the terms of the Neo-Platonist triad comprised by the true, the good, and the beautiful: do these terms designate three separate domains of human interest, the theoretical, the practical and moral, and the aesthetic, the boundaries between which must be sharply defined and maintained, or do they designate three aspects of human experience that can and should be fused in practice, indeed do they suggest that the distinctive function of art among human activities is precisely to fuse our natural love of beauty with our theoretical and moral concerns, to provide a kind of unity in human experience that we otherwise do not find?1 Immanuel Kant might be thought to be the foremost of separatists rather than synthesizers in the modern history of aesthetics: his definition in the “Analytic of the Beautiful” in the Critique of the Power of Judgment of the “judgment of taste” as “aesthetic,” where that means that it is neither cognitive nor practical, that on the one hand “In order to decide whether or not something is beautiful, we do not relate the representation by means of understanding to the object for cognition”2 and that on the other hand “The agreeable,