Stressing the Unity of the '98 Rebellion Ruan O'donnell: Page 7
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Appendix 1: Sample Newspapers and Media Coverage
Appendix 1: Sample Newspapers and Media Coverage Sample Newspapers The following newspapers are referred to throughout the monograph as the ‘sample newspapers’ that were collected over the six months data collection period (1 March 2010 to 31 August 2010). Andersonstown News Belfast Telegraph Irish News News Letter North Belfast News South Belfast News Sunday Life Sunday World, Northern Edition In selecting the newspapers, the ideological differences existing within Northern Ireland’s media have been considered and the selection is represen- tative (i.e. The Irish News aligns with the Nationalist viewpoint, whereas the Newsletter aligns with the Unionist viewpoint and the Belfast Telegraph appears not to favour or align with one specific cultural tradition or particular political ethos). © The Author(s) 2018 239 F. Gordon, Children, Young People and the Press in a Transitioning Society, Palgrave Socio-Legal Studies, https://doi.org/10.1057/978-1-137-60682-2 Table A1.1 Sample newspapers circulation figures, December 2010 Circulation Newspaper Type figure Ownership Belfast Telegraph Daily 58,491 Belfast Telegraph Newspapers Irish News Daily 44,222 Irish News Ltd News Letter Daily 23,669 Johnston Publishing (NI) Andersonstown News Twice-weekly 12,090 Belfast Media Group 6,761 (Monday) North Belfast News Weekly 4,438 Belfast Media Group South Belfast News Weekly Not available Belfast Media Group Sunday Life Weekly 54,435 Belfast Telegraph Newspapers Sunday World, Northern Weekly Not available Not available Edition Table A1.2 Other local newspapers cited The following newspapers were collected during July and August 2010 and further news items were accessed from the online archives. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Field of Blood
Gerald Seymour Field of Blood PROLOGUE It was a good plan. The Chief and his Brigade Officers had worked at it for five weeks. They knew in which car the target would travel, and which routes his escorts could take between the detached suburban house and the Crown Court. They had the timings on the car, and they knew that all the routes used the same final half mile to the Court buildings. The weapon was in the city. The weapon and its single projectile were available and waiting. The marksmen were available and waiting. The strike was fixed by the Chief for the Thursday of the following week. It was a good plan, too good to fail. That it seemed to have failed was a matter of dismal luck, the luck that had haunted the Organization in the last months. Eammon Dalton and Fran Forde were stopped on the Glen Road at a randomly placed police road block. On another evening the two Volunteers might have carried off the Person Check with indifference, given their names and addresses quietly and calmly, spilled the fictitious every‐night story of where they were going, and been cleared and sent on their way. They were heading, when they were waved down, to a final briefing from Brigade. They were nervous and strung taut and they aroused the interest of the heavily armed constables peering down at the two young Catholics' torch‐lit faces. Dalton wouldn't speak, and Forde gave, in the heat of the moment, an alias which was found a minute later to differ from the name on his driving licence. -
S.Macw / CV / NCAD
Susan MacWilliam Curriculum Vitae 1 / 8 http://www.susanmacwilliam.com/ Solo Exhibitions 2012 Out of this Worlds, Noxious Sector Projects, Seattle F-L-A-M-M-A-R-I-O-N, Open Space, Victoria, BC 2010 F-L-A-M-M-A-R-I-O-N, aceart inc, Winnipeg Supersense, Higher Bridges Gallery, Enniskillen Susan MacWilliam, Conner Contemporary, Washington DC F-L-A-M-M-A-R-I-O-N, Golden Thread Gallery, Belfast F-L-A-M-M-A-R-I-O-N, NCAD Gallery, Dublin 2009 Remote Viewing, 53rd Venice Biennale 2009, Solo exhibition representing Northern Ireland 13 Roland Gardens, Golden Thread Gallery Project Space, Belfast 2008 Eileen, Gimpel Fils, London Double Vision, Jack the Pelican Presents, New York 13 Roland Gardens, Video Screening, The Parapsychology Foundation Perspectives Lecture Series, Baruch College, City University, New York 2006 Dermo Optics, Likovni Salon, Celje, Slovenia 2006 Susan MacWilliam, Ard Bia Café, Galway 2004 Headbox, Temple Bar Gallery, Dublin 2003 On The Eye, Golden Thread Gallery, Belfast 2002 On The Eye, Butler Gallery, Kilkenny 2001 Susan MacWilliam, Gallery 1, Cornerhouse, Manchester 2000 The Persistence of Vision, Limerick City Gallery of Art, Limerick 1999 Experiment M, Context Gallery, Derry Faint, Old Museum Arts Centre, Belfast 1997 Curtains, Project Arts Centre, Dublin 1995 Liptych II, Crescent Arts Centre, Belfast 1994 Liptych, Harmony Hill Arts Centre, Lisburn List, Street Level Gallery, Irish News Building, Belfast Solo Screenings 2012 Some Ghosts, Dr William G Roll (1926-2012) Memorial, Rhine Research Center, Durham, NC. 2010 F-L-A-M-M-A-R-I-O-N, Sarah Meltzer Gallery, New York. -
