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Jazz Services National Touring Support Scheme Data 1992 – 2011
Jazz Services National Touring Support Scheme Data 1992 – 2011 Presented By: Steve French Computer Consultant Jazz Services 132 Southwark Street London SE1 0SW Telephone: 0207 928 9089 Email: [email protected] Website: www.jazzservices.org.uk Facebook: British Jazz Twitter:@jazzservices 15th March 2012 Table of Contents FOREWORD ......................................................................................................................... 3 1. GENERAL ACTIVITY: FINANCIAL YEARS 1992-2011.................................................... 4 1.1 TABLE 1: Data Relating to the Financial Years April to March 1992/2011 .............................. 4 1.2 TABLE 1: Notes to the figures .................................................................................................. 5 2. BAND ACTIVITY: FINANCIAL YEARS 1992-2011 ........................................................... 6 2.1 TABLE 2: Data Relating to Band Award for Financial Years April to March 1992/2011 .......... 6 2.2 TABLE 2: Notes to the figures .................................................................................................. 7 3. REGIONAL STATISTICS 1992-2011 ................................................................................ 8 3.1 TABLE 3: Number of gigs by Financial Year and Region ........................................................ 8 3.2 TABLE 4: Gigs by Financial Year and Region as a Percentage 1992-2011 ............................ 9 3.3 TABLE 5: Number of gigs by Financial Year and Region as a % 1992-2011 ....................... -
Piano Recital Prize and Arnold Schoenberg
1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’). -
Printmakers Presspack
THE PRINTMAKERS “In the old days, this band would have had the words “All-Stars” in their name. Every one of them is a leading figure in British contemporary jazz. Together, they create 10 evocative sound-pictures of places and times. It’s remarkable how just five instruments and voice can suggest space and depth as they do.” Dave Gelly, The Observer The word supergroup is common currency, especially in the rock world. Jazz, of course, has its fair share of supergroups too. Sometimes, one supergroup comes along that really is very special indeed. The Printmakers is such a group. The group formed at the instigation of Steve Mead at The Manchester Jazz Festival several years ago and since then has gone from strength to strength. Award winning Nikki Iles is one of the heroines of British jazz. She has made an invaluable contribution to the jazz scene in this country and beyond, while also making a very personal musical statement in many groups, not least her own superb Anglo-American trio with Rufus Reid and Jeff Williams. Grammy nominated and ECM recording artist Norma Winstone MBE, pioneering innovator of the voice, has been a leading light in European music for many years. She collaborated with Kenny Wheeler and John Taylor in Azimuth, described by Richard Williams as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. She has also worked with Fred Hersch, Steve Swallow, Jimmy Rowles, Mike Gibbs and Ralph Towner. She has had a resurgence recently, with three superb award winning ECM releases in collaboration with European musicians, Klaus Gesing and Glauco Venier. -
Prospectus 19/ 20 Trinity Laban Conservatoire Of
PROSPECTUS 19/20 TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE CONTENTS 3 Principal’s Welcome 56 Music 4 Why You Should #ChooseTL 58 Performance Opportunities 6 How to #ExperienceTL 60 Music Programmes FORWARD 8 Our Home in London 60 Undergraduate Programmes 10 Student Life 62 Postgraduate Programmes 64 Professional Development Programmes 12 Accommodation 13 Students' Union 66 Academic Studies 14 Student Services 70 Music Departments 16 International Community 70 Music Education THINKING 18 Global Links 72 Composition 74 Jazz Trinity Laban is a unique partnership 20 Professional Partnerships 76 Keyboard in music and dance that is redefining 22 CoLab 78 Strings the conservatoire of the 21st century. 24 Research 80 Vocal Studies 82 Wind, Brass & Percussion Our mission: to advance the art forms 28 Dance 86 Careers in Music of music and dance by bringing together 30 Dance Staff 88 Music Alumni artists to train, collaborate, research WELCOME 32 Performance Environment and perform in an environment of 98 Musical Theatre 34 Transitions Dance Company creative and technical excellence. 36 Dance Programmes 106 How to Apply 36 Undergraduate Programmes 108 Auditions 40 Masters Programmes 44 Diploma Programmes 110 Fees, Funding & Scholarships 46 Careers in Dance 111 Admissions FAQs 48 Dance Alumni 114 How to Find Us Trinity Laban, the UK’s first conservatoire of music and dance, was formed in 2005 by the coming together of Trinity College of Music and Laban, two leading centres of music and dance. Building on our distinctive heritage – and our extensive experience in providing innovative education and training in the performing arts – we embrace the new, the experimental and the unexpected. -