Nicole Ives-Allison Phd Thesis
P STONES AND PROVOS: GROUP VIOLENCE IN NORTHERN IRELAND AND CHICAGO Nicole Dorothea Ives-Allison A Thesis Submitted for the Degree of PhD at the University of St Andrews 2015 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6925 This item is protected by original copyright This item is licensed under a Creative Commons Licence P Stones and Provos: Group Violence in Northern Ireland and Chicago Nicole Dorothea Ives-Allison This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 20 February 2015 1. Candidate’s declarations: I, Nicole Dorothea Ives-Allison, hereby certify that this thesis, which is approximately 83, 278 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September, 2011 and as a candidate for the degree of Doctor of Philosophy (International Relations) in May, 2011; the higher study for which this is a record was carried out in the University of St Andrews between 2011 and 2014 (If you received assistance in writing from anyone other than your supervisor/s): I, Nicole Dorothea Ives-Allison, received assistance in the writing of this thesis in respect of spelling and grammar, which was provided by Laurel Anne Ives-Allison. -
National Library of Ireland
ABOUT TOWN (DUNGANNON) AISÉIRGHE (DUBLIN) No. 1, May - Dec. 1986 Feb. 1950- April 1951 Jan. - June; Aug - Dec. 1987 Continued as Jan.. - Sept; Nov. - Dec. 1988 AISÉIRÍ (DUBLIN) Jan. - Aug; Oct. 1989 May 1951 - Dec. 1971 Jan, Apr. 1990 April 1972 - April 1975 All Hardcopy All Hardcopy Misc. Newspapers 1982 - 1991 A - B IL B 94109 ADVERTISER (WATERFORD) AISÉIRÍ (DUBLIN) Mar. 11 - Sept. 16, 1848 - Microfilm See AISÉIRGHE (DUBLIN) ADVERTISER & WATERFORD MARKET NOTE ALLNUTT'S IRISH LAND SCHEDULE (WATERFORD) (DUBLIN) March 4 - April 15, 1843 - Microfilm No. 9 Jan. 1, 1851 Bound with NATIONAL ADVERTISER Hardcopy ADVERTISER FOR THE COUNTIES OF LOUTH, MEATH, DUBLIN, MONAGHAN, CAVAN (DROGHEDA) AMÁRACH (DUBLIN) Mar. 1896 - 1908 1956 – 1961; - Microfilm Continued as 1962 – 1966 Hardcopy O.S.S. DROGHEDA ADVERTISER (DROGHEDA) 1967 - May 13, 1977 - Microfilm 1909 - 1926 - Microfilm Sept. 1980 – 1981 - Microfilm Aug. 1927 – 1928 Hardcopy O.S.S. 1982 Hardcopy O.S.S. 1929 - Microfilm 1983 - Microfilm Incorporated with DROGHEDA ARGUS (21 Dec 1929) which See. - Microfilm ANDERSONSTOWN NEWS (ANDERSONSTOWN) Nov. 22, 1972 – 1993 Hardcopy O.S.S. ADVOCATE (DUBLIN) 1994 – to date - Microfilm April 14, 1940 - March 22, 1970 (Misc. Issues) Hardcopy O.S.S. ANGLO CELT (CAVAN) Feb. 6, 1846 - April 29, 1858 ADVOCATE (NEW YORK) Dec. 10, 1864 - Nov. 8, 1873 Sept. 23, 1939 - Dec. 25th, 1954 Jan. 10, 1885 - Dec. 25, 1886 Aug. 17, 1957 - Jan. 11, 1958 Jan. 7, 1887 - to date Hardcopy O.S.S. (Number 5) All Microfilm ADVOCATE OR INDUSTRIAL JOURNAL ANOIS (DUBLIN) (DUBLIN) Sept. 2, 1984 - June 22, 1996 - Microfilm Oct. 28, 1848 - Jan 1860 - Microfilm ANTI-IMPERIALIST (DUBLIN) AEGIS (CASTLEBAR) Samhain 1926 June 23, 1841 - Nov. -
Home Office Appraisal Report 1953-2016
Appraisal Report HOME OFFICE 1953 - 2016 Home Office Appraisal report CONTENTS EXECUTIVE SUMMARY ............................................................................................................... 4 BACKGROUND INFORMATION .................................................................................................. 6 1.2 Type of agency ............................................................................................................... 11 1.3 Annual budget ................................................................................................................. 11 1.4 Number of employees ..................................................................................................... 11 1.5 History of organisation .................................................................................................... 12 1.6 Functions, activities, and recordkeeping ......................................................................... 25 1.7 Name of the parent or sponsoring department) .............................................................. 30 1.8 Relationship with parent department .............................................................................. 30 1.9 Relationship with other organisations ............................................................................. 30 SELECTION DECISIONS ............................................................................................................ 32 2.1 Areas of Policy Work undertaken in the organisation .................................................... -
Coleraine Bombing Arpillera by Leanne Hanson, Focus on Families, Ballysally, Coleraine, 2013
EXPLORING RESPONSES TO CONFLICT THROUGH TEXTILE ART Stitching and Unstitching the Troubles II Exploring responses to conflict through textile art Stitching and Unstitching the Troubles II displays new art works created by community groups and individual explor- ing their response to their own experience of the Troubles. The art works were inspired by the Stitching and Unstitching the Troubles exhibition delivered by Causeway Museums Service and Mid-Antrim Museums Service with Roberta Bacic, as part of the North East PEACE III Cultural Fusions Project. The exhibition incorporated nearly forty quilts and arpilleras from seven countries exploring different aspects of conflict. Originating in Chile in the 1970s, arpillera (pronounced ‘ar-pee-air-ah’) textile artworks were created as a means of sharing stories relating to experiences of conflict. This textile tradition has since spread across the world. For further information check out www.niarchive.org/ CulturalFusions. The First Bomb in Coleraine Ballykelly Bombing Arpillera by June Gamble, Focus on Arpillera by Justene Archer, Focus on Families, Ballysally, Coleraine, 2013 Families, Ballysally, Coleraine, 2013 June recalls being at work in the shirt factory on Ballycastle Here, Justene portrays the aftermath of the bomb at the Droppin' Well Road, when the car bomb planted by the IRA exploded on Rail- Bar and Disco in Ballykelly, County Derry, Monday, 6th December, way Road, Coleraine on June 12th 1973, killing six Protestant ci- 1982, planted by the Irish National Liberation Army (INLA). A total of vilians. In this arpillera, we see her making the journey home 17 people were killed, 11 British soldiers and 6 civilians. -
Belfast Hills Bright Future EVALUATION REPORT
5/5/2021 Belfast Hills Bright Future EVALUATION REPORT Lizzy Pinkerton BELFAST HILLS PARTNERSHIP 1 Belfast Hills Bright Future Project Evaluation 2021 Content Page No. Introduction 3 The Evaluation Background 4 Quantitative Outcomes 5 Qualitative Outcomes 6 Delivery Changes/Lessons 15 Programme Management, staffing and Finances 16 Youth Consultation Focus Group 17 Case Studies 21 Project by Project evaluation 48 Legacy & Conclusions 169 2 Introduction The Belfast Hills Partnership was one of 31 programmes across the whole of the UK who had the opportunity to take part in the ‘Our Bright Future’ movement funded by the National Lottery Community Fund and overseen by the Wildlife Trusts. The Our Bright Future programme (OBF) is a forward-thinking social movement that’s about supporting young people so that they can lead progressive change in their communities and local environment. It aims to tackle environmental issues and the lack of opportunity for young people by using one problem to help another. Ultimately, it’s about unleashing the potential of young people, so they can make a big, positive impact and become an unstoppable force for good. Overall programme outcomes are: 1. participation in the Our Bright Future programme will have positive impacts on young people equipping them with the skills, experience and confidence to lead environmental change 2. the Our Bright Future programme will have positive impacts on the environment and local communities 3. the Our Bright Future programme will influence change and create a legacy 4. the Our Bright Future programme will utilise an effective partnership working and a youth- led approach, leading to stronger outcomes for young people and the environment The aim of the Belfast Hills Bright Future project is to build on the previous Belfast Hills Partnership Landscape Partnership Scheme project and undertake a wide scope of programmes to facilitate infrastructure improvements, community involvement and site action, via school and youth outreach work. -
Appendix List of Interviews*
Appendix List of Interviews* Name Date Personal Interview No. 1 29 August 2000 Personal Interview No. 2 12 September 2000 Personal Interview No. 3 18 September 2000 Personal Interview No. 4 6 October 2000 Personal Interview No. 5 16 October 2000 Personal Interview No. 6 17 October 2000 Personal Interview No. 7 18 October 2000 Personal Interview No. 8: Oonagh Marron (A) 17 October 2000 Personal Interview No. 9: Oonagh Marron (B) 23 October 2000 Personal Interview No. 10: Helena Schlindwein 28 October 2000 Personal Interview No. 11 30 October 2000 Personal Interview No. 12 1 November 2000 Personal Interview No. 13 1 November 2000 Personal Interview No. 14: Claire Hackett 7 November 2000 Personal Interview No. 15: Meta Auden 15 November 2000 Personal Interview No. 16 1 June 2000 Personal Interview Maggie Feeley 30 August 2005 Personal Interview No. 18 4 August 2009 Personal Interview No. 19: Marie Mulholland 27 August 2009 Personal Interview No. 20 3 February 2010 Personal Interview No. 21A (joint interview) 23 February 2010 Personal Interview No. 21B (joint interview) 23 February 2010 * Locations are omitted from this list so as to preserve the identity of the respondents. 