Gwilym Simcock
Gwilym Simcock Chick Corea simply calls him an "original. A creative genius", while Jamie Cullum raves about his playing: "I'll be watching our finest young piano-player Gwilym Simcock." Born 1981 in Wales, Simcock – now living in London –is undoubtedly right at the top of European jazz and considered one of the most gifted pianists and imaginative composers on the British scene. He took classical piano lessons at one of England's most renowned music schools from the age of three, building up a musical background that defines his playing to this day. He certainly could have become a successful classical pianist if he had not discovered Keith Jarrett's and Pat Metheny's music by the age of 15, finally drawing him into jazz. Having completed his studies at the Royal Academy of Music he is able to move effortlessly between jazz and classical. Simcock was acknowledged as a great talent very early on and soon got to play with stars like Dave Holland, Lee Konitz, Bob Mintzer and on Bill Bruford's "Earthworks". Winner of the Perrier Award, BBC Jazz Awards and British Jazz Awards in 2005, Simcock was the first BBC Radio 3 "New Generation Jazz Artist". He also was voted "Jazz Musician of the Year" at the 2007 Parliamentary Jazz Awards. The release of his ACT debut "Good Days at Schloss Elmau" (ACT 9501-2) early in 2011 marks his final breakthrough. Along with recordings by Adele, Katy B and James Blake, the solo piano album was nominated for the prestigious Mercury Prize as one of Great Britain's 12 best albums of the year. -
I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same. -
The Compositional Language of Kenny Wheeler
THE COMPOSITIONAL LANGUAGE OF KENNY WHEELER by Paul Rushka Schulich School of Music McGill University, Montreal March 2014 A paper submitted to McGill University in partial fulfillment of the requirements of the degree of D.Mus. Performance Studies ©Paul Rushka 2014 2 ABSTRACT The roots of jazz composition are found in the canon ofthe Great American Songbook, which constitutes the majority of standard jazz repertoire and set the compositional models for jazz. Beginning in the 1960s, leading composers including Wayne Shorter and Herbie Hancock began stretching the boundaries set by this standard repertoire, with the goal of introducing new compositional elements in order to expand that model. Trumpeter, composer, and arranger Kenny Wheeler has been at the forefront of European jazz music since the late 1960s and his works exemplify a contemporary approach to jazz composition. This paper investigates six pieces from Wheeler's songbook and identifies the compositional elements of his language and how he has developed an original voice through the use and adaptation of these elements. In order to identify these traits, I analyzed the melodic, harmonic, structural and textural aspects of these works by studying both the scores and recordings. Each of the pieces I analyzed demonstrates qualities consistent with Wheeler's compositional style, such as the expansion oftonality through the use of mode mixture, non-functional harmonic progressions, melodic composition through intervallic sequence, use of metric changes within a song form, and structural variation. Finally, the demands of Wheeler's music on the performer are examined. 3 Resume La composition jazz est enracinee dans le Grand repertoire American de la chanson, ou "Great American Songbook", qui constitue la plus grande partie du repertoire standard de jazz, et en a defini les principes compositionnels. -
Zzcalifornia Aconservatory
a conservatory california zz EDITION 14.0 2014 – 2015 general catalog California Jazz Conservatory Academic Calendar 2014 – 2015* Spring Semester 2014 Auditions for Spring 2014 By Appointment Academic and Administrative Holiday Jan 20 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Jan 31 Academic and Administrative Holiday Feb 17 Spring Recess March 24 – March 30 Auditions for Fall 2014 By Appointment Last Day of Instruction May 11 Final Examinations and Juries May 12 – 16 Commencement May 17 Fall 2014 Enrollment Deposit Due On or before June 1 Fall 2014 Registration On or before August 4 Fall Semester 2014 Auditions for Fall 2014 By Appointment New Student Orientation Aug 14 First Day of Fall Instruction Aug 18 Academic and Administrative Holiday Sept 1 Last Day to Add/Drop a Class Sept 2 Academic and Administrative Holiday Nov 24 – Nov 30 CJC academic calendar Spring 2015 Enrollment Deposit Due On or before Dec 1 Spring 2015 Registration Jan 5 – 9 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 8 – 14 Commencement Dec 20 Winter Recess Dec 15 – Jan 19 Spring Semester 2015 Auditions for Spring 2015 By Appointment Academic and Administrative Holiday Jan 19 First Day of Spring Instruction Jan 20 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 16 Spring Recess March 23 – March 29 Auditions for Fall 2015 By Appointment Last Day of Instruction May 10 Final Examinations and Juries May 11 – 15 Commencement May 16 A Z Z C J O N A S Fall 2015 Enrollment Deposit Due On or before June 1 I E Fall 2015 Registration August 3 – 7 N R R V O A D F S T E E I V * Please note: Edition 14 of the CJC 2014–2015 General Catalog C O L E N L R O E A I covers the time period of July 15, 2014 – July 14, 2015. -