203 Notes 1 Introduction: Rethinking Women and Nationalism 1 . I will return to this argument in a subsequent section dedicated to women’s victimisation as ‘women as reproducers’ of the nation. See also, Beverly Allen, Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina (Minneapolis: University of Minnesota, 1996); Alexandra Stiglmayer, (ed.), Mass Rape: The War Against Women in Bosnia- Herzegovina (Lincoln: University of Nebraska, 1994); Carolyn Nordstrom, Fieldwork Under Fire: Contemporary Studies of Violence and Survival (Berkeley: University of California, 1995); Jill Benderly, ‘Rape, feminism, and nationalism in the war in Yugoslav successor states’ in Lois West, ed., Feminist Nationalism (London and New Tork: Routledge, 1997); Cynthia Enloe, ‘When soldiers rape’ in Maneuvers: The International Politics of Militarizing Women’s Lives (Berkeley: University of California, 2000). -
Northern Ireland Guidance on Marine Licensing Environmental Impact
Northern Ireland Guidance on Marine Licensing Environmental Impact Assessment, under Part 4 of the Marine and Coastal Access Act 2009 May 2016 Contents Page 1.0 The Marine Works (Environmental Impact Assessment) Regulations ………………………………………....................... 3 2.0 Need for Environmental Impact Assessment ……………..... 4 3.0 The prohibition on Granting a Marine Licence in the Absence of an EIA Consent ……..…………………………...................... 4 4.0 Environmental Impact Assessment Screening ………….……… 4 5.0 Environmental Impact Assessment Scoping ………………............. 5 6.0 Environmental Statement Background ……...………………... 7 7.0 Content and Format of Environmental Statement ……………….. 7 8.0 Best Practice ……………………………………………….. 8 9.0 Submission of the Environmental Statement ………………............. 8 10.0 Stakeholder and Public Consultation ……………………...... 8 11.0 EIA Consent Decision ……………………………………….. 9 12.0 EIA Deferral ……………………………………………………...... 9 Appendix ………………………………………………... 11 2 1.0 The Marine Works (Environmental Impact Assessment) Regulations The licensing regime under Part 4 of the Marine and Coastal Access Act 2009 (MCAA) largely replaces a number of previous regulatory regimes including those under: Part 2 of the Food and Environment Protection Act (FEPA) 1985; The Environmental Impact Assessment and Natural Habitats (Extraction of Minerals by Marine Dredging) (England and Northern) Regulations 2007. Council Directive No 85/337/EEC, the Environmental Impact Assessment Directive (as amended) on the assessment of the effects of certain public and private projects on the environment seeks to ensure that the authority giving the primary consent has knowledge of any likely significant effects on the environment. The Environmental Impact Assessment (EIA) Directive sets out a procedure that must be followed for certain types of project before they can be given ‘development consent’. -
Sectarianism and Social Capital: Community Development In
Sectarianism and Social Capital: Community Development in Northern Ireland Becky Alhadeff SIT Ireland, Spring 2007 Dr. Patricia Lundy University of Ulster 1 Table of Contents I. Introduction………………………………..........................................................................3 II. Methodology……………………………….........................................................................8 III. Theoretical Overview: Social Capital and Community Development.............................13 IV. The Micro Issue: £ I.2 million goes to the UPRG?..………...........................................17 V. The Macro Issue: Is there a Community Development Disparity?………………………25 VI. Conclusion: The Wider Debate………………………………...........................................40 VII. References………………………………..........................................................................44 2 Introduction 3 Sitting on the bus going to Belfast to begin my ISP, I was so nervous that I couldn’t read, I couldn’t sleep, and even my apple and honey was unappealing. I had turned in a project proposal to Aeveen, in fact, over the past week I had turned in several proposals to her, but I was still not satisfied. I knew that I wanted to focus on the economy, preferably the social economy of Belfast; however I had no idea which angle I wanted to pursue. Economic regeneration and social development has always fascinated me. Is economic regeneration and development a worthwhile tactic to pursue in a peace process? Will the reduction of unemployment and a growth in education performance lessen identity and religious tensions? Is dealing first with community development and second with community relations an effective way to go about conflict transformation? When I visited Northern Ireland the first time, the election campaign was on everyone’s minds. As we drove into South Armagh the first thing that really struck me about the election posters were the numerous references to water charges.