An Evening with Pat Metheny with Antonio Sánchez, Linda May Han Oh, and Gwilym Simcock
Thursday, October 25, 2018, 8pm Fox Theater, Oakland An Evening with Pat Metheny with Antonio Sánchez, Linda May Han Oh, and Gwilym Simcock Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. ABOUT THE ARTISTS Pat Metheny was born in Lee’s Summit (MO) on one of the very first jazz musicians to treat the August 12, 1954, into a musical family. Starting synthesizer as a serious musical instrument. on trumpet at the age of eight, he switched to Years before the invention of MIDI technology, guitar at age 12. By the age of 15, he was work - Metheny was using the Synclavier as a compos - ing regularly with the best jazz musicians in ing tool. He has also been instrumental in the Kansas City, receiving valuable on-the-band - development of several new kinds of guitars, in - stand experience at an unusually young age. cluding the soprano acoustic guitar, the 42-string Metheny first burst onto the international jazz Pikasso guitar, Ibanez’s PM series of jazz guitars, scene in 1974. Over the course of his three-year and a variety of other custom instruments. stint with vibraphone great Gary Burton, the It is one thing to attain popularity as a musi - young Missourian quickly displayed his soon- cian, but it is another to receive the kind of to-become trademark playing style, which acclaim Metheny has garnered from critics and blends the loose and flexible articulation peers. Over the years, he has won countless polls customarily reserved for horn players with an as Best Jazz Guitarist along with awards includ - advanced rhythmic and harmonic sensibility— ing gold records for (Still Life) Talking, Letter a way of playing and improvising that is mod - from Home, and Secret Story . -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Simcock, Garland, Sirkis Simcock, Garland, Sirkis
Jubilee Release # 8 Simcock, Garland, Sirkis Lighthouse ACT 952 555---222 German Release DateDate:: March 30, 2012 Once upon a time … there was a lighthouse A celtic influinfluenceence surfaces on some of the trio's material,material, unsurprising given Simcock's birthplace (Bangor, North On England’s north east coast, just before the Scottish Wales) and Tim's musical history (incl. British Folk/Jazz group border, on an island near Whitley Bay, stands a gleaming 'Lammas' for many years). Strong, distinctive melodies and white lighthouse - St. Mary’s Lighthouse - which ascends into bounding folk-tinged rhythms underpin the music, along with the sky. The five hundred metres between the tiny island and many other influences from around the world and some the coast can only be crossed at low tide. When Tim Garland tributes to a few of the great musicians of recent British took on a job as composer-in-residence at nearby Newcastle contemporary music history. If St. Mary’s Lighthouse is a university he decided to buy a house - near the lighthouse. genuine sight, this Lighthouse is a major aural sight - a new “You enter this space and the first thing you notice is the chapter in lighthouse history. special acoustics. It's totally hollow inside. When the tide is in, the lighthouse stands in water and is cut off from the land 01 Space Junk: This was written after I did some work in and then all you can hear and see is the sea.” For the CD “If Ibiza with two great DJ's, Carl Cox and Yousef. -
Radio 3 Listings for 12 – 18 January 2019 Page
Radio 3 Listings for 12 – 18 January 2019 Page 1 of 12 SATURDAY 12 JANUARY 2019 Rudolf Macudzinski (piano), Bratislava Slovak Radio Martin Handley presents Radio 3's classical breakfast show, Symphony Orchestra, Ludovít Rajter (conductor) featuring listener requests. SAT 01:00 Through the Night (m0001yjc) The Art of the Cello 04:03 AM Email [email protected] Orlande de Lassus (1532-1594) Estelle Revaz in a solo recital featuring Bach, Berio and Dulces Exuviae - motet Gubaidulina recorded in Switzerland. Jonathan Swain presents. Currende, Erik van Nevel (conductor) SAT 09:00 Record Review (m0001zpc) with Andrew McGregor. 01:01 AM 04:09 AM Johann Sebastian Bach (1685-1750) Ludwig Norman (1831-1885), Niklas Willén (arranger) 9.00am Prelude from Cello Suite No 3 in C BWV1009 Andante Sostenuto for orchestra Estelle Revaz (cello) Sveriges Radios Symfoniorkester [Swedish Radio Symphony ‘L’Alessandro amante’ – 18th century songs and instrumental Orchestra], Niklas Willén (conductor) pieces by Bononcini, Handel, Pescetti, Steffani, Draghi, 01:04 AM Mancini, Vinci, Leo & Porpora Luciano Berio (1925-2003) 04:19 AM Xavier Sabata (counter tenor) Les mots sont allés Zoltán Kodály (1882-1967) Vespres D’arnadi (ensemble) Estelle Revaz (cello) Mónár Anna (Anie Miller) from Hungarian Folk Music Dani Espasa (director & harpsichord) Polina Pasztircsák (soprano), Zóltan Kocsis (piano) Aparte AP192 01:07 AM http://www.apartemusic.com/discography/lalessandra-amante/ Johann Sebastian Bach (1685-1750) 04:27 AM Allemande from Cello Suite No 3 in C, BWV 1009